Monday 1st of June 2026

Nairobi, Kenya

South Africa fashion is going local, and it’s a good thing

Largely due to global supply chain disruptions brought about by Covid-19, more big South African fashion brands are committing to producing fashion at home. What are the implications?

Established local brands, like the iconic Madiba shirt producers Lontana Apparel, have long pioneered locally produced fashion. Dylan Rothschild, Managing Partner at Lontana, says, “We’ve always been a proudly South African manufacturer, and have committed ourselves to empowering our local community and providing much-needed jobs at home.

“During lockdown we shifted our focus to producing masks to meet Covid-19 needs, and worked with over 20 external CMT manufacturers, providing over 1,000 people with work.”

With large local brands now beginning to follow suit, here’s what South Africans can expect for the future of fashion.

https://www.instagram.com/p/CHsco8bL2kS/?utm_source=ig_embed

What can we expect?

For years, South African retailers have relied on fashion imports from Asia, particularly China. But large clothing brands, including Mr Price, The Foschini Group (TFG), Truworths, and Woolworths have recently announced their intentions to manufacture more of their items locally. As Covid-19 and the associated lockdowns have negatively affected the garment manufacturing sector, leading to job losses, factory closures and cancellations of stock, the shift towards local manufacturing has become a necessary step in reviving the local economy.

  • Mr Price currently sources 35% of its total merchandise units locally. The clothing brand has committed to reducing its reliance on Chinese imports, which still account for 48.5% of its orders, and refocusing to manufacturing in African countries. Mr Price has also announced that via membership to the South African Cotton Cluster (SACC), it will procure 1,357 tons of cotton from local producers.
  • TFG Africa, which used to import around 80% of its products from Asia, currently sources 35% of clothing locally and has announced a strategic imperative to reduce reliance on suppliers like China.
  • Truworths also has plans to move towards more locally produced fashion and announced their intention to increase local textile purchases to 50% in the coming years.
  • Woolworths has also committed to sourcing more fashion locally, and currently purchases over 50% from the SADC region.
  • Other well-known local brands are also committing to locally sourced fashion. Pick n Pay clothing will be embarking on collaborations with South African designers and local production, and Pep Clothing plans to expand, offering more jobs to local workers and producing disposable PPE items to aid in Covid-19 efforts.

Benefits

“There are many benefits associated with producing fashion locally. Local fashion promotes community enrichment, feeds into the local ‘eco-system’, and promotes environmental sustainability,” says Dylan.

Local manufacturing allows fashion to retailers to respond quickly when it comes to trends and weather changes. Whereas previously it may have taken months for imported clothing to reach South African shores, locally made items can be manufactured and on shelves within weeks, while they’re most relevant. This shorter lead time could equal greater profit for clothing brands, as they’re better able to deliver what customers want, when they want it.

https://www.instagram.com/p/CHp7CwPLV6r/?utm_source=ig_embed

Local manufacturing also insulates the South African market against global disruptions, such as the pandemic and ongoing trade wars between major exporting countries. This, as well as an increase in jobs in local communities, could provide a much-needed boost to the local economy.

Challenges

“With the benefits of local production come some challenges. We’ve weathered and successfully overcome various difficulties as a proudly South African manufacturer, but it definitely isn’t for the faint-hearted,” says Dylan.

South African manufacturers face many challenges, not least of them the rising cost of electricity and an often-unreliable power source. As a nation, South Africa is are also faced with uncertainty regarding the unstable Rand, as well as an ageing skilled work force. When it comes to fashion, specifically, South Africa struggles to produce certain fabrics locally, still relying on imports, especially for winter garments.

What do these changes mean for brands that have always manufactured locally?

“Cheap imports from abroad have long been flooding our South Africa market. They are often low-quality items, which promote ‘fast fashion’, leading to environmental disasters such as overflowing landfills and the use of environmentally damaging fossil fuels for transport,” explains Dylan.

https://www.instagram.com/p/CHkEwJbl-Lj/?utm_source=ig_embed

As well as being detrimental to the environment, these imports have posed as competition to quality local brands, who have had to compete with disposable, low-priced items – especially in South Africa where the clothing market is characterised by a demand for variety.

https://www.instagram.com/p/CHkphUXlstU/?utm_source=ig_embed

With brands set to increase local manufacturing, established local brands should see a greater equalisation in pricing and quality. The local, ethical production of clothing, free from exploitation and sweatshops, means pricing should come more into line with established local brands.

https://www.instagram.com/p/CHkIEjElINQ/?utm_source=ig_embed

A greater interest in local manufacturing and production could also lead to new opportunities for local textile factories and brands, as large brands looking to go local search out established, tested, quality manufacturers to include in their stores.

https://www.instagram.com/p/CHkGVBQFmaL/?utm_source=ig_embed

“We welcome the increase in local clothing manufacturing, and hope to see more communities flourish as a result. Lontana remains committed to producing quality local apparel with South Africans in mind, and we look forward to more manufacturers doing the same,” concludes Dylan.

