Sunday 31st of May 2026

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Tag: fashion business

The First African Fashion Study From Unesco Explores Opportunities As Well As Challenges.

Posted on by Fashion Tribe Influencer

UNESCO will present its first report on the fashion industry in Africa on October 26, 2023, during Lagos Fashion Week in Nigeria.
Africa’s fashion industry is booming thanks to the continent’s youthful and expanding population, growing middle class, fast urbanization, and the development of digital technology. African designers are incredibly talented and creative, and they actively contribute to changing perceptions of the continent while also providing communities with tangible economic benefits. These designers frequently find inspiration in traditional know-how and practices.

Nevertheless, a number of obstacles still need to be overcome in order to fully realize the potential of the African fashion industry. These include a lack of infrastructure and investment, inadequate systems for education and training, a lack of protection for intellectual property, difficulty breaking into new markets, and a difficult time finding high-quality materials at reasonable prices.

In light of this, UNESCO has released a new report titled The African Fashion Sector: Trends, Challenges, and Growth Opportunities. highlights the key issues and trends facing the fashion, textile, and fine craft industries in the area and offers evidence-based policy recommendations to help them reach their full potential.

The report’s release is scheduled for October 26, 2023, during Nigeria’s esteemed Lagos Fashion Week. A worldwide panel of prominent people and businesspeople will discuss how African fashion designers may act as catalysts for sustainable development during the event.

Today, African fashion is booming. Fashion weeks galvanize markets and creators in 32 countries across the continent, from Casablanca to Nairobi, via Lagos and Dakar. The growth in e-commerce, which attracted 28 percent of Africans in 2021 compared to 13 percent in 2017, has led to an increase in local consumers. At the same time, it has created new opportunities for the international development of African brands, whose annual textile, clothing, and footwear exports amount to US$15.5 billion.

For Africa, fashion is a powerful driver of creativity, economic development, and innovation, creating many jobs, especially for women and young people. To better understand the forces at play in this field, UNESCO has produced the first overview of the fashion industry at the continental level and outlined prospects for its future. The report underlines the economic and social opportunities created by the sector, 90 percent of which is composed of small and medium-sized enterprises, whose profits directly benefit populations. It also sheds light on current and future challenges related to Africa’s digital transformation, which UNESCO is accompanying.
These new practices are driving innovation and supporting the expansion of an industry that alone could increase the continent’s prosperity by 25 percent

Content Courtesy of UNESCO & NFH Digital Team

Africa Is Emerging As A New Source Of Inspiration For Global Fashion, According To Lexy Mojo-eyes.

Posted on by Oscar Alochi

Lexy Mojo-Eyes, an African fashion ambassador, is the president and chief executive officer of Legendary Gold, the organization that promoted Nigerian designers internationally prior to the year 2000.
He discussed his experience as a Nigerian game changer in the fashion industry in an interview with Sunday Sun.
Why are you keeping quiet about what you started in the Nigerian fashion scene since you are regarded as the dean of fashion shows in that country?

Yes, I played a significant role in developing Nigerian fashion. I gave the entire Nigerian fashion sector a new direction by encouraging them to use locally produced fabrics, accessories, and patterns in their manufacturing process.
I also encouraged Nigerians to start dressing locally, which has altered the country’s textile, apparel, and fashion industries to this day.

Since 2000, we have been bringing Nigerian designers to the catwalks of Paris, Milan, London, New York, Tokyo, Sydney, etc. after reorienting the local industry.
My focus shifted to extending my mission beyond simply Nigeria to the entirety of Africa after being appointed as the lone African to the Board of Governors of the World Fashion Organization in 2008.
I was also transferred by my assignment to several WFO offices worldwide.
Is this a sign that Legendary Gold has abandoned its first passion, fashion, in favor of other ventures?

In no way.
It is a way of life for Legendary Gold Limited.
Since 2010, we have expanded our business outside of Nigeria to include all of Africa.
This was particularly true when, in 2013, we inaugurated the Africa Fashion Reception (AFR) in Paris.

Our objective with AFR is to extend our services throughout Africa. We wanted to spread the success story of the fashion, textile, and apparel sector in Nigeria and the entirety of its value chain throughout all of Africa. And the African Union and UNESCO are working with us to put this into action.

What is the real purpose of the Africa Fashion Reception?
Africa Fashion Reception’s main objective is to increase the power of fashion as a tool for combating poverty in Africa by generating wealth through the empowerment of women and youths in the various fashion professions through training, capacity-building programs, workshops, and the establishment of micro, small/medium scale businesses, supporting the African Union Agenda 2063 and the Sustainable Development Goals of the United Nations. Two AFR events are planned per year. They are the African and world versions, which the African Union and UNESCO, respectively, in Paris, are hosting in Addis Abeba.

An all-African endeavor is the Africa Fashion Reception (AFR).
Every year, under the proud theme “Africa is the New Inspiration of Global Fashion,” the AFR brings together top dignitaries from all over Africa, including ministers, ambassadors, media, textile and apparel manufacturers, retailers, wholesalers, buyers, fashion designers, models, and other industry professionals. So, instead of switching to other businesses during the past 15 years, we have simply increased our activities while reducing them in Nigeria.

What significance will your new initiative, “Africa Celebrates,” have for Africa, please?
Our newest pan-African event is called Africa Celebrates. It was launched in 2021 with participation from 18 African nations.
While more nations are participating this year than there were last, 32 African nations did so last year.
Africa celebrates its business, technology, culture, and heritage.
“Achieving African Integration through Art, Culture, Heritage & Business Leveraging on AFCFTA Implementation” is the subject of Africa Celebrates 2023. At the headquarters of the African Union in Addis Abeba, Africa Celebrates will take place in October of this year.

What has sustained you during your years as Lexy?
As long as God allows me life, I will be zealous and enthusiastic about positively empowering and inspiring the next generation of African adolescents with the ideas of pan-Africanism.

Content courtesy Sun News Online & NFH

Kibera Fashion Week: Kenya’s Largest Urban Slum Experiences Fashion Week

Posted on by Oscar Alochi

Kibera Fashion Week: The Hits Kenya’s Largest Urban Slum, Overlooking the rusted tin roofs of Kibera, the largest urban slum in the Kenyan capital, towering models march down a three-meter (10-foot) high runway.
In the center of the vast area, Kibera Fashion Week is taking place for the second time, and the venue is filled.
On Saturday, hundreds of people from Kibera and other parts of the city watched the varied collections float by for six hours, punctuated by pop music performances.
The designer Avido, who debuted the first show last year, claims that Kibera is “full of style.”
The 27-year-old, whose real name is David Ochieng, claims that many don’t see it because they associate Kibera with post-election violence, prostitution, and drug usage.

