Wednesday 3rd of June 2026

Nairobi, Kenya

Japanese fashion designer Kenzo Takada dies from Covid-19

Japanese fashion designer Kenzo Takada, better known as Kenzo, who created his label in Paris in the 1970s, died on Sunday, the brand that still carries his name said.

Aged 81, Takada died of complications linked to Covid-19 at the American Hospital of Paris in Neuilly-sur-Seine, a residential suburb on the western outskirts of the capital, his spokesperson told French media.

Also known for its perfumes and skincare lines, the Kenzo brand was sold in the early 1990s to LVMH, the world’s biggest luxury group, and has since had several other creative directors.

Under Kenzo Takada, it was known for its colourful motifs and original silhouettes, which mixed inspirations from Japan, such as the kimono, with other cuts.

“For half a century, Mr Takada has been an emblematic personality in the fashion industry always infusing creativity and colour into the world,” the Kenzo brand said in a statement on Instagram.

LVMH’s chairman and CEO Bernard Arnault issued a statement saying Kenzo had “infused into fashion a tone of poetic lightness and sweet freedom which inspired many designers after him”.

Takada moved to Paris in the mid-1960s, starting out with a small store before soon reaching star status, and remained in his adopted city. His contemporaries in a thriving period for Parisian fashion included Jean Paul Gaultier and Yves Saint Laurent.

“Paris is mourning one of its sons today,” Paris Mayor Anne Hidalgo said on Twitter.

Content courtesy of Times Live & Nairobi fashion hub 

Milan Fashion Week gives small opening to Black Lives Matter

MILAN (AP) – When asked why there aren’t more people of color in the Italian fashion industry, officials have cited a lack of candidates in homogeneous Italy. Five African-born designers in Italy want to put that view to rest with their inclusion on the official Milan Fashion Week calendar Sunday.

Fabiola Manirakiza came to Italy after her parents were killed in her native Burundi in 1972. For her Made-in-Italy Kiza label, she incorporates patterns from her Bantu tribe, as taught by an elder sister, into her Western tailored silhouette, the influence of the Italian family who raised her.

‘’It is not just Italy that needs to see, it is the whole world,’’ said Manikrazia, whose creations were among those featured in the video presentation titled “We Are Made in Italy. Italy is Made of Us.”

The official Black Lives Matter in Italian fashion event is a first step in a process that Stella Jean, the only Black designer belonging to Italy’s prestigious fashion council, hopes will bring real diversity to the creative and decision-making centers of Italian fashion to combat racism in the industry.

Another critical step was the launch of a think tank last week bringing together top fashion houses on the council with Black creatives. But Jean said there remains resistance to the campaign she has launched with U.S. designer Edward Buchanan and Michelle Ngomo, founder of Afro Fashion Week Milano, with pressure on them to abandon it.

Italy’s relatively small African-origin population, which government statistics put at around 1.2 million, has rendered it mostly invisible in the country of some 60 million, with no well-known faces in the political class or on television — and few behind the closed doors of Italian fashion.

Jean and her colleagues began pushing the industry to make concrete moves toward diversifying Italian fashion after major houses showed social media support for the Black Lives Matter protests over racial equality and police brutality during the summer. After many racially charged gaffes in recent years, they also are asking for an accounting of the numbers of people of color working inside the system.

“No one is looking to stand back and blame you for the current situation,’’ Jean said in introductory remarks to the think tank, made available to The Associated Press. ‘’Instead we are asking you to be part of the solution starting today. Racism in Italy … is a very unique case study. It doesn’t resemble the type that exists with our European neighbors and it also differs greatly from the American kind. This however doesn’t render it less harmful or discriminative, only different.’’

Jean told The Associated Press that the few companies whose representatives spoke discussed activities to support Black minorities in the United States and other causes ‘’but completely avoiding the point of our discussion: Black minority in Italy.’’

