Thursday 22nd of October 2026

Nairobi, Kenya

Tag: Fashionista

KikoRomeo Unveils Ewala Collection at Moscow Fashion Week 2026

Posted on by Fashion Tribe Influencer

KikoRomeo Takes Kenyan Fashion to Moscow Fashion Week with the ‘Ewala’ Collection

Kenyan heritage, contemporary tailoring and sustainable craftsmanship take centre stage as KikoRomeo presents its acclaimed Ewala collection in Moscow

MOSCOW, RUSSIA / NAIROBI, KENYA — October 2026

Kenyan fashion has taken another significant step onto the international stage as pioneering fashion house KikoRomeo presented its acclaimed Ewala collection at Moscow Fashion Week on October 1, 2026.

The collection was unveiled at the iconic Central Exhibition Hall Manege in Moscow, where KikoRomeo presented its distinctive interpretation of contemporary Kenyan fashion to an international audience of editors, buyers and fashion-industry leaders.

Facilitated by Nairobi Fashion Week, the presentation marked an important moment for Kenya’s creative economy, placing a longstanding Kenyan fashion house within an international fashion environment while showcasing the country’s craftsmanship, material innovation and evolving design identity.

KikoRomeo brings ‘Ewala’ to the Moscow runway

Under the creative direction of Ann and Iona McCreath, the Ewala collection explores the relationship between structure, drape and material intelligence.

The collection moves between sharply defined architectural tailoring and softer, fluid forms, creating a visual conversation between precision and movement.

At the heart of the collection is an emphasis on materials and craftsmanship.

KikoRomeo incorporated rainfed organic cottons, handloom textiles, hand-carved coconut-shell buttons and brass hardware, bringing together locally rooted material traditions with contemporary construction techniques.

The collection also places zero-waste garment construction and long-form craftsmanship at the centre of its design philosophy.

Rather than chasing rapidly changing fashion cycles, Ewala focuses on the longevity of design, craftsmanship and the stories embedded within the garments.

The result is a collection that presents Kenyan fashion not simply as a cultural reference, but as a contemporary design language capable of engaging an international audience.

A new chapter for Kenyan fashion

For KikoRomeo founder Ann McCreath, taking Ewala to Moscow was about more than presenting a collection outside Kenya.

It was an opportunity to use fashion as a vehicle for cultural exchange and to introduce international audiences to the creative thinking, craftsmanship and storytelling emerging from Nairobi.

“The Ewala collection is a direct reflection of Kenya’s evolving design identity,” said Ann McCreath, Founder of KikoRomeo. “Bringing this work to Moscow was about using fashion as a medium for true cultural exchange sharing the deep storytelling, artistic intent, and handcraft heritage coming out of Nairobi today.”

That philosophy is reflected throughout Ewala, where traditional material knowledge meets contemporary silhouettes and construction.

The collection demonstrates how Kenyan designers can draw from their cultural and material heritage while developing fashion that speaks to an international audience.

Nairobi to Moscow: creating new opportunities for Kenyan designers

The KikoRomeo presentation forms part of a broader international initiative being driven by Nairobi Fashion Week to connect Kenyan fashion with new markets and international industry networks.

The objective extends beyond putting Kenyan designers on overseas runways.

It includes creating opportunities to introduce Kenyan fashion to new consumers, highlight the country’s material innovation and strengthen Kenya’s position within the international fashion industry.

For a fashion industry such as Kenya’s, international exposure can create an important bridge between local creative talent and global audiences.

Designers, artisans, models, photographers, stylists and other creative professionals can benefit when Kenyan fashion is presented within established international fashion environments.

KikoRomeo’s Moscow presentation provides one example of how those connections can translate into greater visibility for Kenyan design.

Brian Kihindas: ‘Kenyan fashion operates at an international standard’

For Brian Kihindas, Creative Director of Nairobi Fashion Week, the KikoRomeo presentation represents evidence of the growing international relevance of Kenyan fashion.

“Kenyan fashion operates at an international standard,” said Kihindas. “KikoRomeo’s reception at the Manege proves that our fashion industry isn’t just participating in the global conversation it is actively shaping it.”

His remarks place the Moscow presentation within a larger ambition for Kenya’s fashion industry: moving from being an observer of international fashion conversations to becoming an active contributor to them.

The KikoRomeo showcase demonstrates how established Kenyan fashion houses can use international platforms to communicate their design philosophies, craftsmanship and creative identity directly to global audiences.

Craftsmanship at the heart of modern Kenyan design

One of the defining characteristics of Ewala is its emphasis on craftsmanship.

The collection’s use of handloom textiles and hand-carved coconut-shell buttons highlights the relationship between fashion and skilled manual production, while the incorporation of brass hardware introduces a more contemporary material dimension.

Rainfed organic cottons further connect the collection to a material-conscious approach to fashion.

Together, these elements create a collection where the materials themselves contribute to the narrative.

For KikoRomeo, craftsmanship is not treated as an afterthought. It is part of the design process and central to the identity of the collection.

The emphasis on zero-waste garment construction also reinforces the collection’s focus on responsible design and long-term value rather than disposable fashion.

Architecture meets fluidity

Visually, Ewala is defined by contrasts.

Architectural tailoring provides structure and definition, while fluid forms introduce movement and softness.

This balance creates a collection that reflects the duality at the heart of contemporary fashion: the discipline of construction alongside the freedom of movement and expression.

The approach also allows the garments to communicate without relying solely on overt cultural motifs.

Instead, Kenyan identity is expressed through material choices, craftsmanship, construction and design philosophy.

That makes the collection part of a wider conversation about how African designers are defining contemporary fashion on their own terms.

Kenyan fashion on the global stage

KikoRomeo’s appearance at Moscow Fashion Week comes at a significant time for the global fashion industry, as designers and fashion houses continue to explore questions around cultural identity, sustainability, craftsmanship and responsible production.

For African fashion, the international conversation is increasingly shifting towards the work of designers who are building globally relevant brands while remaining connected to local creative ecosystems.

KikoRomeo’s journey from Nairobi to Moscow illustrates that approach.

The house’s design language remains rooted in Kenya, while its presentation is designed to communicate across borders.

That ability to maintain cultural identity while engaging with international fashion audiences is increasingly important in a global industry where consumers are looking for authenticity, craftsmanship and meaningful stories behind the clothes they wear.

More than a runway show

The Ewala presentation was more than a showcase of garments.

It was an opportunity to present Kenyan design, craftsmanship and creative thinking to an international fashion audience.

It also reinforced the role of fashion as a cultural bridge.

For KikoRomeo, the Moscow runway became a space where Kenyan material heritage could meet international fashion perspectives.

For Nairobi Fashion Week, it represents part of an ongoing effort to create pathways between Kenyan designers and international markets.

And for Kenya’s broader creative economy, it provides another example of how fashion can contribute to the country’s international cultural presence.

From Nairobi to Moscow

KikoRomeo’s presentation of Ewala at Moscow Fashion Week 2026 places Kenyan fashion firmly within an international runway conversation.

With its combination of architectural tailoring, fluid silhouettes, organic materials, handloom textiles, handcrafted details and zero-waste construction, the collection presents a vision of Kenyan fashion that is rooted in heritage while looking firmly towards the future.

The message from Moscow is clear: Kenyan fashion is evolving, but it does not need to abandon its roots to become globally relevant.

From Nairobi’s creative scene to the runway at Manege, KikoRomeo has used Ewala to demonstrate how Kenyan craftsmanship, cultural storytelling and contemporary design can travel across borders and speak to the world.

And as Nairobi Fashion Week continues to build international connections for Kenyan designers, presentations such as this could become an increasingly important part of Kenya’s fashion story one defined not only by participation in global fashion, but by the ability to contribute its own ideas, materials, craftsmanship and creative voice.

 

Content Courtesy of KikoRomeo, Nairobi Fashion Week & NFH Digital Team 

Paris Fashion Week 2026: Givenchy, Louis Vuitton, Lacoste and the African Fashion Revolution of SS27

Posted on by Ann Mumbi

Paris Fashion Week 2026: A New Chapter for Global Fashion.

Paris once again became the centre of the international fashion calendar as Paris Fashion Week Spring/Summer 2027 unfolded from September 28 to October 6, 2026, bringing together some of the world’s most influential fashion houses, established creative directors, emerging designers and a new generation of models.

Organised by the Fédération de la Haute Couture et de la Mode (FHCM), the women’s ready-to-wear season featured a packed official calendar of shows and presentations, with major houses including Christian Dior, Saint Laurent, Chanel, Givenchy, Louis Vuitton, Lacoste, Miu Miu, Valentino, Balenciaga, Loewe, Celine, Hermès, Chloé, Tom Ford, Balmain, Mugler and Jean Paul Gaultier, alongside independent and emerging labels.

But Paris Fashion Week 2026 was about more than luxury houses.

It was also a season of creative transition, African representation, new designers, changing consumer behaviour, sustainability, lighter clothing, stronger cultural identity and fashion responding to a rapidly changing world.

The season’s official schedule contained 68 shows, alongside presentations, showrooms and fashion-related events. The season also marked important returns to the calendar and introduced new creative leadership at selected houses.

And for Africa, the significance was particularly profound.