Content courtesy of Biz Community & Nairobi fashion hub 

Destination wonder: a journey through Ghana’s feelgood fashion world

With Mercedes-Benz Fashion Week Accra’s fashion week cancelled due to coronavirus, photographer Carlos Idun-Tawiah captures the talent of the new wave of designers who would have been showcasing their work

Against the backdrop of West Africa’s heritage, Ghana’s fashion scene is culturally rich and diverse. Nestling between Togo and Ivory Coast, it oozes with vital energy. It was once home to the celebrated Yaa Asantewaa, queen mother of the Edweso tribe of the Asante (Ashanti).

As Ghana’s history continues to unfold, its precolonial past has woven its essence into the work of its modern artists. Today’s generation of designers explores the depths of the nation’s heritage, without trivialising its value. Through experimentation and by devoting their tradition to the streets of Accra, young designers are bringing Ghana’s colourful culture into sharp focus.

With Accra fashion week postponed due to Covid-19, Mercedes-Benz has worked with five next-gen designers and the photographer Carlos Idun-Tawia to showcase Ghana’s emerging talent and the country’s tradition of sharing skills from one generation to the next through storytelling.

Chloe Asaam uses ideas and experimentations to create timeless pieces for women who want to stand out. “I’m inspired by many things, but usually I draw from the women in my life – the matriarchs in my family and community,” she says. Imbuing a versatile spirit, the label designs clean-cut staples that exude comfort and fuss-free wearability.

On the subject of working as a creative in Ghana, Asaam thinks that “the dynamics of practising as a fashion creative in Accra is both exciting and frustrating. From access to support, sourcing material, visibility and making a living… basically getting access to things that can help you grow your craft.

My colleagues and I often have conversations around possibilities. Things we could do if there weren’t so many constraints. But we find a way to make do with what we have. And I think there is beauty in that – to be able to make magic with limitations.”

Menswear label Atto Tetteh belives Africa has a story to unfold. “Ghana is an incredible place where you find inspiration everywhere. The most thrilling aspect of being a creative in Ghana is the freedom to create and the vast pool of inspiration all over the country.”

Crafting sharp tailoring and bold colour-blocking, the label seeks to provide quality clothes with a cultural appeal. “Tradition plays a pivotal role in the sense it is easy to draw inspiration from our local fabrics and symbols, as well as our local colours.”

Founded as an accessories line in 2012, Larry Jay is a unisex Ghanaian ethical label that seeks to celebrate 70s culture with an aim to craft timeless and unusual staples that represent both genders. “I am generally inspired by nature, multiple African cultures and arts,” says Jay. “However, the timeless style of my parent’s fashion from the 1970s and the community environment where I was born and bred is a big influence on my design aesthetic, that makes it unusual and timeless.”

As an Islamic devotee, the designer is keen to reflects the concepts in the garments. “My traditions are rooted in Islamic ideals and culture. I allow myself to be influenced by this and it reflects so much in the clothes I make.”

Hassan Alfaziz Iddriss’ brand, known as Hazza, is a contemporary uniform of gender-neutral clothing based in Ghana and inspired by heritage and culture. “As an ethical fashion brand, our clothes are made using eco-friendly materials that are mostly not readily available in the market and are scarce now.”

“The few that are available do cost more so we had to improvise through the usage of discarded materials and lots of DIYs.” Established in 2013, the brand prevailed against the financial odds that came from the pandemic. “Our brand went on a hiatus to re-strategise. For us this would have been a good time to launch our new collection, but we look forward to a show when we all can travel again.”

https://www.instagram.com/p/CHgGNNep8IE/?utm_source=ig_embed

Gucci fellow and Naomi Campbell aficionado, designer Steve French has always used his fashion to tell stories and mark profound statements. “I think the most thrilling aspects of been a creative in Ghana is being able to produce amazing stuff with little resources. Also, most creatives have a deep connection to a land that is so beautiful,” he says.

For his SS16 collection, he impressed the world while dealing with mental illness, which turned out to become something Naomi Campbell wore for Essence’s 50th anniversary issue. “Tradition cannot be changed as it is old, authentic, genuine and beautiful and we don’t alter we just add,” he reflects. “As a designer, I am usually drawing inspiration from my history, culture and music.”

https://www.instagram.com/p/CHgGWNQpzNM/?utm_source=ig_embed

French’s label is contemporary and is characterised by abstract patterns and distinct silhouettes.