“We want to demonstrate that this place has style and innovation. Opportunities are what we lack here. Avido was raised in Kibera, a city of around 250,000 people, where he currently works.
Global artists like Bruno Mars and Beyonce have been drawn to his designs.

The event has brought together 11 ideas from 376 candidates with a wide variety of styles employing cotton, jute, wool, pearls, and even metal. It boasts a range of relationships with the Goethe Institute, the European Union, Nairobi Design, and the Masai Mbili group.
A “Mad Max” post-apocalyptic aesthetic was chosen by designer Pius Ochieng, who is not related to Avido.

The 26-year-old gathered scrap metal from streets and dumps, including computer motherboards, spark plugs, LED lighting, chains, and springs.
He created a 15 square meter piece illuminated with rose, green, and blue neons at home and set it in one of Kibera’s back alleys after sewing them onto clothing.
Helen Wanjiru, who was raised in Nairobi’s less-than-affluent Kawangware neighborhood, has huge pockets running the length of her garments, including the legs.

The 26-year-old, who switched from computer processing to fashion, added, “The pockets are big, but they are empty.”
“It is an analogy — a lot of youths in Kenya, they have education, they have ideas but they don’t get jobs because there is no opportunity.”

Unlike frequently staid Western events, Fashion Week is totally different. The predominantly young audience applauds the models loudly and saves a quiet welcome for the designers as they enter the runway.

The event gives local fashionistas an opportunity to showcase their talents, frequently by dressing extravagantly.
The haute-couture fashion world, however, is still far away in a nation where people are accustomed to wearing second-hand items and where pricey imports dominate the market.

Avido desires a change in it.
“Many people here have only seen fashion shows on TV,” he added. “We want to demonstrate to the public what fashion is.
“Parents and other people used to believe that art was not involved in fashion and design.

They used to believe that if you worked in the fashion and design industry, you were similar to a tailor, and if you worked in modeling, they might have thought you were a prostitute.

Violet Omulo, the project manager, claimed that she went to the exhibition “to chill, have fun, and discover upcoming designers.”African fashion is distinct and on the rise.
We must advertise it through such events to let people know that we are capable of being creative and that it is not just about Paris or Milan.

“Kenya, also in Africa in general, has talented designers,” she stated.
The above-mentioned content was not produced by the Barron’s news division. The AFP produced this article. Visit for additional details.

Content courtesy of Barrons, Kiber Fashion Week & NFH

Fashion is Moving in a Radical Direction Thanks to Afrofuturism

Posted on by Fashion Tribe Influencer

The Future of Fashion Is Being Shaped by Afrofuturism, These Black artists are wishing brighter futures into existence while fusing a euphoric mosaic of inspirations.
We may imagine the kind of future we want to live in through fashion, music, and all other forms of creativity. However, looking to the future is incomplete without having a good understanding of the past, and Afrofuturists are offering their visions of the future that are based on this very understanding.
Afrofuturism is a cultural aesthetic that explores alternative narratives for the Black experience and is influenced by science fiction, fantasy, and history.
The diverse variety of artistic expression that falls under this heading is influenced by racial relations, class, and a history of colonialism.

Afrofuturism is a way to resurrect, link, and recreate colonized people’s native cultures and traditions, whether they are found in Africa, the Indian subcontinent, or any other historically colonized countries for that matter. Black creatives across the continent and beyond are taking control of their stories and articulating their futures without the influence of the West.

Giving Folx Their Flowers
Afrofuturism has been forming in the visual arts, music, and literature for decades, but Marvel’s Black Panther gave the general public a visual vocabulary for what such a future would look like.
Author Octavia Butler, free-jazz musician Sun Ra, who fused Egyptian mysticism and sci-fi iconography, and American singer-songwriter Janelle Monáe, whose 2018 album Dirty Computer and its accompanying film explore queerness in a technologically advanced future, are among pioneers.

According to Ernestine White-Mifetu, co-curator of Africa Fashion at the Brooklyn Museum in New York City, “African creativity has attracted more attention during the past ten years.
Just so happens that the two main interests right now are fashion and music. Visual arts were the focus five years ago, and they still are today. There are various reasons for this, some of them are socioeconomic because social media and other kinds of media provide creatives more access to a worldwide audience.
The appreciation of talent outside of the African continent has also been linked to ideas of luxury.

“Over the past ten years, there has been a heightened interest in African creativity,” says Ernestine White-Mifetu, co-curator of Africa Fashion at the Brooklyn Museum in New York City.
Currently, the two main interests are just fashion and music.
Visual arts have remained the same over the past five years as they always have.
There are various reasons for this, some of them are socioeconomic because social media and other media outlets are allowing creatives to reach a larger audience on a global scale.
It has also been connected to concepts of luxury that the talent is valued outside of the African continent.

Designer Jameel Mohammed created the Afrofuturist jewelry and clothing line Khiry in opposition to the White elite language that has always dominated the luxury market.
As an undergraduate, he visited Japan for a summer study abroad program and met the CEO of a luxury company, who asserted that only Paris and Milan could produce genuine luxury goods.
“His backward outlook felt like the epitome of all the colonial assumptions about brown people, their cultures, and their state of development.
It was very clear that that was not the future, says Mohammed.

As a philosophical guideline for his work, he draws inspiration from the history of Black power-inspired protests and civil rights movements. “I’m asking, ‘How do we look at those different results and the strategies employed and try to build a culture around those learnings through object-making and experience-making?'” he writes.
These influence so many aspects of our daily lives, aspirations, and sense of self in the world.
Before the concept of Afrofuturism became personally significant to Mohammed, he began Khiry: “I was thinking of it more as just influence from the African diaspora.
I now understand that we will need to advocate in a more assertive and organized manner.

I can see that. The future generation of this movement is being built by Black creatives, in my opinion.
He mentions designers like Brandon Blackwood, whose viral tote bag bearing the slogan “End Systemic Racism” made a hit in 2020 during the peak of the Black Lives Matter movement.
Luxury now exists at the singular crossroads of accessibility and exclusivity because of digitalization. “Because luxury is so closely associated with power, there is a basic tension within it. In that sense, it is about addressing existing hierarchies in the world and even strengthening them in certain respects.

In order to tell Black people that “the way that this business has regarded us need not be how we view ourselves,” Mohammed adds, “I think that I’m using part of that natural tendency of luxury to call into question such hierarchies.

