Sunday 25th of October 2026

Nairobi, Kenya

Tag: Fashion

Tribal Chic 2024 Promises ‘African Royalty’ Splendor at Tribe Hotel in Nairobi, Kenya

Posted on by Oscar Alochi

As the vibrant city of Nairobi, Kenya, gears up for one of the most anticipated events of the year, fashion enthusiasts and cultural connoisseurs are eagerly awaiting the grand spectacle that Tribal Chic 2024 promises to be. Set to take place at the prestigious Tribe Hotel on February 3rd, 2024, this year’s theme, ‘African Royalty,’ is expected to elevate the event to new heights, celebrating the rich tapestry of African cultures and traditions.

The excitement surrounding Tribal Chic 2024 is palpable, with organizers leaving no stone unturned to ensure an unforgettable experience for attendees. The event has become a beacon of fashion, art, and cultural celebration, drawing inspiration from the diversity of Africa’s heritage. The choice of Tribe Hotel as the venue only adds to the allure, offering a sophisticated and culturally rich backdrop for this grand affair.

The official pre-article released on Issuu (accessible via this link) provides a sneak peek into what attendees can expect at Tribal Chic 2024. The visuals and information presented in the pre-article ignite the imagination, hinting at a mesmerizing blend of traditional and contemporary fashion that pays homage to the continent’s regal history.

One of the key highlights of Tribal Chic 2024 is the theme itself, ‘African Royalty.’ This carefully chosen motif is a testament to the organizers’ commitment to showcasing the splendor and majesty of Africa’s diverse monarchies, past and present. From the opulent fabrics to the intricate beadwork, each ensemble promises to be a living canvas, telling a unique story of African heritage and pride.

The Tribe Hotel, renowned for its fusion of luxury and cultural authenticity, serves as an ideal setting for Tribal Chic 2024. Nestled in the heart of Nairobi, the hotel’s architecture and design pay homage to various African cultures, creating a harmonious ambiance that perfectly complements the event’s theme. Attendees can expect a sensory journey through art, fashion, and culinary delights, all set against the backdrop of Tribe Hotel’s elegant spaces.

Nairobi Fashion Hub showcases glimpses of the participating designers and their interpretations of the ‘African Royalty’ theme. The creativity and craftsmanship displayed in the featured designs hint at a mesmerizing runway show that will undoubtedly leave a lasting impression on fashion enthusiasts and critics alike. The blend of traditional African elements with contemporary design aesthetics promises a visual feast that transcends boundaries.

Beyond the runway, Tribal Chic 2024 aims to foster a sense of community and pride. The event provides a platform for both established and emerging African designers to showcase their talents on an international stage. It serves as a reminder of the richness of Africa’s creative landscape and the global impact it continues to make in the world of fashion and art.

As the countdown to Tribal Chic 2024 begins, the anticipation and excitement in Nairobi and beyond are reaching fever pitch. This celebration of ‘African Royalty’ at Tribe Hotel is not merely an event; it is a cultural phenomenon that encapsulates the essence of Africa’s past, present, and future. Attendees are sure to witness a tapestry of creativity, elegance, and tradition, making Tribal Chic 2024 a highlight in the global fashion calendar and a celebration of African excellence.

Tickets are only available on ticketsasa.com and cost 10,000 Kshs in advance and 12,000 Kshs at the door. Get all of your tickets on this digital ticketing site; it promises to be a sophisticated, wonderful event full of surprises for everyone and loads of pop culture, color, music, and fashion.

Content courtesy of Tribal Chic & NFH

The 5 African Designers Showing At Paris Fashion Week Men’s

Posted on by Fashion Police

The men’s Paris Fashion Week has begun. Runway presentations take place back-to-back at various venues from January 16 to 21 to contribute to the collection’s narrative. Seldom do we see black designers at PFW Men’s, much less at other fashion weeks like Milan or London. Out of over 60 designers, only five black designers are included on this specific calendar this year.
We are aware of the large number of black designers who would have contributed significantly to the official calendar; thus, this is extremely disappointing.

For example, it would have been wonderful to have Ozwald Boateng, Martine Rose, and Bianca Saunders in the starting lineup this season.

Well-known companies like Wales Bonner and up-and-coming companies like Lagos Space Programme will showcase their newest collections in the coming days. Bonner’s structured suits and frequently Jamaican-inspired items have benefited greatly from her research-based design approach. According to WWD, Balmain, the brand led by Olivier Rousteing, will make a comeback to the Paris Fashion Week schedule with its final presentation on Saturday, the 20th.
The men’swear collection of the firm will be highlighted in the exhibition. From his beginnings at Robert Cavalli in 2003 to his position as creative director at Balmain, Rousteing’s trajectory has served as a source of inspiration for several young black designers.

1. Botter
The gender-neutral Caribbean brand, which was co-founded in 2017 by Rushemy Botter and Lisi Herrebrugh, was a nominee for the LVMH award in 2018 and received the Andam prize in 2022. The brand is well-known for its “Caribbean couture” design guidelines, which feature vivid hues and creative concepts like dressing pants like sweaters.

Herrebrugh attended the Amsterdam Fashion Institute, while Botter studied design at the Royal Academy of Fine Arts. Because of the viral success of their Spring/Summer 2023 runway show featuring models wearing floaty condom gloves, the duo’s display this season promises to be nothing short of extraordinary.

2. Wales Bonner
In only a few short years since Grace Wales Bonner founded the menswear brand in 2014, it has grown from a startup to established status. Numerous rappers, including Tyler, the Creator, and Kendrick Lamar, have expressed interest in her designs.
In addition, Bonner draws influence from her Jamaican background for items that have an island vibe.
The presentation by Wales Bonner is scheduled for January 17 at 6:30 p.m. local time.

3. Lagos Space Programme
Designer Adeju Thompson founded the Lagos Space Program in 2018. The non-binary luxury company has seen significant growth over the past several years. Thompson’s brand philosophy revolves around African design codes, blackness, and the harmony between beauty and masculinity.
Thompson, who was raised in the UK and was born in Lagos, began their career in 2013 as an apprentice at the Lagos-based Maki Oh label before starting their label.
Following that, Thompson was shortlisted for the LVMH Prize for Young Fashion Designers in 2021 and went on to win the International Woolmark Prize in 2023. Additionally, Thompson’s creations were included in the “Africa Fashion” exhibition at the Victoria and Albert Museum.

Lagos Space Programme will be presenting on January 19 between 11 a.m. and 2 p.m. local time.

4. Winnie New York
Idris Balogun created Winnie New York in 2018, intending to dismantle luxury. Balogun’s Nigerian background greatly influences his design techniques; each piece he creates incorporates a personal narrative. Before starting his own company, he worked as an apprentice for Tom Ford and Burberry. With that knowledge, Balogun has concentrated on making perfectly-made, high-quality items that last. At the next runway presentation, don’t expect transient gimmicks but rather superb suiting.
The presentation by Winnie New York is scheduled for January 21 at 11:30 a.m. local time.

