Category Archives: Fashion

Get the latest fashion tips & outfit ideas from your favorite celebrities,Model & designers.

Advertisements

Nairobi, Kenya – April 22, 2024 Nairobi, the vibrant heart of East Africa, bore witness to an extraordinary event as the Face of Africa 2024 International Pageant unfolded in all its grandeur at Delight Technical College. This esteemed occasion, held on Saturday, April 20th, 2024, brought together contestants from across the continent, each embodying the pinnacle of beauty, grace, and empowerment.

The Face of Africa 2024 International Pageant transcends mere aesthetics; it stands as a celebration of diversity and resilience. Contestants hailing from diverse backgrounds and cultures converged on one stage, exemplifying the rich tapestry of Africa’s heritage. From the bustling streets of Lagos to the serene landscapes of the Serengeti, each contestant brought forth a unique narrative and distinct charm to the competition.

The evening unfolded as a symphony of elegance and talent, with contestants captivating the audience with their poise and charisma. Amidst the glitz and glamour, the judges faced the daunting task of selecting the winners who would epitomize African beauty and grace for the forthcoming year.

In the heart of Nairobi, Kenya, the vibrant pulse of African fashion beats passionately at Delight Fashion School. In the bustling metropolis, where creativity intertwines with tradition, this esteemed institution has once again proven itself as the epitome of sartorial excellence with its highly anticipated annual event, “The Face of Africa 2024”.

As the sun dipped below the horizon, casting a golden glow over the city, the runway at Delight Fashion School illuminated with an aura of anticipation. Fashion enthusiasts, industry insiders, and aspiring designers gathered under one roof to witness the unveiling of Africa’s next top models and the showcase of groundbreaking designs that encapsulate the continent’s rich cultural tapestry.

The event kicked off with a burst of energy as models strutted down the runway, exuding confidence and grace. Each ensemble showcased a fusion of traditional African motifs with contemporary flair, a testament to the school’s commitment to preserving heritage while pushing the boundaries of innovation.

From intricate beadwork inspired by Maasai traditions to bold prints paying homage to the diverse landscapes of the African continent, every garment told a story of identity, resilience, and celebration. Designers spared no expense in experimenting with textures, colors, and silhouettes, resulting in a breathtaking display of creativity that captivated the audience’s imagination.

Following much anticipation and careful deliberation, the esteemed winners were announced:

Face of Africa 2024: Lucy Mueni
First Runner-Up: Veronicah Mutheu
Second Runner-Up: Sheryne Nkirote

The Face of Africa 2024 Winner: Lucy Mueni

The Face of Africa 1st Runners Up: Veronicah Mutheu

The Face of Africa 2nd Runners Up: Sheryne Nkirote

In addition to these prestigious titles, special awards were bestowed to acknowledge outstanding talent and character:

Face of Africa 2024, Face Plus Size: Ramona Njeri Munene
Congeniality Award: Vilmer Komora
Style Icon Award: Grace Laura

Winner Face of Africa 2024 Face Plus Size: Ramona Njeri Munene

Congeniality Award: Vilmer Komora

Style Icon Award: Grace Laura

The evening served as a testament to the power of unity and the celebration of individuality. Through their grace and confidence, the contestants inspired audiences to embrace their own uniqueness and pursue their dreams, irrespective of the obstacles they encounter.

As the curtains drew to a close on this unforgettable night, the Face of Africa 2024 International Pageant left an indelible mark on the hearts of all attendees. It’s not merely about crowning beauty queens; it’s about empowering women to embrace their inner strength and radiate brightly in a world that often seeks to dim their light.

However, “The Face of Africa 2024” was more than just a fashion show; it was a platform for empowerment and inclusivity. Delight Fashion School has long been dedicated to nurturing talent from all walks of life, providing opportunities for aspiring designers to showcase their skills and break into the competitive world of fashion.

One of the highlights of the evening was the announcement of the winners of the prestigious “Face of Africa” competition. Amidst fierce competition, a select few models stood out for their charisma, poise, and distinctive beauty. These individuals were not just crowned as ambassadors of African fashion but as symbols of diversity and representation in an industry often criticized for its lack thereof.

As the final curtain fell on “The Face of Africa 2024,” the reverberations of its success echoed far beyond the confines of the runway. Delight Fashion School had once again cemented its reputation as a beacon of creativity and excellence, not only in Kenya but on the global stage. Through its commitment to innovation, inclusivity, and cultural preservation, the school continues to shape the future of African fashion, inspiring generations to come.

In a world where fashion is often synonymous with fleeting trends and superficiality, Delight Fashion School reminds us that true style is a reflection of heritage, creativity, and authenticity. As we bid farewell to another spectacular event, we eagerly await the next chapter in the school’s journey, knowing that the face of Africa will continue to shine brighter with each passing year.

Content courtesy of Delight Fashion School, The Face of Africa & NFH Digital Team

Fashion, News

Securing $3.4 Million In Seed Funding, The Folklore Aims To Empower Marginalized Communities, Empower African Fashion Designers, And Expand Its B2B Wholesale Platform.

April 18, 2024 Fashion Tribe InfluencerLeave a comment

Advertisements

The Folklore, a firm that empowers underprivileged communities and African fashion designers, has raised $3.4 million in seed money to grow its business-to-business (B2B) wholesale network. Lead investors in the investment round were Techstars, Black Tech Nation Ventures, Slauson & Co., and venture capital company Benchstrength.