Off The Pedestal
Adeju Thompson also strongly identifies with the notion that all cultures should be given the same value. Thompson is determined to access codes from all over the world after his label Lagos Space Programme won the International Woolmark Prize 2023.
“While my work is heavily influenced by my African history and identity, I don’t let that define who I am.
The cultures and materials I consume influence the LSP language, but everything is interpreted through a Nigerian lens.

“A marriage of two different worlds,” according to Thompson, best represents his art. For instance, the collection ‘Project 7/Post-Adire’ aims to ’emphasize the connections between western tailoring norms and the romance of traditional indigenous aesthetics of dress’. According to Thompson, the term “adire” refers to an ancient method of indigo dyeing.

Adire cloth is worn by people on important occasions.
The storytelling component is what distinguishes it as unique. Each motif has a purpose, and the approach is extremely methodical. In more recent times, queer communities have also communicated through signs, objects, and gestures that have special significance to them.
This concept of Adire as a queer archive developed over time. The designer’s confidence grows along with his own sense of queerness.

Afrofuturism is one term, nonetheless, that Thompson does not employ to describe his work. Instead, he chooses “African Futures,” which he describes as “not some fancy idea. African Futures is deeply based on my experience and how I view the world. Just by being here, I contribute to the conversation. It speaks really nicely to my dream, of futuristic African fashion when I just put things together.
Africa Fashion’s “Politics And Poetics Of Craft” section also goes into length into the continent’s textile histories. It’s wonderful to see people gain a better grasp of how the history of clothing and textiles on the African continent is a living heritage that today’s designers are continually referencing, adds White-Mifetu.

“You see Afrofuturism very clearly in ‘Afrotopia,’ which is one of our six sections,” her co-curator Annissa Malvoisin continues. Here, we highlight designers who have a utopian perspective on the future.
For instance, the fantastic trenchcoat-burkha combination made by designer Maison ARTC for Africa Fashion.
He blends the trenchcoat, which is distinctively associated with the London sartorial aesthetic, with the burkha, which is distinctively associated with Muslim modest attire, to produce this futuristic intercultural discussion.

Boppin And Poppin
It is apparent that the diverse variety of artistic expression produced by an entire continent and its diaspora is not homogeneous, and culture means different things to different individuals.
Lagos- and London-based As undergraduates in London, Ola Badiru and Jimmy Ayeni founded the company Vivendii to represent their way of life.
They reflect the effects of growing up during the MTV era in their WordArt placements and retro-inspired graphics: We’re new to the internet.
When we were young, the vivid colors we saw when using Microsoft Word and MSN truly affected us. Using Vivendii, we may relive our youth, claims Ayeni.

In addition, Badiru explains the significance of the t-shirt bearing the slogan “Stronger than Pain,” explaining that it is part of the African identity to be able to create diamonds under pressure. Nigerians experience a lot, yet they are resilient and always overcome the suffering.
Other works, like the t-shirt “Operation Vomit Your Dollars,” mimic extravagant church ceremonies that assure followers of material wealth or scholastic success for their children in order to convey Badiru and Ayeni’s skepticism regarding organized religion.

Their concurrent musical project, Vivendii Sound, reflects their naive, immature approach to culture creation. We turn to the future with some of the newest hyper pop, trap scenes, or EDM, or we pull from the past with 80s funk. In addition, we place a lot of emphasis on Fuji music and Afrobeats from our own Nigeria, says Ayeni.
White-Mifetu and Annissa Malvoisin also tapped into the appeal of music on a global scale while creating African fashion.
“You see Afrofuturism very clearly in ‘Afrotopia,’ which is one of our six sections,” claims Malvoisin. Here, we highlight designers who have a utopian perspective on the future.

Giving the tourists the idea that Africa is a continent with 54 countries and getting rid of the generalization of just mentioning “Africa” was a key part of our redesigning. With the help of our modes of representation, you may establish a historical context and a sense of place inside the African continent thanks to its independent past.

Content courtesy of Grazia & NFH Digital Team 

Luxury Fashion Meets Athletic Performance: MCM And PUMA Hoops Score Big With Third Collaboration

Posted on by Oscar Alochi

MCM and PUMA Hoops’ third collaboration brings high-end fashion and athletic performance to the forefront.
The third and final drop of MCM and PUMA Hoops’ eagerly awaited collaboration for Autumn/Winter 2023 is now available for basketball fans who are fashion-forward.
With colorful ready-to-wear pieces and a show-stopping version of PUMA’s TRC Blaze Court Shoe that is sure to draw attention on and off the court, this collection promises to be a dazzling spin on sports classics.
The latest partnership celebrates a shared vision of freedom and expression through a movement for fashion-forward enthusiasts and sneakerheads.
It was inspired by the electric energy of the basketball lifestyle and hip-hop subculture.

The new PUMA x MCM provides unabashed patterns and opulent materials for a contemporary spin on vintage basketball styles.
The PUMA x MCM TRC Blaze Court Shoe, the All-Star of the lineup, is a real testament to the creative chemistry between these two venerable companies.
Its innovative aesthetics and high-performance qualities make it a must-have for sneaker fanatics and basketball aficionados alike.
Its design flawlessly combines MCM’s design codes and PUMA’s cutting-edge sports technology.
Additionally, the collection offers a variety of well-chosen apparel pieces with a cutting-edge aesthetic that will up your style game both on and off the court.

The PUMA x MCM collaboration has spared no effort in providing a whole lifestyle experience, from cozy knit shorts and tank tops to fashionable windbreakers, sweatpants, and jerseys.

Content courtesy of Urban LifeStyle SA & NFH 

Luxury Designer Michael Kors Shop Launches In Kenya At Sarit Centre, Westlands

Posted on by Oscar Alochi

High-end clothing retailer Michael Kors debuts a location in Kenya in the Sarit Centre in Westlands.
Now established in Westlands at Sarit Center Shopping Mall, the first Michael Kors store in Kenya was carefully invited only for the store’s opening.
At the grand inauguration of a premium store boasting an exclusive Michael Kors line, enter a world of luxury and flair.
Improve your look and join us as we celebrate the pinnacle of elegance.

https://www.instagram.com/p/Cxsjdx5Kokw/?igshid=NzZhOTFlYzFmZQ==

The whole line of Michael Kors accessories, including watches, jewelry, handbags, footwear, and eyewear, as well as the brand’s signature perfumes, are all available at the Sarit Center store.
Purchase upscale Michael Kors goods without worrying about authenticity.
According to a representative of the luxury designer business, Kenyans now have the opportunity to purchase high-end goods without having to worry about their legitimacy.