5. Balmain
At the age of 24, Olivier Rousteing has held the position of creative director at Balmain since 2011—a remarkable accomplishment for many black designers. Even in and of itself, his career’s durability at such a young age is inspirational.
For over 13 years, he radically altered Balmain’s look from that of his predecessor to include a stronger couture component. Notable accomplishments include reviving a fashion brand and designing special ensembles for Beyoncé’s most successful tour.
Rousteing’s ability to adapt and shift perceptions as a black designer in the fashion world has not gone unnoticed. Balmain’s next collection marks the brand’s independent menswear debut and adds to Rousteing’s library of avant-garde concepts.

 

Content  courtesy of Essence Magazine & NFH 

 

African Elegance Threads: River & Mara Weave Culture and Fashion in an International Tapestry

Posted on by Oscar Alochi

The fashion industry saw a major turning point with the debut of River & Mara in the summer of 2023, which brought a distinctive fusion of African history and modern design.
The business was co-founded by Tamara and Abiola, a dynamic couple who took their common goal to celebrate and promote African culture internationally and brought their passion and experience to bear.
Tamara has developed her talents from prior experiences working with different fashion firms. She has a background in business and a strong passion for fashion.

The founding of River & Mara was the realization of her desire to create a fashion company that perfectly captures the essence of apparel with African influences.

Tamara’s vision is enhanced by Abiola, who brings a new viewpoint from the fields of information technology and a strong passion for fashion.
The foundation of River & Mara’s success is this partnership, which features a blend of contemporary patterns with traditional African prints that capture the richness and vitality of African culture.
The brand’s philosophy revolves around celebrating African culture with well-created, narrative-driven fashion products.
River & Mara is more than just a clothing line; it’s a cultural link between the African continent and its diaspora.

The brand’s dedication to conserving cultural heritage is demonstrated by its Nigerian manufacturing, which makes use of regional craftsmanship, and its UK operations base, which facilitates international distribution.

As an internet-based merchant, River & Mara has amassed a following of patrons who appreciate the craftsmanship and story that go into each piece.
Riverandmara.com, their website, is proof of their commitment to excellence and cultural preservation.
Because the company is family-owned, a personalized touch is guaranteed, and Abiola’s expertise in technology adds to the great client experience.
The creators of the business clearly said that shopping at River & Mara offers more than just finding an exceptional item of apparel. Additionally, it is a way to help local craftspeople and promote the preservation of African traditional heritage.

Essentially, River & Mara is a brand that shares tales specific to African history while skillfully fusing fashion with ethnic identity and tradition. This promotes community harmony.

Content courtesy of Tribune Online, River & Mara & NFH 

The Ceo Of Bolaji Sparks Muses On Redefining African Fashion With An International Influence.

Posted on by Oscar Alochi

Under the inspiring leadership of Olumoh Habeeb, Bolaji Sparks has become a boundary-pushing force in the vibrant world of African design.
Bolaji Sparks has gained recognition for combining traditional depth with modern flare through its extensive selection of clothes and accessories. Notable celebrities and worldwide figures are among the brand’s many admirers.

Bolaji Sparks is a globally renowned brand that was born out of Olumoh Habeeb’s initial idea to reinvent African fashion.
Bolaji Sparks has emerged as a representative of exceptional style thanks to his fervent dedication to upholding heritage while embracing current aesthetics.

The influence of the brand is felt globally and goes beyond regional recognition. Bolaji Sparks has dressed a remarkable number of celebrities, creating a lasting impression on their sense of style.
Bolaji Sparks has emerged as the go-to brand for anyone looking for elegance and cultural identity, thanks to the glitzy appearances of Tonto Dikeh, the dapper looks of Ali Nuhu, and the diverse fashion sense of Timi Dakolo.

The loyal clientele of Bolaji Sparks spans several nations, including the United States, the United Kingdom, Ghana, Cameroon, Japan, Canada, the Gambia, Texas, and more. His impact extends well beyond the boundaries of Nigeria.

The fact that Bolaji Sparks’ designs are so widely recognized throughout the world is evidence of their ability to speak to those who value the raw beauty of Africa.
Being inclusive and serving men, women, and children is what, in the CEO’s opinion, makes Bolaji Sparks unique. Our brand’s mission is for everyone to be able to accessorize themselves with clothing that embodies their rich African heritage.

“We provide an extensive assortment of carefully designed agbadas, modern suits, and casual apparel to accommodate every preference and event,” he continued.

Through creative design, Olumoh Habeeb hopes to preserve cultural history through Bolaji Sparks, a brand that specializes in more than just clothes. The kaftans, suits, and agbadas are more than just clothes; they’re visual stories that skillfully combine ancient customs with contemporary design standards.

African design will be not only accepted but praised globally, according to Olumoh Habeeb, as Bolaji Sparks confidently enters the global arena. An increasing need for genuine, culturally relevant fashion on a global scale is indicated by the brand’s international expansion.

Content courtesy of  Daily Times Nigeria & NFH 

The Adehyie Collection: An Icon Of African Women’s Intelligence Is Unveiled By Sarah Nana

Posted on by Oscar Alochi

The latest Ankara designs by Creative Director Sarah NanaAba Adjei, a part of the new ADEHYIE COLLECTION, have been presented in an intriguing exhibition of innovation and cultural expertise. This collection, a colorful grouping of 15 original patterns that each provide a unique interpretation of the rich, traditional Ankara textiles, is a tribute to the intelligence of African women.
It is evidence of African women’s tenacity, heritage, and contribution to fashion.

https://www.instagram.com/p/CdsGGphs8_Y/?utm_source=ig_web_copy_link&igsh=MjJkMmIyYzQxYw==

A Triumph Amid Global Challenges
The African fashion industry has persevered in innovating despite the global pandemic and the resulting constraints that have affected firms across the continent.
Designers who have overcome adversity and used it as a springboard to produce works of art that speak to their audience include Sarah Nana.
A brilliant illustration of this tenacity is the ADEHYIE COLLECTION, which showcases Sarah Nana’s extraordinary inventiveness and her singular way of fusing traditional African patterns with contemporary components.

Floral Meets Lace in African Elegance
The patterns in the collection include a sophisticated fusion of African aesthetics with delicate lace and flower accents.
The result is an amazing selection of clothing alternatives for fans and anyone wishing to incorporate some Afrocentric elegance into their outfits. Every design is a conversation piece that gives women the freedom to express who they are while honoring their African cultural background.

An Invitation to Embrace African Fashion
The ADEHYIE COLLECTION by Sarah Nana is more than just a clothing brand.
It’s a call to action, an appeal for women everywhere to embrace African fashion and proudly display these unique looks.
The collection represents a lively fashion revolution that is poised to reshape global fashion standards and intends to introduce Ankara’s female fashion to a wider audience.

Content  courtesy of BNN Breaking, Sarah Nana & NFH

Let Me Introduce You To Charis Jones, The Fashion CEO Transforming Lives In Africa And Beyond

Posted on by Fashion Tribe Influencer

The first black female entrepreneur to construct two dorms for girls at an African education facility in Kenya is Charis Jones, the CEO and Creative Director of Sassy Jones.
Through her activities, prepubescent girls have grown into confident young ladies while living apart from the guys. A portion of each purchase made by the company is used to fund supplies that help combat the scourge of menstruation poverty and promote academic success in Kenya.
Sassy Jones created a collection to honor the brand’s charitable endeavors, drawing inspiration from priceless moments spent with children and tribes.
Sassy Jones is a fast-rising fashion and cosmetics firm that, in the previous four years, has grown its income by over 12,000% with no investments.

