Friday 16th of January 2026

Nairobi, Kenya

Tag: Fashion Designer

The Vanguard of African Design: Inside Delight Technical College’s 2025 Graduation and Grand Fashion Runway

Posted on by Oscar Alochi

Delight Technical College is proud to announce the successful graduation of the Class of 2025, held on December 19th at the Kenya National Theatre. Under the theme of resilience and innovation, the ceremony marked eight years of technical education excellence, awarding diplomas and certificates across the Schools of Fashion and Design, and Media and Artificial Intelligence. Principal Mr. Saitoti Meitamei commended the graduates for their discipline and urged them to go forth and shape the future of their communities.

By Oscar Alochi

NAIROBI, Kenya — December 19, 2025

On a balmy Friday evening at the historic Kenya National Theatre, the air was thick with the scent of fresh fabric and the electric hum of anticipation. This was not merely graduation; it was the “Grand Fashion Runway,” a high-stakes debut for the next generation of African creative pioneers from Delight Technical College.

As the global fashion industry increasingly looks to Nairobi as a hub for sustainable innovation and cultural storytelling, the Class of 2025 stood ready to answer the call.

A Vision of Resilience and Excellence

The ceremony opened with a poignant address from the Principal’s desk. Mr. Saitoti Meitamei, Principal of Delight Technical College, stood before a sea of caps and gowns to declare the milestone a victory of “resilience, creativity, and innovation”.

“The world you are stepping into is dynamic and ever-evolving,” Meitamei told the graduates. “It calls for thinkers, dreamers, and doers who can craft solutions with imagination and courage. You are those pioneers”. He urged the ambassadors of the institution to carry forth the core values of discipline, integrity, and excellence into a world hungry for new narratives.

The Runway: Where Heritage Meets the Future

The afternoon transitioned from formal conferment to a spectacular three-part fashion showcase that would not have been out of place on the screens of Vogue or the streets of Milan.

  • Runway 1 & 2: Displayed the technical mastery of the School of Fashion and Design. Looks ranged from intricate tailoring to bold, avant-garde silhouettes that blurred the lines between traditional African heritage and contemporary street style.

  • Media & AI Recognition: In a nod to the shifting global landscape, a dedicated segment honored the fusion of Media and Artificial Intelligence. This integration highlights the college’s commitment to equipping students with tech-forward skills—from digital journalism to AI-driven design—ensuring they remain competitive in a digitized modern world.

Among those lauded were top-tier graduates like Neris Kweh Nfor, Ashley Njeri, and Miriam Muthoni Munene, all of whom secured Distinctions in the Diploma of Tailoring, Fashion & Design.

The Alumni Legacy: From Classroom to CEO

The event served as a bridge between current success and future potential, spotlighting alumni who have already conquered the international stage.

Notable figures included Diana Kilonzi, founder of Stitched by Dee, known for her bold, custom-made designs, and Sammy (Finest) Olwangu, the designer who has dressed Africa’s biggest celebrities, including Nyashinski and Otile Brown. Their stories of transformation—from students to industry leaders—provided a tangible roadmap for the 2025 cohort.

Nairobi’s Creative Renaissance

As an institution approved by the Ministry of Education (TVETA-accredited), Delight Technical College has spent eight years refining a model of “Technical Education Excellence”. By offering modularized courses and flexible study options, the college champions an inclusive approach to higher education that aligns with Africa’s global industry needs.

As the guests departed the Kenya National Theatre at dusk, the message was clear: the Class of 2025 is not just graduating into the industry; they are here to shape the future.

Delight Technical College is currently accepting applications for the 2026 Academic Year, with intakes in progress for Diploma, Certificate, and Artisan courses in Fashion, Media, and AI.

Content courtesy of Delight Technical College & NFH Digital Team 

Africa on the Runway: How Fashion and Modelling Are Rewriting the Continent’s Story

Posted on by Oscar Alochi

 

Africa on the Runway: How Fashion and Modeling Are Rewriting the Continent’s Story.

Africa’s fashion and modeling industries are no longer whispers in the wings of the global style conversation. They are a chorus loud, inventive, and insistently original, pulling the continent’s textiles, stories, and faces onto international runways, into glossy editorials, and onto e-commerce storefronts. That rise is not accidental: it’s a product of grassroots creativity, entrepreneurial grit, strategic partnerships, and a growing recognition from international buyers and media that African fashion is not a niche but a market and cultural force. Yet the lift-off comes with persistent friction, structural, financial, and logistical, that the industry is learning to overcome in real time.

The landscape: creative abundance, structural scarcity.

From Lagos to Johannesburg and Nairobi to Dakar, designers are mining local crafts, indigenous textiles, and contemporary sensibilities to produce work that reads modern and memorably African. The continent’s apparel and footwear sector is sizeable and growing: recent industry analyses describe a multi-billion-dollar market driven by a young, urbanizing population hungry for styles that speak to identity and aspiration. At the same time, major gaps remain limited capital flowing into creative businesses, weak local supply chains, high costs of quality raw materials, and underdeveloped intellectual-property protections that make scaling risky for designers. These are not cosmetic issues; they shape whether a designer can move from a market stall to sustainable factory runs and from seasonal shows to year-round international distribution. (Euromonitor)

Models, agencies, and representation: progress and persistent gatekeepers.

The modelling side has made visible strides. A new generation of African faces, not merely tokenized but celebrated for their variety and cultural specificity, has appeared on major magazine covers and in advertising campaigns. Publications and runways have started to reflect a broader beauty code, from British Vogue’s landmark Africa-focused features to boutique agencies exporting talent overseas. Yet pipelines are uneven. There are still too few professional agencies with scouting, training, and welfare systems that match international standards, and many aspiring models lack access to education on contracts, health, and financial planning. Where models and agencies collaborate with reputable fashion weeks and hubs, the speed and quality of career development rise. (British Vogue)

The twin engines: local markets and foreign support.

Growth is being fuelled by two complementary currents. First, robust local demand: middle-class growth, the rise of luxury boutiques across African capitals, and digital platforms are expanding domestic consumption. Second, strategic foreign interest from global retailers in cultural institutions that open distribution channels and funding pipelines. International prizes, retail partnerships, and editorial coverage have helped put designers on global maps and provided practical capital and mentorship. Still, dependence on foreign grants or one-off placements is risky; sustainable scale requires stronger domestic investment, better trade policy, and predictable financing instruments for creative SMEs. (Vogue)

Private sector, individuals, and corporate sponsorship: the new patrons of style.

Where governments have been slow to act, individual entrepreneurs and corporations are stepping in. High-net-worth patrons, local retailers, hair and beauty brands, and multinational sponsors are underwriting runway shows, pop-ups, and incubators. These contributions are catalytic: they offer marketing reach, seed capital, and platform visibility. Corporate sponsorships, when thoughtfully structured, can professionalize events and link designers to logistics, export know-how, and retail distribution. But sponsorships must be strategic and long-term: short promotional spends boost visibility but don’t replace investments in production capacity, digital infrastructure, and skills development.