“I must say with all sincerity that the silence of the representatives of the colossal Made-in-Italy brands left a lasting bitter and embarrassing impression,’’ Jean said. ‘’In total astonishment, it struck me that greatness and global commercial authority does not always correspond to an equally grand sense of responsibility to humanity.’’

On a positive note, the fashion council had agreed to implement six reform points by February, she said. The council also agreed to provide scholarships and mentorships to fashion students of color. And she hopes that the time spent listening will lead to greater participation next time.

The head of Italy’s fashion council, Carlo Capasa, called the meeting ‘’interesting and instructive,’’ and that the brand representatives were there to mostly listen. ‘’There was no reason for friction,” he said.

Calling the meeting, ‘’a beginning,’’ he told the AP the council will continue to work on diversity points of its nearly year-old diversity manifesto, including the commitment that diversity is an asset. He confirmed that the think tank would continue to meet periodically.

The brands participating were Armani, Zegna, Bottega Veneta, Etro, Gucci, Prada, Valentino and Ferragamo. The Kering conglomerate, which owns Gucci and Bottega Veneta, and the OTB group, which owns Marni and Diesel also participated.

A planned closing statement was never issued.

But Miuccia Prada, during the video presentation of next spring’s collection, emphasized the importance of inclusivity, along with sustainability. She acknowledged the need to ‘’really embrace it,” adding ‘’which is what I decided to do, not only declaring it, but trying, little by little, to be better.”

The participants in the Black Lives Matter event have worked in other trades or professions before following their fashion dreams. Most have submitted resumes to fashion companies, with no response, and some have seen professional doors fail to open after promising meetings, without explanation.

Joy Meribe, born in Nigeria and with an Italian Masters in business, studied fashion in Italy so she could alter garments she was selling through her blog on African fashion designers, and realized she had the knack herself. Her collection, Modaf Designs, uses African prints on silk and cotton instead of the traditional wax cloth, making them easier to wear and integrate into a Western wardrobe.

Claudia Gisele Ntsama, originally from Cameroon, has supported herself cleaning houses to pursue her dream of becoming a fashion designer, unveiling in Milan fantastical swirling pieces made mostly of raw hemp.

Ngomo, who discovered the five designers, said she feels a great responsibility also to young people of color in Italy who have been inspired by the initiatives.

‘’Many kids are writing to thank me, saying they have rediscovered their trust, and they had hope,’’ Ngomo said. “I know we are trendy now. I am not sure next year we will have all this light on the project. I want to be positive and believe this is a next step.’’

Content courtesy of Journal Now, The Associated Press & Nairobi fashion hub

Lizzo On The Cover Of ‘vogue’ Magazine October Issue

Vogue released its October 2020 cover on Thursday, and it’s Good as Hell: The always fabulous Lizzo fronts the issue, which was shot by Hype Williams and styled by Carlos Nazario.

She Can Be Heroes “I had to travel the world and I had to meet people and read DMs and look into their eyes and really hear their stories, to believe that I was making an impact in a positive way,” says Lizzo. Moschino Couture cape. Sylva & Cie earrings. Bvlgari necklaces. Bracelets and rings by Tiffany & Co. and Chopard. Photographed by Hype Williams, Vogue, October 2020

Clad in a crimson Valentino dress that a politician could probably pull off at a luncheon, the ensemble is rather toned for the performer. (We’re used to seeing the artist in head-to-ruffles and over-the-top feathers, after all.) But the glam is turned up in the accompanying editorial, as Lizzo wears everything from a princess-worthy bubblegum pink Moschino Couture gown to a beaded LaQuan Smith top and skirt.

In the cover story, Lizzo talks justice and the upcoming election with Claudia Rankine. “I just want to encourage people to register to vote,” the bop singer said. “That is the most important thing to me. Because there’s a lot of upset people, and there’s a lot of people who have power. There’s a lot of voter suppression in Black communities. But there’s a lot of angry white kids now. And I’m like, ‘Yo, register to vote. Go out. You won’t get suppressed if you try to go to your ballot box.’