Written by Chidozie Obasi

Content courtesy of The Guardian & Nairobi Fashion hub  

Selina Beb showcases new collection at Glitz Africa Fashion Week with a powerful message

Celebrated Ghanaian fashion brand, Selina Beb, has launched its new collection on the runway of this year’s Glitz Africa Fashion Week, which was held at the Grand Arena located within the Accra International Conference Centre on Saturday, November 7, 2020.

The new collection includes a combination of minimalist silhouettes and contemporary styles, featuring colours such as white, black and bold prints.

The collection was in three parts: simple but elegant white dresses inspired by water, which also signifies purity or victory and made by nature; skirts made from silk fabrics and bogolan prints with the motifs in the print inspiring the design, and classic kimonos made from dashiki  a print worn by Africans and African-Americans in the diaspora – signifying black pride, worn over labelled tank tops bearing the phrases “Black Lives Matter, End SARS, and Stop Rape” – highlighting the revolution that these messages have started around the world.

The brand also launched some new accessories in the form of statement neckpieces and earrings made from leather and cowries, which are both from nature sticking to the same theme and inspiration for the clothes, which is; water, nature, African prints and also importantly, the revolution around the world.

Selina Beb is a multiple award-winning brand which specializes in unique accessories and elegant dresses which now also includes a male line – made with the savvy and yet busy man in mind. The line, which features a small collar, slim fits, regular fits, and tailored fits, is comfortable and made from light but quality fabrics. With a crease-resistant, the shirts come in different colours and designs.

The brand caters for custom made designs for both its men and women line. Selina Beb was also listed on Beyoncé’s curated list of prominent black designers.

https://twitter.com/selinabeb/status/1227645166862897153?s=20

Selina Beb Shop

Selina Beb’s flagship store is located in Osu, Accra, behind Photoclub. They can be reached by phone and email at +233 54345900 and available on social media  page @selinabeb.

Content courtesy of Graphic Online & Nairobi fashion hub 

African Fashion Foundation hosts first Kayeyei collaboration showcase

African Fashion Foundation (AFF) in partnership with The Lotte and the Adonai Children’s Development Foundation (ACDF) present the inaugural Kayayei Collaboration Collection at the Glitz Africa Fashion Week 2020.

AFF created this project to empower, equip, and encourage young street females by pairing them up with some great talent in the fashion accessory and garment industry in West Africa for a skills exchange program.

With the support of the ACDF in finding and nurturing those that needed support especially during this global COVID-19 pandemic, the aim was to present a collaborative new collection alongside Accra’s infamous concept store – The Lotte. The young street women and porters (Kayayei) were working in the designers’ studios and trained in key sewing and production skills all whilst contributing to a collection that will be showcased internationally.

This project is a social impact venture to empower the Kayayei woman and show a way that fashion can be used for good. This inaugural collection will kickstart an ongoing partnership with The Adonai Children Development Foundation and the Kayayei women to equip them with key skills and reintegrate them back into the community.

The pilot project was done with Ophelia Crosslands and Velma’s Millinery & Accessories who kindly took on Gifty Alazoe (a young kayayei, mother of 1) and trained her in beading and basic sewing and millinery skills. She was able to use these skills to contribute to the limited edition Kayayei collection that was created. The final collections will be made available for purchase exclusively at The Lotte retail space.

The showcase at the Glitz Africa Fashion Week 2020 was evidence of a successful project and AFF will be providing ongoing support for the participating kayayei women as well working on making this a continuous, scalable, and sustainable initiative. Gifty Alazoe will be continuing her AFF sponsored internship with Velma’s Millinery & Accessories for another year.

Content courtesy of Ghana Web & Nairobi fashion hub 

Bombchel, A West African Clothing Store, Employs Refugees Living In Atlanta

The phrase “ethical fashion” covers a range of issues such as working conditions, exploitation, the environment and animal welfare.

Bombchel, an ethical fashion brand offering contemporary West African clothing and merchandise made in Liberia, has opened its first shop in the United States. The store opened in October and is located in Ponce City Market.

Archel Bernard is the owner and founder of Bombchel (both the factory in Liberia and the store in Atlanta). She joined “City Lights” host Lois Reitzes to talk about her factory, which employs women affected by the Ebola crisis, and the store, which employs refugees residing in Atlanta.

Interview Highlights

Why she moved to Liberia after graduating from Georgia Tech:

“My family is Liberian refugees. My mother and father grew up there and left because of the war, and my grandfather stayed in Liberia for a long time. For me, when I graduated, I wanted to connect with home. In so many ways, I feel like I went back to hopefully see him, even though he had passed. So as I build my business, sometimes I have conversations with him in my head like, ‘Would he be proud of the way I’m doing things?’ Liberia was once such a shining example of an independent African republic, and now we’re consistently the poorest. I know that we as a people are stronger and better than what we may seem to be right now, and I wanted to be a part of that story.”