Nairobi Fashion Hub: a case study in market-making

In Nairobi, one organisation exemplifies how a local initiative can alter industry dynamics. Nairobi Fashion Hub (NFH) began as a digital platform and has since developed into a multifaceted ecosystem builder: promoting designers, staging showcases, profiling models and fashion professionals, and creating networking opportunities across East Africa. By amplifying local talent and connecting creators to commercial and editorial channels, NFH helps convert creative capital into economic capital. Its programming, from runway events to training and editorial features, addresses a key industry bottleneck: visibility. For many Kenyan designers and models, platforms like NFH are the bridge between local recognition and regional or global opportunity. (NFH – African Fashion)

What’s changing the rules of the game

Several converging trends are reshaping possibilities:

  • Digitization: E-commerce, social media, and digital lookbooks let designers sell globally without traditional wholesale deals. The pandemic accelerated virtual showcases and direct-to-consumer models. (Vogue)
  • Sustainability and craft revival: A pivot toward regenerative materials, circular fashion, and elevated craft narratives gives African brands a competitive edge in conscious luxury markets.
  • Pan-African collaboration: Fashion weeks and platforms are increasingly pan-African, pooling designers and buyers across borders to build scale. Lagos Fashion Week, for example, has emerged as a major node linking local talent to sponsors and international buyers, a model that other hubs emulate. (Vogue)

The obstacles that won’t vanish overnight

For all the momentum, friction points remain stubborn:

  • Financing: Creative businesses are often high-risk to conventional lenders; alternatives like creative funds, impact investors, and blended finance are still nascent across the continent. (UNESCO)
  • Manufacturing and sourcing: Without integrated supply chains (from spinning yarns to dye houses to finishing facilities), designers face long lead times and quality variability that deters large buyers.
  • Skills and standards: Technical training in pattern cutting, grading, manufacturing management, and modelling professionalism is unevenly distributed. Bridging that gap requires structured vocational programs and private-public partnerships.
  • Market access costs: Trade tariffs, logistics, and export paperwork add layers of cost that make international expansion expensive and slow.

Practical wins: what accelerates success

A set of practical interventions has proven effective in markets that have moved faster:

  1. Incubation + Market Access: Hubs that combine business training with buyer introductions (like NFH’s programming) shorten the runway to commercial deals. (NFH – African Fashion)
  2. Sponsorships with capacity building: Corporate funding tied to supply-chain investments, training, and production support builds durable capacity instead of one-off events.
  3. Regional trade facilitation: Lowering intra-African trade frictions helps brands scale across borders before taking on far-flung export markets.
  4. Investment vehicles for creatives: Dedicated fashion funds, blended finance, and grant-to-equity structures reduce early-stage risk and help brands professionalize.

The human story that matters

At the heart of every statistic are designers, models, tailors, textile workers, and entrepreneurs turning ideas into livelihoods. For them, fashion is not mere glamour; it is jobs, cultural preservation, and new career pathways. Initiatives that respect that human dimension, offering fair pay, worker protections, and sustainable growth, will create an industry that is both stylish and just.

Looking forward: from creative bursts to a durable industry.

Africa has the ingredients for a globally resonant fashion ecosystem: raw creativity, rich textile heritages, a hungry consumer base, and an increasingly connected diaspora market. To turn that potential into long-term impact requires patient capital, smarter public policy, and more hubs that combine visibility with commercial scaffolding. Organisations like Nairobi Fashion Hub are doing the hard, unglamorous work of shaping markets: cataloguing talent, staging consistent platforms, and building the networks that turn runway applause into export contracts.

If stakeholders, designers, models, funders, governments, and media double down on infrastructure and skills while protecting creative agency, Africa will not just contribute to global fashion: it will help redefine the industry’s aesthetics, ethics, and economy. The continent’s next decade in fashion is not a matter of if but how fast and how sustainably it chooses to run.

Sources & further reading: UNESCO’s report on the African fashion sector (trends and challenges); market analysis on apparel in sub-Saharan Africa; Vogue coverage of African fashion and Lagos Fashion Week; Nairobi Fashion Hub’s platform and programming. (UNESCO)

Content courtesy of NFH Digital Team

Fashion Brand Mulu Evolves From Plus-size Pioneer To Family Lifestyle Label

Posted on by Oscar Alochi

September 2, 2025, Dubai, UAE – MULU, once recognized as a leading plus-size fashion brand for women, is rebranding into a lifestyle fashion label for the entire family. The launch of the new MULU Reborn Collection on September 4, 2025, reflects the personal journey of the founder, Kanessa Muluneh, and a new vision: to dress families with ease, comfort, and togetherness. The Reborn Collection will be available online at www.mulu.world with sizes ranging from baby all the way up to 5XL.

The rebrand was set in motion because of personal reflection, says Kanessa Muluneh. “When I first launched MULU, I was plus-size and designed clothes for women like me. I didn’t have kids, and my priorities were different. Today, I am a mother of three, and I have a family. That was when I realized MULU had to be reborn, too, as a brand catering to the whole family expanding beyond where we started. MULU is about creating fashion that bonds families.”

MULU’s mantra is “unlock ease, unlock MULU” and a design approach focusing on “clothing that moves with you”. The Reborn collection launches with five classic basics (black, navy, maroon, brown, green) balanced with two playful additions (yellow and light blue). All the pieces are made of comfortable, premium fabrics that adjust to all body sizes.

Since moving to Dubai three years ago, Kanessa Muluneh has adapted Arab cultural influences while keeping the brand’s global appeal. Family values are at the heart of MULU, and the new collection includes traditional pieces like abayas with a modern twist. Pricing ranges from 400-600 AED and targets established families across all categories.

MULU’s rebrand tackles what Kanessa Muluneh sees as a gap in family fashion: “We want to make life as a family easier. MULU Reborn is designed for daily activities like school runs, trips to the shop, errands, and all the things we do every day.” The launch on September 4 aligns with the back-to-school season when families set up new routines and look for clothing solutions that suit everyone. The date holds personal significance as well and marks nine years since Kanessa’s wedding anniversary when she started her family.

Kanessa Muluneh, founder of MULU, said: “Life is already full of responsibilities, especially when you have a family, and clothing shouldn’t add to that stress. That’s why we are including everyone in the collection: from babies and kids to teens, moms, dads, uncles, aunties, cousins, and even grandma and grandpa. Think of those traditional Christmas photos where the whole family wears matching sweaters, only this time, it can be MULU.”

 

About MULU:
MULU, established in 2018 by Kanessa Muluneh in the Netherlands, is a premium family
lifestyle brand based in the UAE. More than a clothing line, MULU is a family-first movement
catering to everyday families living their daily lives. The brand creates elevated essentials across
all age groups and sizes from babies to plus-size adults. MULU’s mission is to create fashion
that bonds families. MULU’s products are available in over 15 countries, including the
Netherlands, Germany, Belgium, Denmark, Sweden, Austria, UK, USA, Canada, Ghana, and
Kenya.

Content courtesy of MULU & NFH Dgital Team

Setting Sail in Style: Louis Vuitton Unveils Monumental Cruise Ship Store in Shanghai

Posted on by Fashion Tribe Influencer

SHANGHAI— In a breathtaking display of architectural innovation and experiential luxury, Louis Vuitton has anchored its most ambitious retail concept to date in the heart of Shanghai: “The Louis,” a monumental, life-size cruise ship-shaped destination that transcends the traditional boutique. More than just a store, this extraordinary structure seamlessly integrates a vast flagship retail space, a sophisticated restaurant, and an immersive museum charting the brand’s illustrious history, setting a new benchmark for luxury engagement in the global market.

This isn’t merely a popup; it’s an immersive brand experience, a testament to Louis Vuitton’s audacious vision & unwavering commitment to innovation.Resembling a colossal, deconstructed Louis Vuitton trunk, ‘The Louis’ stands as an architectural marvel. Its distinctive design immediately captivates

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-07-08T14:36:31.996Z

Unveiled on June 28th, 2025, “The Louis” stands majestically in the HKRI Taikoo Hui shopping plaza on Wujiang Road, its gleaming metallic Monogram-clad exterior designed to evoke the grandeur of an ocean liner and the iconic stacked trunks that are synonymous with Louis Vuitton. The 30-meter-tall edifice, a collaborative marvel including design by OMA’s Shohei Shigematsu for its exhibition spaces, pays homage to both Louis Vuitton’s deep maritime roots in crafting travel-ready trunks and Shanghai’s historical identity as a pivotal port city, the “Gateway to the East.”