While caring for her five-month-old twin babies, Charis sold her Mercedes-Benz in 2015 to raise money for a trade show tour. Even though the tour was rewarding, she was physically and financially worn out. She swiftly came up with a pivot plan and constructed The Sparkle Party®, a pop-up store exhibit in her kitchen to style her items via livestream.
At this point, the brand started to have a worldwide influence on women’s lives by encouraging them to live bold lifestyles.

Currently, more than 30,000 spectators watch the Sparkle Party® every week to feel more powerful, not only because of their appearance but also because they may learn from Charis how to be confident, stop talking bad to themselves, and regain control of their destiny.

“Your inspiration has brought me through some dark times during COVID,” stated Rachel C., a client from Atlanta. “Whenever I wear my Sassy Jones pieces, I instantly feel like I can conquer the world.”

The Sassy Jones name is a ministry, and the merchandise is only a means of promotion. 90% of the employees at Charis Jones’ fashion brand are women, and 100% are minorities.
After three listings, the brand has risen to a coveted high position of #24 on the esteemed INC 5000 list.

In the upcoming years, Sassy Jones intends to keep putting independent growth first. When asked what her secret sauce is, Charis said, “I’ve always been more interested in a woman’s feelings in our paintings than her appearance. In contrast, this is typically not the case in the industry. In short, we provide confidence for sales.

Media contact:
Dina Bernard
Brand Manager
press@shopsassyjones.com

Content  courtesy of Charis Jones, PR News Wire & NFH

 

“Africa Can Be Transformed By Fashion”: The Trailblazing Designers Seeking Unimaginable Opportunities

Posted on by Oscar Alochi

Style and skill abound, but experts claim that until Africa invests in its textile sector, it will never reach its full potential.
The designers and tailors at a tiny Lagos fashion company are hard at work carving precise lines through the large rolls of cloth. Designer Oroma Cookey-Gam, co-founder of This is Us, says, “Cotton T-shirts were the first item we produced.”
The company uses locally grown cotton to create modern Nigerian designs, such as oversized shirts, jumpsuits, and kaftans.
Cookey-Gam travels to the Funtua textile mill, one of the few fully functional mills in the nation, in Katsina, the northern region, once a month to get the cotton.

The cloth is then hand-dyed into colors of indigo for up to eight hours in the Kofar Mata dye pit in Kano, the oldest pit in Nigeria, a three-hour trip away.
Cookey-Gam used to buy cotton from Turkey and Morocco, but she started a year-long quest in 2016 to find suppliers inside her nation.
Even though cotton is grown in two-thirds of African countries, with some of the continent’s biggest producers located in West Africa, more than 81% of it is exported from sub-Saharan Africa, leaving little for domestic use.
According to recent Unesco research, the region’s economic prospects were being negatively impacted by exports, which were limiting the expansion of the textile and apparel sectors.

Ernesto Ottone is the assistant director-general for culture at Unesco. “Africa is exporting something that could create a huge industry and an enormous number of jobs,” Ottone adds.
Like other African countries, Nigeria’s textile sector flourished in the 1960s and 1970s before collapsing when a flood of secondhand and foreign-made clothing entered the continent as a result of trade liberalization measures.
Nowadays, sourcing materials presents significant hurdles for companies such as This is Us.

According to Cookey-Gam, Nigerian ginsneries, which extract the seeds from cotton, deal with big orders and are hence less interested in selling to fashion companies. “The mill didn’t take us seriously when we initially visited there. She explains how she teamed up with other businesses to generate large purchases, saying, “They said they can’t work with fashion because the orders are not big enough.”

African-made products have become more and more popular throughout the world in recent years, thanks to the rise of Afrobeats and contemporary cultural representations of the continent like the Black Panther movies. Beyoncé, Naomi Campbell, and Chimamanda Ngozi Adichie are among the well-known black individuals who have supported the work of regional and diaspora designers.

Younger people have adopted modern twists in African architecture and materials in fashion. Burkina Faso-born designer Sébastien Bazemo has contributed to the resurgence of fashion for the vibrant Kôkô Dunda cloth. Additionally, there are currently over 30 fashion weeks held annually around the continent.

According to businesswoman Omoyemi Akerele, who oversees Lagos’s yearly fashion week, “it’s a season of ownership.” “In the past few years, creators and designers have doubled down to communicate and re-emphasize who they are in a way that’s true to themselves and the communities they represent. Before now, [the African fashion industry] pandered a bit to the Eurocentric gaze.”

“Made in Africa” campaigns have gained popularity recently, particularly among the continent’s expanding middle class. However, African designers claim that their creations are still too expensive for many Africans to purchase because of the high expenses associated with producing and importing basic materials, which has an impact on final prices.
The primary customer base for This is Us comprises African diaspora residents and Nigerian creatives, with items priced between 50,000 and 150,000 Nigerian naira (£50 and £150).
Famous Nigerien designer Alphadi (Sidahmed Seidnaly) is in favor of proposals for African nations to increase the production of non-cotton textiles and restrict textile imports.
Even though the fashion industry on the continent is becoming more well-known, he claims that policy and investment assistance are still lacking.

Citing well-known European designers, he claims that “investors, buyers, and policymakers, who can make African fashion take off, do not understand the difficulty of being an African designer.” “People wager on them, and in this industry, that can mean the difference between success and failure.”

The designer, who operates in the city of Niger, Niamey, as well as in the Ivory Coast and Morocco, claims that he has had to invest a significant amount of his cash to continue in business, even though he is one of the continent’s fashion pioneers.

African fashion investors claim that while funding individual designers is popular, fundamental problems like local manufacturing capacity that financiers and legislators need to address for the sector to thrive are not addressed. They assert that in the absence of such steps, investments would only result in transient success as opposed to long-lasting, expandable companies.
“We need to look at building the infrastructure and giving the capacity for designers to thrive—for them to access different textiles locally,” says Roberta Annan, creator of the Impact Fund for African Creatives (IFFAC), an organization that invests in creative enterprises across Africa.

To grow the industry, IFFAC provides grants and investments of up to £1.7 million to sustainable fashion enterprises. To boost domestic textile production, it recently purchased a government-owned mill in Ghana.
Such initiatives, according to designers, have the potential to be revolutionary.
According to Cookey-Gam, “African fashion is still very young, and we need [various] elements to make things at high quality.” “Fashion is a tool we can use to improve people’s lives and employs a lot of people.” It has the power to alter the continent.

Content Courtesy of The Guardian & NFH

Africa Fashion Week 2023 And The Designers Who Showcased At The Event With Their Brands, Including The Models

Posted on by Oscar Alochi

Africa Fashion Week 2023: A Celebration of Diversity, Creativity, and Talent

Africa Fashion Week 2023 took center stage, bringing together a spectacular array of designers who captivated audiences with their unique styles, innovations, and cultural expressions. The event, held in Nairobi, Kenya, showcased a diverse range of talents, with each designer bringing their narrative to the runway.

Let’s take a closer look at the remarkable designers and their outstanding collections that graced the first runway.