Why she employs an all-female staff of Ebola survivors in Liberia:

“When the Ebola crisis started to slow down, I returned to Liberia. I opened the Bombchel Factory in 2016 so that I could hire and train women from backgrounds of poverty who wanted to work in fashion, but maybe didn’t feel like they could … similar to me because we were in Liberia. For me, I’m so sincerely proud to be a Liberian woman, and I wanted to bring other women that look like me into this fashion space. I felt like it was the way I could do my part.”

The garments and fashion offered at Bombchel:

“I think every woman should be able to wear this African clothing, but she should be so comfortable. We don’t do any zippers, just a lot of elastic, a lot of wraps and ties, so that things can fit a bunch of different body types in a way that is flattering to you. I feel like we’ve really reimagined the way people can wear African clothing, so you can wear it casually in your home or step out for the night. We just really try to fit a whole bunch of different lifestyles, ethnicities, skin tones and body types.”

Her mission for giving back to the Atlanta refugee community:

“I’m a refugee, and I think when people look at me, they don’t see it. I’m hiding in plain sight, and as I sit in the background and hear conversations around me about what refugees are, and where they should be allowed to go, and how they should be allowed to get there, I think about what my family was able to offer me because they sought a better life. I want us to normalize working around refugees, shopping with immigrants, people of color. I feel like we don’t really know everybody’s background, and I think the more we know, the more we can

Bombchel is located on the second floor of the Central Food Hall, next to Cobbler Union.

Content courtesy of WABE & Nairobi fashion hub  

Whitney Madueke Re-envisions Traditional Nigerian Fabrics for a New Generation

Growing up, Whitney Madueke watched on the sidelines as her parents got dressed up for Nigerian weddings and parties. “My dad would play pretty background music and you knew he was getting ready to go out,” she says, laughing. “I was mesmerized at how my parents would pair their traditional Nigerian attire with modern pieces from the Western world tradition, mixed with, like, a pair of Gucci sunglasses,” she quips.

https://www.instagram.com/p/CGxyTb_FLxn/?utm_source=ig_embed

As a student in England, Madueke realized that her own cultural encounters started influencing her fashion choices in the same way as her father a mix of trendy and time-honored pieces. “I started mixing Nigerian pieces like a Buba blouse, a top with long loose style sleeves, with a pair of jeans.

https://www.instagram.com/p/CBL3ax6HI2z/?utm_source=ig_embed

Or I’d find myself mixing traditional silk fabrics with more modern materials,” she says. Drawing on her African background and her love of fashion, Madueke, 26, set out to launch her own eponymous fashion line, which went live on her website and on Instagram in June. Currently living in New York, Madueke frequently travels back to London to visit her siblings and spends winters with her parents in Nigeria, where her line is based.

https://www.instagram.com/p/CG8FTUDFEi6/?utm_source=ig_embed

Here, we chat with Madueke about her own style, her clothing line, and her favorite designers to shop now.

https://www.instagram.com/p/CEzoNONlN6S/?utm_source=ig_embed

Marie Claire: How did you get your start in fashion?

Whitney Madueke: Since I was little, I’ve had an interest in fashion and fashion design. I wanted to study fashion in college, but I figured my parents would say no to that, so I went to college in England to study law. I needed a creative outlet there, so I started a fashion and beauty YouTube channel and an Instagram but I wasn’t really happy with law. I was like, What is my life? What’s my next step? I needed to do something that would make me happy, so I decided to move to New York to study fashion design at Parsons in their Associate’s Degrees for Professionals program. Last year, I started working on the launch of my clothing brand, Whitney Madueke.

MC: What was the inspiration behind your new fashion line?

WM: Nigerian fashion represents the people, but it also tells the story of the country and its surrounding nature. I wanted my clothing line to tell more African stories and to expand on who I am as a Nigerian and African woman in the fabrics, the silhouettes, and the vibrant colors.

MC: Tell us about Lagos Fashion Week.

WM: Just like New York, Lagos fashion week is a great way for the fashion community to connect with one another. Designers tell stories through their collections using traditional Nigerian fabrics like Adire fabrics, Kente and Akwete cloths. As a Nigerian fashion designer, I love celebrating a diverse group of designers telling the story of home. Lagos Fashion Week was scheduled for late October this year, but in light of the #EndSARS protests [centered around police brutality in Nigeria], the event has been postponed.

MC: How do you get dressed in the morning?

WM: It depends on how I feel that day, but I tend to gravitate towards bright colors, especially vibrant, primary colors that stand out in a room. I also love versatility I’m always looking for great basics that I can pair in numerous different ways.

MC: Who are some of your favorite designers right now?

WM: Social media has made it so much more accessible for global designers to have a voice, and I’m able to actively find and support more African designers. Two of my favorites are Abiola Olusola and Onalaja. Both are Black women designers that embody timeless fashion. Their pieces are crafted from African textiles and include intricate beading techniques.

