Saturday 24th of October 2026

Nairobi, Kenya

Lifestyle Cultural Brand Day MyLane Introduces African Fashion With A Purpose

Day MyLane is a lifestyle cultural brand that strives to instill confidence and unison through its unique African fashion pieces.

Day MyLane is a one-of-a-kind, lifestyle cultural brand that amplifies cultural awareness and appreciation. The brand is delighted to share African flavor with the world through fresh, forward-thinking fashion concepts. With a catalog of clothing that boasts individuality and expression, including unique Nigerian t-shirts, Day MyLane caters to a global audience.

The company is a firm believer in praising communication across cultural lines, which is why many of their clothing designs feature inspiring phrases written in Nigerian Pidgin English.

A spin on the English phrase “Stay in your lane,” the company’s name has roots in both English and Nigerian languages. In Nigerian Pidgin English, it is not uncommon for someone to say “Dey your lane,” hence the aesthetically soothing version was born, Day MyLane. Nigerian Pidgin English phrases are highlighted throughout the brand’s website and are creatively represented on a number of pieces.

Providing a massive online collection of gentlemen’s, ladies’, and unisex apparel celebrating African fashion with rich cultural heritage concepts, Day MyLane is an all-inclusive brand that strives to evoke confidence. The company also sells dynamic accessories, including stylish masks and vibrant buttons. Each unique Day MyLane product represents their profound approach toward a unified planet.

Bold yet elegant, Day MyLane’s African fashion designs draw attention while offering heartfelt quotes that will resonate with both the wearer and even strangers passing by. This notion has been developed to break down cultural barriers and connect the human race as one. By wearing fun, expressive pieces from Day MyLane, people can feel good about doing right by themselves and by humanity.

Day MyLane products empower the people who embody them. Each individual is encouraged by these African fashion pieces and unique Nigerian t-shirts to celebrate the joy of life, whether this means feeling validated or projecting those feelings of inspiration onto others. This lifestyle cultural brand is worn by adventurers and trendsetters who seek deeper meaning in each of their choices.

“Design is my passion, but even more so, my commitment is to forging a connection between people and cultures worldwide,” says Creative Director of Day MyLane, Chika. “My mission is to help others find self-confidence while being in tune with our greater purpose on this Earth which is to come together.”

Each of Day MyLane’s wearable art pieces have been created with swift attention to detail. Chika has a vast wealth of knowledge that contributes to her creative expertise while continually expanding Day MyLane. By blending powerful messages and standout subtext with trendy African fashion statements, this lifestyle cultural brand finally allows people to dress for purpose.

Content courtesy of EIN Press wire & Nairobi fashion hub 

Serena Williams On Designing Jewelry and Supporting Black Owned Brands

Serena Williams is an undisputed icon. The tennis champion has won 23 Grand Slam singles titles and four Olympic gold medals, and is regarded as one of the greatest athletes of all time. But off the court, she’s taken on a newer role as a fashion designer and, most recently, marked her first foray into jewelry.

Earlier this year, Williams launched her Unstoppable limited edition jewelry collection, with 100% of net proceeds from the collection benefitting Black-owned small businesses through the Opportunity Fund, an organization that provides loans to low- and moderate-income immigrants, women, and other underserved small business owners.

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“I have always had an affinity to jewelry and often I’ll wear it while I’m playing,” Williams tells Bustle. “My background, actually, is fashion design, so this is a whole new world for me. But I’ve always loved jewelry. I’ve even done a few matches in some pretty crazy pieces.”

Her latest collection, called Unstoppable With All Your Heart, features three new designs: a chain bracelet, bangle, and necklace. With each piece, a pavé diamond-accented heart complements sterling silver design elements.

Ahead, Williams shares more about her design inspiration, favorite Black-owned businesses, and current self-care routine.

How did you come up with the name Unstoppable, and what is its significance to you?

I wore a specific necklace [an elegant chain with a circle pendant] the last time I won all four Grand Slams in a row back in 2015. I felt really unstoppable with it on. That’s where the idea came from. The circular design of the Unstoppable collection was inspired by the necklace I wore at the four Grand Slams.

Why was it important for Unstoppable’s proceeds to benefit Black-owned small businesses?

We really wanted to find a way to not only give back, but to find ways that people could feel progressive during a time like this. Everyone is asking what they can do to help fight social injustice. I wanted to create an avenue for people to do that. I wanted consumers to feel good about buying a necklace or bracelet that supports women of color, Black women in particular, who are [subject] to oppression and rejection.

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Which Black-owned small businesses are you shopping from these days? Any brands you’d like to shout out?

Mahmee, founded by Melissa Hanna. Mahmee is a group of technologists and health care industry leaders that connect maternal and infant health care ecosystems together to help fill in the gaps. As you can imagine, this is a cause near and dear to me, given my birth experience to Olympia.

How have these last few months in quarantine affected your personal style? Are you more “comfort over everything,” or do you still get dressed up?