African apparel designers were given economic prospects when founder Amira Rasool opened The Folklore in 2018 as an online boutique. The business has now reached out to underserved populations all across the world. Offering a number of additional services, such as The Folklore Source, The Folklore Capital, and The Folklore Hub, has been made possible by The Folklore’s pivot to a B2B wholesale platform.

Kenneth Chenault Jr., managing partner of Benchstrength, stated, “Benchstrength is thrilled to invest in The Folklore.” “We think the business is creating a strong movement that will support and grow the next big names in the industry. We can’t wait to work with Amira and her group.

Rasool underlined the value of cultivating connections with investors, pointing out that Benchstrength’s investment was made subsequent to her initial communication with Chenault. In the end, her emphasis on the importance of updating investors on the company’s development influenced Benchstrength’s decision to make an investment.

Brand partners’ comments fueled Folklore’s growth and the introduction of new services. After asking brand partners what areas they were particularly in need of assistance, Rasool and her team created The Folklore Source, The Folklore Capital, and The Folklore Hub.

As per the news statement, marketers can obtain access to The Folklore platform and its resources by subscribing to a $39 monthly subscription. The Folklore’s emphasis on offering technology and knowledge to enable underrepresented communities in running successful brands is indicative of its dedication to supporting up-and-coming brands.

According to Rasool, “We are positioning ourselves as a one-stop shop for brands to access technology that can increase their sales, streamline their processes, and help them grow.”

“We continue to develop our technology to support businesses as they expand and gain more traction, even as we serve up-and-coming brands.”

The funding infusion will support The Folklore’s 2022 transition from an online store that specializes in selling clothing from African labels to a business-to-business enterprise that facilitates the entry of up-and-coming businesses into retail spaces.

“We can’t do two big things and be successful as a small company,” Rasool remarked. “Therefore, in order to have a greater influence on our brands, we have chosen to concentrate on the B2B route.”

The Folklore is located in New York City and was founded in 2018. After receiving $2.8 million in two pre-seed rounds, the company’s total fundraising currently stands at $6.2 million with this latest investment.

Content courtesy of The Folklore, More Branches & NFH Digital Team

Fashion, News

Nike On Air Eliud Kipchoge: Breaking Records and Fashion Norms in Bode X Nike

April 13, 2024 Oscar AlochiLeave a comment

Advertisements

Eliud Kipchoge, renowned worldwide as the epitome of marathon greatness, has once again defied expectations, this time not on the track, but on the streets of Paris, adorned in the finest threads from the Nike x Bode collaboration. In a surprising twist at Nike’s recent product reveal event, Kipchoge, the undisputed king of long-distance running, emerged as a symbol of style and sophistication, showcasing the seamless fusion of athleticism and haute couture.

Picture this: Eliud Kipchoge, the legendary marathoner, stands tall outside Nike’s Parisian extravaganza, clad in Bode’s Scrimmage Jacket and matching pants, exuding an aura of confidence and elegance that transcends the boundaries of sport. And on his feet, not the usual carbon-plated running shoes, but the yet-to-be-released black leather Bode x Nike Astro Grabber sneakers, a testament to his willingness to embrace innovation and creativity in every aspect of his life.

For Kipchoge, whose name is synonymous with speed, endurance, and world records, the transition from breaking marathon barriers to breaking fashion norms may seem unexpected. However, as he prepares for his fifth appearance at the Olympic Games, Kipchoge continues to redefine what it means to be a global icon, both on and off the track.

Nike’s collaboration with Bode has been a journey of anticipation and excitement, with fans eagerly awaiting each new revelation. From the initial teaser of the black Astro Grabber sneaker to the eventual unveiling of the full collection, the partnership between these two powerhouses has captivated audiences worldwide. And now, with the release date set for April 18, enthusiasts can finally get their hands on the entire range of Bode x Nike apparel and footwear.

It’s undeniable that for Kipchoge, style has never been the focus. With four of the ten fastest marathons in history under his belt and a world record time of 2:01:09, his priorities have always been clear: to push the boundaries of human achievement in the realm of athletics. Yet, seeing the GOAT adorned in full Bode x Nike attire serves as a reminder that greatness knows no bounds, whether on the track or the runway.

In the grand tapestry of sports and fashion, Eliud Kipchoge’s appearance in Bode x Nike is a masterpiece a harmonious blend of athleticism, innovation, and sartorial excellence. As we witness the convergence of two worlds, let us celebrate Kipchoge’s unwavering commitment to excellence, both as a marathon legend and an unexpected style icon. Truly, his presence drips with the essence of greatness, a masterpiece deserving of its place in the annals of history.

Could Kenyan Sporting Legends Eliud Kipchoge and Faith Kipyegon Be Emerging Fashion Icons?
In a recent showcase of Nike’s latest fashion line at the renowned Palais Brongniart in Paris, photos of globally acclaimed athletes Eliud Kipchoge and Faith Kipyegon gracing the runway have sparked international attention. Kipchoge, widely regarded as one of the greatest marathon runners in history, captured the spotlight as he strutted in a futuristic trench coat accentuated with puff shoulders.

Images of Kipchoge sporting a sleek gloss-black ensemble, complemented by shades, gloves, and baggy trousers, have drawn comparisons to iconic sci-fi imagery, evoking references to Star Wars among some observers on social media. This unexpected venture into the realm of high fashion by Kipchoge and Kipyegon has ignited discussions about their potential emergence as fashion influencers on a global scale.

Nike Unveils Summer Games Kits with Star Athletes Eliud Kipchoge, Faith Kipyegon, and Sha’Carri Richardson

In anticipation of the upcoming Summer Games, Nike hosted an event aimed at unveiling kits for various sports, ranging from track and field to basketball, soccer, and skateboarding. Renowned athletes, including Eliud Kipchoge, Faith Kipyegon, and Sha’Carri Richardson, graced the event, showcasing Nike casual wear on stage.