The self-love queen  who Vogue recently announced will be speaking at its Forces of Fashion conference in November also touched on the importance of maintaining a public image that is committed to positivity and celebrating her uniqueness.

“I think it’s important that I take full responsibility for the way the world perceives me because that is the way they’re gonna perceive someone who looks like me in the future,” Lizzo explained. “Maybe, hopefully, that would give some young girl someone to look up to and take away the opportunity for someone to weaponize her uniqueness against her. I had to travel the world and I had to meet people and read DMs and look into their eyes and really hear their stories to believe that I was making an impact in a positive way. And now that I believe in myself in that way, I’m gonna continue to just push that conversation by being a better me every single day.”

The October issue of Vogue will be available on newsstands on Oct. 6. You can read Lizzo’s full cover story here.

Content courtesy of Fashionista, Vogue & Nairobi fashion hub 

African Prom Dresses

Are you looking African prom dress ideas to inspire you for the big night? Or simply looking for the best African prom dress stores online. Hurray! You’ve come to the right place!

Find the latest 2020 dashiki prom dress styles Find your perfect modern & trendy African print prom dress and gown for you.

Prom is one of the many exciting highlights of every high school girl. It’s one of those events in your life that you want to stand out beautifully & effortlessly from the crowd! Over the years, prom has and always will be a big deal for most high schoolers especially in America.

No one ever forgets what they wore on this big night. Which brings us to African prom dresses! They entirely steal the show if you ask me. They draw an accurate picture of what the black lady represents. Bold. Beautiful & Breath-taking.

Every day, we are inundated with latest African dress styles and top dashiki prom dresses. While Africa might not be the first idea that comes to mind for most people when it comes to new fashion trends, African print dresses, or dashiki dress as it’s better known proves to be a great option for a variety of occasions & moments.

Each year, African fashion designers come up with fresh, trendy & stunning African dresses that are excellent choices for all occasions ranging from prom date, weddings, ballroom and gala nights and everything in between.

African dresses are known for their vibrant mixed colors. It’s one of the qualities that makes the African print fabric a versatile and sensational option for special moments like proms and weddings.

The color and shine that accompanies African print prom dresses are irresistible. Let’s not forget that every dress needs accessories to go with it. African print dresses are the easiest to accessorize. This is because of the variety of colors you can choose from. If for example, you were going to wear a white dress, this would limit your accessory options tremendously. On the other hand, if you chose an African print prom dress with three mixed colors, then that increases your options.

African dresses can fit into any customization you find best. Furthermore, they come in multiple colors. The designs of African prom dresses also offer a more natural look. Some clothes can be used to tie your hair up into a neat look to compliment the dress. The cloth is often the same theme and color as the dress to give you that very natural look.

No matter how much we talk about African prom dress designs, it won’t help if you don’t know where to buy prom dresses for black girls. Note that some designs are often done using low-quality cloth, so be careful with where you choose to buy your prom dress.

Each dashiki dress is custom made for you. To help you find the best African prom dress, we have curated 100+ dashiki prom dresses and styles for your big night. So, don’t be afraid to step out beautifully in one of these beautiful African print prom dresses. You are sure to make lots of heads turn in amazement and receive tons of compliments.

And don’t forget, or the look to be perfect, it is usually advisable to liaise with your hair stylist, so you get the perfect hairstyle to complement the dress. African print prom dresses can be woven into a lot of shapes and sizes. So, it doesn’t matter how you look, there is a design that would look absolutely gorgeous on you.

Content courtesy of Africa Blooms & Nairobi fashion hub 

Vivacom partners with Fashion TV International Fashion And Lifestyle Broadcasting Television Channel

The Bulgarian incumbent telco Vivacom has entered into an agreement with Fashion TV to distribute the channel on pay-TV platforms across Africa on Eutelsat 8W.

Fashion TV was launched in France in 1997 and is currently distributed worldwide on over 50 satellites, cable and IP networks, for Fashion TV Africa, it is adding blocks which focus on African fashions and lifestyles.