For the first time, MaXhosa Africa, founded by South African designer Laduma Ngxokolo, presented a full runway show on the official Paris Fashion Week calendar — a major milestone for African fashion on one of the world’s most influential fashion platforms.

Day One — September 28: Africa Opens Paris Fashion Week

The opening day immediately established one of the strongest narratives of the season.

The official calendar began with names including Julie Kegels, Fidan Novruzova, Kimhekim, Weinsanto, Vautrait, MaXhosa Africa, Hodakova and Matières Fécales.

But the defining moment belonged to MaXhosa Africa.

MaXhosa Africa makes history

For Laduma Ngxokolo, the MaXhosa Africa show was not simply another runway presentation.

It represented 16 years of building an African fashion identity into an international luxury proposition.

The Spring/Summer 2027 collection, titled “Izihlwele Zivumile”, which the house describes as meaning “the ancestors have approved”, brought Xhosa heritage, South African craftsmanship and contemporary luxury to the official Paris runway.

The collection was presented at the South African ambassador’s residence in France, with locally sourced wool and production connected to the brand’s facilities in Johannesburg and East London.

The clothes drew from Xhosa geometric language and broader African cultural references, with garments featuring references to African countries and a contemporary interpretation of heritage.

The presentation also included an important Kenyan connection: Kenyan artist Cyrus Kabiru contributed eyewear created from waste materials, while South African musician Sjava provided the soundtrack.

This made MaXhosa one of the clearest symbols of the season’s growing conversation around African fashion, craftsmanship and cultural ownership.

It was also significant because MaXhosa had previously appeared in Paris through presentations; September 28 marked the transition to a full runway show on the official calendar.

Matières Fécales makes a statement

Later that evening, Matières Fécales, the Montreal/Paris creative project of Hannah Rose Dalton and Steven Raj Bhaskaran, presented one of the week’s most politically charged shows.

The designers presented 99 looks, with the number symbolising the 99%. The show featured an all-person-of-colour model cast, making representation itself part of the collection’s message.

It was an unusually direct statement for a fashion runway: fashion as clothing, performance, politics and social commentary at the same time.

September 29: Dior, Saint Laurent and the Return of the Major Houses

The second day moved Paris into blockbuster territory.

Christian Dior, Saint Laurent, Maison Margiela, Ganni, Mame Kurogouchi, Burç Akyol, Marie Adam-Leenaerdt and others occupied the calendar.

Dior was particularly important because Jonathan Anderson was presenting his third women’s ready-to-wear collection for the house, part of a wider season in which several newly appointed creative directors were beginning to establish their identities.

Saint Laurent, under Anthony Vaccarello, continued its highly recognisable language of glamour, sensuality and powerful silhouettes.

The day demonstrated one of the defining characteristics of Paris Fashion Week SS27: fashion houses were no longer simply introducing seasonal clothes; they were establishing new creative eras.

September 30: New Creative Voices Take the Stage

September 30 brought another major chapter with Tom Ford, Acne Studios, Stella McCartney, Dries Van Noten, MaitrePierre, Ruohan, Loulou de Saison, Balmain and Courrèges among the names on the calendar.

Drew Henry’s Courrèges debut

One of the season’s two officially identified major designer debuts came at Courrèges, where Drew Henry presented his first collection for the house.

According to the official schedule, Henry’s debut was one of only two major new creative-director debuts on the SS27 Paris calendar, the other being Kai Nesselrath at Carven.

That made Courrèges one of the collections watched particularly closely by buyers, editors and fashion insiders.

Stella McCartney and sustainability

Stella McCartney continued to place sustainability and animal welfare at the centre of her fashion proposition, reinforcing a broader SS27 conversation about responsible production and the environmental impact of fashion.

The industry’s sustainability agenda was also reflected structurally through FHCM’s partnership with PwC, whose STEP.event platform enables participating houses to assess the environmental and social impact of fashion events and explore lower-impact event design.

 

October 1: Chloé, Balenciaga and the New Generation of Luxury

The October 1 schedule included Isabel Marant, Schiaparelli, Gauchère, Uma Wang, Rick Owens, Icicle, Balenciaga, Carven, Alainpaul and Chloé.

Chloé: Romance meets practicality

At Chloé, creative director Chemena Kamali presented Spring/Summer 2027 at the Paris Observatory.

Her collection, titled “Obsession,” drew heavily from Chloé’s archives, combining romantic lace, lingerie references, broderie anglaise, ruffles and soft silhouettes with heavier outerwear and tailoring.

The contrast was important: delicate femininity was placed alongside practical, substantial garments.

Balenciaga under Pierpaolo Piccioli

Balenciaga continued its new chapter under Pierpaolo Piccioli, who was among the creative directors reshaping one of Paris’s most recognisable houses.

The season represented the third collection for several newly installed creative leaders, making SS27 something of a test of whether fashion’s recent creative-director upheaval could translate into long-term identities.

October 2: Givenchy, Loewe and the Power of Reinvention

October 2 was arguably one of the most important days of the entire week.

The official calendar brought together Givenchy, Yohji Yamamoto, Victoria Beckham, Casablanca, Marine Serre, Jitrois, Issey Miyake, Loewe, Undercover, Leonard Paris and others.

Givenchy Summer 2027: Sarah Burton’s Vision of the Modern Woman

For Sarah Burton, Spring/Summer 2027 was about clarity.

Her third season at Givenchy explored the question of how women dress when life itself is constantly moving.

Givenchy described the collection as an attempt to create balance and clarity, building a wardrobe around precision, simplicity and adaptability.

Burton approached the collection through highly engineered cutting.

The runway opened with a striking black leather dress, while the collection moved through sharply constructed tailoring, leather, asymmetry, sculptural dresses, jeans, peplum jackets, trench coats and garments designed to shift between different aspects of a woman’s life.

The collection also introduced new handbags designed by Marco De Vincenzo, including slouchy zippered shapes and crescent forms with mirror details.

The result was a Givenchy woman who appeared simultaneously powerful, practical, sensual and prepared.

Givenchy’s runway cast

The show featured 57 recorded models, according to FashionDB’s runway database, with Nyaduola Gabriel opening and Sarah Isaksen closing. The recorded cast included major names such as Liu Wen, Mona Tougaard, Agel Akol, Awar Odhiang, Rejoice Chuol, Achol Ayor, Soo Joo Park, Eva Herzigova and Fatou Mbaye.

The show also recorded three runway debuts, although the available database cautions that its cast information remains provisional rather than an official Givenchy-issued cast list.

The African and African-diaspora presence was particularly visible, with South Sudanese-Canadian models including Awar Odhiang, Agel Akol and Rejoice Chuol, alongside other models of African heritage.

Casablanca: African and Global Identity Collide

Another important October 2 presentation came from Casablanca, founded by Moroccan-French designer Charaf Tajer.

The Spring/Summer 2027 show featured 46 recorded models, with Sayonara Araujo opening and Lais Garcia closing.

The cast included models such as Saliou Gueye, Fama Diop, Opeyemi Ajibola, Bukki Musafiri and Moussa Sanogo, adding another layer of African representation to the Paris runway.

Brazilian singer Ludmilla also attended the Casablanca show wearing a look created specifically around the brand’s Spring/Summer 2027 collection.

Casablanca’s presence was significant because the label sits naturally between Parisian luxury, Moroccan heritage, travel culture and a distinctly contemporary global identity.

 

October 3: Celine, Hermès, Elie Saab and the Power of Craft

October 3 brought another heavyweight group:

Ann Demeulemeester, Hermès, Comme des Garçons, Elie Saab, Vivienne Westwood, Nehera, Noir Kei Ninomiya, Celine, Niccolò Pasqualetti, Junya Watanabe and Barbara Bui were among the official collections.

Celine under Michael Rider

At Celine, Michael Rider continued to define his vision for the house with a collection that drew on Parisian ease, 1970s references and a more relaxed interpretation of luxury.

Hermès: quiet luxury in motion

At Hermès, Nadège Vanhée continued to explore sensual minimalism and lightweight clothing an especially relevant direction during a season in which heat, climate and changing lifestyles influenced many designers.

Elie Saab

Lebanese designer Elie Saab once again brought his distinctive couture sensibility into the ready-to-wear environment, maintaining the Middle Eastern fashion house’s strong Paris presence.

October 4: Lacoste Turns Roland-Garros Into a Runway

Then came one of the most visually memorable shows of the season.

Lacoste Spring/Summer 2027: “No White Required”

Pelagia Kolotouros, Lacoste’s creative director, took the Spring/Summer 2027 collection to the Philippe-Chatrier central court at Roland-Garros.

Instead of treating the tennis court as a pristine white-and-green symbol, Kolotouros turned its clay into part of the collection’s visual language.

The runway itself traced an infinity loop across terre battue, while clay was used almost like a fashion material.

The collection revisited the history of tennis clothing and the rebellious legacy of René Lacoste and Suzanne Lenglen.

Lacoste’s traditional preppy codes were loosened.

Garment-dyed cottons, washed fabrics, relaxed tailoring, tropical wool, technical jerseys and breathable materials created a wardrobe built around movement rather than rigid uniformity.

Colours moved from clay and mineral earth tones to cobalt blue, acid yellow and silver.