Written By Marie Claire

Content courtesy of Marie Daire & Nairobi fashion hub 

Archel Bernard Making Bold Moves in Africa Fashion Industry 

“I’m sort of from everywhere.”

That was Archel Bernard’s response when asked where she’s from. The journey of life sometimes takes unexpected detours.

Born in Liberia, as a child Bernard came to Georgia with her family, refugees of war. “We were the only Black family in the neighborhood, the only African family, the only refugees. We were the only.”

She attended high school in Metro Atlanta and then enrolled at Georgia Tech. “It was the first school I was admitted to that my mother was really excited about. My grandparents never thought anyone in my family could go to school like Georgia Tech,” Bernard said.

She was very active on campus, including working at the Georgia Tech Cable Network reporting on stories about life at Tech.

After earning her degree in history, technology, and society from the Ivan Allen College of Liberal Arts in 2011, Bernard decided to try her hand at returning to Liberia and continuing to hone her television skills. “I wanted to be the West African Oprah Winfrey.”

She thought she’d work for a year or two in Liberia and return to the U.S. to work in the entertainment industry. But something changed. “I started getting more calls about what I was wearing on television than calls for TV gigs,” she said.

Because shopping options were limited in Liberia’s developing economy, Bernard made her own clothes. She couldn’t afford the wardrobe she wanted to wear, so she developed her own custom dresses from bold African fabrics.

Many African garments are made from rigid fabrics and require large zippers because they are form-fitting. Bernard’s designs buck that trend. “They focus on comfort. Casual, but with contemporary appeal,” Bernard said.

She seized the opportunity and launched her own business in Monrovia, the capital of Liberia. She helped teach women to sew her designs and opened a small factory. Her staff is made up of women earning salaries for the first time in their lives and includes Ebola survivors, victims of sexual abuse, and women with hearing impairments.

Together they opened a small boutique.

“Every time I’d sell one dress, I’d reinvest and make two more,” Bernard said. She called the operation “Bombchel” a play on Archel’s name.

“Georgia Tech stretched my mind in terms of what I thought I could accomplish. So many of my peers started businesses and were doing big things. Thinking about that made me feel like I was capable too.”

The internet and social media helped Bernard expand her designs. After posting pictures and photos on Instagram and developing a website, her customer base grew  and the relationships she built at Tech also helped the business grow.

“Many of my first customers were my friends from Georgia Tech,” she said. “The most invaluable thing has been all the connections I made. Now I’m able to lead in my community.”

Disheartened by a shortage of Black-owned businesses, she reached out to Ponce City Market. They responded and asked how they could do better. After sending her proposal, she now has her own storefront.

“Some of my first customers here were people from Georgia Tech who supported me all along the way,” she said.

The journey has come full circle for Bernard in so many ways.

As a child, Bernard remembered feeling embarrassed when her mother would dress in traditional African garments to pick her up from school. Now, she’s empowered by those colorful patterns and making people feel special wearing them. “It’s important that we see African fashion on everybody,” she said. “We need people to know their purchases matter, and that you can make an impact when you choose to spend money.“

The purchases from Bombchel will continue to support women in Liberia. Each garment has a tag to identify who crafted the custom, handmade item.

“We are making tangible change in the lives of women who work for us.“ It’s change inspired by Bernard’s journey and all the people who have been part of it. Her grandmother, after fleeing Liberia, worked long hours in retail at a J.C. Penney until she couldn’t work anymore. She was at the grand opening of Bombchel.

“Now I own the place. I work for myself in a building that my grandmother once couldn’t shop in,” Bernard said. “It’s my legacy and my family’s legacy.”

Content Courtesy  of Georgia Tech News Center & Nairobi fashion hub 

South Africa’s premier fashion and textile trade fair goes virtual

AllFashion Sourcing, Messe Frankfurt South Africa’s annual trade show for the apparel, textile, footwear and leather industry, will this year be hosted on a virtual platform from 3-5 November due to the Covid-19 pandemic.

An important event on the industry calendar, the exhibition serves to help forge connections between local and international players in the broader textile and fashion value chain.

Instead of postponing the event, the decision was taken to shift AllFashion Sourcing to a digital format to help support southern African manufacturers, retailers and suppliers who are faced with the challenges of doing business during a pandemic and a strained economic climate.

Virtual networking
The trade fair, which used to be known as the ATF Expo and Source Africa, was rebranded to AllFashion Sourcing earlier this year, but the event will retain its winning mix of fashion shows, exhibitors, insightful seminar content and networking opportunities, despite being hosted online.

Messe Frankfurt’s artificial intelligence-powered virtual platform boasts intelligent business-to-business matchmaking capabilities linking buyers to relevant sellers. It also allows for scheduled video meetings between visitors and exhibitors and integrated live streaming of seminars.