https://www.instagram.com/reel/Cxzui_poHXF/?igshid=NzZhOTFlYzFmZQ==

Kenya now boasts a Michael Kors store offering high-end designer clothing, shoes, handbags, and accessories.
Fashion fans experienced high fashion at the store that debuted in the Sarit Centre in Westlands on Friday, September 29.
With the arrival of Michael Kors in Kenya, you can now purchase bags, shoes, and watches.
We also have plans to introduce MK scarves, sunglasses, and perfumes.
As said by Tabitha Mwende, expect the best customer service and high-quality goods.
“We have a problem in Africa where when a high fashion brand comes into the country it’s a knockoff, but now Kenyans can be sure to get Original quality, it’s the same quality you’ll get in Dubai, USA, and other major markets,” the statement reads. And she said.

https://www.instagram.com/p/Cxxn-5rKBvu/?igshid=NzZhOTFlYzFmZQ==

 

About Michael Kors
Award-winning and well-known designer of high-end ready-to-wear and accessories, Michael Kors. A variety of goods are presently produced by his 1981-founded eponymous firm under the Michael Kors Collection, MICHAEL Michael Kors, and Michael Kors Men’s labels. Accessories, shoes, watches, jewelry, ready-to-wear for men and women, wearable electronics, eyeglasses, and a complete line of scent goods are among these items.

In some of the most famous cities in the world, such as New York, Los Angeles, Chicago, London, Milan, Paris, Munich, Dubai, Seoul, Tokyo, Hong Kong, Shanghai, and Rio de Janeiro, Michael Kors boutiques are run either directly or through licensing partners.

While celebrating international occasions and cultures that reflect the diversity, experiences, and viewpoints of people throughout the world, the organization takes great satisfaction in attracting and keeping diverse talent and in offering an inclusive work environment for everyone.

A solitary designer with an intuitive sense of beauty and an unwavering eye for classic style is the driving force behind this rising enterprise. In addition to being recognized for his generosity and receiving multiple awards in the fashion business, Michael Kors has gained the adoration and admiration of millions of people.
He has built an enduring luxury lifestyle empire with a reach across the globe by being wholly committed to a vision of style that is as elegant as it is opulent, as iconic as it is current.

Content Courtesy of NFH Digital Team

African Fashion & Arts Award (AFAA) Stakeholders Encourage Intra-African Trade In The Fashion Industry

Posted on by Oscar Alochi

A better intra-African trade and economic partnership between African entrepreneurs in the fashion and arts sectors is being urged by stakeholders in the industry.

The African Fashion & Arts Award (AFAA) emphasizes the requirement that fashion and art creatives be empowered, honored, and recognized.
Over 65% of the 1.4 billion people in Africa are young people between the ages of 12 and 35, according to Mr. Kingsley Amako, founder and president of AFAA.
He also noted that fashion and the arts continue to be the most viable and possibly the creative industry vertical that generates the most revenue, which could significantly affect the GDP of the continent.

At a recent news conference in Abuja, Amako stated that the textile and clothing business continues to be the second largest revenue-generating sector in the world’s emerging nations, after agriculture, despite the continent’s priority shifting from oil to tech.
Speaking on the upcoming third anniversary of AFAA, which will take place in Abuja later in the year, Amako stated that focusing on fashion and art creatives is the best course of action.
The third anniversary of the AFAA is planned for the first three days of December 2023 at the Abuja Continental Hotel, while the East African Media Tour is slated for the sixth, tenth, and thirteenth days of October 2023, respectively, in Tanzania, Kenya, and Rwanda.

When questioned why the tour was taking place, Amako responded that it had been customary for the organization since 2021 in South Africa, 2022 in Cairo, Egypt, and 2023 in three (3) East African nations.
Amako expressed her gratitude to the sponsors of the AFAA 2023 and stated that the organization’s aim, vision, and motto are to empower people and celebrate their creativity.
“The appropriate level of knowledge and sensitization must be created for the necessary government, public, and private sector organizations to consider for investment in order to realize the Africa we envision.

The African Union, African Development Bank, AfCFTA, AFREXIMBANK, Bank of Industry, and a large number of other institutions have all expressed a strong interest in the creative industry. However, young businesspeople in the fashion and arts sectors appear to believe that this interest primarily applies to the music and film industries.
With “these Press conferences across Africa and the Award ceremony in December to encourage achievers in the fashion and arts industries and as a platform for utilizing the inherent talents among the millions of African creative youths,” he continued, the AFAA will change this narrative.

He listed the advantages of AFAA’s mission in Africa as encouraging talent development and skill acquisition for self-reliance, creating employment opportunities for the more than 13 million African graduates each year, boosting the continent’s GDP, luring foreign direct investments (FDIs), and fostering intra-African trade and business ties.

The organization also aims to influence changes in trade and distribution policies, aid in the empowerment of women and young people, advance world peace, persuade African youths to live in areas with little to no security threat, aid in the eradication of poverty by providing capacity-building training sessions through the AFAA masterclass and mentorship symposium, and promote export for foreign exchange.
In his summation, Amako noted that the fashion and arts sectors had been selected as the ones on the continent that employed the most women and young people and that finished the value chain from farms to finished garments.

In the next ten years, the global fashion market is predicted to triple, producing up to US$ 5 trillion yearly. Through the purchase of 19 billion items, the USA spends 284 billion dollars annually on fashion retail. At different points along the value chain, from design to production to marketing, the fashion sector presents a huge opportunity for Africa. The fashion and arts sectors have a great deal of potential to inspire and effect change in some of the most marginalized groups, particularly women and young people, and to advance structural change.
Recognizing the importance of contemporary technology, AFAA 2023 has thought about topics for the AFAA masterclass and mentoring symposia that involve integrating technology into the fashion and arts industries.

Content courtesy Voice Of Nigeria & NFH

Victoria’s Secret Fashion Show Returns With Black Designers’ Designs On The Runway

Posted on by Ann Mumbi

After a five-year sabbatical, the Victoria’s Secret fashion show is making its eagerly awaited return and is now live on Amazon Prime.
The work of 20 exceptional creatives from thriving cities including Bogota, Lagos, London, and Tokyo will be featured in this year’s show, which spans a variety of industries including fashion, cinema, design, music, and the visual arts.
Bubu Ogisi, the creator of IAMSIGO and a fervent supporter of African fashion created by Africans in Africa, is one of the designers engaged. In addition to defying conventional notions of African companies, Ogisi’s collection for the event demonstrates her dedication to celebrating African ideologies, textiles, and manufacturing methods.