I’m definitely still comfort over everything. I love to throw on my Nike loungewear and have on something I can chase Olympia around in mommy-proof gear.

What’s your go-to look whenever you need to be put together quickly — say, for a last-minute Zoom call?

I am usually in something comfortable between training, chasing after Olympia, or sitting in meetings from my home office. When I need to look more professional, I throw on my S by Serena plaid belted overcoat. I keep it hung up in my office so I have easy access to it when I am back to back and don’t have time to get more dressed up before a Zoom meeting. It’s also a great jacket for travel. It’s light, but warm and versatile for layering in different temperatures.

Your on-the-court outfits are so iconic. What do you love most about fashion?

The reason I love fashion is because we can use it as a vehicle for sharing a powerful message. When I worked with Nike and Virgil [Abloh, CEO of the fashion label Off-White], we were able to create pieces that will inspire a new generation of athletes everywhere.

If you had to pick, what are your favorite on-the-court looks from years past? What did you love most about them?

What immediately comes to mind is the jean skirt I wore in 2004 with the high boots. But I have to say I really loved the Nike x Off-White tutu outfits [from the 2018 US Open]. Tutus are my favorite thing in life. I kept all the dresses and I still wear them sometimes.

Between the pandemic, the protests for racial justice, and general heaviness in the world right now, how are you staying creatively motivated? What does your self-care routine look like?

My self-care routine is never the same. Regardless, I always try to carve out moments to tend to myself and nurture my body  whether I’m trying a new product or staying loyal to my trusted coconut oil. It’s taken a while to fall back into a self-care routine. After having a baby, I didn’t want to do anything for myself. I wanted to do it all for my daughter. It’s a great attitude, but moms don’t treat themselves the way they deserve. So that’s my thing now.

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Serena Williams Jewelry 

Written By Mekita Rivas

Content courtesy of Bustle & Nairobi fashion hub 

Asorock Watches Africa’s First Luxury Watch Brand

ASOROCK Watches was founded to challenge the belief that high quality watches and accessories should only be affordable to the one-percenters in society.

We live in an age of radical transparency. Anyone with access to a web browser can find the manufacturing cost of a car, a smartphone, or a premium timepiece within minutes. This type of “free and open” information helps consumers make better purchasing decisions.

But it’s not always great for manufacturers who excessively inflate the prices of their products. For example.

The retail price of a traditional premium watch can be anywhere between 10 and 40 times higher than its production cost. A lot of this “margin” is used to compensate wholesalers, distributors, and retailers  the price increasing each time the watch changes hands. On top of that, there’s the celebrity advertising campaigns and event sponsorships many brands engage in.

ASOROCK is different. We believe in making premium timepieces available to everyone at fair prices. We value access over aspiration, and expression over status.

Here at ASOROCK Watches, a name influenced by the breath-taking mountains in Central Nigeria, our love and affection for watches, created a desire in us, to make a positive long-lasting impact on the African continent by representing her in the luxury watch market of the world.

Started by young entrepreneurs and watch enthusiasts Ben Iroala (Nigerian American), and Andrew Mutale (Zambian American) we sought to cut out the high retail mark up of popular name brands. We have been obsessed with watches our entire life and got fed up paying for overpriced name brand watches that only cost a fraction of the price to produce.

Being avid watch enthusiasts ourselves, we were fed up with our limited choices due to the inflated high mark up prices of popular name brands. It also didn’t help that we always felt like our collection was never complete (a problem all true watch enthusiasts can relate to).

It bothered us even more that we didn’t have a single watch from an African source where we have our roots. All these led to the creation of the ASOROCK range of watches.

About ASOROCK Watches 
When designing our watches, we did not hold back on quality. We made sure of 4 prospects that differentiate us:
1) We offer various multiple models of watches under each watch type.
2) All of our watches are made with the finest quality of materials. (staying true to our principles “if you are going to do something, do it right”)
3) We offer our watches at a price less than half of what our competitors charge for watches of the same category.
4) Purchase of any AsoRock watch, does more than just get you compliments, it also goes towards helping to create a better foundation for the youths in Africa.

Our Goals  And Commitment
proceeds from each watch sold by ASOROCK goes to building a library in a village in Nigeria by the end of 4th quarter 2021 and, all names of backers will be engraved in the middle of the library.

Primarily, we believe that through the sales of our fantastically made watches we will raise the funds needed to realize our deep dreams of building libraries with computers equipped with Wifi and learning software in various villages in Africa.

We also foresee the massive amounts of employment our brand will offer from; library keepers to tech-savvy millennials worldwide who want to promote and be an influencer for us, and also down to our photographers and design team that will grow as we grow and produce better designs than we have now. These factors further led us to the creation of ASOROCK.

That’s why ASOROCK Watches is truly more than just another watch company, not only are we more of a charity at heart by using the sales of our awesome watches as leverage to achieve our core aims of helping empower the youths in our motherland and continent, but we are also seeking to create jobs.