Commenting on the development, Vladimir Rangelov, senior manager broadcasting service at Vivacom, said: “We’re pleased to add Fashion TV channel on our 8W MCPC platform, extending their coverage to African TV market”.

FashionTV is an international fashion and lifestyle broadcasting television channel. Founded in France in 1997, by its Polish-born president Michel Adam Lisowski, FashionTV is a widely distributed satellite channels in the world with 31 satellite and 2,000 cable systems. As of 2014, it had 400 million viewers around the world, including 80 million in Arab countries.

FashionTV is a multi-media platform offering a review of global fashion and is independently owned and operated from the headquarters in Paris, London and Vienna.

Content courtesy of Broad Band Tv News & Nairobi fashion hub 

Chioma Nnadi Named Editor Of Vogue.com

Chioma Nnadi has moved up the Vogue masthead. The magazine announced Monday that its current Fashion News Director will replace Stuart Emmrich, who announced his departure in July, as the Editor of Vogue.com. In her new role, Nnadi will oversee all of Vogue’s digital content.

The former Fashion News Director will replace Stuart Emmrich, who announced his departure in July.

“I am so thrilled that Chioma will be the new editor of Vogue.com,” said Anna Wintour, the editor-in-chief of Vogue and the artistic director of Condé Nast, in an official release. “Above all we know her as someone who intuitively understands fashion and brings to it a genuine love of discovery. She looks in unexpected places and all over the world to find out who is doing the best work and who we should be celebrating now. I absolutely rely on her eye and her cosmopolitanism and her taste. Even better, she is forward looking and understands that Vogue needs to reach new audiences and do so in new ways.”

Nnadi started her career at the features desk of the Evening Standard Magazine in London, before moving to New York to write for Trace, an independent style magazine. She then went on to work as the Style Director at Fader and landed at Vogue as a fashion writer in 2010. Nnadi was named Fashion News Director in 2014 and has stayed in that position up until her newly announced promotion.

Content courtesy of Fashionista & Nairobi fashion hub

New Home for SA fashion Week at Mall of Africa

Mall of Africa is the new host of SA Fashion Week and has also welcomed the opening of Koop Studio, a new retail hub that showcases the work of local fashion designers.

Koop Studio is a collaborative venture between seasoned retailer Sandy Rogers and industry stalwart, Lucilla Booyzen, who has been spearheading the development of local design culture as director of South African Fashion Week for the past 23 years.

Located on the shopping centre’s upper level close to Town Square, the new retail space will carry at least 12 collections at any time, which will be interchanged regularly to ensure ongoing variety.

The brands available from Koop Studio include: Ezokheto by Mpumelelo Dhlamini; Dolz by Thabiso Molelekoa; Dope Motherhood by Nqobile Mhlongo; Bi Parel by Shaylene Morris; BLVNK by Neo Rangaka; There and Back by Nicola Valentine and Pilani Bubu; Yung Blood Apparel by Kabelo Legodi; Mekhukhu by Botshelo Molete; Lunar by Nicola Luther; BB Dolls by Beryl Dingemans and Bianca Tanchal; FANthesi by Mike Ubisse; Beryl Dingemans by Beryl Dingemans; Moraka Interiors by Lethabo Cleo Moraka; Watermelon Social Club by Sthembiso Mchunu, Siyabonga Ngcamu and Khayelihle Hadebe; Melomalism by Sinthemba Mthethwa; and Pret-a-Perfect and The Design Innovation by Sandy Rogers.

Broadening access to market
According to Rogers, this highly visible retail presence in the centre of a popular mall will allow the young entrepreneurs to fast-track their brands.

“One of the greatest impediments to the development of a local fashion culture has been the prohibitively high rental costs in major regional centres such as Mall of Africa. By necessity, young designers are typically in studios off the beaten track without access to target markets who could afford to support them,” she says.