Sharing glimpses of the event on April 11, Kipchoge and Kipyegon highlighted their dazzling outfits. In one video, Kipchoge donned a striking black ensemble, drawing comparisons to the iconic style often associated with rapper Kanye West. Similarly, Kipyegon was dressed head-to-toe in all-black attire, accentuated with shorts, a jacket, gloves, socks, and shades, completing the sleek look.

While some lauded Kipchoge for his bold fashion sense, others expressed surprise, noting the departure from his usual athletic attire. A segment of Kipchoge’s fanbase suggested that the outfit did not align with his established style as a world-class athlete, advising him to maintain focus on his athletic pursuits. Despite differing opinions, many commended Kipchoge for showcasing versatility beyond the track.

Kipchoge’s collaboration with Nike has been a significant development in his career. In 2023, Nike announced a partnership with the marathon champion, unveiling the EK Umoja collection inspired by Kipchoge’s legendary career. This collaboration marks a milestone for Kipchoge, as athletes involved in such ventures receive a share of sales, making it a lucrative opportunity. The collection features footwear and apparel adorned with inscriptions commemorating Kipchoge’s race-winning achievements and his iconic mantra, ‘No human is limited’.

Content courtesy of Highs No Biety & NFH Digital Team

Fashion, News

Ami Doshi Shah, a Jewelry Designer, Reinvents Jewelry in Kenya Using Ropes, Brass, Salt, and Stone.

March 20, 2024 Fashion Tribe InfluencerLeave a comment

Advertisements

Sisal ropes, old brass, salt crystals, and volcanic pebbles are just a few of the unusual materials that award-winning Kenyan designer Ami Doshi Shah has consistently used to create elegant jewelry that redefines value in a market obsessed with carats. In an interview with AFP on her rooftop studio in Nairobi, the capital of Kenya, Shah, 44, said, “As a child, I was always finding beauty in unusual things like stones and fossils.” Shah creates her pieces by hand.

Her 2019 collection Salt of the Earth, which was on display at the Brooklyn Museum in New York and the Victoria & Albert Museum in London, included ropes, salt crystals, and patinated blue-green metal.

Shah claimed that it took her years to devote herself entirely to her vocation, even though she graduated from a university in Birmingham, England, with a degree in jewelry and silversmithing and the coveted Goldsmiths medal for best apprentice designer.

Ami Doshi Shah interned at Indian jewelers like The Gem Palace, whose clients have included Princess Diana, Oprah Winfrey, and Gwyneth Paltrow. She is a third-generation Kenyan of South Asian descent.
She did not agree with traditional Indian notions of jewels as an opulent investment. Furthermore, she wasn’t quite sure how to reconcile the demands of the commercial world with her experimental sensibility. Shah then started working for an advertising company, where he was based in Nairobi and London for the following twelve years.

She remarked, “I knew it wasn’t my calling.” During her second pregnancy, she took a break and started an artist residency at the nonprofit Kuona Trust in Nairobi for a year in 2014–2015.

Ami Doshi Shah claimed that although it was a cathartic time, it was also “filled with self-doubt.” It is difficult to realize that you might not be a commercial success, especially after spending so much time focused on earning money. I was concerned about whether people would enjoy my work.

Personal and Political
Ami Doshi founded her brand in 2015 with the intention of producing striking, sculptural pieces that honor the talismanic significance of jewelry in Kenyan culture, where it is worn for protection, strength, and at significant life events.
Her collection includes everything from sisal neckpieces to brass earrings that sway with every movement and stone-inlaid cuffs.
Her creations are built to order using materials found in Kenya, marking a dramatic break from the traditional Indian jewelry that is dominated by expensive metals and jewels. She works with materials including leather, mango wood, and zoisite, a byproduct of the nation’s ruby mining in East Africa, in addition to brass, which is the predominant metal used in Kenyan jewelry.

The end product is jewelry that ranges in price from $75 to $375 and is quite personal and occasionally political.

“Not everyone will enjoy or comprehend my work, and that’s okay,” she remarked, emphasizing that she views jewelry-making as “a labor of love” rather than a financial endeavor. Her critically praised 2019 collection examined the contradictory properties of salt—it is a material that is both caustic and life-giving.

It also alluded to Britain’s colonial past, as Shah’s grandparents moved from Gujarat, India, where Mahatma Gandhi led a famous protest march in 1930 in response to harsh salt tariffs. That’s when she stated, “I felt for the first time that jewelry could be political, that it could be a thread connecting so many things.”

Tell Our Own Story
Her most recent collection, Memento Mori, came up as a result of her grief, as she considered her father’s passing in 2021 and their last days spent together in the Kenyan town of Watamu, which is located on the Indian Ocean.

Her concentration is squarely on the continent she calls home, both as the inspiration and the market for her sophisticated creations, which are stocked in shops in Nigeria, Ghana, South Africa, Ivory Coast, and Kenya, despite the fact that her work is sold and recognized in the West.

After the painful expulsion of South Asians from Uganda in 1972, she urged her fellow South Asians to embrace integration rather than seek safety in self-segregation, saying, “I feel far more Kenyan than Indian.” Her goal is to establish a multidisciplinary studio with “predominantly Kenyan” designers, building on her recent ventures into the furniture industry. “It’s crucial to be able to narrate our own story in our own unique way rather than having one forced upon us.”