Oversized piqué polos were layered with technical jerseys. Tracksuits, pleated skirts, loose tailoring, wide trousers and technical outerwear transformed tennis vocabulary into contemporary streetwear.

Even white garments appeared deliberately stained with clay turning imperfection into a symbol of movement and effort.

Lacoste models

FashionDB recorded 40 models in the Lacoste SS27 runway cast, with Josefa Santos opening and Bella Novello closing.

The cast included models such as Agel Akol, Aluel Keror, Aluel Makuach, Alyssa Traoré, Saliou Gueye, Farida Ebene, Noemi Kassa, Yahne Ba and Evelyn Effrim.

Notably, Agel Akol, a South Sudanese-Canadian model, was also part of Givenchy’s cast, demonstrating how models from African backgrounds were increasingly visible across major Paris houses.

Mossi Traoré: African Heritage in a Different Parisian Language

October 4 also brought Mossi, the label founded and creatively led by Mossi Traoré.

The Spring/Summer 2027 presentation drew inspiration from Père-Lachaise Cemetery, using tombs, stone, vegetation and the passage of time as creative references.

The resulting collection explored muted grey, green and natural tones, creating an atmosphere that was poetic rather than overtly commercial.

The presentation featured 16 models, with Ani Cuevas opening and Melisa Turkmen closing.

It also provided one of the clearest examples of emerging-model activity during the week.

FashionDB recorded Nyibol Dok Jok of South Sudan and Kadiata Ba of France among the models making their brand debuts at Mossi’s SS27 presentation.

October 5: Chanel, Sacai and Miu Miu

By October 5, the week was approaching its climax.

The schedule included Chanel, Agnès b., Florentina Leitner, Zimmermann, Time, Gabriela Hearst, Abra, Shiatzy Chen, Dice Kayek, Sacai and Ungaro, among others.

Chanel under Matthieu Blazy

Matthieu Blazy continued his Chanel chapter with a collection that engaged directly with the legacy of Gabrielle Chanel.

The show revisited ideas of freedom, femininity and movement, while translating the house’s historic codes into contemporary silhouettes.

The collection reportedly featured 83 looks, with different shoes completing each look another indication of how accessories, particularly footwear, became increasingly important during the SS27 season.

Miu Miu

Miu Miu continued its dialogue between youthful fashion, sportswear and femininity, with Gigi Hadid among the models seen on the runway during the season.

October 6: Louis Vuitton Brings Paris Fashion Week to a Futuristic Close

The final day belonged to Louis Vuitton.

The official schedule included Louis Vuitton, Pierre Cardin, Situationist, Boyarovskaya, CFCL, Christopher Esber and Litkovska.

Louis Vuitton Summer 2027: Fashion for a Warmer World

Creative director Nicolas Ghesquière closed the Paris ready-to-wear season with one of the most conceptually ambitious shows.

The collection responded to a world experiencing rising temperatures.

Instead of heavy, rigid fashion, Ghesquière explored lightweight fabrics, sheer materials, fluid jackets, strappy dresses, pastel shades and wide-slit trousers.

The objective was not simply to make summer clothes look lighter. It was to rethink how luxury clothing can function in a warmer future.

The runway itself became part of the argument.

The Louvre setting was transformed into a futuristic cityscape featuring 34 Damier-inspired flying-car structures, creating an imaginary urban environment in which the collection could exist.

Ghesquière described the concept in terms of the cities of the future asking how people will move through increasingly dense and changing urban environments.

Louis Vuitton’s model cast

FashionDB recorded 47 models, with Harriet Wellock opening and Noor Khan closing. Casting was handled by Ashley Brokaw.

The show also recorded five runway debuts, although, again, the database identifies its cast information as provisional rather than an official Louis Vuitton publication.

Among the major names appearing in Louis Vuitton’s wider SS27 runway activity was Noor Khan, who was one of the season’s strongest runway performers according to FashionDB’s Paris rankings.

African Fashion and Models Were Impossible to Ignore

Perhaps the most important story running beneath Paris Fashion Week 2026 was Africa’s increasing visibility.

The continent was not represented through a single aesthetic.

Instead, Africa appeared through South African knitwear, Moroccan heritage, Malian-French design, African models, African artists, African manufacturing and global African-diaspora creativity.

The designers and houses

The strongest African connections included:

  • MaXhosa Africa — Laduma Ngxokolo, South Africa
  • Casablanca — Charaf Tajer, Moroccan-French
  • Mossi — Mossi Traoré, Mali/French
  • Xuly Bët — Lamine Badian Kouyaté, Mali/France
  • Elie Saab — Lebanese designer and international fashion house with strong Paris presence

Xuly Bët is particularly important historically. Founded in Paris in the early 1990s by Malian-born Lamine Kouyaté, the house has long connected African identity, Parisian fashion and upcycling. The name itself means “Open your eyes wide” in Wolof.

African and African-diaspora models

Among the models documented across the major SS27 shows were:

Awar Odhiang, Agel Akol, Rejoice Chuol, Achol Ayor, Nyaduola Gabriel, Fatou Mbaye, Stella Winfred Nakiria, Aluel Keror, Aluel Makuach, Saliou Gueye, Farida Ebene, Evelyn Effrim, Noemi Kassa, Yahne Ba, Nyibol Dok Jok and Kadiata Ba, among others.

The representation is particularly significant because many of these models appeared across multiple houses rather than being confined to African designers.

FashionDB’s season-wide tracking recorded 1,208 models across 81 shows in its current database, while its rankings identified Athiec Geng, Noor Khan, Awar Odhiang and Mona Tougaard among the leading performers based on recorded appearances and its proprietary scoring system.

New Designers and Emerging Talent

Paris Fashion Week SS27 was also a season of transition.

The two most significant new creative-director debuts highlighted by the official schedule were:

Drew Henry — Courrèges

Henry’s September 30 debut represented the beginning of a new chapter for Courrèges.

Kai Nesselrath — Carven

Nesselrath presented his first collection for Carven on October 1.

These were the only two major new creative-director debuts specifically identified in the official pre-season schedule, although the calendar also contained numerous emerging designers and returning labels.

SPHERE: Paris’ emerging-designers platform

Behind the main runway schedule, the FHCM’s SPHERE Paris Fashion Week Showroom continued its role as an incubator for emerging talent.

The SS27 SPHERE session took place at the Palais de Tokyo from September 30 to October 6, supported by DEFI and L’Oréal Paris.

The participating brands included:

ACT N°1, Maison J. Simone, Matho, Meruert Tolegen, Riz Poli, Sevali, Vautrait, Victoria Valette and Weinsanto.

This is important because the future of Paris fashion will not be determined only by the traditional mega-houses. It will also be shaped by designers developing new business models, new cultural references and alternative approaches to production.

The Official Paris Fashion Week SS27 Line-Up

The official FHCM collection calendar included the following houses and labels across the September 28–October 6 season:

September 28:
Julie Kegels, Fidan Novruzova, Kimhekim, Weinsanto, Vautrait, MaXhosa Africa, Hodakova and Matières Fécales.

September 29:
Ester Manas, Alexandra Golovanoff, Ganni, Marie Adam-Leenaerdt, Mame Kurogouchi, Christian Dior, Burç Akyol, Maison Margiela, Saint Laurent and others.

September 30:
Tom Ford, Acne Studios, Stella McCartney, MaitrePierre, Dries Van Noten, Ruohan, Loulou de Saison, Balmain and Courrèges.

October 1:
Isabel Marant, Schiaparelli, Gauchère, Uma Wang, Rick Owens, Icicle, Balenciaga, Carven, Alainpaul and Chloé.

October 2:
Givenchy, Yohji Yamamoto, Victoria Beckham, Casablanca, Marine Serre, Jitrois, Issey Miyake, Loewe, Undercover, Leonard Paris and others.

October 3:
Ann Demeulemeester, Hermès, Comme des Garçons, Elie Saab, Vivienne Westwood, Nehera, Noir Kei Ninomiya, Celine, Niccolò Pasqualetti, Junya Watanabe and Barbara Bui.

October 4:
Mugler, Akris, Miu Miu, Lacoste, Margaret Howell, Mossi, Valentino and Jean Paul Gaultier.

October 5:
Chanel, Agnès b., Florentina Leitner, Zimmermann, Time, Gabriela Hearst, Abra, Shiatzy Chen, Dice Kayek, Sacai and Ungaro.

October 6:
Louis Vuitton, Pierre Cardin, Situationist, Boyarovskaya, CFCL, Christopher Esber and Litkovska.

The full official calendar also contained presentations and additional events beyond the headline runway shows.

Who Supported Paris Fashion Week 2026?

It is important to distinguish official partners from ordinary commercial sponsors of individual fashion houses.

According to the FHCM’s official partners page, the official partners supporting the Paris Fashion Week ecosystem included:

Official Partners

  • DEFI
  • L’Oréal Paris
  • Accor
  • Mercedes-Benz

DEFI supports the French fashion industry and emerging labels, including the SPHERE programme. L’Oréal Paris provides beauty expertise and supports both established and emerging fashion talent. Accor’s partnership centres on hospitality, creativity and innovation, while Mercedes-Benz has maintained a long-running relationship with fashion, design and creative talent.