1st Runway: A Kaleidoscope of Creativity

1. Riel Marial – Rieldo Fabrics
Brand Name: Rieldo Fabrics
Number of Outfits: 6
Models: Machar Duor, Victorious Mumo, Felix Orina, Dickson Oenga, Mercy Ndolo, Bol Deng, Ayra Mumbi

Riel Marial opened the show with a stunning collection that showcased the versatility of Rieldo Fabrics. From traditional to contemporary, each outfit was a masterpiece, worn with grace by a lineup of talented models.

2. Judith Akinyi – The Greatadorn Fashion
Brand Name: The Greatadorn Fashion
Number of Outfits: 5
Models: Sashley Musibenga, Yakatrina Omtere, Lucy Ngolo, Merveille Wanjala, Yvette Olel

Judith Akinyi’s collection was a testament to elegance and sophistication. The Greatadorn Fashion wove a tapestry of style, combining modern trends with a nod to African traditions.

3. Morgan – Kenyan Raw
Brand Name: Kenyan Raw
Number of Outfits: 5
Models: Omosa Cadonie, Machar Duor, Bol Deng, Otieno Stephen, John Olima

Morgan’s collection, aptly named Kenyan Raw, celebrated the raw beauty and authenticity of African fashion. Each outfit exuded a sense of pride and cultural richness.

4. Brunah Ogutu – Flamingo-Kids254 Closet
Brand Name: Flamingo-Kids254 Closet
Number of Outfits: 7
Models: Ayra Mumbi, Risper Juma, Melissa Trevor Ushindi, Trinity Nita, Favor Bridgit, Mercy Hope

Brunah Ogutu’s vibrant and playful collection for Flamingo-Kids254 Closet brought joy to the runway. From children to adults, the designer showcased a range that catered to all ages.

5. Loter Lodukae – House of Sons
Brand Name: House of Sons
-Number of Outfits: 3
-Models: Mishelle Mutindi, Jackline Amondi, Lucy Ngolo, Wendy Nyaoke, Dorcas Khatiala

Loter Lodukae’s House of Sons presented a concise yet impactful collection, highlighting the designer’s commitment to quality and attention to detail.

6. Samuel – TXL
Brand Name: TXL
Number of Outfits: 3
Models: Lovejoy Achieng, Jasmine Malia, Cynthia Too, Sharlene Nekesa, Joyce Owiti

Samuel’s TXL collection was a fusion of boldness and elegance. The designer’s keen eye for creating outfits that make a statement was evident in every piece.

7. Dennis Alvis – Corban A
Brand Name: Corban A
Number of Outfits: 5
Models: Oenga Cliff, Victorious Mumo, Joyce Mwangi, Yut Bawar, John Olima

Dennis Alvis’s Corban A collection exuded sophistication, with each outfit telling a story of modernity and cultural pride. The attention to detail and craftsmanship were commendable.

8. Cherina Alastair – Kebre
Brand Name: Kebre
Number of Outfits: 5
Models: Brenda Chepkorir, Mercy Museve, Blonne Atula, Sylvia Kimathi

Cherina Alastair’s Kebre collection captivated the audience with its chic and contemporary designs. The fusion of traditional African elements with modern aesthetics was a standout feature.

9. Sheila Opiyo/Apiyo – Sheila’s Affordable Collection
Brand Name: Sheila’s Affordable Collection
Number of Outfits: 3
Models: Vivian Gathoni, Avitus Nyambura, Merveille Wanjala

Sheila Opiyo/Apiyo presented an affordable collection without compromising on style. The designer proved that fashion can be accessible to all without sacrificing creativity.

10. Catherine Kabura – Kabura Designs
Brand Name: Kabura Designs
Number of Outfits: 5
Models: Nicole Otieno, Linet Yar, Cynthia Too, Dorcas Khatiala, Joyce Mwangi

Catherine Kabura’s Kabura Designs showcased a collection that seamlessly blended tradition with modernity. Each outfit was a work of art that celebrated the richness of African culture.

11. Hellen Njenga

Brand Name:
Number of Outfits:
Models: Vivian Gathoni, Joyce Owiti, Mishelle Mutindi, Sashley Musibenga, Yut Bawar

Hellen Njenga’s collection added a touch of glamour to the runway, with each outfit designed to make a statement. The models exuded confidence, bringing the designer’s vision to life.

2nd Runway: A Symphony of Style Continues

12. Joyce Oingo – Custom Threads

Brand Name: Custom Threads
Number of Outfits: Not specified
Models: Lisper Mathenge, Debrah Atieno, Lovejoy Achieng, Joyce Mwangi, Daisy Chepng’eno

Joyce Oingo’s Custom Threads continued the fashion extravaganza with a collection that was a perfect blend of tradition and modernity. The designer’s attention to detail and craftsmanship were evident in every piece.

13. Bridgette Mogusu – MOGUSU

Brand Name:

Number of Outfits: 5
Models: Peter Marial, Oenga Cliff, Mercy Museve, Brenda Chepkorir, Trinity Wambui

Bridgette Mogusu’s MOGUSU collection was a visual feast, with each outfit telling a unique story. The designer’s creativity shone through, creating a collection that left a lasting impression.

14. Tracy Guantai – Thread Africa Makena

Brand Name:

Number of Outfits: 5
Models: Nicole Otieno, Grace Wambugi, Merab Achieng’, Risper Juma, Omosa Cadonie

Tracy Guantai’s Thread Africa Makena brought a fresh perspective to the runway with a collection that blended bold patterns and colors. The designer’s innovative approach to fashion was well-received by the audience.

15. Christie Obiero – Chic Clique

Brand Name:
Number of Outfits: 5
Models: Linet Yar, Lisper Mathenge, Shirleen Nekesa, Sylvia Kimathi, Mercy Ndolo

Christie Obiero’s Chic Clique collection epitomized sophistication, with each outfit exuding timeless elegance. The designer’s commitment to creating fashion that stands the test of time was evident in every piece.

16. Maureen Kanini – Wira House Design of

Brand Name: Wira House Design of
Number of Outfits: 5
Models: Grace Wambugi, Merab Achieng’, Wendy Nyaoke, Melisa Amina, Trevor Ushindi

Maureen Kanini’s Wira House Design of showcased a collection that was a visual treat, with each outfit crafted to perfection. The designer’s attention to detail and use of high-quality fabrics were commendable.

17. Jackline Karwitha – K Creations

Brand Name: K Creations
Number of Outfits: 4
Models: Daisy Chepng’eno, Brenda Chepkorir, Debrah Atieno, Jackline Amondi

Jackline Karwitha’s K Creations added a touch of glamour to the runway, with each outfit designed to make a statement. The models exuded confidence, bringing the designer’s vision to life.

18. Sayo Maureen – Elgon Designs

Brand Name: Elgon Designs
Number of Outfits: 4
Models: Dickson Oenga, Felix Orina, Vivian Gathoni, Dorcas Khatiala, Lovejoy Achieng’

Sayo Maureen’s Elgon Designs celebrated the beauty of simplicity, with each outfit making a powerful statement. The designer’s use of clean lines and understated elegance set the collection apart.