The Mall of Africa retail hub is an extension of the Koop Studio in Victoria Yards in Johannesburg led by Rogers. The Victoria Yards studio facilitates the design and product development process from concept to customer for its clients, and is also available to young designers as a workspace for their own brands as well as to get involved with Koop Studio projects and clients.

A modern showroom, Wi-Fi, workspace, cutting tables, access to pattern makers and sampling facilities, as well as manufacturing capabilities with Koop Studio’s manufacturing arm, The Faktory, are all available to designers under one roof in Victoria Yards.

“Koop Studio and The Faktory, where we design and manufacture, are fortunate to operate from the new Victoria Yards semi-industrial development in Lorentzville. This is an incredibly beautiful environment to work in but does not have any real retail footprint. A presence in the Mall of Africa will undoubtedly be a game changer for all these startups and the development of local fashion,” says Rogers.

MaXhosa success
According to Michael Clampett, head of asset and property management-retail of Attacq Limited, the owners of Mall of Africa, the launch of Koop Studio follows on the heels of the enormous success that designer Laduma Ngxokolo has experienced with his MaXhosa knitwear since opening a small store on the mall’s lower level in 2018.

Within a year, the growing appetite for Ngxokolo’s signature Xhosa-inspired modern knits meant the brand had to relocate to a much larger flagship store on the upper level and Ngxokolo became one of the centre’s high profile brand ambassadors.

“Mall of Africa is firmly on track to become the continent’s premier destination for top local design. MaXhosa’s success confirmed our conviction that consumers are increasingly wanting to express a contemporary, yet uniquely African fashion identity. This, and the fact that we are acutely aware of the need to stimulate the local economy, and local job creation, lies at the heart of our strategy,” he explains.

SAFW kicks off in October
In line with tailoring its merchandise mix to support local brands, Mall of Africa has also recently become SAFW’s new host. The three-year partnership will kick-off in October with the staging of South Africa’s first hybrid designer collections showcase.

Twenty-six runway shows featuring collections shot at different locations in the mall will be streamed digitally over three days from 22 to 24 October.

This will be followed by the SAFW Trade Show from from 1 to 3 November in the mall’s Crystal Court with more than fifty designers of menswear, womenswear and accessories, and the SAFW Pop Up Shop where fashion lovers will be able to interact and buy directly from all the participating designers from 27 to 29 November, also in the Crystal Court.

Content courtesy of Biz Community & Nairobi fashion hub

Tshego Manche from a small town of Klerksdorp with Big Dreams For African Fashion

Tshego Manche grew up in Klerksdorp and found sartorial visibility in big city Johannesburg, Born in Klerksdorp, a small town in the North West Province of South Africa, Tshego Manche was raised in a business-oriented family.

Her parents owned a salon and cosmetic store in the township for over 20 years before venturing into other businesses.

“Coming from that environment, I already knew I wanted to be an entrepreneur,” says the 30-year-old fashionista today. “I aimed for what I am passionate about. Growing up, I always said I am a small town girl with big city dreams.”

Manche, known for her sartorial sense among friends, studied for a BCom degree in Marketing Management and whilst in varsity, worked at Pulsate, a fashion store in Africa’s richest square mile, Sandton, in Johannesburg.

“Two weeks after being employed, the owner flew down and said he had to meet me as there was a spike in sales. I was never afraid to approach people and tell them about the store, and also interact with customers. I then learned customer and marketing skills, and developed a deeper love for fashion which led me to want to start my own brand,” says Manche.

La Manche clothing was registered in early 2012 and was ready to put the all the theory into practice. Manche dropped out of varsity during her third year and went on to start selling on a small scale to friends and family, and she opened her physical store end of 2012.

Her mother contributed immensely to her startup and invested in clothing, packaging, and also paid for her flights and accommodation to look for stock in China and Turkey. The brand started growing. In 2014, she employed three workers, teamed up with stylists and magazine editors and the brand grew with sales doubling, she says.