Broadcasting and Media Partners

The official FHCM partnership network also included:

  • YouTube
  • Google
  • Tencent
  • The Asahi Shimbun
  • CNN Style
  • TikTok
  • Meta

These partnerships helped extend Paris Fashion Week beyond physical venues and into digital audiences around the world.

Professional Partners

The fashion ecosystem was additionally supported by:

  • Launchmetrics
  • Le New Black
  • Institut Français de la Mode
  • Zedonk
  • RSM
  • Stellae International
  • Bureau Future

Sustainability Partner

PwC served as FHCM’s sustainability partner, providing the STEP.event platform for assessing the environmental and social impact of fashion events.

Event Partners

The official event network also included:

  • Palais de Tokyo
  • Air France
  • Paris Musées

And FHCM listed additional support from:

  • Lime
  • Sixt Ride
  • Motocab
  • Café Caron
  • Stockman
  • Novelty
  • Novu

What Paris Fashion Week Spring/Summer 2027 Really Said About Fashion

When the final Louis Vuitton model walked away from the futuristic Louvre installation on October 6, the message of Paris Fashion Week SS27 was remarkably clear.

Fashion is changing.

The most successful collections were not necessarily those with the loudest logos or the most complicated garments. Instead, designers repeatedly explored movement, practicality, climate, femininity, cultural identity, craftsmanship and emotional relevance.

At Givenchy, Sarah Burton asked how women can dress for the many versions of themselves.

At Lacoste, Pelagia Kolotouros challenged the idea that tennis fashion must be pristine and white.

At Louis Vuitton, Nicolas Ghesquière imagined clothing for a warmer world.

At Chanel, Matthieu Blazy continued to reinterpret Gabrielle Chanel’s philosophy of freedom.

At Chloé, Chemena Kamali balanced romance with practicality.

At Maxhosa Africa, Laduma Ngxokolo demonstrated that African heritage can become the foundation of a contemporary global luxury house rather than simply a decorative reference.

And across the runways, a new generation of models continued to reshape what the international fashion image looks like.

The African Moment May Be One of Paris Fashion Week’s Biggest Stories

If there was one development from Paris Fashion Week 2026 that deserves attention beyond the clothes, it was the strengthening of African fashion’s place within the official global fashion system.

MaXhosa Africa’s move from Paris presentations to the official runway calendar was not an overnight success. It followed years of development, experimentation and persistence.

Ngxokolo’s achievement therefore carries a message for African designers across Nairobi, Johannesburg, Lagos, Accra, Dakar, Casablanca, Addis Ababa, Kampala and beyond:

African fashion does not have to wait for global fashion to discover it.

The opportunity is increasingly about building brands with strong creative identity, world-class production, compelling storytelling and the ability to operate on the same international platforms as established luxury houses.

Paris Fashion Week 2026 demonstrated that the African story is no longer limited to the audience.

Africa is increasingly becoming part of the runway itself.

And as the final lights went down in Paris, Spring/Summer 2027 left behind more than a collection of beautiful clothes. It left a picture of an industry trying to redefine itself  one where heritage and innovation, established houses and emerging designers, European luxury and African creativity can increasingly occupy the same global stage.

Paris may still be the fashion capital of the world. But the runway is becoming unmistakably more global.

Editorial fact-check note

The FHCM official calendar is used above to establish the dates, official houses and Paris Fashion Week structure. Individual runway model names and cast sizes are drawn from current runway-tracking records where available; these databases explicitly note that some casts remain provisional. Therefore, it would be misleading to describe any third-party model database as a definitive list of every model who walked every Paris show.

Content Courtesy of Paris Fashion  Week & NFH Digital Team 

Colombo to Host South Asian Debut of BRICS Fashion Summit

Posted on by Fashion Tribe Influencer

BRICS+ Fashion Summit logo. Colombo, Sri Lanka, is set to host the first South Asian edition of the BRICS Fashion Summit during Colombo Fashion Week (CFW) from April 1–4, 2026. Organised by the newly established BRICS International Fashion Federation in partnership with CFW, the summit underscores Sri Lanka’s strategic role as a bridge between South and Southeast Asia and the wider Indian Ocean region. The Federation – launched at the 2024 BRICS+ Summit in Moscow – aims to connect the fashion industries of fast-growing economies and promote collaboration among designers, policymakers, and entrepreneurs. This initiative aligns with Sri Lanka’s emergence as a regional fashion hub and highlights Colombo’s growing global profile in the industry.

Summit Panel and Discussions

A high-profile panel of international fashion leaders will headline the summit’s opening session on April 3 at 11:00 a.m. at the City of Dreams Sri Lanka complex. Moderated by Shamindra Kulamannage (Editor of Echelon and Economy Next), the discussion will feature influential figures from across BRICS countries:

  • Alexander Shumsky: President of the Russian Fashion Council.
  • Rajesh Pratap Singh: Acclaimed Indian designer known for blending craft and contemporary design.
  • Kuan Kevin Feng: Senior figure at Beijing Fashion Week representing China’s fashion sector.
  • Hasitha Premaratne: Managing Director of Brandix Group, one of South Asia’s leading apparel conglomerates.
  • Rizwan Beyg: Renowned Pakistani designer and craft revivalist.

Together, the panel will examine whether the BRICS bloc offers tangible opportunities for designers and apparel supply chains in emerging markets, and how member nations can leverage their rich cultural heritage as a driver of global fashion relevance. Discussions are also expected to address South Asia’s role within the broader BRICS creative and commercial synergy. Organizers describe the summit as a “defining moment” that positions Colombo and the wider region at the center of an increasingly significant global fashion dialogue.

Colombo Fashion Week 2026 Highlights

The BRICS Summit will run alongside CFW Summer ’26 (presented by Mastercard), which is scheduled from April 1–4 at the City of Dreams Colombo complex. The programme includes the continuation of the BRICS designer exchange initiative and will mark historic first appearances by South African and Chinese designers on the Sri Lankan runway. In total, more than 30 designers will showcase collections during the event a lineup that organizers say makes this one of CFW’s most internationally diverse editions to date. Confirmed participants include Rajesh Pratap Singh and Payal Pratap (India), Asad Sattar (Bangladesh), Wang Ting and Ji Cheng (China), Andile Cele (South Africa), and Sania Maskatiya (Pakistan), alongside leading Sri Lankan labels.

CFW itself is a long-established event: now in its 23rd year, it is one of only four fashion weeks in South Asia to have run for more than two decades. This longevity underlines Colombo’s growing stature in regional fashion. By combining a regional showcase with the international BRICS summit, CFW organisers aim to highlight Sri Lanka’s role as a creative and commercial gateway between South Asia and other emerging markets.

Nurturing Emerging Talent

In addition to established names, CFW Summer ’26 will spotlight rising talent through its Emerging Designers initiative. Eleven up-and-coming designers have been selected to present collections under a structured mentorship programme. Among these emerging designers are Arsath Furkhan, Thisaru Fernando, Shavindi Wijesooriya, Prabadhi Bandara, and Nilupa Weerakoon, all of whom will benefit from guidance by CFW and industry veterans. The initiative is designed to give young entrepreneurs a platform to enter the industry and connect with international markets through the BRICS network.

A Platform for Global Fashion Dialogue

Overall, the BRICS Fashion Summit’s South Asian debut highlights Colombo’s evolution as an important node in the fashion world. Organizers emphasize that by bringing together stakeholders from BRICS and South Asian nations, the summit will help shape “fashion’s next frontier”. With its rich cultural heritage, growing design talent, and emerging-market potential, South Asia and Sri Lanka in particular are being positioned at the heart of a new global conversation about creativity, commerce and collaboration in fashion.

Sources: Official announcements by Colombo Fashion Week and the BRICS Fashion Summit

 

Content Courtesy of Colombo & NFH Digital Team

Precision & Power: The 10 Designers Defining Singapore’s Fashion Authority in 2025/2026

Posted on by Oscar Alochi

Singapore’s fashion industry has entered a new era, one defined not by spectacle alone, but by precision, research, technology, and commercial intelligence. In 2025/2026, the city-state’s most influential designers are not simply creating clothes; they are engineering narratives, redefining Asian silhouettes, and exporting a distinctly Singaporean design philosophy to the world.

From algorithm-assisted couture to culturally rigorous reinterpretations of heritage dress, here are ten designers and brands shaping Singapore’s global fashion identity in detail.

1. Grace Ling — GRACE LING

Design Philosophy
Grace Ling represents Singapore’s most visible haute couture export. Her work fuses computational design, 3D printing, and sculptural construction to create garments that feel architectural yet fluid.

2025/2026 Collection Highlights
Her latest collections explore metallic skeletal structures layered over second-skin fabrics. Sculpted bodices appear digitally grown, while fluid silk skirts contrast with rigid resin frameworks. Ling’s experimentation with 3D-printed corsetry has evolved into modular components that can be detached and reassembled couture with structural intelligence.

Retail & Studio Presence
With a flagship at Hudson Yards in New York and private atelier appointments for Asian clients, Ling maintains a transcontinental footprint while keeping Singapore as a cultural anchor.

What Sets Her Apart
Few Southeast Asian designers are as technically fluent in digital fabrication. Ling doesn’t merely reference futurism she builds it.