AllFashion Sourcing show director Kathryn Frew points out that there are important upsides to the event being held virtually this year, especially when it comes to affordability and reach. It allows exhibitors to market products and services in a more cost-effective manner, and attendees save on associated costs like travel and accommodation.

The AllFashion Sourcing virtual platform will also be live for 3 months, providing lasting value for exhibitors and enabling visitors from around the globe to access the marketplace and seminar content for a far longer period than they would with a traditional exhibition.

Seminar highlights
Topics on the agenda during the AllFashion Sourcing 2020 seminar include:

• The state of the African textile and leathergoods industry
• Why African fashion matters
• Sustainability-led fashion – myth or reality
• Womenswear and menswear 2021 trend forecasts by trend analyst Nicola Cooper
• AGOA (Africa Growth and Opportunity Act) unpacked – the trade benefits, textile-related categories and partner country benefits
• Exporting products to the United States – What U.S. buyers look for
• AllFashion Sourcing Cape Town Young Designers Awards 2020 showcase

“The showrooms and seminar content have been carefully crafted to enhance both the exhibitor and visitor experiences and we are really looking forward to engaging on the virtual destination that we’ve put together,” says Frew.

Below, Frew shares more on what the virtual edition of AllFashion Sourcing can offer attendees, and elaborates on the shift to a digital platform and the post-Covid future of events.

AllFashion Sourcing is free to attend and is taking place online from 3-5 November 2020. Click here for registration and more information on the event.

Content courtesy of Biz Community & Nairobi fashion hub 

Couture Africa Style Awards Gala Night Set For This Weekend

Couture Africa Ltd who are the publishers of Couture Africa Magazine announced nominees of Kenya’s most stylish personalities a few weeks ago. The stylish individuals were grouped in a number of categories including media, entertainment, corporate, politics, and even sports. Having a great understanding and appreciation of the space, the nominees on each of the categories were mostly spot-on.

The list really does cover almost all the well known stylish Kenyans we love such as Charles Njonjo, Chef Ali, Kate The Actress, Diana Opoti, King Kaka, Amina Abdi, Sonia Mehrali, Mulunda Kombo, Joy Kendi, Governor Joho just to mention a few.

The nominations were done by celebrity image consultant Derek Bbanga and media personalities Dr. Ofweneke and Sheila Mwanyigha.

“The Couture Africa Style Awards 2020 Nominees were selected through a vigorous vetting process by our esteemed Nomination Panel with assistance from the Couture Africa Editorial Teams. The focus was on individuals who have a distinct, consistent, and outstanding sense of style,” reads part of the press statement.

Voting officially ended yesterday. Tomorrow October 31st, the winners will be announced at the plush Emara Hotel. The event will also be streamed LIVE to the public on their social media platforms.

Follow the Conversation #CAStyleAwards. Check out the nominees Here

Content courtesy of Couture Africa Limited & Nairobi fashion hub 

The Twyg Sustainable Fashion Awards 2020 Finalists Announced

Twyg has announced the finalists of its Sustainable Fashion Awards for 2020. The annual awards celebrate South African designers leading sustainable, ethical, circular and regenerative practices in the fashion industry.

The designers recognised are intentionally improving fashion’s relationship with nature and people and reflect that fashion can be at the forefront of positive ethical, social and environmental change.
The winners of this year’s awards will be announced on 19 November 2020.

Judging process
The Twyg Sustainable Fashion Awards 2020 judging panel includes content creator Kelly Fung; Cyril Naicker, national co-ordinator of Fashion Revolution; Aaniyah Omardien, founder of The Beach Co-op; Desiree Smal, vice dean Faculty of Art, Design and Architecture at the University of Johannesburg; and Fezile Mdletshe-Mkhize, founder and director of Fezile Fashion Academy.

The judges selected three finalists in each of the Accessories, Trans-seasonal, Nicholas Coutts, Student, Retail and Influencer categories. A fourth finalist was included in the Innovative Design and Materials categories.

The Changemaker Award was not open for nominations. Instead, winners of the Accessory, Innovative Design and Materials, Nicholas Coutts, Trans-seasonal and Student categories will be judged against the criteria set for the Changemaker Award. This category is supported by Country Road which has sponsored R100,000 in prize money to the winner. Country Road’s head designer Maria Rinaldi-Cant will join the panel for the judging of this category.

Twyg consulted WWF South Africa on the criteria for the categories, and the rigorous two-day judging process was independently audited by attorney Elisabeth Makumbi.

2020 finalists
Innovative Design and Materials Award

• Anmari Honiball
• Lara Klawikowski
• Sealand Gear
• The Sewing Café

This award seeks to recognise a designer or brand who uses techniques that minimise textile waste through innovative pattern cutting, the use of pre- and post-consumer fabric waste, and / or reconstruction techniques. The award also seeks to recognise a commitment to using sustainable fabrics in a collection.