The show will prominently feature model Mayowa Nicholas, who went from being an accounting student to dazzling runways all over the world.
Mayowa, a native of Nigeria, never thought of making modeling her career.
Like many Black children in the nation, she was urged to prioritize her education and look for conventional employment. Mayowa, who was raised by a single mother, thought that studying accounting was a sensible way to ensure her financial security.
She was approached on the street to take part in a modeling competition with Elite Models, which caused her perspective to change.
She made the decision to compete despite feeling unqualified in comparison to experienced models, and she ultimately took first place.

This surprising triumph brought her a modeling contract in China, where she encountered prejudice and went through a culture shock. Nevertheless, Mayowa persisted, and she and 14 other girls were given contracts.
She made the painful decision to leave school and her family behind, traveled to Paris, and walked in Schiaparelli’s debut presentation during Couture Fashion Week.
After a while, Mayowa’s agency offered her the chance to try out for Victoria’s Secret while she was in New York. She initially declined out of fear, but the next year she jumped at the opportunity. She attempted to travel to China for the show but unfortunately ran into visa problems.

The next year, however, Mayowa had the pleasure of having her mother in New York to see her accomplishment in addition to getting the chance to walk the Victoria’s Secret show. It frequently happens that parents of people who work in creative industries can only fully appreciate their children’s work after seeing it for themselves.
Through group chats and social media, Mayowa’s mother happily informed loved ones about the accomplishments of her daughter.
At the beginning of her work, fashion designer Bubu Ogisi was passionate about studying fibers, materiality, and traditional methods.
She experienced growing up in several nations, including Nigeria, Ghana, and England, as well as going to school in Paris. She was particularly impressed by Nigerian weddings and festivals, which featured an abundance of textiles and materials.

Her exploration of fiber techniques, reading skills, and the real materiality of fabrics were all influenced by this encounter.
She was further exposed to the commonalities in these methods used in several nations, whether they are Anglophone, Francophone, or Portuguese-speaking, even though they go by different names while attending school in Ghana.
Ogisi found it fascinating to see how different weaving techniques are carried out, such as Asha key in Nigeria, kente in Ghana, and Heat kita in Ghana, in different ways and with individual variances.
Her work was shaped by her understanding of these parallels and differences, which allowed her to highlight the complex fiber research and the enchantment that can be made with one’s hands even in unnoticed locations.

Ancient, historical, and mythological tales are frequently the source of Bubu’s inspiration since she thinks that by recounting these tales, we may decolonize minds and introduce fresh perspectives. The world has frequently accepted some myths as true while ignoring others. Bubu uses language as a medium to fabricate stories that have not yet been spoken in order to shed light on them.
When contacted by Victoria’s Secret, Bubu initially chose not to reply but subsequently made up her mind to pick up the phone and speak with the entire team. When working with others, Bubu loves collaborative energies that are harmonious and in line with everyone engaged. Bubu was thrilled to have this opportunity to continue presenting a narrative to which she has been deeply devoted.

Bubu viewed this as an opportunity to tell Victoria’s Secret about her experiences, particularly in respect to the idea of Victoria and its association with legendary figures.
She wants to share the African myths and legends through her own culture, nation, and continent. Numerous studies have been done on the cosmological and mythical tales of Nigeria and other African nations.

The collection is influenced by Roman and Greek myths, with a special emphasis on the goddess Nike.
The purpose of Bubu is to present the tales of ten to eleven unisex deities, such as the God of War, the God of Space and Time, and the God of Water. The idea has been greatly influenced by the Nigerian-derived European Edo mythology.

The secret stone in the necklace serves as a representation of the goddess in the entire concept, which centers on exhibiting the feminine divine. Each deity is linked to particular substances, hues, and superpowers. locating and making the components needed to cross the continent.
Mayowa and Bubu have a history of collaboration; when she was 16 years old, Mayowa modeled for Bubu. For both of them, getting back in touch at age 25 was a pivotal and meaningful point in their professional relationship.
Hugging occurred occasionally throughout the process, demonstrating their close relationship.

Intricate styles that were genuinely one-of-a-kind and unlike anything Victoria’s Secret had done before were the outcome of Bubu’s concept for the project, which included hairstyles that paid reverence to the ancestors.

Content courtesy of Ebony & NFH 

African Fashion Spaces Introduces The Mother City To A New Era Of Fashion.

Posted on by Oscar Alochi

African Fashion Space entertained Capetonians at a fashion display on September 16.
In addition to magnificent surroundings, African Fashion Spaces Cape Town showed a blend of high fashion and culture as Sinchui and Fuata Moyo displayed their exquisite designs.

“The 16th September 2023 was an exciting prelude to what’s yet to happen over the next couple weeks as we rollout the few exhibition collaborations we have with some of the most exciting designers, brands, and platforms associated,” said Jay Kayembe, creative director and co-found of African Fashion Spaces (AFS).

It’s not a typical fashion show; it’s more like strolling through an outstanding art exhibition showcasing Africa’s incredible ability and creativity via its many varied cultural lenses. It’s never been about maintaining the status quo.
Both Sinchui and Fuata Moyo presented their collections in front of a crowd of fashion aficionados, designers, trendsetters, clients, partners, friends, and family while the stars twinkled above Table Mountain.

Sinchui opened the presentation by showcasing their “Everything in the Divine Time” collection, which was hip-hop-inspired.
Like Pharrell did when he turned his music into fashion, the urban cool ensembles with trendy jackets took the stage and revived the golden age of hip-hop.
The collection “ROOTS/ROUTES” by Fuata Moyo was all about commemorating South African ancestry.

Each piece of clothing served as a brushstroke, creating a clear picture of the harmony between our past and our present.
The exhibit demonstrated that we can be both proud of our past and enthusiastic about the future.

The day-night exhibition had the atmosphere of a New York Rooftop mixer but was held in Cape Town, South Africa, where Table Mountain served as a backdrop for the starry nighttime event. Fashion aficionados, designers, trendsetters, clients, partners, and friends and family of the two fashion collectives Sinchui & Fuata Moyo attended the fashion exhibition.
Everyone was anticipating two amazing fashion presentations that would completely change how the fashion world is presented today. It was like a gigantic fashion party.

Mixing street style and old-school hip-hop in the showcase (Show 1)
The first brand was Sinchui, which is renowned for its daring street flair and a hint of hip-hop nostalgia. Cool urban clothes were showcased on the runway, fusing current fashion trends with the essence of street style. In a similar way to how Pharrell incorporated his music into fashion, the models strutted down the rooftop runway while in a groove, reviving the golden age of hip-hop.
The music perfectly complemented the collection, making it an unreal experience.