Current Projects
She is reportedly expanding into collectible art objects and limited-edition couture capsules aimed at Middle Eastern luxury clientele, alongside sustainability research in bio-based materials.

2. Love, Bonito

Design Philosophy
Love, Bonito has redefined Asian womenswear by prioritising fit intelligence and commercial scalability without sacrificing polish.

2025/2026 Collection Highlights
The brand’s recent lines emphasize structured yet breathable workwear, wrinkle-resistant suiting, and versatile day-to-night dresses. Capsule drops experiment with textured fabrics and muted monochromes, tailored specifically to Southeast Asian body proportions.

Store Locations
Flagships at ION Orchard and Jewel Changi Airport, alongside over 20 stores across Asia.

What Sets Them Apart
Data-driven tailoring. Love, Bonito uses customer feedback loops to refine fit across multiple body types a rare fusion of technology and retail empathy.

Current Projects
Expansion into lifestyle categories, including footwear and wellness apparel, with sustainability pledges focusing on responsible fabric sourcing.

3. Charles & Keith

Design Philosophy
Accessories as accessible luxury.

2025/2026 Collection Highlights
This season’s collections feature sculptural heels with geometric arches, metallic-finish handbags, and minimalist structured totes. Designer collaborations add limited-edition appeal.

Store Locations
Prime Orchard Road boutiques and more than 600 stores worldwide.

What Sets Them Apart
Rapid global trend interpretation backed by efficient supply chains enabling runway-inspired pieces at competitive prices.

Current Projects
Digital retail innovations include immersive online showrooms and expanded eco-material sourcing initiatives.

4. Priscilla Shunmugam — ONG SHUNMUGAM

Design Philosophy
Intellectual fashion rooted in Southeast Asian heritage.

2025/2026 Collection Highlights
Modern cheongsams reimagined as office wear. Kebaya-inspired dresses rendered in contemporary silhouettes. Rich Peranakan motifs appear in minimalist cuts, balancing history with restraint.

Store Location
Flagship boutique in Singapore’s Orchard area, alongside global e-commerce.

What Sets Her Apart
Academic-level research underpins each collection. Cultural storytelling is embedded in every seam.

Current Projects
Textile collaborations with regional artisans and exploration of museum-grade exhibitions celebrating Southeast Asian dress traditions.

5. Max Tan — max.tan

Design Philosophy
Androgynous minimalism with structural integrity.

2025/2026 Collection Highlights
Sharp monochrome tailoring, elongated outerwear, asymmetrical layering, and sculptural drapes dominate his latest presentations.

Retail Presence
Select boutiques and curated fashion platforms in Singapore and Japan.

What Sets Him Apart
Tan challenges conventional proportions while maintaining commercial wearability.

Current Projects
Expansion into gender-neutral collections and deeper European market penetration.

6. Revivre Studio

Design Philosophy
Sustainability through functional design.

2025/2026 Collection Highlights
Convertible garments blazers that transform into bags, reversible jackets, and modular outfits designed for longevity.

Store Presence
Featured at Design Orchard and sustainability-driven showcases.

What Sets Them Apart
Utility-driven eco-fashion with real-world functionality.

Current Projects
Scaling production sustainably while maintaining artisanal craftsmanship.

7. Putri Adif — EKA

Design Philosophy
Heritage meets technology.

2025/2026 Collection Highlights
Batik-inspired patterns combined with 3D-printed lace overlays and structured bodices inspired by traditional kebayas.

Retail Presence
Curated retail platforms and regional fashion weeks.

What Sets Her Apart
A hybrid craftsmanship model blending computational design and Southeast Asian tradition.

Current Projects
Development of bespoke bridal couture integrating advanced fabrication techniques.

8. KHAAR

Design Philosophy
Minimalism refined for tropical climates.

2025/2026 Collection Highlights
Breathable tailoring, neutral palettes, and understated luxury essentials.

Store Location
Available at Design Orchard and select independent boutiques.

What Sets Them Apart
Precision tailoring suited to Singapore’s climate and urban lifestyle.

Current Projects
Collaborative capsules with emerging creatives.

9. TATSU MAKER WORKS

Design Philosophy
Streetwear anchored in local storytelling.

2025/2026 Collection Highlights
Graphic-heavy drops referencing regional culture, layered with contemporary silhouettes.

Store Presence
Pop-ups and Design Orchard.

What Sets Them Apart
Authentic grassroots narrative fused with modern street aesthetics.

Current Projects
Regional expansion into collaborative Asian streetwear markets.

10. Thomas Wee

Design Philosophy
Timeless sophistication and foundational mentorship.

2025/2026 Relevance
Archive revivals and curated retrospectives celebrating Singapore’s fashion evolution.

What Sets Him Apart
He laid the groundwork for Singapore’s contemporary fashion ecosystem.

Current Projects
Educational initiatives and heritage exhibitions supporting emerging designers.

A Nation Designing Its Future

In 2025/2026, Singapore’s fashion narrative is not loud; it is deliberate. The designers leading the charge combine cultural literacy, technological fluency, and commercial pragmatism. Whether through Grace Ling’s sculptural futurism, Love, Bonito’s data-driven democratization, or Ong Shunmugam’s heritage scholarship, the message is clear:

Singapore is no longer fashion’s emerging voice.

It is a calibrated force precise, intelligent, and globally resonant.

Content courtesy of NFH Digital Team 

How China’s Top 10 Designers are Redefining Luxury and Sustainability.

Posted on by Fashion Tribe Influencer

In 2026, the Chinese fashion industry has evolved from the “world’s factory” into a global epicenter of creative avant-garde and sustainable innovation. The rise of Guochao (national wave) has matured into a sophisticated fusion of traditional heritage and hyper-modern technology, with designers increasingly commanding the schedules of Paris, London, and Milan.

The State of the Industry: China’s “New Era”

The Chinese fashion market is currently defined by “Cultural Confidence.” Gen Z and Millennial consumers are prioritizing brands that reflect their identity, leading to a projected market value of over $75 billion for premium leather and luxury goods by the end of 2026. Sustainability is no longer a niche; it is a mandate. With over 1,300 textile industrial parks transitioning to net-zero operations, China is leading the global charge in decarbonizing the fashion supply chain.

The Visionaries: Top 10 Chinese Fashion Designers

1. Uma Wang (Label: UMA WANG)

  • Contribution: Known as the “Queen of Knits,” Wang is a master of fabric manipulation. She was the first Chinese designer to be a mainstay on the official Paris Fashion Week schedule.

  • Sustainability: Focuses on “Slow Fashion” by using ancient Chinese textile techniques and natural fibers like mohair, silk, and linen that age gracefully.

  • Shows: Paris Fashion Week (PFW), Milan Fashion Week, and Shanghai Fashion Week (SHFW).

2. Ye Ma (Label: ICICLE)

  • Contribution: Often called the “Chinese Max Mara,” Icicle redefined “Natural Way” fashion, focusing on high-end, minimalist professional wear for the modern woman.

  • Sustainability: The label is a pioneer in eco-friendly manufacturing, using undyed wool, organic cotton, and botanical dyes. They operate a flagship “green” store in Paris.

  • Shows: Paris Fashion Week and various sustainable summits globally.

3. Feng Chen Wang (Label: Feng Chen Wang)

  • Contribution: A leader in deconstructed menswear. Her “future-modern” aesthetic explores the intersection of her Fujian heritage and London street style.

  • Sustainability: Promotes a “buy less, wear more” ethos through multi-functional garments that can be disassembled and styled in multiple ways.

  • Shows: London Fashion Week (LFW), New York Fashion Week (NYFW), and SHFW.

4. Susan Fang (Label: SUSAN FANG)

  • Contribution: Invented the “Air-weave” technique, which allows fabric to stretch and move three-dimensionally. Her work is often described as “ethereal” and “mathematically beautiful.”

  • Sustainability: Her Air-weave method minimizes fabric waste, as the grid-like structures are designed to utilize every inch of material.

  • Shows: LFW, PFW, and was an LVMH Prize semi-finalist.

5. Liushu Lei & Yutong Jiang (Label: SHUSHU/TONG)

  • Contribution: They have captured the global “Coquette” and “Girlcore” trends, blending 1950s hyper-femininity with a rebellious, subversive edge.

  • Sustainability: They implement small-batch production and recently collaborated with ASICS using recycled materials to appeal to the eco-conscious Gen Z.

  • Shows: SHFW (often the closing act), London, and Milan.

6. Rui Zhou (Label: RUI)

  • Contribution: Famous for “second-skin” knitwear that celebrates the duality of fragility and strength. Her pieces have been worn by global stars like Dua Lipa and BLACKPINK’s Jisoo.

  • Sustainability: Uses zero-waste knitting technology and creates modular pieces that require minimal raw material.

  • Shows: PFW and NYFW; winner of the LVMH Karl Lagerfeld Prize.

7. Xiong Ying (Label: HEAVEN GAIA)

  • Contribution: The face of modern “Haute Couture” in China. She integrates Tang Dynasty embroidery and Hanfu silhouettes into red-carpet-ready gowns.

  • Sustainability: Preserves disappearing Chinese craft traditions by employing rural artisans, ensuring the survival of heritage embroidery techniques.

  • Shows: A regular highlight at Paris Fashion Week (Palais de Tokyo) and China Fashion Week.