Content courtesy of Kuwait Times & NFH Digital Team

Fashion, News

A Fashion Presentation “Under the Sea” to Launch a New Company, the Founders of Which Claim Would Transform How People See Formal Wear

March 11, 2024 Fashion Tribe InfluencerLeave a comment

Advertisements

At the Hayden Fairgrounds, 398 S. Poplar St., two ladies will launch a new dress rental service on March 16 with an “Under the Sea” fashion display.
Partnering with friend Liz Spinazzola to arrange the fashion event, Nicole Longo stated, “It’s really expensive to buy a dress that you might wear once.” “The purpose is to display clothes that may be rented right here in the city.
We aimed to transform the way individuals view formal wear and provide a means for them to enjoy the thrill of donning beautiful gowns without having to worry about breaking the bank.

The company will sell lightly used gowns, many of which are brand new or have only been worn once. After being dry cleaned, the dresses will be ready for rental. The concept came to Longo and Spinazzola after they noticed how many pricey gowns in their own wardrobes they had never worn.
The two ladies want the event to be enjoyable with delicious food and beverages, a DJ creating a party atmosphere while models make their way down the runway, and a fashion display that highlights the gowns that are available.

A numbered system will be implemented during the performance to facilitate audience members’ identification of their preferred outfits as the models walk across the stage.
“People can kind of write down which dress they like using our little system, and then they can get in touch with us,” Longo explained. “After that, they can come pick up the dress from us in Hayden, or we can deliver it to them.”

Currently, the gowns are kept in storage between the houses of Longo and Spinazzola, but eventually, the women intend to move the business into a commercial building that is presently being built, giving them a physical store.

The runway show will kick off at 5:30 p.m. with a party that allows attendees who paid $50 for VIP tickets to enter the lounge area, where they may partake in appetizers, visit the cosmetics bar, and win raffle tickets automatically. In addition to front-row seats for the performance, those guests will receive gift bags.

Those with general admission tickets, which cost $30 apiece and include snacks, a drink, and a little goodie bag to remember the occasion, can enter at 6:30 p.m. At the door, extra raffle tickets are available for purchase for a chance to win more prizes.

Spinazzola and Longo, who run their own businesses, came up with the idea for both the performance and the outfit rental service. Spinnazola is the owner of Manes and More By Mermaid, a Hayden salon offering services for cosmetics, personal care, and beauty. At her farmer’s market booth, Longo hosts Solstice Collective, a company that specializes in creating hand-tied malas and offers kids the opportunity to create solar-powered mason jar night lights.
According to Spinazzola, “We are just looking into introducing a dress rental opportunity for people who need them all year round.” “We plan to exhibit them at the fashion show, allowing people to see what resources are readily available in Routt County without the need for financial investment.”

The women also hope that by offering dress rentals, they will draw in tourists who may be passing through the area and in need of a dress or who don’t want to deal with the trouble of packing their own for a special occasion or a night out.
Eventbrite and Steamboat event posters both provide QR codes that may be scanned to purchase tickets. If there are still tickets remaining after the VIP line, they can also be bought at the door the night of the performance.
The women stated that the Hayden Valley Schools would receive a share of the sales.

“Perhaps the fashion show will become a yearly occasion in Routt County,” stated Spinazzola. “We were kind of inspired to do it because it’s kind of hard to shop in Hayden, especially for prom dresses and dresses for gala events, and we have so many beautiful gowns and dresses.”

Together with a lesser assortment of suits and dress things for the guys, the women estimate that they currently own close to 200 gowns.
“Everything is unique, therefore, there won’t be a “Who wore it better?” scenario because no two dresses will be the same, according to Spinazzola. “We have a pretty impressive collection,”

According to Longo, Northwest Colorado has long needed a dress rental company. Having one will enable residents to look good for special occasions without breaking the bank or piling up dresses for one-time wear in their closets.

“Dance Theater, Cabaret Dancing with the Stars, the Yampa Valley Autism Masquerade Ball, and all the high school dances are just a few of the events that are coming up,” Longo stated. “There are a lot of reasons why people dress up, and buying these dresses is very costly.”

Content courtesy of Steam Boat Pilot & NFH

Fashion, News

Paris Fashion Week: McGirr Debuts McQueen, While Valentino Presents an Ornate Black Study.

March 5, 2024 Oscar AlochiLeave a comment

Advertisements

Valentino’s newest fashion show, an homage to the dark, was held on Sunday in the hallowed salons of a large 18th-century palace. This monochromatic collection, which was influenced by renowned painters like Pierre Soulages, the French master of black, glittered and glistened among a variety of textures and materials beneath crystal chandeliers.

A moon’s distance away, in the dark expanse of an industrial warehouse strewn with bare concrete surfaces and abandoned iron rails, the shivering guests of Alexander McQueen gathered under blankets, vibrating with an electric expectation.
This was not just any other fashion show, but it signified the start of a new era for a house with a rich and controversial past, as well as the introduction of Sean McGirr as the new creative director.

1. The Nooir of Valentino
“I approached black as a canvas, a starting point on which to build silhouettes that could move while looking for lights around, to soak them in and reflect them,” said designer Pierpaolo Piccioli.
The paradoxes of the color, which might be used to symbolize sobriety and exuberance, lack light while absorbing reflections, captivated the photographer. It brought to mind Soulages’ ideology, which passed away in 2022.
As a result, all-black ensembles with a hint of Valentino’s heyday and glitz from the 1980s walked by, daywear and evening merging seamlessly due to the color’s strong attraction.