19. Nyibol Kuir – Nyibol Collection

Brand Name: Nyibol Collection
Number of Outfits: 4
Models: EllaMay Kanini, Debrah Atieno, Sylvia Kimathi, Sharleen Nekesa, Avitus Nyambura

Nyibol Kuir’s Nyibol Collection showcased a fusion of tradition and modernity, with each outfit telling a unique story. The designer’s creativity and use of vibrant colors added a dynamic element to the runway.

20. Ann Nthenya – Allure by Annia

Brand Name: Allure by Annia
Number of Outfits: 4
Models: Jackline Amondi, Mitchelle Mutindi, Lisper Mathenge, Yvette Olel, Merab Achieng’

Ann Nthenya’s Allure by Annia collection brought a sense of romance to the runway, with each outfit designed to captivate the audience. The designer’s attention to detail and use of flowing fabrics created a dreamlike atmosphere.

21. Lucy Ngolo

Brand Name:

Number of Outfits:
Models: Merveille Wanjala, Ella May Kanini, Victoria Mumo

Lucy Ngolo’s collection was a celebration of femininity, with each outfit designed to enhance the natural beauty of the models. The designer’s use of soft fabrics and delicate embellishments created a sense of ethereal charm.

22. Triza Akoth – Tash Designs

Brand Name: Tash Designs
Number of Outfits: 5
Models: Favor Bridgit, Tanveen Onyango, Wendy Nyaoke, Nicole Otieno, Linet Yar

Triza Akoth’s Tash Designs brought a burst of energy to the runway, with each outfit featuring bold colors and dynamic patterns. The designer’s use of unique fabrics and innovative silhouettes added a contemporary twist to traditional African fashion.

23. Mariah Paulo – Mariah Paulo

Brand Name: Mariah Paulo
Number of Outfits: 3
Models: Lucy Ngolo, Lovejoy Achieng, Jeslove Karanja, Moses Mutiga, Yut Bawar

Mariah Paulo’s collection was a testament to the designer’s versatility, with each outfit showcasing a different facet of fashion. The use of unconventional materials and avant-garde silhouettes created a sense of intrigue on the runway.

3rd Runway: Grand Finale of Fashion Extravaganza

24. John – DK-Heritage

Brand Name: DK-Heritage
Number of Outfits: 5
Models: Machar Duor, Moses Mutiga, Grace Laura, Mervel Wanjala, Cynthia Too

John’s DK-Heritage collection marked the grand finale of the fashion extravaganza, leaving a lasting impression on the audience. The designer’s use of bold patterns and intricate details created a collection that was both visually striking and culturally rich.

25. Cinqamis

Brand Name: Cinqamis
Number of Outfits: 5
Models: Marial Peter, Ayra Mumbi, Yut Bawar, EllaMay Kanini, Lucy Ngolo

Cinqamis brought a sense of drama to the runway, with each outfit making a bold statement. The designer’s use of unconventional fabrics and avant-garde silhouettes created a collection that pushed the boundaries of traditional fashion.

26. Dona Adhiambo – Donnie Crotchets

Brand Name: Donnie Crotchets
Number of Outfits: 5
Models: Debrah Atieno, Brenda Chepkorir, Mercy Museve, Blonne Atula, Nicole Otieno

Dona Adhiambo’s Donnie Crotchets collection celebrated the art of crochet, with each outfit showcasing the designer’s mastery of the craft. The use of intricate patterns and textures added a touch of bohemian chic to the runway.

27. Stephen Warui – Single Needle

Brand Name: Single Needle
Number of Outfits: 5
Models: Tanveen Onyango, Otieno Stephen, Mercy Museve, Sashley Musibenga, Vivian Gathoni

Stephen Warui’s Single Needle collection was a symphony of elegance and simplicity. The designer’s use of clean lines and understated details created a collection that exuded timeless sophistication.

28. Kevin Ochieng’ – Versatile Brand Ke

Brand Name: Versatile Brand Ke
Number of Outfits: 6
Models: Sharleen Nekesa, Jeslove Karanja, Grace Laura, Marial Peter, Debrah Atieno, Jackline Amondi

Kevin Ochieng’s Versatile Brand Ke brought a sense of versatility to the runway, with each outfit showcasing the designer’s ability to blend different styles seamlessly. The use of bold colors and innovative silhouettes added a contemporary edge to the collection.

29. Sarafina Julius

Brand Name:
Number of Outfits: Not specified
Models: Dickson Oenga, Trinity Nita, Lisper Mathenge, Cynthia Too, JesLove Karanja

Sarafina Julius brought the runway to life with a collection that was a perfect fusion of tradition and modernity. The designer’s use of vibrant colors and dynamic patterns added a sense of excitement to the fashion showcase.

30. Rose Alinda – L’alfa Collection

Brand Name: L’alfa Collection
Number of Outfits: 6
Models: Mercy Ndolo, Victorious Mumo, Taliah Wangui, John Olima, Bol Deng, Yakatrina Omtere

Rose Alinda’s L’alfa Collection closed the Africa Fashion Week 2023 with a bang, leaving the audience in awe. The designer’s use of luxurious fabrics and intricate embellishments created a collection that epitomized glamour and sophistication.

31. Joyce Oingo – Custom Threads

Brand Name: Custom Threads
Number of Outfits: Not specified
Models: Lisper Mathenge, Debrah Atieno, Lovejoy Achieng’, Joyce Mwangi, Daisy Chepng’eno

32. Brenda Mwendwa – Eunike Fashion House

Brand Name: Eunike Fashion House
Number of Outfits: 5
Models: Blonne Atula, Sylvia Kimathi, Jeslove Karanja, Victorious Mumo, Lucy Ngolo

33. Amina Arif – Kader Atelier

Brand Name: Kader Atelier
Number of Outfits: 5
Models: Grace Wambugi, Merab Achieng’, Merveille Wanjala, Joyce Mwangi, Dorcas Khatiala

34. Pioneer Atieno – PioneerPye

Brand Name: PioneerPye
Number of Outfits: 6
Models: Lisper Mathenge, Linet Yar, Yvette Olel, Marial Peter, Taliah Wangui, Sashley

A Tapestry Woven with Talent

Africa Fashion Week 2023 was more than just a showcase of clothing; it was a celebration of Africa’s rich cultural heritage and the incredible talent within the continent’s fashion industry. The designers and models who graced the runway not only presented stunning collections but also contributed to the narrative of a thriving and evolving fashion landscape in Africa. As the fashion world continues to evolve, events like Africa Fashion Week play a crucial role in fostering creativity and inclusivity and pushing the boundaries of what is possible in the world of fashion.

The legacy of the 2023 edition will undoubtedly linger in the minds and hearts of fashion enthusiasts, leaving them eagerly anticipating the next chapter in Africa’s fashion journey.

Content courtesy of  Delight Fashion School, African Fashion Week & NFH 

 

 

An African Royalty Fashion Show Will Take Center Stage, on December 9th 2023

Posted on by Ann Mumbi

The African Student Association is hosting its inaugural African Royalty Fashion Show, a cultural event aimed at educating, enlightening, and embracing African beauty and variety. It is open to students, professors, staff, and the community. Everyone is urged to dress to impress by the organizers.
In previous years, the Tour of Africa was our yearly hallmark event that featured a night of entertainment and cultural celebration, including a fashion display that lasted for maybe five minutes at most.