8. Xander Zhou (Label: XANDER ZHOU)

  • Contribution: A pioneer of sci-fi-infused menswear. He explores the relationship between humans and technology, often featuring “cyborg” aesthetics.

  • Sustainability: Incorporates tech-fabrics that are durable and climate-adaptive, reducing the need for seasonal replacement.

  • Shows: He was the first Chinese designer to show at London Fashion Week Men’s.

9. Caroline Hu (Label: REVERIE BY CAROLINE HU)

  • Contribution: Known for romantic, impressionist-style layering. Her 2026 collection “Daydream” utilized advanced textile bonding to create 3D floral textures.

  • Sustainability: Committed to reducing chemical waste in fabric production and utilizing upcycled lace and organza.

  • Shows: Paris Fashion Week and New York Fashion Week.

10. Samuel Yang & Erik Litzén (Label: SAMUEL GUÌ YANG)

  • Contribution: This duo merges Chinese “Qipao” tailoring with Western construction. Their “Bat Jacket” is a 2026 icon of cross-cultural design.

  • Sustainability: They prioritize traceable supply chains and “Seasonless” collections to combat the fast-fashion cycle.

  • Shows: LFW and Shanghai.

The Faces of the Frontline: Top Models

The global fashion landscape in 2026 is dominated by faces that bridge East and West.

  • Liu Wen: The eternal “First Supermodel of China,” now a veteran who advocates for sustainable luxury.

  • Hu Bing: The legendary face of Chinese menswear, serving as the International Ambassador for the British Fashion Council.

  • He Cong: Currently the most “in-demand” Chinese model on European runways, known for her versatile, porcelain-like features.

  • Mao Xiaoxing: A rising star representing the new generation of diverse, edgy Chinese beauty.

Title: Silk & Silicon: The Visionaries and Muses Defining China’s 2026 Fashion Renaissance

Why “Silk & Silicon” Works Best:
In 2026, the Chinese fashion industry is no longer just about fabric (Silk); it’s about the integration of digital innovation, smart textiles, and sustainable tech (Silicon). This title perfectly bridges the gap between the historical contributions of these designers and their future-forward impact.

The Carbon-Conscious Catwalk: How Nairobi Fashion Week Season 8 is Redefining Global Luxury

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The Carbon-Conscious Catwalk: How Nairobi Fashion Week Season 8 is Redefining Global Luxury

NAIROBI, Kenya — From January 28 to 31, 2026, the Sarit Expo Centre in Nairobi will transcend its role as a premier exhibition space to become a crucible for the future of the global garment industry. Nairobi Fashion Week (NFW) Season 8 arrives at a critical juncture for the fashion world, trading traditional runway spectacle for a rigorous, urgent mandate: “Decarbonize.”

As the global fashion industry faces intensifying pressure to reduce its massive environmental footprint—currently projected to account for 25% of the global carbon budget by 2050—Nairobi is not merely participating in the conversation. It is leading it. Under the stewardship of Creative Director Brian Kihindas, NFW is positioning Kenya’s capital as the “Unquestioned Sustainable Fashion Capital” of the continent.

A Blueprint for Responsible Glamour

Season 8 is designed to dismantle the myth that sustainability requires the sacrifice of style. The theme, Decarbonize, serves as an operational directive, challenging designers to interrogate every link in their supply chain—from raw material extraction to the final stitch.

“Season 8 is a continuation of the intent we established last year,” says Brian Kihindas, Creative Director of Nairobi Fashion Week. “Decarbonize is our call to action. It asks designers and audiences alike to rethink how fashion is consumed. We are celebrating creativity that ho1nors both the person and the planet, merging luxury with a clean conscience.”

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The four-day event will feature a sophisticated mix of high-octane runway shows, curated retail marketplaces, and industry-led panel discussions. These “Circular Conversations” will address the logistical realities of zero-waste production, ethical labor, and the “Green Premium” in African luxury.

The Designers: A Cross-Continental Dialogue

NFW Season 8 serves as a porous border for creative exchange, uniting a diverse cohort of Kenyan and international designers whose brand DNAs are rooted in intentionality.

The Local Vanguard (Kenya)

  • Maisha by Nisria: A pioneer in upcycled textiles, transforming discarded fabrics into avant-garde statements.

  • Studio Lola: Celebrated for minimalist tailoring and contemporary silhouettes that champion the “slow fashion” movement.

  • VAST: Combining architectural, sculptural cuts with West African handwoven textiles.

  • A Touch of Kenya & Kitu Kidzo: Both labels serve as cultural archivists, weaving ancestral storytelling into modern, wearable art.

  • Molivian: A bridge between high-fashion artisanal detail and ready-to-wear functionality.

The International Collective

  • Naaniya (France): Merging Malian heritage textiles with European minimalist design.

  • Yevaàna (Sri Lanka/Kenya): Focused on texture-driven elegance and eco-conscious fabrics.

  • Wanni Fuga (Nigeria): Fusing bold, refined prints with cultural identity and feminine poise.

  • Bizarre Savage Couture (Germany): Exploring the intersection of avant-garde couture and environmental responsibility.

  • Aci Nod (USA): Championing conceptual, expressive fashion that pushes the boundaries of materiality.

Beyond the Runway: A City Setting Its Own Pace

Unlike the frantic cycles of Paris or Milan, Nairobi Fashion Week is consciously setting a different tempo—one defined by durability over disposability. By prioritizing craft over noise, the event has attracted global partners like Pernod Ricard’s Martell, further signaling the commercial viability of sustainable luxury.

The showcase arrives as Nairobi hosts the UN Environment Programme (UNEP) headquarters, creating a unique synergy between policy and pop culture. As African fashion enters a new era of global influence, Season 8 stands as a testament that the most fashionable thing a brand can wear in 2026 is responsibility.

At a Glance: NFW Season 8

  • Dates: January 28 – 31, 2026

  • Venue: Sarit Expo Centre, Nairobi, Kenya

  • Theme: Decarbonize

  • Focus: Sustainable luxury, circularity, and Pan-African trade.

Content courtesy of Nairobi Fashion Week & NFH Digital Team

Stitching the Sun: Nairobi’s Radical Rebirth as the Global Capital of Conscious Couture

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Stitching the Sun: Nairobi’s Radical Rebirth as the Global Capital of Conscious Couture

NAIROBI, KENYA — As the equatorial sun scales the glass spires of the “Green City in the Sun,” a transformation is taking place. This is no longer just a regional hub; it is the heartbeat of a global movement. From January 28–31, 2026, the world’s eyes turn to Nairobi Fashion Week (NFW), an event that promises to redefine luxury through the lens of heritage, sustainability, and soul.

In a world weary of fast-fashion cycles, Nairobi offers an antidote: Stitching the Sun. This year’s theme is a dialogue between the city’s lush, leafy sanctuaries—like the whispering Karura Forest—and the sharp, innovative minds within its ateliers.

The New Vanguard: Where Heritage Meets High-Fashion

NFW 2026 isn’t just a series of runways; it is a curated ecosystem of narratives. The lineup features a sophisticated blend of Kenyan stalwarts and international visionaries who treat fabric as a vessel for culture.

The Global Collective

  • Wanni Fuga (Nigeria): Bringing Lagosian luxury to the Nairobi stage, expect refined minimalism and silhouettes that redefine purposeful femininity.

  • Naaniya (France): A bridge between worlds, Naaniya utilizes ancestral Malian techniques to create contemporary pieces that have already caught the eye of the Parisian elite.

  • Yevaàne (Sri Lanka/Kenya): A cross-cultural powerhouse weaving sustainable designs that reflect a nomadic, thoughtful aesthetic.

The Homegrown Innovators

Kenya’s own designers continue to push the boundaries of “regenerative luxury.”

  • Studio Lola: The women-led atelier remains the gold standard for “slow fashion,” producing handmade, fair-trade garments that are as soulful as they are chic.

  • Maisha by Nisria: A masterclass in up-cycling, turning discarded textiles into socially conscious garments that demand a place in any modern wardrobe.

  • The MOYO Store & VAST: Both labels celebrate the raw beauty of African prints and organic linens, proving that ethical production is the ultimate status symbol.

A City of Visionaries

The “Nairobi Sound” in fashion has been tuned by a community of icons. The presence of pioneers like Deepa Dosaja, Anna Trzebinski, and Kiko Romeo has laid the foundation for a city that now leads the continent in sustainable luxury.

This year’s event also celebrates the architects of the African fashion image: stylists and creative directors like Sunny Dolat, Diana Opoti, and Brian Babu. Their artistry has ensured that the “Nairobi look”—a blend of bold prints, architectural silhouettes, and ethical craftsmanship—is recognized from the streets of Kilimani to the pages of international glossies.

“Sustainability is not a tagline here; it is a living ethos. It’s a rhythm that runs through our studios and our streets.” — NFW Communication Team

Beyond the Runway: A Cultural Rendezvous

Nairobi Fashion Week 2026 extends far beyond the “catwalk.” The four-day event is designed as a multi-sensory experience:

  1. The Dialogue Panels: Discussions on the future of regenerative textiles and the circular economy.

  2. Curated Retail Spaces: A “see-now, buy-now” opportunity for patrons to invest in pieces that carry the “Made in Kenya” seal of excellence.