Fashionable home pieces were reinterpreted with a contemporary twist, for example, consider the dramatic black rosette embellishing a sleeve or the subtle skin peeking out from behind layers of silk. Athletic A-line skirts with tubular frills were also a hit.
Although the collection avoided the risk of feeling one-note, feathers, leather, sequins, and lace added slight textural tension, not quite enough to keep it from feeling that way.

Yet, the last set of dresses, which included a stunning floor-sweeping gown made of transparent chiffon, was a magnificent study in elegance. Poignantly scattered like a constellation of black stars, delicate ornaments were scattered across it.

2. Alexander Mcqueen’s New Beginnings
After 14 remarkable years of Sarah Burton, there was a lot of pressure on the relatively unknown 35-year-old designer from Dublin, McGirr, to present in this debut a vision and identity. Burton left large shoes to fill when she left McQueen last season. After the brand’s creative creator passed away suddenly and tragically, Burton weaved her story into the brand’s darkly romantic ethos.

Described as “rough opulence” and with the goal of “unveiling the animal within,” McGirr’s debut collection aligned with Alexander McQueen’s fundamental principles, which include a blend of Gothic charm, provocativeness, historical fashion references, and the brand’s signature dramatic tailoring.

A model wearing a darkly twisted black laminated garment that looked to swallow her hands whole opened the show. This startling picture of confinement recurred throughout the collection.
This idea of bound was repeated in the ropes that wound around the slender legs of jeans and the sturdy boots that transformed into the hooves, tails, and menacingly large leather coats of horses.
Still, there were times when designs bordered on garish, with patterned ancient Renaissance sleeve dresses and oversized knitwear resembling “car tires” that lacked the nuance of his predecessor.
Even though there were some dazzlingly bold moments in the collection, McGirr chose to play it safe rather than take the chance of making a mistake by pushing the boundaries.
Maybe this premiere would have been better served by a more intimate, low-key, and less stressful presentation style.

However, a surprising undercurrent of joy and whimsy emerged within the collection’s melancholic thoughts, best expressed by the mellifluous tune of his compatriot Enya’s “Sail Away” filling the air.
It brought a cheerful brightness to the room that was slightly mirrored in McGirr’s sometimes humorous designs.

3. Mugler’s Drama, Light, and Shadow Infused With Mist

During the Sunday night show, Mugler’s guests were mesmerized by the mist-filled theatrics.
The staging used dramatic elements such as strobe lights, smoke machines, and cascading drapes to convey drama.
Watched by celebrities like Brooklyn Beckham, layers of curtains dropped from the Lycee Carnot school atrium, where models used light and shadow to accentuate already outstanding appearances.
There was corsetry, asymmetry, and flesh everywhere.
Designer Casey Cadwallader has been pushing conventional fashion norms with a rigorous examination of the human form since his debut, using a strikingly erotic style. This autumn was no different.

Huge black tuxedos are worn with bras above naked torsos. The hems of body-hugging minidresses featured loose, billowing bands. There were many themes of hiding, such as transparent textiles that showed off nipples and cleverly positioned fabric portions that only offered modesty.

The American designer is still having a big impact on the Paris fashion scene.
He promoted diversity this season as well, displaying models of all ages, sizes, and ethnicities, including numerous plus-sized models. The stunning 63-year-old Farida Khelfa stole the show in a crimson-fringed poncho dress that was bright.

Incorporating digital components to produce captivating exhibitions that connect with a modern audience, Cadwallader’s presentations are renowned for fusing performance, art, and fashion.
This ensures that Mugler remains a prominent figure in today’s fashion discourse.

Content courtesy of Thomas Adamson from The Press Association & NFH

Fashion, News

What Qualities Are We Looking for in an Alexander McQueen Designer?

March 4, 2024 Fashion Tribe InfluencerLeave a comment

Advertisements

The most anticipated presentation of the season was Alexander McQueen’s debut by 35-year-old designer Seán McGirr.
We are living in the Gatsby era of fashion.
The fabrication of myths, fantasies, and exquisite falsehoods requires a great deal of time, money, and talent, yet it all serves to replicate the past.
Though no designer who put their name on an atelier door before the 21st century truly thought in such terms, conglomerates, particularly LVMH and Kering, desire designers who would modernize what everyone already knows about companies formed decades ago to update the codes.

And even if the fashion wasn’t all that fantastic, to begin with, and even if the people voicing these demands weren’t alive to see the moments, to begin with, shoppers and fashion analysts want items that have the power and mystique of fashion from decades past.
Even if it seems like it when you’re standing in front of a rack at a store or admiring the elegant style of an online luxury retailer, the conflict in fashion today is not whether or not people desire anything. It concerns how well a designer can mimic the past and whether they live up to the collective ideal of what came before them.

For this reason, among others, the 35-year-old designer Seán McGirr’s Saturday night Paris debut at Alexander McQueen was the most anticipated of the season, possibly even in recent memory.
McGirr studied for three years at JW Anderson, so he’s not in a particularly fortunate situation, even if almost all designers his age looked up to McQueen. He takes over for Sarah Burton, the adored heir to the brand’s creator, Lee McQueen (whose middle name was Alexander), who succeeded the designer following his suicide in 2010.
A master tailor who poured his demons and traumas into his collections, McQueen was a once-in-a-lifetime artist who left his audiences both emotionally bruised and stunned.

François-Henri Pinault, the head of Kering, and his wife Salma Hayek, along with hundreds of editors, influencers, and celebrities, trekked to a remote corner of Paris on a chilly, rainy night, shivering in a semi-outdoor space to see what McGirr had cooked up.
There are other reasons why all eyes were on McGirr. The paucity of female creative directors at McQueen’s parent company, Kering, and in the fashion industry at large was a topic of discussion following McGirr’s October hiring.
Numerous white males with similar haircuts had positions of authority, but numerous competent women were overlooked. Hehe.