“In 2015, we hit our million mark [offering local and international clothing]. From 2016 onwards, we hit a decline in sales as new entrants in the market came; rental for my space was also high and the location remote.

In 2017, I started 100% custom-making; growth had been slow yet steady and I had nine employees by the end of 2019. I decided to close my physical store in April 2019 and stay with one employee. Now in 2020, we are focusing solely on the online space we have rebranded and restructured.”

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The coronavirus also had an impact on business but this has taught her that digitizing the business is the best way to go. She also took to social media, encouraging other entrepreneurs during the tough times.

“I invited different people from different industries to come talk to people and engage about entrepreneurship every Monday for 10 weeks. We had one livestream with over 10,000 viewers,” says Manche.

Who would have thought a small town girl would encourage entrepreneurs in a big city to keep pushing ahead in the hard times.

Content courtesy of Forbes Africa  & Nairobi fashion hub 

Afro Fashion Week Milan Forges Ties with CNMI, White Milano

African Fashion Marking its fifth anniversary, Afro Fashion Week Milan is expanding its reach — a sign of the multicultural bent the city has embraced.

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Organized by Afro Fashion, an Italy-based nonprofit organization that has been actively promoting the African continent’s designers and creative talents over the past five years, the showcase will encompass a range of fashion shows, entirely digital or livestreamed, talks and even a couple of high-scale partnerships with Camera Nazionale della Moda Italiana and White Milano.

From Sept. 24 to 27 a range of digital shows, panel discussions and exhibitions will shine a light on African fashion talents.

“It’s been a complicated year because of the COVID-19 pandemic and also in the wake of the Black Lives Matter [movement] which has resonated and drawn attention not only in the U.S., but internationally,” said Michelle Francine Ngonmo, president of Afro Fashion during a virtual press conference Tuesday.

Running Sept. 24 to 27, at the same time as Milan Fashion Week, Afro Fashion Week Milan will host on the association’s online platform a range of fashion showcases from Emeka Suits, a Kenyan green label founded by Sydney Nwakanma, Frida-Kiza, helmed by Burundi-born, Italy-based Fabiola Manirakiza, swimwear label Other Couture, launched by Mozambique-born Helena de Jesus; Otinguema, run by Gabonese designer Jessica Nguema-Metoule, and the collective display of works from students at Cameroon’s LABA Douala, or Libre Académie des Beaux-arts.

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The virtual shows will be flanked by panel discussions and talks spanning different topics, such as D&I in fashion, hosted by Stella Jean and Edward Buchanan; Fashion for Empowerment, analyzing how fashion can serve as a lever for economic and social development for the African continent, as well as a spotlight on leading fashion schools where African students are stretching their muscles.

In addition, the Afro Fashion organization has helped Stella Jean and Edward Buchanan, as well as the Black Lives Matter in Italian Fashion Collective, select the “The Fab Five Bridge Builders,” such as the five designers that will present the “We Are Made in Italy” project as part of Italy’s Camera della Moda official Milan Fashion Week calendar.

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As reported, the digital event spotlighting the five Black-owned Made in Italy businesses will take place on Sept. 27.

Centered on the “Exquisite Beauty” theme, which Ngonmo describes as a celebration of beauty in all its forms, Afro Fashion Week Milan has also forged ties with White Milano, which will host a special exhibition dedicated to Afro-Italian fashion throughout the four-day event.

Content courtesy of WWD & Nairobi fashion hub 

Industrie Africa New Shopping Site Makes It Easy to Discover African Fashion Brands

Returning home to Dar Es Salaam with a global fashion pedigree two degrees from the Parsons School of Design and stints at Vogue in New York and Vogue India in Mumbai Nisha Kanabar took stock of how disjointed access to high-end African fashion was.

“Coming from the media industry, not having this clear, cohesive point of education about the industry and access to the market was jarring,” she says. This led her to create Industrie Africa in 2018, a platform highlighting some of the continent’s premiere luxury fashion brands. While it was a well-designed resource for fashion enthusiasts to learn about designers they might have otherwise spent hours scouring Instagram for, one key component was missing: shopping.