A Voyage Through Luxury Retail

Stepping aboard “The Louis” is to embark on a multi-sensory journey across its three expansive levels. The core of the ground floor features a sprawling Louis Vuitton flagship boutique, a meticulously curated space showcasing the Maison’s comprehensive collections. From the latest ready-to-wear pieces and an extensive array of signature leather goods to elegant accessories, contemporary footwear, and exquisite fine jewelry, every item is presented with an emphasis on craftsmanship and allure. The open, fluid layout encourages exploration, inviting patrons to discover the breadth of Louis Vuitton’s creative universe in an environment that is both grand and intimate. Personalization services, including Shanghai-themed hot stamping, further elevate the bespoke shopping experience.

Louis Vuitton has once again pushed the boundaries of luxury retail with the launch of an extraordinary new concept in Shanghai: ‘The Louis’, a futuristic, life-size cruise ship anchored majestically on Nanjing Road, right by Taikoo Hui.#nairobifashionhub

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-07-08T14:35:08.173Z

Gastronomic Port of Call: Le Café Louis Vuitton

Perched on the top floor, Le Café Louis Vuitton offers an elevated culinary experience that mirrors the brand’s commitment to excellence and innovation. Designed with warm wood surfaces and soft lighting, the café evokes the intimate ambiance of an old cruise ship cabin, complete with an elegant outdoor terrace providing a “seaside” atmosphere.8 Under the guidance of chefs Leonardo Zambrino and Zoe Zhou, the menu presents a unique fusion of French and Shanghainese culinary influences. Guests can indulge in creative interpretations such as “Monogram Raviolis,” a refined twist on Chinese jiaozi stamped with the iconic LV mark, alongside other bespoke dishes like the “Cesar Salad Eclipse,” reimagined with a vibrant yuja dressing.9 This dining destination transforms a shopping trip into a leisurely and sophisticated indulgence.

Charting the Course: The Visionary Journeys Exhibition

Integral to “The Louis” experience is the “Visionary Journeys” exhibition, a comprehensive museum spanning the first two floors that offers an unparalleled deep dive into Louis Vuitton’s storied heritage. Conceived by Shohei Shigematsu of OMA, this multi-room exhibition is not merely a historical retrospective but a captivating narrative of the Maison’s evolution.

Visitors begin their journey through “Trunkscape,” an immersive installation of Monogram canvas trunks curving into an archway, setting a cinematic tone.11 The exhibition then unfolds through a series of thematic rooms:

  • Origins: Celebrating the iconic trunks and leather goods that are at the heart of the “Art of Travel,” tracing the brand’s inception in 1854.
  • Voyage Room: A tribute to the romance of travel, featuring bag patents and vintage travel posters, spotlighting Louis Vuitton’s spirit of adventure across eras.
  • Workshop: Offering live demonstrations by skilled artisans, showcasing the intricate craftsmanship and dedication to detail that define Louis Vuitton’s creations.
  • Perfume Room: A fragrant display of rare perfume bottles and vintage toiletry kits, highlighting the brand’s historical foray into personal care.
  • Books and Sport: An unexpected but fascinating exploration of Louis Vuitton’s ties to literature through works by Gaston-Louis Vuitton and its role in major sporting events, displaying renowned trophy trunks used for Formula 1 and the Olympics.

The exhibition culminates in a gift shop, offering an exclusive selection of merchandise, providing a tangible link to the immersive experience.

This isn’t just a nod to the brand’s iconic luggage heritage; it’s a bold reinterpretation, asserting Louis Vuitton’s dominance in the contemporary luxury sphere. The sheer scale and meticulous detailing of this installation are breathtaking, showcasing the brand’s craftsmanship on an epic scale.

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-07-08T14:38:19.692Z

A Strategic Landmark in a Shifting Market

The launch of “The Louis” is a strategic move by LVMH to not only reinforce Louis Vuitton’s formidable presence in China but also to adapt to the evolving luxury market. In a climate where consumer spending habits are shifting and “experiential goods” are gaining traction over traditional purchases, this concept store is designed to be a cultural landmark that attracts crowds beyond the typical luxury shopper. As Pietro Beccari, Chairman and CEO of Louis Vuitton, stated, the concept represents a “new chapter in the brand’s cultural evolution,” embodying the “spirit of travelling through ideas, emotions, and inspiration in a joyful way.”

By creating a destination that offers shopping, dining, and a rich cultural experience, Louis Vuitton is not just selling products; it is cultivating a deeper connection with its audience, transforming retail into an adventure, and solidifying its position as a cultural powerhouse in the dynamic landscape of global luxury. “The Louis” stands as a bold testament to Louis Vuitton’s enduring legacy and its visionary approach to the future of retail.

Content courtesy of NFH Digital Team

 

Nicole Tikolo Wins UK Fashion Award, Championing African Heritage and Size Inclusivity

Posted on by Fashion Tribe Influencer

At just 23, the Kenyan fashion student makes history with her curve-celebrating coastal collection at the 2025 Fashanne Awards.

LONDON, United Kingdom — Kenyan fashion design student Nicole Tikolo has taken center stage on the UK fashion scene, winning the People’s Choice Award in the Womenswear Design category at the prestigious 2025 Fashanne Awards. Her striking collection, Urembo wa Pwani Swahili for The Beauty of the Coast captivated voters across continents, marking a breakthrough moment for African representation and size-inclusive design on the global stage.

At just 23, Tikolo becomes the first Kenyan to earn this accolade at the Fashanne Awards often described as the “BAFTAs of student fashion.” Currently studying at Nottingham Trent University, she impressed both judges and the public with a deeply personal, technically accomplished collection that channels her Taita roots and sun-soaked memories of the Kenyan coast.

Her collection, Urembo wa Pwani (“The Beauty of the Coast”), draws inspiration from her Taita heritage & childhood visits to the Kenyan coastline.The line features flowing silhouettes, bespoke prints of madafu (coconuts) & the Taita White Eye bird, & fabrics that evoke the breezes of Diani and Lamu

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-06-30T14:11:55.580Z

With bespoke prints featuring madafu (coconuts) and the rare Taita White Eye bird, Urembo wa Pwani celebrates the beauty and confidence of curvy women. From the flowing silhouettes to the color palette inspired by coastal sunsets and the carved geometry of Swahili doors, the collection is as much a love letter to Kenyan culture as it is a call for inclusivity in fashion.

“I wanted to design clothes that feel like home that move with you and speak to women who’ve long been excluded from the mainstream fashion narrative,” Tikolo said. “This win isn’t just mine. It’s for Kenya, for African creativity, and for every woman who wants to feel seen in her own skin.”

The Fashanne Awards draw hundreds of entries from the UK’s top fashion institutions. Tikolo’s Entry #62 stood out not only for its storytelling and craftsmanship, but for its significance in a global plus-size fashion market worth $193 billion — a market still widely underserved by mainstream brands.

“Because I’m curvy too,” she shared during her campaign. “I know what it feels like to be overlooked. I wanted to create something that’s beautiful, functional, and deeply meaningful — not just for me, but for every woman out there with the same struggle.”