The runway’s rooftop and mountain backdrop came to life with the music, heightening the excitement of the entire experience. Each ensemble seems to overflow with joy.

Show 2 of the Fuata Moyo Showcase: Celebrating Our History and Dreams
Fuata Moyo presented a compilation titled “ROOTS/ROUTES” after that. It seemed as though we were staring into a history that was still present. ‘ROOTS’ was all about paying homage to our roots and honoring our family, home, and origins, but ‘ROUTES’ was about forging ahead and chasing huge dreams.

The runway resembled a wonderful scene from a Harry Potter novel from Wakanda, yet it was set in Cape Town and told stories of African culture and aspirations.
Each piece of clothing served as a brushstroke, illuminating the harmony between our past and our voyage into the future.
The exhibit demonstrated that we can be both proud of our past and enthusiastic about the future.

Content courtesy of IOL, Urban Lifestyle SA & NFH

 

Thebe Magugu, A South African Fashion Designer, Is Honored During The 11th Annual First Ladies Luncheon

Posted on by Oscar Alochi

Thebe Magugu is one of South Africa’s top emerging stars in the field of fashion design.
The Johannesburg-based, 30-year-old designer made history in 2019 when he became the first South African to ever win the renowned LVMH Young Fashion Designer Prize.

This week in New York City, Fashion 4 Development honored him for his first visit to the country. He received the Franca Sozzani Award for 2023 at the First Ladies Luncheon, which was held in conjunction with the 78th General Assembly of the United Nations.

The “Mother & Child” series, which consists of eight costumes dedicated to celebrating South African tribes and traditions, is the name of the collection he displayed during the luncheon held at 583 Park Avenue.
The design of each outfit features a mother carrying her kid while dressed in the traditional attire of a different South African ethnic group.
The Venda Mother & Child Dress honors the Southern African Bantu people who are primarily found close to the South African-Zimbabwean border and the Swati Mother & Child Dress is a Bohemian-style moss crepe dress with a shirt collar, plunging neckline, and balloon sleeves.

The Zulu Mother & Child Dress, which is a rich maroon color, and the Tsonga Mother & Child Dress, which is red and blue, are also included in the collection.

According to him, South Africa has eight important tribes, and he wanted to honor them all. “I reinterpreted each culture by considering how mothers and children relate to one another. Depending on the culture, each outfit depicts a Madonna or mother figure cradling a kid.
It’s wonderful to see South African’ culture represented.
Coming from South Africa, a nation defined by indigenous customs, colonialism, apartheid, and its post-apartheid age, the fashion we see leaving the country, especially to Magugu, is being influenced by the country’s past, present, and future.

Being there is incredibly validating, he added. The Franca Sozzani Award feels very appropriate for me because I created my business with the intention of sharing history, cultures, and tales that may otherwise be lost to time.
I make capsules to preserve that for each one. Aside from being attractive, the fashion industry is also informative and educational.

Magugu’s ethical, eco-friendly clothing line is renowned for its recycled materials and storytelling as well as for its ethics. African Studies, the name of his spring/summer 2019 collection, was a commentary on the effects of colonialism on African culture.
It featured fabrics from Africa, such as kente and shweshwe, and patterns inspired by old African postcards.

Additionally, the designer has recently worked with community organizations to support African voices in the fashion business and train aspiring fashion designers as a way of giving back.

“When I started my brand in 2016, it was to pay homage, create an encyclopedia to the people and cultures that I don’t want to be forgotten,” the man added. These histories don’t lead to anything.
Fashion serves as a communication tool to inspire and transform, which is what makes it so brilliant.
The lunch was given in honor of Her Majesty Queen Elizabeth II on the one-year anniversary of her funeral in collaboration with the Queen’s Commonwealth Trust.

The VIP luncheon honored honorees like Hugo Boss CEO Daniel Grieder, artist Vuslat Sabanchi, Martina Cheung, president of S&P Global Market Intelligence, and Jean Shafiroff, who received the International Philanthropy Award from New York Assembly member Rebecca Seawright, who dubbed her “New York’s First Lady of Philanthropy.”
The event had a green carpet to honor sustainability in fashion.

As the goodwill ambassador for F4D, Naila Chowdhury, director of social impact and innovation at UC San Diego, was announced. The luncheon has previously recognized Victoria Beckham, Naomi Campbell, Donna Karan, Iman, and other influential figures in fashion.

Evie Evangelou, the founder of Fashion 4 Development, and Princess Corinna zu Sayn-Wittgenstein served as the event’s co-hosts.
The Queen’s preferred bread-and-butter pudding recipe, created by her personal chef Anton Mosimann, was presented this year. With a reputation for dressing Jay-Z and Missy Elliott, costume designer June Ambrose, Twin Peaks actress Amy Shiels, Laine Siklos, Marcelo Carvalho de Andrade, Dr. Ines Hernandez, Chaz Dean, Sofie Mahlkvist, Janna Bullock, Daniel Stock, Park Magazine publisher Christopher Pape, and artist Bonnie Lautenberg, the widow of the late Senator Frank Lautenberg were among the notable attendees.
Magugu remarked, “I think that Franca Sozzani was such a trailblazer, look at all the things she has done. The All Black issue of Vogue Italy from 2008 included over 100 pages of black models on the cover.

He recalled that at the time, representation was practically nonexistent. I am privileged to be compared to her as a changemaker. She influenced fashion in a variety of ways, particularly when it came to diversity.

The lunch was held in conjunction with The 3rd Annual Sustainable Goals Banquet on Monday evening, which honored Lazarus Chakwera, the president of Malawi, Joseph Hernandez, the founder of Bluewater Biotech, Jasmina Bojic, the founder of UNAFF, the United Nations Association Film Festival, Dr. Ramon Tallaj, the founder and chairman of SOMOS Community Care, and Ingmar Rentzhog, the CEO and founder of WDHT.
An emotional address by Italian model Bianca Balti served as part of the event’s tribute to the late Franca Sozzani, Editor in Chief of Italian Vogue.

The prize, according to Dr. Tallaj, serves as a reminder of the significance of solving urgent social concerns of our time. He remarked this during the event. “We have the power to weave together threads of compassion, innovation, sustainable development, and equitable healthcare for all,” he declared.

In 2016, Magugu launched the high-end South African fashion label bearing his name.
The vibrant ready-to-wear collections are constructed from recycled materials and frequently feature motifs that are inspired by the history of Africa, but with a modern twist to make them relevant.
When the designer’s debut line, Geology, was highlighted in Vogue Italia in 2017, it was definitely a significant break.