However, it wasn’t a fair representation of it, according to ASA vice president Ojuolape Folarin.
We’ve made African fashion a stand-alone major event this year. We have the chance to highlight African design from throughout the diaspora at this unique event, which also explores what it means to be black or African in the United States, said Folarin.

On Saturday, December 9, at 7 p.m., the UMC Glenn Miller Ballroom will open. Guests may enjoy traditional meals made in the Ghanaian, Nigerian, Kenyan, and Ethiopian styles. As the presentation rotates between fashion, music, and dance acts, four distinct groups, including Alpha Phi Alpha, will stroll down the runway after the olfactory feast.

At 8 p.m., Emmanuel Nwaneto (E.M.E.) performs his newest song, “Drago,” backed by dance choreography by Yasmine Lawson, to begin the evening’s fashion and performance segment. Four fashion walks will be followed by one-of-a-kind performances.

At the conclusion of the free event, which is supported by the Cultural Events Board of CU Boulder, everyone will be invited to celebrate with Boulder’s very own DJ Ambitious Boy.

Participate in ASA activities
African students at CU and anybody else looking to network with like-minded individuals come together through the African Student Association.
The ASA promotes gathering, sharing, and enjoyment of culture. “Very tight with African Americans, respecting that we are all brothers and sisters,” is how the organization characterizes itself.
The ASA meets every other Wednesday in Abrams Lounge (third floor of the C4C). Information about meetings and events can be found on Instagram and TikTok: @asacuboulder.

Content courtesy of The University of Colorado & NFH

The Inside Look at Lagos Fashion Week’s Focus on Domestic Pan-African Design Growth

Posted on by Oscar Alochi

Nigeria hosted the Spring/Summer 2024 edition of Lagos Fashion Week, the premier industry exhibition on the continent, which brought together designers from all around Africa. With around 50 runways and presentations throughout the 25–29 October event, which aimed to establish itself as a Pan-African event that could make a significant impact on the global industry agenda, the event has attracted a new wave of creative talent.
Kenya’s Lilabare, Ghanaian minimalist company Ajabeng, and Ivorian designer Aristide Lour, proprietor of Kente Gentleman, were among the new attendees on the itinerary. Distinguished returnees Orange Culture, Iamisigo, Emmy Kasbit, Elie Kuame, Sisano, and Ugo Monye presented a show that defied convention by incorporating theater productions and live vocal performances.

Highlights include the Kente Gentlemen’s performance, which drew inspiration from Robin Givens’s role in the 1992 movie Boomerang, and the trunk displays of Malian designer Awa Meité, which were arranged by Alara, the largest luxury boutique in Lagos.
The British-Nigerian fashion writer and creative consultant Eniafe Momodu, whose previous clients include Casablanca and Grace Ladoja’s well-known Nigerian streetwear event Homecoming, adds, “This has been the best Lagos Fashion Week that I’ve been to.”

“The main runway shows are always incredible, but it’s great to see more well-known designers branching out and producing their shows. This allows them greater creative control over set designs, audience, models, lighting, and other aspects of the show, and it also allows them to curate something that is slightly more tailored to their vision.
The tiny things do have a big impact.

After the epidemic, which subdued the vibrant fashion industry in the city and compelled designers to switch to online activations, Lagos Fashion Week has been trying to recover. This month, the Nigerian naira hit an all-time low of 26% versus the US dollar, a result of the epidemic and socioeconomic reasons such as inflation and the cost of living. These circumstances have had a significant impact on designers.

“Rebuilding has been difficult. It seems as though we are swimming against the stream as a result of the socioeconomic difficulties that are severely affecting the creative sectors. Founder of Lagos Fashion Week, Omoyemi Akerele, adds, “Thanks to partners, it’s a miracle we were even able to pull off Lagos Fashion Week this year.” The political, social, and economic landscapes have all undergone significant transformation.

 

Lagos Fashion Week boasted an unprecedented number of sponsors this year, including telecom giant MTN, cosmetics brand Bioderma, Ivorian e-commerce platform Anka, and major sponsor Heineken. The event is gradually recovering, according to the organizers, even if attendance and show count haven’t yet returned to pre-pandemic levels.
The five-day event drew over 4,400 people this year, compared to about 3,900 last year.
There was no shortage of press, well-known photographers, and prominent influencers.

International buyers, who have never attended Lagos Fashion Week in large numbers, are still absent. Rather, they view it as a chance to establish relationships with nearby retailers and establish a connection with their domestic clientele.
Major Lagos-based luxury stores, including Alara and Temple Muse, were in attendance.

African designers, such as Christie Brown of Ghana, Maxhosa Africa, and Imprint of South Africa, have been invited to participate in Lagos Fashion Week since 2012.
But younger, up-and-coming designers are starting to prioritize it because they think it may help them establish their brand in one of Africa’s most fashionable cities.

This year’s off-site shows by over ten designers meant that the production, casting, and venue arrangements were handled outside of Lagos Fashion Week. Designers have access to those amenities if they choose to present their collection at the Federal Palace Hotel in Lagos, which serves as the major venue.

Expanding the range and caliber of talent on display at the event was Akerele’s mission as the founder. “This update was planned out. We cannot have the same designers present after 12 or 13 years. They will always have a place, but there is also always room on the schedule for young designers to be supported, she claims.

A Unesco conference was held in conjunction with Lagos Fashion Week, coinciding with the publication of the most recent African fashion report. Unesco presented the possible prospects and problems in the African market to a room full of designers, government officials, and business executives.

Designers joined the stage to share their experiences of creating a brand in Africa in addition to the discussion held by Akerele and Toussaint Tiendrebeogo, secretary of the Unesco 2005 convention on the conservation and promotion of a variety of cultural expressions.
The roundtable conversation featured seven designers and entrepreneurs, including Imane Ayissi, the founder of his own couture house in Cameroon, and Nelly Hagen-Deegbe, the creator of the luxury womenswear brand Duaba Serwa in Ghana.
According to Akerele, the occasion strengthened Lagos Fashion Week’s resolve to feature designers from the continent.
This season’s Lagos Fashion Week served as a reminder of our dedication to the continent.

The research effectively highlights the dynamic nature of the continent’s fashion ecosystem, which can play a pivotal role in propelling sustainable development, the speaker continues. “[Unesco’s] goal and our goal at Style House Files and Lagos Fashion Week have some synergy.”

Organizing an event featuring Pan-African fashion
Designers traveled to Lagos for their fashion week debuts, hoping to capitalize on the hype surrounding the event and increase brand recognition from Kenya to the Ivory Coast.
The Nigerian city is well-known for serving as a launching pad for up-and-coming designers like Lagos Space Programme, and it is home to some well-known designers including Mowalola and Kenneth Ize. African designers get a chance to present their creations on the runways of Lagos Fashion Week.

inside The goal of the Lagos Fashion Weeks is to promote domestic Pan-African design.