What then did McGirr provide? Nice tailoring—not as good as McQueen’s or Burton’s—along with very edgy lads dressed in tight leather jackets, skimpy suits, and quirky headgear. Perversion efforts were made: he dressed the figures in decent jackets and shoes that resembled hooves, with one gray ponytail hanging down from the heel. He was a McQueenism, but he also manufactured enormous sweaters, a talent he would have developed at JW Anderson.

Though less often than the designer intended, the opening garment, which was made of sparkling black jersey, had the model’s hands crammed inside. It was sensual at moments.
The song “Orinoco Flow” by Enya, included on the soundtrack, had a hint of cheekiness that verged on cheesecake.

You can’t just put out there that McGirr’s models walked with strange wobbles or akimbo arms following John Galliano’s eerie January couture presentation for Maison Margiela.
All in all, it read like a final thesis from art school, too carefree to convince us that these animals were nasty foreigners.

One model donned a death gaze while swinging a pretty ordinary-looking studded purse like a war ax. She was dressed in an incandescent yellow knit skirt, jacket, and tube top.
Some of you questioned what this lady could be so furious about, given her appearance as though she were heading to a music festival supported by some unremarkable late-capitalist organization like a firm that claims to disrupt water.

Exacting, clever, if somewhat emotionally stunted, McQueen was particularly so at his peak, when Kering became an investor and he could apply his Savile Row-shaped abilities to beautiful materials from Paris. The play might have appeared violent and deranged, or it could have looked flawless to appease the Gatsbyites. Rather, it was neither.

McGirr, who exudes a youthful charm akin to that of Sally Rooney, expressed backstage that he aspires for his McQueen to be “uplifting.” He’s as sweet as pie: His evening plans included hugging his mother and taking a bath. In addition, he declared that McQueen’s devotion to “people on the fringes” is “more relevant than ever” and that he finds these “outsider” characters attractive.

Though his collection had the manners of a Spice Girl greeting the queen, McGirr said, “I’m kind of into this idea of anti-politeness, because we live in a very uniform time.”

This is more than just McGirr’s problem. The fashion industry demands too much of its designers and rushes too quickly to help those who are struggling. A designer doesn’t need to have a luxurious lifestyle to create exquisite clothing; many successful company owners create strange and even disturbing works of art. I can think of Simone Rocha, Demna from Balenciaga, and Rei Kawakubo from Comme des Garçons.

In addition, is it fair to expect a designer to give up emotional stability to create amazing work? Perhaps McGirr does contain something that he has to let out via his clothing. (You never know how a fresh position or artistic endeavor can transform you.) After all, he had just started in October.
It’s up to you to judge a rookie designer’s potential for becoming something extraordinary (or, at the very least, entertaining). Thoughts like his towering, rigid shield tops and big knitwear may develop into something more refined, McGirr appears like an enthusiastic student of his new home.

Studying McQueen brings up a whole new way of understanding fashion, as many people have discovered because of the 2011 hit show at the Metropolitan Museum of Art. McGirr could get corrupted very soon.

In any case, this is an opportunity for the rest of the fashion industry to see what they’re dying to see when they bow down to McQueen. Few people are aware of or take the time to learn about how contentious McQueen’s concerts were at the time, frequently receiving negative press coverage.
Few defended his low-rise jeans, which McQueen developed, or his now-classic collections like his Givenchy debut and Highland Rape series.

Writing about him would have required you to acknowledge the controversy: Longtime fashion writer Robin Givhan for The Washington Post called his clothing “bawdy, sometimes mean-spirited,” especially toward women. Even in her praise of the collections, Givhan mentioned retailers’ issues with the clothing’ fit.

McGirr would be better off turning away from the green light across the lake and forging his path, looking to McQueen for his bluntness and his unwillingness to back down, than trying to feed the McQueen fantasies of the past.

Content courtesy of Washington Post & NFH

Fashion, Lifestyle, News

The Newest NN Running Team Racing Outfit Design: An Explanation Of The Concept Behind Eliud Kipchoge’s 2024 Tokyo Marathon Customized Nike Kit

March 1, 2024 Oscar AlochiLeave a comment

Advertisements

The 2024 NN Running Team Kit represents not just an aesthetic upgrade but a deep cultural and environmental connection to the athletes’ training grounds. Centered around the theme of the Acacia leaf, the kit design symbolizes the essence of resilience, growth, and natural beauty that the athletes experience in Kenya. This design choice connects the athletes to their roots and the serene yet challenging environments where their training takes place.

The Acacia Leaf Symbolism

The Acacia tree holds a significant place in many cultures, especially in Kenya, where it is a common sight in the landscapes where the NN Running Team athletes train. The Acacia is known for its resilience, thriving in arid conditions with minimal water. This resilience mirrors the athletes’ own perseverance and dedication to their sport, facing and overcoming challenges in their pursuit of excellence. The use of the Acacia leaf in the kit design is a nod to this shared spirit of endurance and the natural beauty of their training environment.

Design Features

While specific details about the material composition, technological integrations, and performance-enhancing features of the kit are not mentioned, it’s typical for running kits of this caliber to include:

– Lightweight and Breathable Fabric: To ensure the athletes remain cool and comfortable during races, even in warm weather conditions.
– Moisture-Wicking Technology: To draw sweat away from the body, helping to keep the athletes dry and prevent chafing.
– Aerodynamic Fit: To reduce air resistance and improve performance, every element, from the seams to the texture of the fabric is likely designed with aerodynamics in mind.
– Vibrant Design: The Acacia leaf motif is not just symbolic but also adds a visually striking element to the kit, making the athletes stand out during competitions.