A glossy revamp this summer means users can now browse and buy everything from AAKS totes from Ghana and Kikoromeo jumpsuits from Kenya to Pichulik earrings from South Africa, all in one digital showroom. The new site also features an editorial component, Imprint, for which Kanabar teamed up with Natasha Nyanin, a New York-based writer and creative consultant. We spoke with the duo to learn more about their vision for bringing a wide-reaching African fashion experience to curious shoppers around the globe.

Nisha, what inspired you to start Industrie Africa?

Nisha Kanabar: I wanted to address misconceptions and shatter the stereotypical exoticized impressions of what African design really is. We’re building this 360-degree hub of contemporary African fashion: a place of commerce, a place of content, and a place of community. We’re able to weave context through the shopping process.

Natasha, what drew you to what Nisha was creating?

Natasha Nyanin : I am a global citizen, I am a traveler, and I’m someone who lives a borderless existence but I’m also from Ghana, and I’m passionate about sharing African stories. The paramount thing was to capture a diverse set of voices from as many corners of the continent as possible, and bringing a local perspective and understanding of fashion within a global context.

When people think about Africa they’re thinking about Black people, but there are all sorts of people who make up Africa. It’s important to me and to Nisha she’s of Indian heritage to expand the understanding of Africa through the lens of fashion.

What do you look for in the brands you work with?

Nisha Kanabar  : There are a lot of interesting ways designers take storied techniques and bring them into 2020 through modern interpretations. Aso-Oke is a Nigerian fabric used by Shekudo based in Lagos; they mix them with leather to create contemporary and very wearable footwear. There’s a label called Nkwo in Nigeria that is inherently sustainable:

They create their own fabric called Dakala cloth through offshoots of fabric scraps, using this Japanese stripping technique. It’s super interesting how they’ve taken something that’s effectively scraps and transformed it to something innovative.

Awa Meité, based in Bamako, is quite a new kid on the block, and she’s gaining acclaim for her work with local artisans in Mali. She works with materials like Bogolan, or mudcloth, to create pieces that are quite exceptional. Ivorian designer Loza Maleombho was recently featured in Black Is King. Her signature is hand-hammered embellishments in the shape of West African masks some of Beyoncé’s pieces are held together with these beautiful buckles, with this urban glamour.

Natasha, what are some of your favorite designers on the site?

Natasha Nyanin : Emmy Kasbit is a Nigerian designer who works with an Igbo textile called akwete. It’s nice to see that fun juxtaposition of bright colors and the woven textures of the fabric breathing new life into menswear. Sidai Designs works very closely with the Maasai community in Tanzania to use Maasai beading to make contemporary jewelry. Ami Doshi Shah is based in Nairobi, and her Torque necklace and Form earrings are both quite interesting sculptural studies. Diarrablu out of Dakar does really lovely resortwear, flowy dresses, bathing suits very ethereal, diaphanous, easy dresses.

Americans might not be able to get to them for a while, but what are some of your favorite destinations on the continent for shopping?

Nisha Kanabar  : Nairobi is one of my favorite cities: It’s a little bit glam, a little bit urban, a little bit edgy, and full of character and there are a ton of interesting subcultures and artistic pockets that give it so much life. Nairobi has a diverse culinary scene, and Talisman in Karen is quite popular, very refined. I also like to check out designer ateliers like Designing Africa Collective.

Cape Town is an obvious choice but I find it super design forward. Merchants on Long, owned by Hanneli Rupert, is the original mothership of African luxury retail. And I love indulging in a mini excursion to wine country—Leeu Estates in Franschhoek is at the intersection of modernity and country charm. The art is amazing.