  3. The Environment: Set against backdrops that mirror the city’s duality—from the urban pulse of Uhuru Park to the serene greenery of its private gardens.

Event Details

  • Date: 28–31 January 2026

  • Location: Nairobi, Kenya

  • Digital Hub: nairobifashionweek.org

  • Socials: @Nairobi.fashion.week (Instagram) | The Nairobi Fashion WEEK (Facebook)

Nairobi Fashion Week is more than a date on the calendar; it is a testament to a city whose heartbeat is boldly, beautifully African. Every seam is a story, and every design is an invitation to join the conversation.

Content courtesy of Nairobi Fashion Week & NFH Digital Team

The Green Thread: Nairobi’s Bold Bid to Become Africa’s Sustainable Fashion Capital

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The Green Thread: Nairobi’s Bold Bid to Become Africa’s Sustainable Fashion Capital

NAIROBI, Kenya — As the global fashion industry grapples with its environmental footprint, a new vanguard of style is rising from the heart of East Africa. From January 28–31, 2026, the eighth edition of Nairobi Fashion Week (NFW) will transform the Kenyan capital into a high-octane laboratory for climate-conscious design.

Under the urgent banner of “DECARBONIZE,” this year’s event is more than a showcase of aesthetics; it is a manifesto for the future of global luxury. Nairobi is no longer just participating in the fashion conversation—it is leading it.

A Continental Shift: From Fast Fashion to Circularity

For decades, the global North has looked to Africa as a source of raw materials or a destination for textile waste. Nairobi Fashion Week 2026 is flipping that narrative. By centering circular design and upcycling, Kenyan designers are proving that heritage craftsmanship can provide the blueprint for a low-carbon economy.

The 2026 season highlights a sophisticated blend of:

  • Ethical Production: Small-batch “slow fashion” that prioritizes living wages and community-driven craftsmanship.

  • Climate-Smart Materials: Innovation in organic fibers and regenerative textiles that reduce the industry’s water and carbon footprints.

  • The Upcycling Revolution: Transforming existing materials into high-fashion silhouettes, a movement that has become a hallmark of the Nairobi creative collective.

The “Decarbonize” Movement

The theme of this year’s showcase, DECARBONIZE, reflects a deepening commitment to the United Nations’ climate goals. As Kenya’s creative economy gains unprecedented global visibility, NFW serves as a critical platform for designers who are reconciling bold African creativity with environmental responsibility.

“Nairobi is positioning itself as the pulse of the green movement,” says one industry insider. “We are seeing a fusion of cultural authenticity and radical innovation that challenges the very definition of how clothing is made and consumed.”

Why the World is Watching

Nairobi’s ascent comes at a pivotal moment. With international buyers and editors increasingly looking for “guilt-free luxury,” Kenya’s unique positioning—blending traditional artisanal techniques with modern, eco-conscious technology—makes it a formidable player on the world stage.

Now in its eighth season, Nairobi Fashion Week has evolved from a local runway into a continental powerhouse. It is a space where the “Nairobi look”—vibrant, conscious, and unapologetically African—is being codified for a global audience.

Event Details

  • Dates: January 28 – 31, 2026

  • Location: Nairobi, Kenya

  • Theme: DECARBONIZE

Nairobi Fashion Week 2026 invites the world to witness a cleaner, more conscious, and future-ready fashion landscape. In the streets of Nairobi, the future isn’t just being designed; it’s being sewn with a green thread.

Content courtesy of Nairobi Fashion Week & NFH Digital Team

The Great Green Transition: Inside Nairobi Fashion Week’s Radical “Decarbonize” Manifesto

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The Great Green Transition: Inside Nairobi Fashion Week’s Radical “Decarbonize” Manifesto

NAIROBI, Kenya — In the global fashion hierarchy, the “Big Four” have long dictated the rhythm of style. But as the industry grapples with an existential environmental crisis, a new northern star is rising from East Africa. From January 28–31, 2026, Nairobi Fashion Week (NFW) Season VIII will transform Kenya’s capital into a high-stakes laboratory for the future of “Conscious Couture.”

This season, the glitter of the runway is anchored by a stern, singular directive: DECARBONIZE. It is a theme that elevates NFW from a mere trade show to a continental manifesto, challenging the very chemistry of African luxury.

A Circular Revolution in the Heart of Nairobi

For Creative Director Brian Kihindas, the “Decarbonize” mandate is an urgent response to an industry at a crossroads. Under his leadership, NFW has evolved into a sophisticated ecosystem where heritage textiles meet radical circularity.

“Decarbonize is our way of asking designers and audiences to consider the environmental impact of fashion,” Kihindas explains. “It’s about celebrating creativity while being mindful of the planet—rethinking production, embracing circularity, and designing garments that honor both people and the environment.”

The four-day event is meticulously structured to bridge the gap between high-concept art and commercial viability. Attendees will navigate a multi-sensory journey:

  • The Marketplace: A direct-to-consumer hub where the public can engage with the hands that sew their clothes.

  • The Dialogue: High-level panel discussions featuring industry titans, climate scientists, and policymakers.

  • The Spectacle: Runway shows that blend traditional African storytelling with futuristic, low-impact fabrication.

The Alumni: Architects of a New Narrative

The strength of NFW lies in its enduring “Alumni Effect.” Icons such as Eva Wambutu, known for her eco-conscious, silhouette-driven empowerment pieces, and Lucy Rao of Rialto Fashions, have used this platform to prove that sustainability is not a trend, but a foundational pillar of African luxury.

The inclusion of accessory powerhouses like Kipato Unbranded—which transforms recycled materials into socially conscious jewelry—and Egypt’s Reem Jano, whose sculptural pieces blur the line between art and adornment, reinforces the Week’s commitment to holistic design.

Season VIII: A Cross-Continental Tapestry

The 2026 lineup represents a sophisticated global exchange, featuring designers who treat “slow fashion” as a form of poetry:

  • Wanni Fuga (Lagos, Nigeria): Bringing a sustainable collection that marries minimalist elegance with the refined confidence of the modern African woman.

  • Naaniya (France/Mali): A bridge between diasporic memory and ancestral resonance, utilizing heritage textiles for a contemporary audience.

  • VAST (by Sarah): A masterclass in materiality, fusing West African handwoven textiles with natural hides and upcycled materials.

  • Studio Lola: Elevating knitwear to “wearable poetry” through sumptuous, hand-worked wool and timeless silhouettes.

  • Yevāana Handmade: A unique synthesis of Sri Lankan and Kenyan craft traditions, focusing on hand-smocked and ethically created artisanal textiles.

The Verdict: Fashion as Soft Power

As the global North looks toward Africa for the next wave of creative inspiration, Nairobi Fashion Week is ensuring that this influence is rooted in responsibility. By prioritizing decarbonization, NFW is not just making clothes; it is engineering a movement.

As the lights dim on the final runway on January 31, the true measure of success will not just be the silhouettes seen, but the carbon footprint saved—setting a new, gold standard for fashion weeks from Lagos to London.

Content courtesy of Nairobi Fashion Week & NFH Digital Team

The Vanguard of African Style: Nigerian Student Fashion and Design Week Sets the Stage for a High-Octane 2025 Return

Posted on by Oscar Alochi

The Vanguard of African Style: Nigerian Student Fashion and Design Week Sets the Stage for a High-Octane 2025 Return

The pulse of Lagos is set to quicken this December as the Nigerian Student Fashion and Design Week (NSFDW) prepares for its ninth edition. More than a mere runway show, the event has established itself as the definitive launchpad for the continent’s next generation of sartorial disruptors.

Scheduled for December 20, 2025, at the sleek GAC Motors venue in Victoria Island, the event will embed itself into the heart of “Detty December”—the city’s world-famous season of cultural exuberance.

A Global Launchpad for Emerging Talent

Since its debut in 2013, NSFDW has served as a bridge between raw creativity and commercial viability. The platform’s track record is formidable: over 300 designers have debuted on its runway, with many transitioning from student hopefuls to international contenders.

The success of the 2024 alumni serves as a testament to this trajectory. Winners PatrickSlim and Vienne Styling recently made their mark at Dallas Fashion Week 2025, garnering international acclaim and proving that the NSFDW pipeline leads directly to the global stage.

Where Creativity Meets Opportunity

This year’s theme, “Detty December,” captures the festive, expressive spirit of Nigeria’s year-end celebrations. However, the event offers more than just aesthetic appeal. The 2025 itinerary includes:

  • Avant-Garde Runways: Showcasing the boldest visions in contemporary African attire.

  • Expert Panels: Thought leadership sessions focused on the business of fashion.

  • Networking Hubs: Bridging the gap between young designers, seasoned stylists, and global investors.

“Every year, we observe how our participants take bold steps that redefine African fashion,” says Abiola Orimolade, Founder of NSFDW. “NSFDW is a comprehensive system that guides young creatives from emerging talent to recognized professionals. We are creating a space where creativity meets opportunity.”

The Cultural Impact

As Lagos continues to cement its status as a global fashion capital, NSFDW 2025 stands at the intersection of innovation and enterprise. By aligning with the city’s most vibrant season, the platform ensures that African youth innovation remains at the forefront of the international cultural conversation.