The garments — crafted in cotton satin for structure and crepe de chine for movement reflect Tikolo’s mastery of silhouette and her belief in intentional design. Weeks of drafting, refining, and stitching led to a collection that not only wowed industry insiders but resonated emotionally with the global public.

Tikolo’s designs celebrate curvy women through wearable volume, precise tailoring, and intentional printwork. Influenced by visionary African designers like Andrea Iyamah, Kim Dave, and Banke Kuku, her work weaves cultural storytelling into global-relevant fashion

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-06-30T14:15:20.796Z

Tikolo credits her university training and spiritual grounding for her success.

“Faith and fashion go hand in hand for me,” she explains. “I pray through my process. Every detail, every seam carries intention and purpose.”

With Africa’s fashion industry projected to surpass $15.5 billion by 2025 (African Development Bank), Tikolo’s victory is symbolic of a larger continental shift — where African designers are stepping forward as creators, not just consumers, of global fashion narratives.

Now setting her sights on the future, Tikolo is preparing to launch her own curve-inclusive fashion label in Kenya one that merges storytelling, print innovation, and technical precision to dress the modern African woman.

“Winning this award is just the beginning,” she says. “It’s time for African stories to take up space. It’s time for every woman every shape, every background — to feel beautiful, represented, and powerful in what she wears.”

Emerging Kenyan fashion designer Nicole Tikolo, a student at Nottingham Trent University, has achieved finalist status in the Womenswear Design category at the 2025 Fashanne Awards in the UK.#nairobifashionhub

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-06-30T14:08:37.509Z

As Tikolo ascends in the fashion world, she joins a new generation of African creatives rewriting the rules of the industry blending heritage with innovation, and using fashion as a platform for visibility, empowerment, and transformation.

Content courtesy of NFH Digital Team

Christie Brown Academy and Mastercard Foundation Empower Africa’s Next Generation of Fashion Entrepreneurs

Posted on by Ann Mumbi

Accra, Ghana – In a landmark event on June 14, 2025, at the Marriott Hotel in Accra, the Christie Brown Academy (CBA), in collaboration with the Mastercard Foundation, celebrated the graduation of its second cohort of 25 aspiring fashion entrepreneurs. This milestone concluded a transformative one-year pilot program designed to bridge the gap between creative passion and business acumen in the African fashion industry.

The program’s curriculum is described as “future-forward” and “intensive,” focusing on equipping young Africans, particularly young women and economically disadvantaged individuals, with the tools to build globally competitive and sustainable fashion businesses. The academy’s core mission is to empower these creatives, helping them transition from designers to successful entrepreneurs.

Christie Brown Academy, founded by renowned Ghanaian designer Aisha Ayensu, is redefining fashion education in Africa. With a core mission to empower young African creatives, the CBA delivers a transformative curriculum that prioritizes the business of fashion and creative design.#nairobifashionhub

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-06-27T10:02:41.039Z

A Showcase of Innovation and Identity

The highlight of the event was a vibrant graduation fashion show where the 25 graduates presented their original collections. These collections were more than just garments; they were a reflection of the participants’ personal growth, cultural identity, and deep commitment to innovation. Attendees and industry stakeholders witnessed a stunning display of creativity, with designers using a variety of materials, from repurposed denim to traditional kente fabrics, to create beautiful and impactful pieces. The runway showcased a mix of avant-garde, sustainable fashion, streetwear, and couture, positioning Ghana as a rising hub for innovative fashion production.

Bridging the Gap: The Vision of Aisha Ayensu

Aisha Ayensu, the renowned Ghanaian designer who founded the Christie Brown Academy, emphasized the academy’s crucial role in the industry. “Through the Christie Brown Academy, we are meeting these participants at the point of their needs and bridging the gap between creativity and entrepreneurship in Africa’s fashion industry,” she stated. She further explained that the academy’s goal is to not only train designers but also to build brands of excellence that reflect the essence of Africa in both appearance and structure.

“Through the Christie Brown Academy, we are meeting these participants at the point of their needs and bridging the gap between creativity and entrepreneurship in Africa’s fashion industry,” said Aisha Ayensu, Founder and Director of Christie Brown Academy.

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-06-27T10:03:32.639Z

Mastercard Foundation’s Commitment to Youth Empowerment

The partnership with the Mastercard Foundation is a cornerstone of the academy’s success. Representing the foundation, Nene Diallo, the Capacity Development and Mass Entrepreneurship Lead for Pan-African Programs, highlighted the alignment of the program with the foundation’s vision of unlocking the potential of African youth. “We are committed to investing in entrepreneurship, skills development, and dignified work for young women,” Diallo said, adding that the graduates represent the future of African innovation and the creative industry.

Seed Funding for Future Leaders

As a testament to their commitment to nurturing youth-led enterprises, the Mastercard Foundation awarded $1,000 in seed funding to three exceptional graduates to help them kickstart their fashion ventures. The recipients of this grant were:

  • Barbara Clement
  • Mavis Nelson
  • Nancy Osei

This financial support extends beyond the graduation, offering these entrepreneurs a crucial starting point for their businesses. The academy also provides ongoing support, including access to a database of industry resources and expert personnel, to ensure their long-term success.

The event featured a graduation fashion show spotlighting the participants’ original collections which are a reflection of their personal growth, cultural identity, and commitment to innovation. The showcase positioned Ghana as a rising hub for innovative fashion production.#nairobifashionhub

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-06-27T10:04:47.183Z

Looking Ahead: A Global Force in Fashion

The Christie Brown Academy is envisioned to become Africa’s leading fashion education institution, developing global talent and contributing to the continent’s economic growth through fashion entrepreneurship. The success of this pilot program demonstrates the academy’s effectiveness in preparing a new generation of African youth to build resilient and impactful fashion brands, cementing Africa’s voice, values, and vision on the world stage.

Content courtesy of  NFH & Nueva Comms

Nicole Tikolo’s “Urembo wa Pwani” Brings Kenyan Coastal Elegance to the 2025 Fashanne Awards

Posted on by Fashion Tribe Influencer

Emerging fashion designer Nicole Tikolo is capturing attention across the UK and beyond as a finalist in the prestigious 2025 Fashanne Awards under the Womenswear Design category.

Currently pursuing her fashion studies at Nottingham Trent University, Tikolo’s standout collection, Urembo wa Pwani Swahili for The Beauty of the Coast, is also in contention for the People’s Choice Award.

Emerging Kenyan fashion designer Nicole Tikolo, a student at Nottingham Trent University, has achieved finalist status in the Womenswear Design category at the 2025 Fashanne Awards in the UK.#nairobifashionhub

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-06-30T14:08:37.509Z

Inspired by her Taita heritage and childhood memories of Kenya’s coastal towns, the collection is a vivid celebration of African femininity. It features flowing silhouettes and original prints that incorporate iconic elements like madafu (coconuts) and the Taita White-eye bird, paired with breezy fabrics that evoke the essence of Diani and Lamu.

“I design for women who want to feel beautiful, confident, and seen,” Tikolo shares. “This collection is rooted in my story, my heritage, and a deep belief that African fashion can be both globally relevant and proudly local.”

Tikolo is rallying support from Kenyans, East Africans, the global diaspora, and advocates of inclusive fashion to vote for entry #62 in the People’s Choice category, a move that could propel her vision onto an even larger platform.

Her collection, Urembo wa Pwani (“The Beauty of the Coast”), draws inspiration from her Taita heritage & childhood visits to the Kenyan coastline.The line features flowing silhouettes, bespoke prints of madafu (coconuts) & the Taita White Eye bird, & fabrics that evoke the breezes of Diani and Lamu

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-06-30T14:11:55.580Z

Her journey reflects a powerful shift in fashion’s global narrative one where African identity, body positivity, and storytelling converge. Influenced by boundary-pushing designers like Andrea Iyamah, Kim Dave, and Banke Kuku, Tikolo’s work embraces wearable volume, intentional printwork, and precise tailoring to honor the curves, colors, and cultural richness of African women.