Trans-seasonal Fashion Award

• African Renaissance Designs
• Fields
• Tshepo Jeans

This award recognises a designer, brand or collection that promotes trans-seasonal and versatile style. It rewards quality garments whose design aspires to be timeless and which are made to last. This category also recognises brands that remain invested in garments after their sale, for example, through the provision of lifetime guarantees or repair services.

Accessory Award

• Ivy Grace
• Matsidiso
• The Wren Designs

This award recognises an accessory or accessory brand which implements ethical labour practices, limits toxic chemicals and uses sustainable materials to create a quality item and considers end-of-life. Ideally it should be made of compostable materials, but, if not, it should be made using recyclable or recycled materials.

Retail Award

• Chic Mamas Can Do
• Convoy
• Mungo

This award recognises a retailer or a retailing initiative that enhances sustainability, including pre-loved/gently worn, “swop shops”, garment rental, and similar activities. The award is also open to retailers who support local producers, and sustainable design and manufacturing.

Student Award

• KQ_Made
• Loskop
• Vanklan

This award goes to a student who has produced a garment or collection that addresses the challenges of sustainability in fashion in the most innovative, beautiful and practical way.

Nicholas Coutts Award

• Beagle & Basset
• The Seen Collective
• Viviers Studio

This award recognises a designer who uses artisanal craft techniques such as weaving, embroidering or botanical dyeing to make fashion that foregrounds, celebrates and values the skills of the person who makes the garment.

Influencer Award

• Nomfundo Liyanna Basini
• Yasmin Furmie
• Zolani Mahola

This award recognises a personality who has actively promoted sustainable fashion over the last 12 months and who has sparked relevant conversations. On social media and other platforms, the influencer has explained sustainable issues factually and has cautioned against unsustainable fashion habits. The influencer supports conscious brands while promoting the Rs (reduce, reuse, recycle).

Positive design practices and social impact
“The judges’ decisions emphasise exciting directions in fashion such as the made-to-order manufacturing model, trans-seasonal clothing, the upcycling of plastic and textile waste, and increasing the use of handcraft and natural dyes. The attention to collaboration and the healing of our environment is inspiring,” commented Twyg founder and director Jackie May.

In addition to the design practices, the judges appreciated social impact through upskilling and working in collectives.

“We would like to thank the designers and the members of the public for the nominations. And finally from my team and I, congratulations to all the finalists!” said May.

The winners will be announced at a small event (which will be livestreamed) co-hosted with the textile recycling company, Rewoven on Thursday, 19 November 2020 in Cape Town.

Content courtesy of TWYG, Biz Community & Nairobi fashion hub 

Haute Afrika

 

Haute Afrika, (Haute “meaning high standards, class, and elegance in French”),  is an Award winning and internationally nominated contemporary African print brand founded in 2016 by Gracia Bampile. Her aim was to promote African sophistication and elegance by catering for a growing continent.

The brand embodies a modern culture and celebrates Africa’s heritage and shares the story one print at a time. Motivated to break societies stereotypes by infusing art through fashion and sharing the ethnic culture of Africans.

Haute Afrika brand is colorful, significant and explores the African roots and uniqueness that are engraved in Africa as part of its identity. Some of our textiles and fabrics are from different African nations and others are specifically created and printed by Haute Afrika to celebrate Africa as a whole as well as to cater for a more diverse audience by taking Africa to the world.

They believe that clothing can empower confidence, evoke topics and promote Africanism because “when you look good,you feel good.”

In the world of pop culture Haute Afrika maintains African print as its trademark and stand firm in breaking boundaries in order to merge cultures of artistic mindsets together.

They seek to make the availability of quality ready to wear outfits and the conceptualizing of custom made outfits a breeze. A lot of craftsmanship is actually put into every single outfit we make.

Haute Afrika strongly believe there is something about bold African prints that everyone can get to enjoy. Based in South Africa, our clothing has found its way on prominent people in different industries as well as celebrities.

Their  emphasis is and will forever be to give you unique, enjoyable and quality clothing that you will treasure forever.

Not many can say they discovered their ‘why’ before they turned 10. I would like to introduce you to, and request an interview with, Gracia Bampile a fashion entrepreneur who has a beautiful story to tell and is about to release a new HOT collection.

This formidable entrepreneur, who holds an International Relations Degree, has no formal fashion training background, yet she has inserted herself as a trendsetter in an industry booming with talent. She has dressed the likes of Boity Thulo, Maps Maponyane, Mihlali Ndamase, Amanda Black, Thabsie,Zamani Mbatha, Kwesta and many more.

Her latest collection is set to wow fashion lovers at this year’s fashion shows and catch the eye of influencers and the world press. She has already caught the eye of BBC World News and Vogue.