Launched in 2020, Ajabeng, a company specializing in Afro-minimalism from Ghana, viewed displaying as a chance to highlight the subtleties of African culture and design while offering a fresh viewpoint on one of the largest runways in West Africa.
Following the brand’s performance, chief executive Kwabena Kwabi Owusu-Adjei told Vogue Business backstage, “Minimalism is a big part of African culture, and the story of African fashion isn’t always maximalism.”
We believe it would be unfair to categorize it as maximalist; thus, what we’re presenting here is an alternative viewpoint:

softer, more subtle styles that are nonetheless distinctly African. It aims to raise awareness of an underappreciated African tale.
The collection by Travis Obeng-Casper, creative director of Ajabeng, had a variety of straight-cut shirts and pants in shades of gray and brown.

Lagos Fashion Week has always been a major goal and a venue for Kenyan-Indian designer Ria Ana Sejpal, the creator of the sustainable Kenyan brand Lilabare, to display her uniqueness. “The rite of passage is Lagos,” the woman claims. It’s the fashion center of Africa. The event is well-known, credible, and has a strong brand.
Since Lagos Fashion Week is well-known and watched, I only wanted to make my debut when we were prepared from start to end.

Her collection included crochet gowns and embellishments, as well as beaded tops created by the Maasai culture in Kenya using a method they learned from Indian beaders.

After showcasing in previous New York and Paris Fashion Weeks, Aristide Lour of Kente Gentlemen felt it was time to focus on the happenings in Africa. Behind the scenes, he remarks, “It’s only fair that I also do the fashion weeks that are on the continent.”
“I regret to inform you that the majority of our clients are located outside of the continent.
However, I do want to be here and have a space. One of the most reputable venues on the continent for attracting journalists and buyers is Lagos Fashion Week.

It was also a way for us to cross this off. We have completed Lagos Fashion Week after Paris.
According to Lour, the objective is to establish brand recognition throughout the continent, starting with Nigeria, by leveraging the Lagos fashion sector.
Later this year, he intends to travel with the collection to other African towns.

Well-known designers generate buzz
For well-known companies, Lagos Fashion Week is more of a chance to honor their hometown than it is to find local designers and spread awareness.
It’s a chance to show more courage and throw a party for brand enthusiasts. On Sunday night, Nigerian designer Sisano summoned live vocalists to start his presentation.
A modern dance performance came next.

Orange Culture made a comeback to the Lagos Fashion Week lineup following a two-year break. Adebayo Oke-Lawal, the founder, declares backstage, “I’m happy to be back.” “I had to come back and show because Lagos is important to our story and because Lagos Fashion Week is important to our journey.”
According to event founder Akerele, mentoring and advice have been crucial in assisting the brand’s evolution from a Lagos-based company to a worldwide one.
That inspired me to return and honor Lagos Fashion Week and the contributions it makes to the local creative community.
I did, however, also want to commemorate my people, and that is the purpose of an Orange Culture concert.

Designer Emmanuel Okoro drew sizable audiences that filled the arena to full, while Lagos brand Emmy Kasbit ended the event. The Ukara fabric, a textile that is owned by a group of men in Igboland, southeast Nigeria, and represents wealth, power, and dignity, served as the inspiration for this season’s design.
With this collection, which included about thirty pieces, the company included trademark prints for the first time in its fourteen-year existence.
Governor Babajide Sanwo-Olu, who Okoro ended the event with, stunned many of the spectators by endorsing a young designer.

Men’s tailoring behemoth Ugo Monye, sometimes referred to as “Savile Row of Nigeria,” ended Friday night’s performances. He may highlight the wide range of customization his label offers by showcasing at Lagos Fashion Week.
Even if the majority of his clientele are from West Africa, there is a chance to make enough of a stir that the global market would take note.
Even if his runway performances are quite dramatic, he still wants to establish a connection with the global market.
Monye declares, “I’m trying to bring the West and Africa together.” “We combine our African fabrics or our distinctive patterns with readily wearing outfits for them.

I try to find a middle ground where people from the West and Africa may wear our items together. This includes a variety of baggy shirts and pants and men’s abayas.

To increase the export of African fashion labels, Akerele is eager to work with creative partners. Anka, an Ivorian marketplace that aims to establish an Amazon-like empire in Africa, took advantage of Fashion Week to meet designers and integrate them into the Anka platform.
The objective, according to co-founder Moulaye Tabouré, is to boost African businesses’ sales on the global market.
Merely 5% of Anka’s sales take place inside the continent; the remaining 95% are exported, with the US market accounting for the majority of these sales.

Anka raised $5 million in funding in September and has already generated $50 million in sales.

Like the previous year, New York-based store Moda Operandi did not physically attend the five-day event, but it is still supporting designers by showcasing designers from past seasons, including industry titans Orange Culture and Lisa Folawiyo, in their yearly Lagos Fashion Week capsule.
Folklore Connect was also absent from this year’s festival, but the platform claims it will keep an eye on the designers exhibiting to find fresh talent for their platform.

Even if the goal of Lagos Fashion Week is to revitalize the African retail sector, it’s also important to reach a global audience.
Lagos Fashion Week is unable to bring in international buyers, unlike other fashion weeks outside of the major four, such as Copenhagen. Rather, the event makes use of alliances with foreign retailers.
While Folklore Connect utilizes Lagos Fashion Week to find up-and-coming talent from abroad, Moda Operandi hosts a Lagos Fashion Week capsule on its website.
A “Woven Threads” pop-up featuring 17 African companies was held at Selfridges.

Big and small designers alike have a chance to become well-known worldwide. Momodu, a consultant, claims that Nigerian and African designers aren’t restricted to a certain style or area.
“As global designers who are creating from a worldwide perspective, they do not consider themselves to be exclusively Nigerian designers.
Whether someone, somewhere in the globe, will be able to relate to your pieces is ultimately what matters, not where you live or where you are geographically situated.
Every designer should not be restricted by the nation of their birth because we live in a globalized society.

Content courtesy of  Vogue Business & NFH 

Where Is Our Future? Uganda Declares War On Used Clothing From ‘Dead People’

Posted on by Fashion Police

The tumultuous, jam-packed Owino secondhand market in Uganda’s capital has been Hadija Nakimuli’s life’s work for almost thirty years, having assisted the widowed shopkeeper in building a home and raising twelve children.
For Nakimuli and tens of thousands of other merchants, however, this vital lifeline might be severed by a possible government ban on the sale of worn apparel.

As she dug through her closet full of dresses, undergarments, shoes, and purses, the 62-year-old questioned, “Where is our future if they stop selling secondhand clothes?”
The expansive market was founded in 1971 and employs some 80,000 people, of whom 70% are women, according to Kampala municipal officials.

Menswear vendor Joseph Barimugaya remarked, “In addition to students, I get calls from ministers and members of parliament who need me to deliver clothes to their air-conditioned offices.”
There should be no tampering with this deal. The father of four told AFP that “everyone benefits, including the government, which gets taxes.”
Hundreds of shoppers, looking to get a deal, cram themselves into the tiny passageways that divide the improvised wooden stalls every day.

Here, a used Pierre Cardin jacket sells for 40,000 Ugandan shillings ($11), which is a significant discount from the retail price.

“I make less than 500,000 Ugandan shillings a year as a teacher. Robert Twimukye, 27, told AFP that he would spend his whole paycheck on clothes if he were to get a new item. He was shopping at Owino on a Saturday afternoon.