“This nomination isn’t just about me,” she says. “It’s about showing the world what Kenya has to offer about telling stories with fabric and celebrating the coastlines, curves, and creativity of African women.”

The Fashanne Awards ceremony, celebrating innovation among UK-based fashion students, will announce the People’s Choice Award winner on June 26, 2025.

Tikolo’s designs celebrate curvy women through wearable volume, precise tailoring, and intentional printwork. Influenced by visionary African designers like Andrea Iyamah, Kim Dave, and Banke Kuku, her work weaves cultural storytelling into global-relevant fashion

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-06-30T14:15:20.796Z

As Tikolo stands poised to leave her mark on the global stage, she joins a new generation of African designers redefining beauty, representation, and identity in fashion.

Content courtesy of NFH Digital. 

Mr. & Miss Kasarani 2025: Crowning Purpose Over Prestige in Nairobi’s Fastest-Growing Youth Pageant

Posted on by Oscar Alochi

Every year in Kasarani, Nairobi, something special happens: the Mr. & Miss Kasarani pageant. It’s not just about looks; it’s a way to help young people grow into leaders and make a difference in their community through fashion, talent, and culture. Started in 2019, it’s now a big event that many look forward to.

By Oscar Alochi | Nairobi, Kenya

In a community nestled within the northern suburbs of Nairobi, a local initiative has steadily evolved into a movement empowering youth, igniting talent, and nurturing leadership. Mr. & Miss Kasarani, founded in 2019, is more than a pageant. It is a purpose-driven platform that continues to reshape the cultural, social, and civic landscape of Kasarani and beyond.

Now celebrating its 6th edition in 2025, the event has cemented its status as one of Nairobi’s most vibrant and impactful community-based pageants, offering young people more than a runway — it offers a launchpad into leadership, self-expression, and service.

From Modest Beginnings to a Community Phenomenon

What began as a small, localized competition intended to showcase emerging talents in Kasarani has blossomed into a dynamic annual celebration of identity, resilience, and vision. Organized by Driq Events, the pageant was the brainchild of Jonathan Wanyama, a seasoned events professional and impassioned youth mentor.

Driven by the philosophy of the three Ds — Discipline, Determination, and Dedication  Wanyama envisioned a platform where youth could not only shine aesthetically but also evolve holistically.

“It’s not just about the crown. It’s about impact, self-worth, and purpose,” Wanyama told reporters ahead of the 2025 edition. “We’re building a generation that knows its value and uses it for good.”

Founded in 2019, Mr. & Miss Kasarani is a community-based pageant dedicated to empowering youth through fashion, leadership, and cultural expression. What began as a small platform to showcase local talent in the heart of Kasarani has grown into one of Nairobi’s most anticipated and impactful……

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-05-09T14:46:50.210Z

 

A Program Built on Empowerment, Not Appearance

Far from conventional beauty contests that prize superficial attributes, Mr. & Miss Kasarani is a rigorous development program that prioritizes mental strength, talent development, civic responsibility, and public engagement.

Participants are taken through intensive training programs that span:

  • Public speaking and communication
  • Poise and professional etiquette
  • Social responsibility and leadership
  • Creative expression through fashion, art, and performance
  • Mental health resilience and self-esteem building

The application and selection process, marked by transparency, professionalism, and confidentiality, ensures that all candidates are treated with dignity and judged on merit. It reflects the values of equity and inclusion at the core of the pageant’s mission.

This initiative provides a nurturing space for young people to build confidence, discover their creative potential, and become community ambassadors.Every year, Mr. & Miss Kasarani get bigger and better. More and more young people who want to make a difference join in

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-05-09T14:49:10.331Z

 

The Crown as a Commitment to Community

The grand finale of the competition is nothing short of electric. Staged in front of packed audiences filled with local leaders, families, business owners, and youth groups, the event is a spectacle of fashion, performance, and purpose. But behind the glitz is a deeper resonance: the symbolic passing of responsibility.

Winners of Mr. & Miss Kasarani assume year-long ambassadorial roles, often leading or participating in community-centered initiatives such as:

  • Charity drives and fundraisers
  • Environmental clean-up campaigns
  • School outreach and mentorship programs
  • Youth forums and mental health awareness events
  • Advocacy for gender equality, governance, and civic education

Past titleholders have gone on to become radio presenters, youth leaders, public speakers, social entrepreneurs, and influential content creators across Kenya’s rapidly expanding digital and creative economy.

The final show of Mr. & Miss Kasarani is exciting for everyone in the community. The young people show off beautiful clothes, their special talents, and their ideas for how to make Kasarani better. You can feel the excitement in the room as everyone cheers them on.

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-05-09T14:51:11.066Z

The 2025 Edition: A Generation Rising

This year’s edition, the 6th since the initiative’s founding, is expected to be the most ambitious yet. With a growing interest from national media, local authorities, and regional youth organizations, Mr. & Miss Kasarani 2025 is poised to raise the bar for grassroots empowerment platforms.

Registration drives have drawn applicants from all corners of the sub-county, and organizers are introducing new themes focused on climate action, inclusive innovation, and mental health advocacy.

“There’s a renewed energy among this year’s contestants,” noted one of the lead coordinators. “They’re not just here to compete. They’re here to represent, to challenge ideas, and to lead with compassion.”

Shaping the Future, One Role Model at a Time

In a time where youth often battle unemployment, disenfranchisement, and mental health challenges, Mr. & Miss Kasarani provides a counter-narrative one that highlights potential over despair, voice over silence, and action over apathy.

By fusing fashion with advocacy, performance with purpose, and beauty with brains, the event is creating a new blueprint for youth development in urban Kenya, a grassroots model that could inspire similar initiatives nationwide.

As Kasarani prepares for the crowning night of its 2025 edition, anticipation is high. But it’s not just about who will wear the sash or take the title. It’s about what they will stand for and how they will use their voice.

“At its core, Mr. & Miss Kasarani is a call to purpose,” said Jonathan Wanyama. “These young people are not waiting to be told what to do. They’re taking the lead.”

About Driq Events

Driq Events is a youth-focused creative agency based in Nairobi, Kenya. Specializing in event production, talent development, and community activation, Driq Events has organized dozens of successful programs focused on uplifting the next generation. Their flagship initiative, Mr. & Miss Kasarani, stands as a testament to their commitment to social impact through creativity.

Mr. & Miss Kasarani 2025 is more than a pageant. It is a movement born of community, driven by youth, and sustained by vision. In every contestant lies a future leader, and in every edition, a renewed promise that the future of Kasarani will be shaped by those bold enough to dream, speak, and serve.

Content courtesy of Driq Events & NFH Digital Team

Met Gala 2025: A Celebration of Black Style and Sartorial Innovation Unfolds on the Red Carpet

Posted on by Oscar Alochi

The air crackled with anticipation as the first Monday of May dawned in New York City, marking the return of the Met Gala, an annual pilgrimage for the titans of fashion, Hollywood royalty, music icons, and the art world’s elite. The Metropolitan Museum of Art, a venerable institution steeped in history and culture, transformed into a vibrant stage for sartorial storytelling as the crimson carpet awaited the procession of visionary designs and the luminaries who would bring them to life. This year’s gala held particular significance, serving as the grand opening for the Costume Institute’s spring exhibition, “Superfine: Tailoring Black Style,” a profound exploration of the enduring influence and intricate nuances of Black dandyism.