Born in July 1991, on her birthday, Gracia Bampile had what Oprah calls an “Aha moment”.  Her parents had bought her what she calls an ugly African print dress to celebrate.  It was so bad that it inspired her to start making clothes of her own at just eight years old.

https://www.instagram.com/p/CCYfPgVHWI2/?utm_source=ig_embed

Gracia spent hours watching her seamstress grandmother make clothes until she mastered the art. As she grew older, she became concerned about how people didn’t like to wear African print designs especially as day to day wear. She says people had a perception that they can only wear African print clothes when attending events. So, she took it upon herself to disrupt the norm.

In 2015, she founded Haute Afrika, the home of her day to day African print designs made to change the narrative around African fashion.  She travels the continent in the hunt for high quality materials to create designs inspired by Africa’s history, heritage and stories for Africans from Cape to Cairo.

Content courtesy of Haute Afrika & Nairobi fashion hub 

Couture Africa Style Awards 2020 Full List of Nominees

The list for the 2020 Couture Africa Style Awards is out and heavy weights in the media, music, film and corporate industry will be battling for the prestigious Awards in different Categories.

Citizen TV Swahili news anchor Lulu Hassan has been nominated in the, Most Stylish TV and Radio personality (Female) Category, where she will be competing with; NTV’s Tracey Wanjiru, Amina Abdi Rabar, Talia Oyando, Beatrice Marshall and Jane Ngoiri.

The Male Category for Most Stylish TV and Radio Personality will see KTN’s Jamal Gaddafi face-off with Michael Gitonga, James Smart, Muthee Kiengei, MC Jessy and Miano Muchiri.

The voting process is currently ongoing via castyleawards.com under the slogan “…because life is too short to wear boring clothes”.

The battle for the Most Stylish Entertainer (Male) has been narrowed down to; King Kaka, Otile Brown, Lenana Kariba, Willy Paul, Chimano and Khaligraph Jones.

Full List of Nominees & Categories:
Most Stylish Entertainer (Famale)

Akothee
Fena Gitu
Catherine Kamau
Brenda Wairimu
Teacher Wanjiku
Muthoni Drummer Queen

Most Stylish Content Creator

Joy Kendi
Maureen Waititu
Maxine Wambosha
Farhana Oberson
Nyawira Mumenya
Fashionable Stepmum

Most Stylish Content Creator
Chef Ali Mandhri
Vinnie O
Eric Omondi
Muriuki Kagiri
Eli Mwenda
Mulanda Kombo

Most Stylish Sports People

Emily Muteti
Evelyn Okinyi
Sabrina Simadar
Hellen Obiri
Naomi Wafula
Janet Wanja

Most Stylish Sports People

David Rudisha
Billie Odhiambo
Eliud Kipchoge
Ronald Okoth
MacDonald Mariga
George Manangoi

Most Stylish Public servant

Nadia Ahmed
Judge Mumbi Ngugi
Hon. Gladys Shollei
Achie Ojany Alai
Hon. Naisula Lesuuda
Hon. Amina Mohamed

Most Stylish Public servant

Hon. Ababu Namwamba
Sen. Joshnson Sakaja
Gov. Hassan Joho
Hon. Otiende Omollo
Hon. Abdulswamad Shariff
Hon. Najib Balala

Most Stylish Person of the year

Julie Gichuru
Catherine Kamau
Sylvia Mulinge
Hon. Joyce Lay
Diana Opoti
Sonal Maherali

Most Stylish Person of the year

Sir. Charles Njonjo
Zeddie Loky
James Maina
Martin Keino
Vinnie O
King Kaka

Most Stylish Entrepreneur

Michelle Ntalami
Carol Kinoti
Rita Muchiri
Dr. Jennifer Riria
Jennifer Barasa

Most Stylish Corporate (Famale)

Rabecca Miano
Carol Ndungu
Beth Muthui
Brenda Mbathi
Sheila M’Mbijiwe
Dr. Betty Radier

Most Stylish Corporate (Male)

Kris Senanu
Joshua Oigara
Captain Ronald Karauri
Jimi Kariuki
Geoffrey Odundo
Dr. David Wachira

Most Stylish TV and Radio Personality (Female)

Amina Abdi
Beatrice Marshall
Jane Ngoiri
Lulu Hassan
Talia Oyando
Tracy Wanjiru

Most Stylish TV and Radio Personality (Male)

Jamal Gadafi
James Samart
Mc Jessy
Michael Gitonga
Miano Muchiri
Muthee Kiengei

The People’s Choice Award (Female)

Ms Fawwie
Christine Obiero
Lynne Wangui

The People’s Choice Award (Male)

Kiptala
Amar Jonathan
Mike Mwaura

Content courtesy of Couture Africa Limited & Nairobi Fashion hub

Ad