He is not alone.
“Everyone is interested in vintage clothing. Few individuals in Uganda can afford new clothes, according to Allan Zavuga, shop manager of Think Twice, a company with thirty employees spread over three locations.
“It is a disservice to the people and the country as a whole to ban it in Uganda,” he added, citing the environmental consequences of making new clothes rather than reusing existing ones.

A 2017 study conducted by USAID, the US government’s assistance agency, found that East Africa imports almost one-eighth of the world’s used apparel, creating jobs for nearly 355,000 people earning $230 million annually.
Governments in Africa, meanwhile, have long held grudges against the industry, claiming that the cast-offs hurt the continent’s textile sector.

“The deceased in a faraway nation is the source of this clothing. Presidency Yoweri Museveni stated in August of this year that “clothes are sent to Africa when a white person dies.”

“I have declared war on secondhand clothes to promote African wear,” claimed the president.

David Bahati, Uganda’s state minister for commerce, stated in an interview with AFP that it was a matter of “dignity.”.
“We will be able to replace these second-hand clothes” if the planned ban is implemented, he continued.

“It cannot be done in one day, but we can do it gradually,” Bahati stated.
To possibly enact the ban in January, the administration is looking into the matter.

“The government is ready to give investors incentives, such as tax holidays, to ensure we process our cotton into new garments to meet market demands.”

Uganda has been here before.
The Kampala City Traders Association vigorously opposed Museveni’s 2016 attempt to outlaw secondhand apparel as part of an East African push to boost homegrown industry.
There was also the factor of diplomacy.

The regional coalition of the East African Community initially presented a unified face.
But when Kenya, Tanzania, and Uganda objected to the idea of losing duty-free access to US markets in retaliation, the coalition broke.

Ultimately, Rwanda decided to go it alone and enacted high levies on used apparel in 2016, which caused a precipitous decline in imports and a spike in the smuggling of used items to satisfy demand.

Two years later, in a tit-for-tat action, the US halted duty-free advantages for clothing made in Rwanda.
Geopolitics is not a concern for either buyers or sellers at Owino.
Reeling with fury, second-generation merchant Harriet Musoke Kyambadde questioned, “Who did the government consult (before deciding) to ban secondhand?”

Throwing her hands in the air, the mother of three told AFP, “Banning this business will be sending me into abject poverty.”

Content courtesy of AFP, Barron & NFH

 

Africa Fashion Week Kicks Off in Nairobi, Kenya, Highlighting Indigenous Costumes

Posted on by Oscar Alochi

Amidst the vibrant pulse of Kenya’s capital, the second edition of Africa Fashion Week unfolded, a captivating fusion of fashion, culture, and creativity. From December 4th to 9th, 2023, the event served as a radiant platform for designers from across the continent to showcase their exquisite indigenous creations, celebrating the rich tapestry of African heritage.

At the heart of Africa Fashion Week lies a profound mission: to foster the growth of creative talent, entrepreneurship, and innovation while expanding the global reach of Africa’s indigenous apparel. As Saitoti Meitamei, the event’s Chief Executive Officer, eloquently stated, “The Africa Fashion Week is about reclaiming our pride, ensuring that Africans are filled with a sense of belonging and appreciation for the exquisite garments crafted on our continent.”

Over 30 African fashion designers graced the runway, each presenting their unique interpretations of traditional attire imbued with a modern sensibility. More than 60 models captivated the audience with their graceful strides, adorned in locally sourced and crafted ensembles. Fashion design students from Nairobi-based Delight Technical College, the event’s convener, also showcased their promising creations, garnering recognition and potential buyers.

The theme of “Celebration of Cultures, Creativity, and Colors” resonated throughout the event, as designers from the Democratic Republic of the Congo, South Sudan, Ethiopia, Rwanda, Burundi, and Kenya showcased their distinct sartorial traditions. Each garment exuded a profound sense of cultural identity, weaving together intricate patterns, vibrant hues, and traditional techniques passed down through generations.

Wairimu Wangu, the event coordinator, emphasized the transformative power of Africa’s indigenous fashion, noting its ability to empower young designers and generate sustainable revenue streams. This year’s Africa Fashion Week, she explained, was meticulously organized to provide a platform for designers to connect with local and international clientele, foster meaningful partnerships, and expand their market reach.

Social media and digital commerce platforms have become indispensable tools for African fashion designers, enabling them to market their creations to a wider audience. As Wangu observed, designers are increasingly leveraging these platforms to showcase their artistry and cultivate a global clientele. Moreover, peer learning has fostered a spirit of camaraderie among designers, enhancing their business acumen and propelling their entrepreneurial endeavors.

Millicent Oluoch, a fashion designer and tutor, expressed enthusiasm for the event’s ability to attract aspiring designers from across Africa, providing them with a stage to showcase their talent and forge new business opportunities. Brian Obukui, a fashion tutor and member of the organizing committee, echoed this sentiment, highlighting the transformative impact of young stylists who are revolutionizing Africa’s indigenous wear, creating employment opportunities, and securing sustainable livelihoods.

As Africa Fashion Week draws to a close, it will leave an indelible mark on the global fashion landscape, reaffirming Africa’s position as a vibrant hub of creativity and innovation. The event’s legacy lies in its unwavering commitment to preserving and celebrating Africa’s rich cultural heritage while empowering the next generation of designers to carry this legacy forward, weaving their unique narratives into the ever-evolving tapestry of African fashion.

A Celebration of Africa’s Cultural Heritage

Africa Fashion Week serves as a platform for showcasing the continent’s diverse cultural heritage, bringing together designers from various African countries to present their unique creations inspired by traditional attire. The event provides an opportunity to celebrate the artistry and craftsmanship embedded in indigenous costumes, highlighting the intricate designs, vibrant colors, and symbolic elements that reflect each region’s distinct cultural identity.

Fostering Growth and Innovation in the Fashion Industry

Beyond showcasing the beauty of traditional African attire, Africa Fashion Week aims to foster growth and innovation within the continent’s fashion industry. The event provides a platform for designers to network, exchange ideas, and learn from one another, fostering collaboration and knowledge sharing. Additionally, the event attracts international buyers and media attention, offering designers exposure to new markets and opportunities.

Expanding the Market for Indigenous Clothing

The Africa Fashion Week also seeks to expand the market for indigenous clothing, promoting its adoption both within Africa and on the global stage. By highlighting the versatility and adaptability of traditional garments, the event encourages the integration of indigenous designs into contemporary fashion trends. Moreover, the event promotes the economic potential of the fashion industry, emphasizing its role in job creation, economic empowerment, and sustainable development.

A Fusion of Fashion, Culture, and Creativity

Africa Fashion Week stands as a testament to the continent’s rich cultural heritage and its burgeoning fashion industry. The event serves as a vibrant fusion of fashion, culture, and creativity, showcasing the ingenuity and artistry of African designers while promoting the continent’s unique cultural identity. As the event unfolds, it is anticipated to generate excitement and anticipation within the global fashion community, further solidifying Africa’s position as a source of inspiration and innovation in the world of fashion.

Content courtesy of Delight Fashion School & NFH

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