The Story Behind the Design

The unveiling of the kit by Eliud Kipchoge’s management highlights the importance of storytelling in sports apparel. By sharing the history and inspiration behind the design, the NN Running Team connects the athletes and their fans to a larger narrative of heritage, environment, and the pursuit of excellence. This storytelling aspect enriches the significance of the kit, transforming it from mere sportswear into a symbol of identity and pride.

The Impact

The introduction of the 2024 NN Running Team Kit does more than update the team’s wardrobe; it serves as a source of motivation and a reminder of the athletes’ roots and the journey they embark upon in their careers. For fans and aspiring athletes, the kit is a tangible representation of what can be achieved with dedication and respect for one’s surroundings.

The 2024 NN Running Team Kit, with its Acacia leaf design, is a masterful blend of culture, nature, and technology. It stands as a testament to the team’s values and the athletes’ connection to their Kenyan training grounds, offering them inspiration and a unique identity as they compete on the global stage. This thoughtful incorporation of natural elements into sports apparel sets a precedent for future designs, where meaning and performance go hand in hand.

Global Sports Communication and NN Group have established a special ongoing collaboration. NN Running Squad is the world’s first professional running squad that is introducing a new aspect to running.

The NN Team
Together with the greatest athletes on the planet, the world’s finest long-distance runners form the NN Running Team. NN Group and Nike-sponsored athletes include reigning Olympic champion Eliud Kipchoge, world record holder, world champion, and Olympian Kenenisa Bekele, Chicago Marathon 2016 winner Florence Kiplagat, and Dutch athlete Abdi Nageeye. On April 9, 2017, the NN Running Team will compete in its inaugural team event at the NN Marathon in Rotterdam.

Setting Up a Professional Running Framework
With the goal of elevating the sport to a more professional and inventive level, the NN Running Team will compete in 150 events throughout the globe. Working with sponsors like Nike and NN Group allows us to provide the greatest assistance possible for our athletes.
A former elite athlete named Jos Hermens said, “And by assembling a team of elite athletes, young African and European talent, all the athletes can tap into the knowledge and experience that have propelled our world and Olympic champions to the top of their sport.” Serving as the head of Global Sports Communication, he has over 30 years of experience providing assistance to several elite athletes worldwide.

NN and Running
NN Group has been actively participating in a range of running events since 2015 with the aim of assisting individuals in reaching their athletic objectives. Numerous running events in Europe and Japan, such as the Nationale-Nederlanden San Silvestre Vallencana in Madrid, the NN Marathon Rotterdam, and the Naha Marathon in Japan, are proudly sponsored by NN today.

Through its sponsorship of the NN Running Team, NN Group is advancing the sport of running. Remco Barbier, head of branding at NN Group, states, “We think that the accomplishments of the athletes in the NN Running Team can also motivate others.” Barbier says, “We also hope that the team’s knowledge of training regimens, nutrition, and apparel, for example, will inspire recreational runners and that this will contribute to improving their own performances.”

Content courtesy of NN Running Team & NFH

Fashion, News

“My Brother’s Keeper”: A Testament to Nigerian Heritage and Local Craftsmanship in Fashion

February 28, 2024 Oscar AlochiLeave a comment

Advertisements

In an era where the global fashion industry often overshadows local creativity and production, Badesere Lagos introduces “My Brother’s Keeper,” a pioneering fashion collection that brings the spotlight back to Nigerian heritage and local craftsmanship.

Spearheaded by the visionary Badesere Aboyade-Cole, this collection is a vibrant celebration of Nigeria’s resilience, beauty, and rich cultural tapestry, offering a fresh perspective on African fashion through the lens of local production and exceptional artisanship.

Embracing Local Fabrics with Global Appeal
At the heart of “My Brother’s Keeper” is a commitment to utilizing locally sourced fabrics, a choice that not only highlights the unique textures and patterns inherent to Nigerian culture but also supports the local economy and the artisans behind the scenes. This collection stands as a bold statement against the conventional reliance on imported materials, showcasing the untapped potential of Nigerian resources. Each piece in the collection is meticulously crafted, reflecting the intricate details and high-quality workmanship of Nigeria’s skilled artisans.

Innovating African Fashion
Badesere Aboyade-Cole’s approach to the “My Brother’s Keeper” collection is revolutionary, focusing on versatility and innovative construction techniques that challenge the status quo of African fashion. The collection’s designs transcend traditional boundaries, offering wearers pieces that are not only culturally significant but also align with contemporary fashion sensibilities. It is a harmonious blend of tradition and innovation, embodying the spirit of progress that drives the Nigerian community forward.

A Call to Collective Empowerment
The ethos of “My Brother’s Keeper” extends beyond the realm of fashion; it is a clarion call for unity and collective empowerment. Badesere Aboyade-Cole’s message is clear: by supporting local manufacturers and embracing our indigenous beauty, we can forge a brighter, more sustainable future for our communities. This collection serves as a reminder of the strength found in solidarity, echoing Frederick Douglass’s words that, without struggle, there can be no progress. It is an invitation to Nigerians and the global community to stand together in support of local production, thereby fostering economic growth and self-sufficiency.

Beyond Fashion: A Movement for Change
“My Brother’s Keeper” is more than a fashion collection; it is a movement towards empowerment, sustainability, and progress. It challenges us to rethink our consumption patterns, value the craftsmanship of our local artisans, and take pride in our cultural heritage. In doing so, it offers a pathway to a future where the fashion industry not only celebrates beauty in all its forms but also contributes to the well-being of the communities it touches.