Every year, designers and their hand-picked fashion stars from all around the world gather to fundraise for The Met, formally The Metropolitan Museum of Art, and the occasion calls for them to don their finest outfits.

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-05-06T14:21:27.740Z

The exhibition’s central theme resonated deeply with the evening’s dress code, an evocative directive: “Tailored for You.” This invitation encouraged attendees to delve into the art of sharp menswear and to draw inspiration from the rich tapestry of Black dandyism, a cultural phenomenon that spans centuries and continents, manifesting as a powerful form of self-expression, resistance, and unapologetic individuality. The anticipation was palpable – how would the world’s most creative minds interpret this potent theme, translating its historical weight and contemporary relevance into breathtaking red-carpet moments?

The leadership of the evening itself underscored the cultural significance of the event. Guiding the proceedings with her unwavering vision was the indomitable Anna Wintour, a perennial force in the fashion industry. Joining her as co-chairs were a cadre of influential figures who embody the spirit of creativity and style: the nuanced actor Colman Domingo, celebrated for his impeccable taste; the global sporting icon Lewis Hamilton, known for his daring fashion choices; the multifaceted artist and style innovator A$AP Rocky; and the visionary musician and designer Pharrell Williams, a constant source of inspiration. Adding further gravitas to the occasion was the honorary co-chair, LeBron James, whose cultural impact extends far beyond the basketball court, solidifying the gala’s reach into the broader realms of art and influence.

The constellation of stars lending their support extended to the highly anticipated host committee, a diverse and dynamic group reflecting the multifaceted nature of Black excellence. Among them were Simone Biles, a name synonymous with unparalleled athleticism and grace; Dapper Dan, a Harlem legend whose innovative designs have shaped generations of style; the electrifying rapper Doechii, a rising force in music and fashion; the critically acclaimed actress Ayo Edebiri, known for her sharp wit and sophisticated style; Edward Enninful, the influential editor-in-chief of British Vogue, a pivotal voice in the global fashion conversation; the groundbreaking artist Janelle Monáe, whose androgynous and avant-garde looks consistently challenge conventions; the formidable basketball sensation Angel Reese; the lightning-fast track star Sha’Carri Richardson, whose personal style is as bold as her athletic prowess; the visionary designer Olivier Rousteing, the creative director of Balmain, known for his opulent and powerful creations; the captivating singer Tyla, whose unique aesthetic is capturing global attention; and the ever-stylish Usher, a music icon whose fashion evolution has been as captivating as his artistry. This impressive assembly of talent underscored the profound and far-reaching impact of Black culture across various creative disciplines.

This year’s exhibition theme, “Superfine: Tailoring Black Style,” honors Black dandyism and inspires tonight’s dress code, “Tailored for You.” Per Vogue, that entails embracing sharp menswear and taking inspiration from The Met’s exploration of Black dandyism, a culture that spans many eras and el..

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-05-06T14:22:43.148Z

As the appointed hour drew near, speculation buzzed about the sartorial narratives that would unfold. The Met Gala is not merely a red carpet event; it is a canvas for artistic expression, a platform where designers and their chosen muses collaborate to create unforgettable moments that often push the boundaries of fashion itself. The “Superfine: Tailoring Black Style” theme offered a rich tapestry of inspiration, from the impeccably sharp silhouettes of historical dandyism to the contemporary interpretations of Black elegance and self-definition. Fashion enthusiasts worldwide eagerly anticipated how this historical and cultural weight would be translated into tangible, breathtaking ensembles.

Whispers circulated about potential interpretations: would we see a resurgence of classic tailoring with modern twists? Would there be bold explorations of color, texture, and embellishment that pay homage to the flamboyant spirit of dandyism? How would designers and celebrities incorporate elements of historical Black sartorial codes into contemporary high fashion? The possibilities seemed limitless, each arrival promising a new perspective on the evening’s central theme.

Beyond the individual looks, the Met Gala serves as a crucial fundraising event for the Costume Institute, enabling the museum to continue its vital work in preserving and showcasing the history of fashion. The convergence of such immense creative talent and influential figures underscores the significance of this annual event in supporting the arts and celebrating the power of visual storytelling through clothing.

While the Met Gala guestlist is quite exclusive and we won’t know exactly who will be there until they walk the red carpet, we do already know that there will be some major stars in attendance as hosts of the big night.

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-05-06T14:26:09.301Z

As the first limousines pulled up to the iconic steps of the Metropolitan Museum of Art, the world held its breath, ready to witness the unveiling of the Met Gala 2025’s red carpet spectacle. Each guest’s arrival was a moment of anticipation, a reveal of carefully constructed narratives that spoke to the evening’s theme and the individual’s unique style. The dresses, the suits, the intricate accessories, the carefully considered beauty, and the looks at every detail contributed to the grand tapestry of the night. Stay locked in as we bring you a comprehensive, moment-by-moment account of all the unforgettable looks from the Met Gala 2025 red carpet, a celebration of “Tailored for You” within the profound and inspiring context of “Superfine: Tailoring Black Style.” And as the night evolves, be sure to follow our coverage of the exclusive after-parties, where the fashion conversations continue in a more intimate setting.

Content courtesy of NFH Digital Team

Lupita Nyong’o’s Met Gala Spectacle: A Monochromatic Power Suit Elevated by Bold, Bedazzled Eyebrows Amidst Celebration of Black Sartorial History

Posted on by Ann Mumbi

Nairobi, Kenya (NFH) — Actress Lupita Nyong’o, a celebrated figure in Hollywood and a beacon of sophisticated style, made a triumphant return to the Met Gala on Monday evening, captivating onlookers with a meticulously curated ensemble that seamlessly blended power dressing with avant-garde beauty. For the 2025 edition of the prestigious fashion event, themed “Superfine: Tailoring Black Style,” Nyong’o embraced the sartorial directive, “Tailored for You,” with a striking, head-to-toe pastel green power suit that spoke volumes about modern elegance and individual expression.

The Academy Award-winning actress ascended the hallowed steps of the Metropolitan Museum of Art in New York City in a shimmering two-piece creation that exuded both authority and grace. The focal point was a sharply tailored, double-breasted suit jacket featuring strong shoulders and a defined silhouette, which dramatically extended into a floor-sweeping sheer cape. This ethereal addition provided a captivating contrast to the structured tailoring, adding a layer of theatricality befitting the Met Gala’s grand stage. The matching trousers, cut with precision, elongated her frame, contributing to the overall powerful yet refined aesthetic.

Kenyan actress Lupita Nyong'o made a notable appearance at the 2025 Met Gala in New York, embracing the theme "Superfine: Tailoring Black Style" with a striking pastel green power suit. Adding an element of surprise and high fashion flair, Nyong'o's beauty look featured eyebrows adorned with black..

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-05-06T13:43:26.915Z

Beneath the impeccably crafted jacket, Nyong’o maintained the monochromatic harmony with a button-down shirt rendered in the same soft pastel green hue. This commitment to a single color palette underscored the deliberate and thoughtful nature of her styling. Adding a touch of classic formality, she sported a matching bow tie, which was elevated by a central, shimmering crystal brooch that caught the light with every movement. Further personalizing her look, Nyong’o adorned the lapel of her jacket with a delicate floral pin, introducing a subtle organic element to the otherwise structured attire. A chic, small top hat perched elegantly on her head added a playful yet sophisticated flourish, while carefully selected diamond jewelry provided a subtle shimmer without overshadowing the main statement.