Sara Sozzani Maino, the founder of Vogue Talents, the creative director of the Sozzani Foundation, and a creative advisor to Conde Nast, gave Magugu the Franca Sozzani Award.

Sozzani remarked at the occasion that Magugu “has a great vision for his creativity,” “empowers women, and brings the cultural traditions of Africa to the world.”
Magugu asserted live on stage that “People only need to feel seen once.”
The designer revealed that he was raised in a rural village and that his early exposure to the world of fashion came from watching MTV programs and music videos.

“I was rejected by a prestigious fashion school at a young age, and I studied fashion in South Africa,” he explained. “In hindsight, it was a blessing in disguise because being close to the visual cues to symbols I grew up with made me privy to such beautiful inspiration.”

Content courtesy of Forbes Africa & NFH

 

 

Meet The 15 African Fashion Brands Represented At SS24 London Fashion Week

Posted on by Oscar Alochi

One of the biggest fashion events in the world continues to be New York Fashion Week.
The twice-yearly exposition (held in February and September) serves as a big platform for showcasing the top international and American designers as well as a hot conduit into the American market. African designers have occasionally surfaced during NYFW, showcasing their collections on the runway.

Nigerian Maki Oh made her debut in 2012, while in 2014, South African and Nigerian industry icons David Tlale and Deola Sagoe both made their debuts. However, the watershed event in the late aughts is to thank for these designer debuts.
A group of African fashion designers attacked New York City in 2009.

African businesses Stoned Cherrie (South Africa), Xuly Bet (Mali), Momo Couture (Nigeria), and Tiffany Amber (Nigeria) were welcomed in the Bryant Park tents as part of the African Fashion Collective for the first time in NYFW’s history.
The “Obama Effect” was referred to by the general public in the fashion industry after Barack Obama became America’s first Black president a month earlier.

Through their presentations, these designers refuted stereotypical perceptions of Africa and highlighted the ingenuity and craftsmanship the region had to offer. There will never be another NYFW.
Since then, African designers have made progress. Nigeria’s Head of State Tia Adeola had been on the February program for NYFW’s Fall 2023 season.

Both brands are returning this September, the latter in the lineup for the eighth outing of The Black in Fashion Council Discovery Showroom.

1. Abigail Ajobi
Abigail Ajobi, the self-named brand’s creative director and fashion designer, is of Nigerian heritage.
The brand is a high-end streetwear company that uses exclusive and scarce materials to make its exquisite products. Additionally, by offering convertible styles that may be worn in different ways, it supports sustainability.

several methods. Abigail Ajobi has been in business since 2020. She has presented her designs at London Fashion Week and Lagos Fashion Week events and she has been featured in a number of periodicals. The collection’s profits are given to charities of the brand’s choosing.

The distinct and fashionable forms of Nollywood Y2k fashion served as the inspiration for Abigail Ajobi’s SS24 collection Anti-Muse.

2. Sukeina
Omar Salam chose to create Sukeina in 2012 after spending two years working at Christain Lacroix and working for French fashion designer Madame Sonia Rykiel in Paris.
The Senegalese designer with roots in New York, who studied fashion design at Parsons School of Design, has created a sartorial extravaganza with his womenswear line.

His distinctive designs for the brand include sculptural gowns, elaborate weaving, and dramatic forms.
Tribal elements from the continent have also affected his collections. His Fall 2022 collection incorporated the vibrant patterns of Bantu clothing, which can be seen in Eastern, Central, and Southern Africa.
2020 saw the launch of Sukeina, an origami dress, flapper-style mesh, and sheer looks collection.

3. Kílèntár
Klèntár is a Nigerian contemporary womenswear brand with a whimsical and feminine look that was founded by Michelle Adepoju in 2019.
Adepoju had at first begun by purchasing clothing to sell online.
She would purchase clothing items from her neighborhood thrift shop or charity shop, such as crop tops and blouses, and tastefully adorn them.

African sartorial features like cowries, indigo dyeing (adire), and hand weaving are also infused into the brand’s aesthetic. One of the newest labels in the NYFW lineup of African designers, Klèntár will exhibit alongside Korlekie, Onalaja, Fumi the Label, and Tia Adeola under the auspices of The Black in Fashion Council Discovery Showroom.

4. Dumebi
Barbara Biosah, a British-Nigerian fashion designer, founded the upscale womenswear line Dumebi, which specializes in handcrafted couture apparel, shoes, and accessories. Barbara’s designs are influenced by African and European Renaissance art with a British modern twist and a Parisian flair because of her British and Nigerian roots.
The brand wants to bring back custom-made clothing crafted with high-quality materials and creative ideas while cutting back on excessive mass production.

5. Korlekie
Beatrice Korlekie Newman, who graduated with a BA in fashion design from De Montfort University in Leicester, started Korlekie in 2013 from her Peckham, London, bedroom.
For the ladies in her local church, the British-Ghanaian designer created one-of-a-kind pieces in African textiles. Rita Ora, Anna Freil, Ellie Goulding, and Alesha Dixon are just a few of the A-listers who have worn the brand’s fashionable, upscale knitwear and crochet.
Further drawing inspiration from Ghanaian traditional craft, Korlekie combines luxurious materials with sensuality for the contemporary woman.

6. Feben
Feben’s collection is influenced by the nomadism of her personal identity as well as her Ethiopian ancestry, North Korean, and Swedish upbringing.
Vemmenby collaborated with Beyoncé to design and style costumes for the Brown Skin Girl music video after completing her MA in fashion at Central Saint Martins as an Isabella Blow scholar.
The visual codes of Black life from all over the world are explored via a surrealistic lens in Feben’s works.

7. Onalaja 
Onalaja is one of a number of contemporary Nigerian businesses that prioritize luxury and wearability in their design aesthetic. Kanyinsola Onalaja, a Nigerian-born fashion designer who founded her company in 2014, obtained her BA in Fashion Design from London’s Istituto Marangoni.

After that, she traveled to Rome to study 3D pattern cutting at the Academia di Costume E Moda. Onalaja creates expertly designed clothing for women with contrasting textures and patterns utilizing high-end materials. Particularly the coral red and the elaborate embroidery that represents the designer’s Bini origin, these patterns are masterpieces.

The bodycon dresses from this brand are also size-inclusive, fitting a variety of body types.
This is why the company’s Zusi dress, which celebrates the feminine body in all its variety, has been a success. Indiyah Polack, a former Love Island contestant, and Kandi are two celebs who have been seen sporting it.