For those looking to witness the future of African design, participation details and media inquiries are available at www.nsfdweek.com or via @nsfdweek on Instagram.

Content courtesy of NOVA & NFH

Fashion Brand Mulu Evolves From Plus-size Pioneer To Family Lifestyle Label

Posted on by Oscar Alochi

September 2, 2025, Dubai, UAE – MULU, once recognized as a leading plus-size fashion brand for women, is rebranding into a lifestyle fashion label for the entire family. The launch of the new MULU Reborn Collection on September 4, 2025, reflects the personal journey of the founder, Kanessa Muluneh, and a new vision: to dress families with ease, comfort, and togetherness. The Reborn Collection will be available online at www.mulu.world with sizes ranging from baby all the way up to 5XL.

The rebrand was set in motion because of personal reflection, says Kanessa Muluneh. “When I first launched MULU, I was plus-size and designed clothes for women like me. I didn’t have kids, and my priorities were different. Today, I am a mother of three, and I have a family. That was when I realized MULU had to be reborn, too, as a brand catering to the whole family expanding beyond where we started. MULU is about creating fashion that bonds families.”

MULU’s mantra is “unlock ease, unlock MULU” and a design approach focusing on “clothing that moves with you”. The Reborn collection launches with five classic basics (black, navy, maroon, brown, green) balanced with two playful additions (yellow and light blue). All the pieces are made of comfortable, premium fabrics that adjust to all body sizes.

Since moving to Dubai three years ago, Kanessa Muluneh has adapted Arab cultural influences while keeping the brand’s global appeal. Family values are at the heart of MULU, and the new collection includes traditional pieces like abayas with a modern twist. Pricing ranges from 400-600 AED and targets established families across all categories.

MULU’s rebrand tackles what Kanessa Muluneh sees as a gap in family fashion: “We want to make life as a family easier. MULU Reborn is designed for daily activities like school runs, trips to the shop, errands, and all the things we do every day.” The launch on September 4 aligns with the back-to-school season when families set up new routines and look for clothing solutions that suit everyone. The date holds personal significance as well and marks nine years since Kanessa’s wedding anniversary when she started her family.

Kanessa Muluneh, founder of MULU, said: “Life is already full of responsibilities, especially when you have a family, and clothing shouldn’t add to that stress. That’s why we are including everyone in the collection: from babies and kids to teens, moms, dads, uncles, aunties, cousins, and even grandma and grandpa. Think of those traditional Christmas photos where the whole family wears matching sweaters, only this time, it can be MULU.”

 

About MULU:
MULU, established in 2018 by Kanessa Muluneh in the Netherlands, is a premium family
lifestyle brand based in the UAE. More than a clothing line, MULU is a family-first movement
catering to everyday families living their daily lives. The brand creates elevated essentials across
all age groups and sizes from babies to plus-size adults. MULU’s mission is to create fashion
that bonds families. MULU’s products are available in over 15 countries, including the
Netherlands, Germany, Belgium, Denmark, Sweden, Austria, UK, USA, Canada, Ghana, and
Kenya.

Content courtesy of MULU & NFH Dgital Team

Setting Sail in Style: Louis Vuitton Unveils Monumental Cruise Ship Store in Shanghai

Posted on by Fashion Tribe Influencer

SHANGHAI— In a breathtaking display of architectural innovation and experiential luxury, Louis Vuitton has anchored its most ambitious retail concept to date in the heart of Shanghai: “The Louis,” a monumental, life-size cruise ship-shaped destination that transcends the traditional boutique. More than just a store, this extraordinary structure seamlessly integrates a vast flagship retail space, a sophisticated restaurant, and an immersive museum charting the brand’s illustrious history, setting a new benchmark for luxury engagement in the global market.

This isn’t merely a popup; it’s an immersive brand experience, a testament to Louis Vuitton’s audacious vision & unwavering commitment to innovation.Resembling a colossal, deconstructed Louis Vuitton trunk, ‘The Louis’ stands as an architectural marvel. Its distinctive design immediately captivates

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-07-08T14:36:31.996Z

Unveiled on June 28th, 2025, “The Louis” stands majestically in the HKRI Taikoo Hui shopping plaza on Wujiang Road, its gleaming metallic Monogram-clad exterior designed to evoke the grandeur of an ocean liner and the iconic stacked trunks that are synonymous with Louis Vuitton. The 30-meter-tall edifice, a collaborative marvel including design by OMA’s Shohei Shigematsu for its exhibition spaces, pays homage to both Louis Vuitton’s deep maritime roots in crafting travel-ready trunks and Shanghai’s historical identity as a pivotal port city, the “Gateway to the East.”

A Voyage Through Luxury Retail

Stepping aboard “The Louis” is to embark on a multi-sensory journey across its three expansive levels. The core of the ground floor features a sprawling Louis Vuitton flagship boutique, a meticulously curated space showcasing the Maison’s comprehensive collections. From the latest ready-to-wear pieces and an extensive array of signature leather goods to elegant accessories, contemporary footwear, and exquisite fine jewelry, every item is presented with an emphasis on craftsmanship and allure. The open, fluid layout encourages exploration, inviting patrons to discover the breadth of Louis Vuitton’s creative universe in an environment that is both grand and intimate. Personalization services, including Shanghai-themed hot stamping, further elevate the bespoke shopping experience.

Louis Vuitton has once again pushed the boundaries of luxury retail with the launch of an extraordinary new concept in Shanghai: ‘The Louis’, a futuristic, life-size cruise ship anchored majestically on Nanjing Road, right by Taikoo Hui.#nairobifashionhub

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-07-08T14:35:08.173Z

Gastronomic Port of Call: Le Café Louis Vuitton

Perched on the top floor, Le Café Louis Vuitton offers an elevated culinary experience that mirrors the brand’s commitment to excellence and innovation. Designed with warm wood surfaces and soft lighting, the café evokes the intimate ambiance of an old cruise ship cabin, complete with an elegant outdoor terrace providing a “seaside” atmosphere.8 Under the guidance of chefs Leonardo Zambrino and Zoe Zhou, the menu presents a unique fusion of French and Shanghainese culinary influences. Guests can indulge in creative interpretations such as “Monogram Raviolis,” a refined twist on Chinese jiaozi stamped with the iconic LV mark, alongside other bespoke dishes like the “Cesar Salad Eclipse,” reimagined with a vibrant yuja dressing.9 This dining destination transforms a shopping trip into a leisurely and sophisticated indulgence.

Charting the Course: The Visionary Journeys Exhibition

Integral to “The Louis” experience is the “Visionary Journeys” exhibition, a comprehensive museum spanning the first two floors that offers an unparalleled deep dive into Louis Vuitton’s storied heritage. Conceived by Shohei Shigematsu of OMA, this multi-room exhibition is not merely a historical retrospective but a captivating narrative of the Maison’s evolution.

Visitors begin their journey through “Trunkscape,” an immersive installation of Monogram canvas trunks curving into an archway, setting a cinematic tone.11 The exhibition then unfolds through a series of thematic rooms:

  • Origins: Celebrating the iconic trunks and leather goods that are at the heart of the “Art of Travel,” tracing the brand’s inception in 1854.
  • Voyage Room: A tribute to the romance of travel, featuring bag patents and vintage travel posters, spotlighting Louis Vuitton’s spirit of adventure across eras.
  • Workshop: Offering live demonstrations by skilled artisans, showcasing the intricate craftsmanship and dedication to detail that define Louis Vuitton’s creations.
  • Perfume Room: A fragrant display of rare perfume bottles and vintage toiletry kits, highlighting the brand’s historical foray into personal care.
  • Books and Sport: An unexpected but fascinating exploration of Louis Vuitton’s ties to literature through works by Gaston-Louis Vuitton and its role in major sporting events, displaying renowned trophy trunks used for Formula 1 and the Olympics.

The exhibition culminates in a gift shop, offering an exclusive selection of merchandise, providing a tangible link to the immersive experience.

This isn’t just a nod to the brand’s iconic luggage heritage; it’s a bold reinterpretation, asserting Louis Vuitton’s dominance in the contemporary luxury sphere. The sheer scale and meticulous detailing of this installation are breathtaking, showcasing the brand’s craftsmanship on an epic scale.

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-07-08T14:38:19.692Z

A Strategic Landmark in a Shifting Market

The launch of “The Louis” is a strategic move by LVMH to not only reinforce Louis Vuitton’s formidable presence in China but also to adapt to the evolving luxury market. In a climate where consumer spending habits are shifting and “experiential goods” are gaining traction over traditional purchases, this concept store is designed to be a cultural landmark that attracts crowds beyond the typical luxury shopper. As Pietro Beccari, Chairman and CEO of Louis Vuitton, stated, the concept represents a “new chapter in the brand’s cultural evolution,” embodying the “spirit of travelling through ideas, emotions, and inspiration in a joyful way.”

By creating a destination that offers shopping, dining, and a rich cultural experience, Louis Vuitton is not just selling products; it is cultivating a deeper connection with its audience, transforming retail into an adventure, and solidifying its position as a cultural powerhouse in the dynamic landscape of global luxury. “The Louis” stands as a bold testament to Louis Vuitton’s enduring legacy and its visionary approach to the future of retail.

Content courtesy of NFH Digital Team

 

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