However, it was Nyong’o’s unexpected and utterly captivating beauty choice that truly set her apart and sparked conversation across the fashion world. In a daring yet impeccably executed detail, her eyebrows were meticulously embellished with dozens of tiny black rhinestones. This intricate adornment transformed a traditionally understated feature into a focal point of avant-garde glamour, demonstrating a keen understanding of how to blend classic elegance with contemporary boldness. This striking detail was perfectly complemented by her smoky black eyeshadow, which added depth and intensity to her gaze, a subtly sculpted blush that enhanced her cheekbones, and a neutral lip color that allowed the bedazzled brows to take center stage.

However, it was Nyong'o's unexpected beauty choice that truly captured attention. In a dazzling detail, her eyebrows were meticulously embellished with black rhinestones, adding a touch of avant-garde glamour to her already impactful outfit.

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-05-06T13:49:10.999Z

The choice of the pastel green hue was not without its potential significance, subtly echoing the pale blue Prada gown Nyong’o wore to accept her Academy Award for “12 Years a Slave” in 2012. This visual connection served as a quiet nod to her past triumphs and her enduring presence as a style icon. Her return to the Met Gala after her last appearance in 2021, where she donned a unique denim floor-length dress by Atelier Versace for the “In America: A Lexicon of Fashion” theme, was highly anticipated, and her 2025 look undoubtedly cemented her reputation for fearless and sophisticated fashion choices.

The “Superfine: Tailoring Black Style” exhibition, for which the Met Gala serves as a crucial fundraising event, delves into the rich and complex history of Black sartorial expression. Inspired by guest curator Monica L. Miller’s seminal 2009 book, “Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity,” the exhibition explores the concept of the Black dandy as a potent symbol of identity and cultural resistance.

Arriving at the Metropolitan Museum of Art for an evening celebrating "Superfine: Tailoring Black Style," the actress commanded attention in a head-to-toe monochromatic pastel green power suit that exuded both sophistication and a playful sense of high fashion.

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-05-06T13:51:01.691Z

The dress code, “Tailored for You,” encouraged attendees to engage with the themes of suiting and individual style within this broader historical context. With co-chairs including influential figures like Colman Domingo, Lewis Hamilton, A$AP Rocky, Pharrell Williams, and the indomitable Anna Wintour, and a host committee boasting names such as Simone Biles and Regina King, the gala served as a powerful platform to celebrate Black contributions to fashion. Nyong’o’s bold and elegant interpretation of the theme, particularly her unexpected yet impactful bedazzled brows, undoubtedly contributed to the evening’s vibrant celebration of Black sartorial excellence and individual flair.

Content courtesy of NFH Digital Team 

Nairobi Crowns Its New Royals in a Celebration of Beauty, Culture, and Conservation: A Closer Look at the Mr. and Miss Nairobi City County 2025 Pageant

Posted on by Fashion Tribe Influencer

Nairobi, Kenya – May 5, 2025 – The vibrant city of Nairobi played host to a dazzling spectacle of talent, creativity, and advocacy on May 3rd, as the second annual Mr. and Miss Nairobi City County pageant unfolded within the esteemed walls of the University of Nairobi’s CCU Hall. This highly anticipated event, meticulously organized by Delight Technical College through its dedicated School of Modeling and Etiquette, transcended the traditional beauty pageant format, embracing a powerful theme: “Beauty and Wild in Harmony.” This focus masterfully intertwined the captivating world of fashion with the urgent need for environmental conservation, creating a truly unique and impactful experience for all in attendance.

Mr. Nairobi City County 2025: Joseph RutoJoseph Ruto was crowned Mr. Nairobi City County 2025 at the CCU Hall, University of Nairobi, on May 3rd. He was one of the 51 contestants in the pageant, which was organized by Delight Technical College with the theme "Beauty and Wild in Harmony".

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-05-05T10:33:39.832Z

The atmosphere within the CCU Hall was electric, buzzing with anticipation as a diverse and enthusiastic audience gathered to witness the culmination of months of hard work and dedication from the 51 exceptional male and female contestants. The attendees comprised a vibrant cross-section of Nairobi society, including prominent figures in the fashion industry, reigning and past pageant titleholders who offered their support and experience, representatives from various media outlets eager to capture the unfolding drama, and of course, the proud and supportive families and friends of the participants. Their collective presence underscored the growing significance of the Mr. and Miss Nairobi City County pageant as a platform for celebrating not only individual talent but also the cultural richness and environmental consciousness of the region.

Miss Nairobi City County 2025: Whitney JumaWhitney Juma was crowned Miss Nairobi City County 2025 at the CCU Hall, University of Nairobi, on May 3rd. She was one of the 51 contestants in the pageant, which was organized by Delight Technical College with the theme "Beauty and Wild in Harmony".

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-05-05T10:36:41.952Z

The runway, the focal point of the evening, was transformed into an imaginative space where storytelling and artistic expression took center stage. The contestants, each a budding ambassador for Nairobi’s vibrant spirit, presented a series of breathtaking designs and costumes that vividly brought the pageant’s theme to life. Majestic, animal-inspired silhouettes evoked the raw beauty of Kenya’s renowned wildlife, while delicate, butterfly-adorned ensembles whispered tales of nature’s intricate wonders. Beyond these literal interpretations, many contestants bravely ventured into more abstract and bold representations of Kenya’s diverse national parks, iconic landmarks, and rich tapestry of cultural heritage. Through their carefully chosen attire and confident presentations, they demonstrated a profound understanding of the interconnectedness between beauty and the natural world.

The judging process was a rigorous affair, extending beyond mere physical appearance. The esteemed panel of judges meticulously evaluated each contestant based on their walk confidence, demonstrating poise and self-assurance on the runway. Crucially, they also assessed the innovative execution of the “Beauty and Wild in Harmony” theme, looking for originality, creativity, and a clear understanding of the message being conveyed through their attire. Finally, overall stage presence played a significant role, capturing the contestants’ ability to command attention, connect with the audience, and embody the spirit of the pageant. The combination of these criteria ensured that the winners would not only possess outward beauty but also intelligence, creativity, and a genuine commitment to the pageant’s underlying message of conservation.

As the evening progressed, filled with captivating performances and moments of palpable excitement, the judges deliberated on the remarkable talent displayed before them. Finally, the moment arrived to announce the individuals who would carry the prestigious titles of Mr. and Miss Nairobi City County for the year 2025:

  • Mr. Nairobi City County 2025: Joseph Ruto
  • Miss Nairobi City County 2025: Whitney Juma
  • 1st Runners-Up: Larry Ricky and Risper Awuor
  • 2nd Runners-Up: Alexander Rodney and Veronica Mutheu

These newly crowned titleholders were met with enthusiastic applause and cheers, recognizing their hard work, dedication, and the exceptional qualities that set them apart.

While the glamour and excitement of the pageant were undeniable, the event’s true significance lay in its powerful message of conservation. The Mr. and Miss Nairobi City County pageant served as a compelling reminder of the urgent need for environmental stewardship, effectively demonstrating how platforms like fashion and performance can be potent tools for raising awareness and inspiring action. By centering the theme around the harmony between beauty and the wild, the organizers successfully communicated the intrinsic value of Kenya’s natural heritage and the responsibility of its citizens to protect it for future generations.

The driving force behind this impactful event, Delight Technical College, through its dedicated Modelling Institute, continues to demonstrate its commitment to nurturing the next generation of Kenyan talent. Beyond simply training aspiring models, the institute plays a vital role in shaping young individuals into cultural ambassadors and creative professionals who can use their platforms to advocate for important social and environmental causes. The resounding success of this year’s Mr. and Miss Nairobi City County pageant further solidifies the institute’s growing reputation as a crucial launchpad for young, visionary talent within the dynamic fashion and modeling industry in Kenya.