8. Labrum London
Foday Dumbuya, the creative director and founder of Labrum, found inspiration while growing up and learning in London, Cyprus, and Sierra Leone.
A contemporary menswear company’s mission is to “tell the untold stories of West Africa to help bridge the gap between Western and West African culture.”
The distinctive features of British tailoring are combined with West African inspirations to create Labrum’s unique sense of style.
In honor of his Sierra Leonean heritage, his SS24 collection, NOMOLI ODYSSEY, was shown at the Four Seasons hotel in Trinity Square.
A number of Labrum’s creations featured depictions of the Nomoli figure, a native of Sierra Leone and a symbol of fertility and harvest.

9. Fumi the Label
Fumi the Label is a ready-to-wear womenswear line created by Toronto-based designer Fumi Egbon that emphasizes comfort, grace, and sophistication. The brand, which debuted in 2016, specializes in vibrant colors, breathable clothing, and the possibility of wardrobe-building styling.
One example is the Naomi dress, which may be combined with thigh-high boots, denim, or jeans. The brand will reach a new milestone when it exhibits at NYFW.

10. Tolu Coker
After graduating from Central Saint Martins, British-Nigerian Multi-Disciplinary Artist Tolu Coker created her own brand in 2018.
Her work, which is heavily influenced by identity politics and social environments, uses fashion as a platform to promote social change.
Her 2019 collection honored the lives of women who had survived being raped as a result of war atrocities in the Democratic Republic of the Congo.
The earnings from a portion of her collection were donated to the charity “Choose Love” in 2020, which assists minority populations, refugees, and immigrants both locally and internationally.

Irapada, the SS24 collection by Tolu Coker, is inspired by her Yoruba heritage.
Through the prism of her own family’s relationship to both religion and fashion, she used her works to explore how Yoruba spirituality is seen.

11. Victor Anate
Despite the fact that Nigerian designer Victor Anate won’t present his edgy womenswear line Vicnate at NYFW, he has contributed his talent as a co-collaborator by creating Naomi Campbell’s debut collection for Pretty Little Thing.
The renowned supermodel tapped Anate and Brooklyn-based Edvin Thompson of Theophilio, both of Jamaican descent, to create her line for the fast-fashion behemoth.
It launched as a runway show on September 5 to kick off NYFW, showcasing a 70-piece collection of outerwear, mesh dresses, sharp pantsuits, and more. Now that the project is finished, it joins Anate’s impressively expanding and exciting portfolio.

12. Tia Adeola
The Tia Adeola line was previously presented at NYFW. The brand’s launch, the Autumn/Winter 2020 collection, brought models down the catwalk wearing its recognizable sheer and ruffles. They were seductive, extremely provocative, and were modeled after Renaissance-era dress regulations.

Tia Adeola, a 2019 Parsons School of Design alumna who was born in New York and raised in London, has established herself as an intriguing new designer and amassed a cult following that includes Gigi Hadid, Flo Milli, SZA, and others.

13. Studio 189
OkayAfrica attended Studio 189’s debut spring runway show in 2019, which featured a number of notable guests like Quincy Brown, Fantasia, Justin Skye, Naturi Naughton, and Ayo Tometi (formerly Opal Tometi).
We also learned how the brand’s design principles combine cutting-edge tailoring with ancient West African crafts like indigo dyeing, hand-batik, and weaving.

The sustainable brand, which was established in 2013 by Abrima Erwiah and the actress Rosario Dawson, is propelled by an artisanal pulse and collaborates with regional artisans in a way that highlights their abilities and gives them employment opportunities. Studio 189 is more than simply a brand; it currently conducts business in Accra and the United States. Additionally, it is a social enterprise that finances numerous initiatives started by locals both in the U.S. and on the continent.

14. Head of State
Head of State wasn’t yet a fully developed brand in 2016 when Taofeek Abijako founded it.
His goal was to earn money to build a water infrastructure in his area while still a senior in secondary school in Nigeria.
Fast forward to 2017, when his brand’s spring/summer 2018 collection made him the youngest debutant at NYFW. He wasn’t even 20.

Taofeek, who is now based in Brooklyn, New York (his parents had won the lotto in 2010), utilizes the Head of State as a bridge to connect cultures in Nigeria and the United States.
The brand has focused on striking a balance between the two through their clothing.
Traditional Nigerian design features like silhouettes and embroidery are executed with a contemporary twist.

15. Oshobor
Oshobor was founded in 2020 and is the creation of Peter Oshobor. It combines slow fashion, traditional craft, and cultural tales.
The brand expanded into the 2022 Green Access program, Lagos Fashion Week’s platform for talent identification.
It further highlighted the brand’s zero-waste philosophy by showcasing a small number of exquisite outfits made from waste yarn and offcuts.

Oshobor will visit New York for their Carnaval Couture NYFW event thanks to a collaboration with Upscale Magazine and Art Meso, the art and fashion exhibition that highlights up-and-coming designers and creatives from all around the world.

Content courtesy of Culture Custodian, Okay Africa & NFH

Fée Uhssi Presents: The African Fashion & Textiles Experience

Posted on by Ann Mumbi

A Series Of Workshops Exploring The Rich And Diverse History Of African Fashion.
By Tara Robinson.
The African Fashion & Textiles Experience will be presented by Wandsworth-based artist Fée Uhssi as a part of Wandsworth Council’s Black History 365. A six-monthly series of informative and engaging creative workshops examining African art and textile history will begin in September 2023.

French-Nigerian fashion and textile designer Fée Uhssi also practices art color therapy. Her workshops were developed, hosted, and delivered by Fée as a passion project.
They will delve into African history, artistic methods, the significance of textiles in Afro-Caribbean and African cultures, as well as the development of traditional to contemporary African attire.
They will also look at how modern European fashions were influenced by African textiles and clothing, as well as how fashion and history interact.

Workshops
The first session, which will focus exclusively on fashion history and include an African fashion creation workshop in honor of Fashion Week, will be held on Saturday, September 23.
In honor of National Black History Month, the second session will examine the unique evolution of African textiles over time.
The third session will be devoted to the symbolism found in African textiles as well as the entwined history of textiles and communication stretching from ancient Africa to the Americas and the Caribbean.
Fée will be teaching the traditional African wrapping methods as well as Furoshiki, the traditional Japanese gift-wrapping technique, in the fourth session.

In the fifth workshop, Fée will lead a discussion on color therapy and its African roots, leading attendees on a journey to understand the significance of color and acquire fresh color styling advice.
The last session will be devoted to fashion photography, recognizing the historical contributions of African and Black photographers to the fashion business.

With the encouragement of a small payment, all workshops are free.
You can purchase tickets by visiting the Eventbrite website HERE

Content courtesy Time and Leisure & NFH

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