Join the Journey
The launch of “My Brother’s Keeper” marks a significant milestone in the journey towards a more inclusive and sustainable fashion industry. Badesere Lagos, under the creative guidance of Badesere Aboyade-Cole, invites everyone to experience the beauty and craftsmanship of Nigerian fashion. By embracing this collection, you become part of a movement that values heritage, supports local production, and believes in the power of community to drive change.

Follow the journey and explore the collection: Badesere Aboyade-Cole @Badeserelagos.

In embracing “My Brother’s Keeper,” we not only witness the evolution of African fashion but also contribute to building a legacy of innovation, resilience, and unity. This is more than fashion; it’s a celebration of our identity, a nod to our past, and a step towards a future where every thread tells a story of empowerment and progress.

Content courtesy of Badesere Aboyade-Cole, Mo AfricanPR & NFH Digital Team

Fashion, News

Milan Fashion Week’s Fall/winter 2024–2025 Collection Fights Discrimination And Shines A Light On Black Designers

February 24, 2024 Oscar AlochiLeave a comment

Advertisements

In a world where fashion serves as a mirror to society’s evolving norms and values, Milan Fashion Week’s fall-winter 2024-25 collection has emerged as a beacon of progress and inclusivity. The prestigious event, long revered for its influence in setting global fashion trends, took a bold step forward this season by casting a spotlight on black designers, who have historically been underrepresented in the industry. This initiative is not just a nod to diversity but a comprehensive effort to combat discrimination, signaling a seismic shift in the fashion landscape.

A Platform for Underrepresented Talent

Milan Fashion Week has always been a stage for the world’s most renowned designers to showcase their artistry. However, this year’s focus on black designers marks a pivotal moment in the event’s history. By providing a platform for these talented individuals, the week not only celebrated the richness of their cultural heritage but also underscored the importance of diversity and representation in fashion. This move is a clear acknowledgment of the unique perspectives and creativity that black designers bring to the table, enriching the industry with their diverse narratives and aesthetics.

Combatting Discrimination Through Collaboration

The initiative to spotlight black designers was accompanied by a significant partnership between the Italian Fashion Council, a governmental anti-discrimination office, and a nonprofit organization dedicated to promoting African fashion. This collaboration is a testament to the power of unity in driving social change. By signing an agreement to trace, identify, and fight against discriminatory practices, these organizations have laid down a comprehensive strategy aimed at fostering an environment of equality and respect within the fashion industry.

A Step Towards Inclusivity

The fall-winter 2024-25 collection at Milan Fashion Week serves as a critical step towards inclusivity in fashion. It goes beyond mere representation; it is about acknowledging and addressing the systemic barriers that have hindered black designers and other marginalized groups from receiving the recognition they deserve. This initiative sends a powerful message that fashion is for everyone, irrespective of their race and that the industry is committed to breaking down the walls of discrimination.

The Impact on the Industry

The spotlight on black designers at Milan Fashion Week is expected to have a ripple effect across the global fashion industry. It challenges other fashion weeks and designers to reflect on their practices and consider how they can contribute to a more inclusive and equitable industry. Moreover, it encourages consumers to support and celebrate diversity, not just in fashion but in all aspects of life.

Looking Forward

While the initiative at Milan Fashion Week is a significant milestone, it is just the beginning of a long journey towards full inclusivity in fashion. The success of this initiative should serve as a catalyst for continued efforts to ensure that all designers, regardless of their background, have equal opportunities to showcase their work and influence global fashion trends. The fashion world is watching, and the message is clear: the time for change is now.

In conclusion, Milan Fashion Week’s fall-winter 2024-25 collection has not just set the stage for the latest fashion trends but has also paved the way for a more inclusive and equitable industry. By shining the spotlight on black designers and launching an initiative to combat discrimination, the event has underscored the essential role of diversity in driving creativity and innovation in fashion. This landmark moment is a powerful reminder that fashion, at its best, is an expression of all of humanity’s rich tapestry, and everyone deserves a place on the runway.

Content courtesy of NFH Digital Team

Top 10 Black Owned Businesses

Exit mobile version

NFH – African Fashion

Category Archives: Fashion

The Face Of Africa 2024 International Pageant: Celebrating Diversity, Elegance, And Empowerment

Securing $3.4 Million In Seed Funding, The Folklore Aims To Empower Marginalized Communities, Empower African Fashion Designers, And Expand Its B2B Wholesale Platform.

Nike On Air Eliud Kipchoge: Breaking Records and Fashion Norms in Bode X Nike

Ami Doshi Shah, a Jewelry Designer, Reinvents Jewelry in Kenya Using Ropes, Brass, Salt, and Stone.

A Fashion Presentation “Under the Sea” to Launch a New Company, the Founders of Which Claim Would Transform How People See Formal Wear

Paris Fashion Week: McGirr Debuts McQueen, While Valentino Presents an Ornate Black Study.

What Qualities Are We Looking for in an Alexander McQueen Designer?

The Newest NN Running Team Racing Outfit Design: An Explanation Of The Concept Behind Eliud Kipchoge’s 2024 Tokyo Marathon Customized Nike Kit

“My Brother’s Keeper”: A Testament to Nigerian Heritage and Local Craftsmanship in Fashion

Milan Fashion Week’s Fall/winter 2024–2025 Collection Fights Discrimination And Shines A Light On Black Designers

Top 10 Black Owned Businesses

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Top 10 Black Owned Businesses