The Mr. and Miss Nairobi City County pageant, while distinct from any potential “Mr. and Miss Nairobi University” event, serves a similar purpose on a broader city-wide scale. While a university-specific pageant would focus on the talent and representation within that particular institution, the City County pageant encompasses a wider pool of young individuals from across Nairobi, allowing for a more diverse representation of the city’s beauty, culture, and values. Both types of events, however, share the common goal of providing a platform for young people to showcase their talents, build confidence, and potentially become influential voices within their respective communities. The success of the Mr. and Miss Nairobi City County pageant highlights the potential for such events to contribute meaningfully to both individual development and the promotion of important social and environmental messages.

As the curtains closed on another successful Mr. and Miss Nairobi City County pageant, the impact of the event resonated throughout Nairobi and beyond. The newly crowned titleholders, Joseph Ruto and Whitney Juma, now embark on a year of representing their city with grace, poise, and a commitment to the vital message of “Beauty and Wild in Harmony.” The event served as a powerful reminder that beauty and conservation are not mutually exclusive but rather interconnected forces that can inspire positive change and foster a deeper appreciation for the rich natural and cultural heritage of Nairobi and Kenya as a whole.

For those seeking further information, wishing to arrange media interviews, or exploring potential partnership opportunities with Delight Technical College and the Mr. and Miss Nairobi City County pageant, please do not hesitate to reach out via the provided contact details:

📧 Email: info@delight.ac.ke

📞 Phone: +254 722 533 771

📸 Instagram: @mrandmissnairobicounty

#MrAndMissNairobi2025 #BeautyAndWild #DelightModellingInstitute

Threads of Change: The Sri Lankan Designer Weaving a Sustainable, Gender-Free Future

Posted on by Fashion Police

Meet Amesh Wijesekera, a talented designer from Sri Lanka. He’s making waves in the fashion world by creating beautiful, colorful clothes that are good for the planet and made for everyone, no matter how they identify. His story is about mixing old traditions with new ideas to create a brighter future for fashion.

Amesh Wijesekera, a name now whispered with admiration in fashion circles, carries the vibrant spirit of Sri Lanka in every stitch. This isn’t just about clothes for Amesh; it’s about telling a new story of his homeland, a story woven with threads of tradition, sustainability, and a bold vision of beauty that transcends boundaries.

Sri Lankan designer Amesh Wijesekera is making a name for himself with his unique approach to fashion. He creatively combines traditional Sri Lankan handwoven fabrics with recycled materials to craft vibrant, gender-neutral clothing.

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-05-02T11:04:46.291Z

“When I moved to London,” Amesh shared, his voice carrying a hint of the journey, “I wondered how to truly share who I am, where I come from, with the world. Fashion became my language.” His creations are a testament to this exploration, a modern twist on the age-old art of Sri Lankan handloom fabric. This heritage craft, often unseen on international runways, finds new life in Amesh’s hands. He shapes it into flowing coats, striking jackets, and comfortable trousers – pieces designed not for a specific gender, but for anyone who connects with their vibrant energy.

“I’ve never really understood labels,” Amesh mused about his inclusive approach. “I simply want to create beautiful shapes and colors. Whoever wants to wear them, can wear them.” His runway shows are a living testament to this philosophy, a celebration of diverse individuals who bring their own unique stories to his creations.

Scrolling through Amesh’s Instagram feed feels like stepping into his world. The faces that grace his page are often friends or people he’s personally scouted – never from agencies. “I am a dark brown person with frizzy curly hair,” he stated with a quiet pride, “and that is part of my identity, my idea of beauty.” This deep-rooted sense of self is woven into the very fabric of his brand.

Amesh’s journey began in 2015, after his graduation from the Academy of Design in Colombo. His talent shone brightly from the start, with his graduation collection earning accolades at Colombo’s prestigious Mercedes-Benz Fashion Week and later at Graduate Fashion Week in London. Since then, his work has graced the runways of Berlin and London, and earned recognition in the pages of Vogue Italia.

Despite his international success, Sri Lanka remains the heart of Amesh’s inspiration. “While the island is known for its beaches and tourism,” he explained, “we also have an incredible crafting industry.” He has made it his mission to center his work around the resources and skills of his home country. Collaboration lies at the core of his design process. He works closely with local artisans, visiting their homes in weaving villages to blend their traditional knowledge with his contemporary vision. This partnership not only infuses his pieces with authentic Sri Lankan craftsmanship but also provides fair employment and wages to a predominantly female workforce. “I try to involve the artisans as much as possible,” he emphasized. “I want it to be a true collaboration.”

Sustainability is another key thread in Amesh’s narrative. He creatively repurposes waste, particularly the excess materials discarded by larger manufacturing industries in the Global South. “A lot of Western countries send their wool to Sri Lanka for manufacturing, and the leftover yarns are often burnt,” he explained. “I incorporate these leftover yarns into my designs, based on what I find. It makes each piece almost one-of-a-kind.” This resourceful approach echoes the work of other forward-thinking designers who are finding beauty and innovation in discarded materials.

With a deep respect for the environment, Amesh ensures that his designs are entirely handmade, without the use of machines. He also consciously avoids purchasing new fabrics, embracing the “treasure hunt” of local markets where he finds deadstock or unusable stock from garment factories. “From Calvin Klein to Tommy Hilfiger, all the excess fabric is sold to the markets,” he described. Even fabrics with imperfections find new life in his hands. “I often find beautiful fabrics, but they’re damaged with holes,” he said. “After treatment, the fabric has its own identity. I leave my ‘Amesh’ stamp on it” – giving what might have been waste a vibrant second chapter.

Amesh collaborates with local artisans, supporting their craft and promoting sustainability. His designs, showcased internationally, tell a new story of Sri Lanka and celebrate a beauty that embraces everyone, proving that fashion can be both beautiful and responsible.

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-05-02T11:09:03.026Z

Amesh’s unique perspective extends beyond environmental consciousness to a powerful deconstruction of gender norms, a vision shaped by his own upbringing. “My mother sent me to ballet. I used to play with my sister’s dolls,” he recalled. “I’d always wear my mother’s clothes or my grandma’s old trousers.” His Spring-Summer 2020 collection, aptly named “Flower Boys,” continued this exploration, featuring male models in traditionally “feminine” attire, blurring the lines of expectation. “The shapes aren’t overly feminine or overly masculine,” he explained. “It’s at the borderline, where it could be anything. It’s all about how you style it, your personal style of expression and your identity.”

For Amesh, challenging ingrained societal norms is deeply personal. “Being a queer person, I know the everyday struggles in this country, unfortunately,” he shared with honesty. His work, therefore, becomes a form of quiet activism, inviting others to embrace their true selves.

The impact of Amesh’s work resonates deeply with his followers. “A lot of Sri Lankans message me saying that my work is inspiring them to be themselves,” he said, his voice filled with genuine emotion. “That makes me really happy; it’s the biggest achievement. My work means something to people and helps foster their identities.”

Through his vibrant designs, his commitment to sustainability, and his unwavering belief in a world without rigid gender boundaries, Amesh Wijesekera is not just creating clothes; he is weaving a future where tradition and innovation intertwine, where waste finds new beauty, and where everyone feels seen and celebrated for who they truly are. His story is a powerful reminder that fashion can be a force for positive change, one colorful, consciously crafted thread at a time.

Content courtesy of NFH Digital Team

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