I think of Lagos as this glittering population against a backdrop of concrete jungle, it’s overflowing with high-energy glamour and grit. Alara, designed by David Adjaye, and Temple Muse are two luxury retail concept stores, and the visual splendor is inspiring. You’ll see Kenneth Ize beside Amina Muaddi—the merchandising is beautiful and merges western luxury with African brands.

Dar Es Salaam is not much of a shopping city, but the Green Room is a great concept store that collaborates with local designers and makers on homeware and beauty products.

Content courtesy  of Conde Nast Traveler  & Nairobi fashion hub 

Kim Kardashian Defends Skims Maternity Shapewear Collection And Hits Back At Trolls Over Her Maternity Wear Range.

Reality TV star Kim Kardashian West hits back at trolls over her maternity wear range.

After announcing that she’ll be soon releasing Skims Maternity Solution range, the businesswoman received criticism that pregnant women want to be comfortable, not shape their bodies.

“Excuse my ignorance but who’s trynna shape their pregnant bodies? Y’all don’t like being comfy and free and loose when pregnant? It’s pretty much the only time you can be as shapeless and free and comfy as you want!” said @brownythefirst.

Kardashian West was quick to defend her brand in a series of tweets. She said: “To anyone who has an issue with maternity solution wear, and if you haven’t been pregnant before you may not know the struggle of what it’s like carrying all of this weight the way I did along with millions of strong women, @skims maternity line is not to slim but to support.

“The belly part doesn’t slim your belly, it’s sheer and a thinner layered material compared to the rest of the garment. It provides support to help with the uncomfortable weight being carried in your stomach which affects your lower back, and the compression on the leggings helps with pain relief caused by swelling. It is also worn after you have given birth and provides the comfort and support that most women need after delivery especially if you are recovering from a Caesarean.”

Kardashian West said she added the maternity range to her Skims collection “in response to the tens of thousands of pregnant women who wrote us requesting it and because it was something I needed when I was pregnant myself”.

“Based on the … positive feedback we have received so far from pregnant women around the world, I am incredibly proud to provide a solution that will provide comfort and support during the times that we all need it most, during pregnancy and after.”

The new Skims Maternity Solution range will be launched on Wednesday, September 16.

Content courtesy of IOL & Nairobi fashion hub 

Cardi B Is the New Face of Balenciaga Billboard

Only a few weeks after Cardi B released her bold and empowering new hit song “WAP” with Megan Thee Stallion, the rap sensation has managed to top herself once again.

Today, Cardi took to her Twitter account to share the news that she is now the face of Balenciaga’s latest ad campaign for the winter 2020 season. Shot and styled by Cardi B’s team in her home in L.A., the  imagery features the rapper wearing a black catsuit-dress hybrid from creative director Demna Gvasalia’s fall 2020 collection.

Cardi is lying on what appears to be an astro-turf surface, surrounded by a slide and kids toys, as well as Balenciaga’s Neo Classic bag in white.

On Instagram, the rapper also shared an image of a giant billboard featuring the new campaign, which is being displayed on the side of the Louvre museum in Paris. In her caption, she wrote that she remembers how it felt to see herself on a billboard in Times Square for the first time but, in her words, “PARIS! Wish I was there to see it in person.”

This is Cardi’s first campaign for a luxury fashion house, though she’s definitely no stranger to the Parisian style scene. In the last few years, Cardi has become a front row fixture at shows including Chanel, Tom Ford, and Thom Browne. Her street style swagger during fashion month has also gone viral: Remember when she wore a floral printed Richard Quinn ensemble that literally covered her from head to toe?

She and her stylist Kollin Carter have been wildly successful in carving out a much-needed space for Cardi within the fashion industry, and they’ve cultivated a personal style that is all her own while being inspiring to all. To say that she is deserving of this new Balenciaga campaign is an understatement.

Cardi is the risk-taking, unapologetic sartorial muse we all need right now, whether she’s showing us the power of the WAP or making her mark on European fashion, from the side of one of the most famous buildings in the world.

Content courtesy of Vogue Magazine & Nairobi fashion hub 

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