How We Do It
To offer you fairly-priced, premium watches at unbeatable prices, ASOROCK took the direct-to-consumer approach. (D2C)

Our pieces are crafted from the same top-quality components as other premium watch brands. But we’re obsessed with keeping our supply, distribution, and advertising costs to a bare minimum. This allows us to pass far greater savings on to you.

And the quality of our watches is guaranteed  your ASOROCK timepiece is protected by an industry-leading 2year international warranty. Wherever you are and whatever your problem, we’ll make it right.

We could continue congratulating ourselves for our wonderful work, but we’d prefer you experience the Asorock difference yourself. Our premium-quality watches are waiting to be discovered.

Content courtesy of ASOROCK Watches & Nairobi fashion hub 

How This Black Icon Infused Fashion Line Found Success Amid Covid-19

‘We’ll continue to rise’: How this Black-icon-infused fashion line found success amid Covid-19

Johanne and Terrance Wilson, owners of COOL Creative, recently won Comcast’s RISE contest, which invited Black small business owners who were hit hardest by the pandemic the chance to win consulting, media services, or a technology makeover.

Models wearing COOL Creative apparel. Courtesy of Comcast.

Several years ago, Johanne and Terrance Wilson, of Hollywood, Florida, celebrated African-American icons in a meaningful way, by passing on their inspiring stories to their daughter, who was 6 years old at the time.

Terrance, an illustrator, brought influential Black figures from Martin Luther King and Maya Angelou to Notorious B.I.G. and Lauryn Hill to life through storytelling and sketching portraits. One day, Johanne had an epiphany these beautiful portraits created by her husband within the walls of their own home should be shared with the world. And so COOL Creative, a unique boutique that offers apparel and accessories with African-American icons displayed on them, was born.

COOL is an acronym for Create Out Of Love, because for the Wilsons, their brand design and digital agency isn’t just a business, it’s a family. The Wilsons worked hard to expand and lay the groundwork to open a brick-and-mortar store to sell their apparel in Little Haiti, a neighbourhood of Miami, Florida.

Models wearing COOL Creative apparel. Courtesy of Comcast.

Despite the strides the family took to grow their business, they recently experienced the major setbacks as a result of the coronavirus pandemic. After pouring countless resources into opening a store, they could not physically open due to lockdown orders and delays from manufacturers. Ironically, during a time when racial inequality and #BlackLivesMatter protests echoed in cities around the country, COOL Creative was also fighting for a lifeline.

The Wilsons are certainly not alone. African-Americans have been disproportionately impacted by Covid-19 from every angle, from systemic health inequities that put them at greater risk of the virus to the fact that Black-owned, small businesses are nearly twice as likely to shutter during the pandemic.

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A model in COOL Creative apparel. Courtesy of Comcast.

Between February and April 2020, the number of active Black-owned businesses declined by 41 percent, compared to 21 percent for the general population, according to the National Bureau of Economic Research.

Unwilling to back down from their dream, the Wilsons carried on. With the same tenacity and grit that Johanne once had as a young student applying for numerous grants and scholarships to finance her college education, she set out to find assistance that might help COOL Creative rise above the overwhelming pressures that came from the pandemic.

That’s when she found the Comcast RISE contest, which invites Black small business owners who were hit hardest by the pandemic to apply for a chance to win consulting, media services, creative production or a technology makeover. RISE targets the pioneers of legacy, the curators of culture, the family franchise and more.

Comcast RISE which stands for Representation, Investment, Strength and Empowerment stemmed from Comcast’s $100 million Diversity, Equity and Inclusion initiative that launched this past summer. The contest awarded COOL Creative with significant media services, including a commercial for 90 days and a recent appearance in November on “The Kelly Clarkson Show.”

“It’s more important than ever to stand with the Black community and amplify Black voices,” Clarkson said during her segment. The contest awarded several other Black small business owners, including LeDay Grant, owner of an ice cream shop that provides space for community engagement in Denver, and Alicia Goodwin, owner of Lingua Nigra Jewelry in Chicago.

“We’re really excited to take advantage of the promotion and to get a commercial for 90 days,” Wilson said. “Our goal is to drive people to the website and also to the store and make up for all the sales that we lost over these past months,” she added.

Terrance Wilson, co-owner of COOL Creative, at his store Little Haiti, a neighbourhood of Miami, Florida. Courtesy of Comcast.

Teresa Ward-Maupin, SVP for Digital and Customer Experience at Comcast Business, said that RISE came from a deep desire to help people on a more granular level and to recognize those who have been most impacted by Covid-19. “We set out to determine how we can make the biggest impact, not just during this moment in time but to help businesses recover and prosper for the long term. We set out to truly lift businesses up.”

While the first phase of RISE focused on Black small business owners, the contest is now accepting entries from BIPOC small business owners. In all, Comcast will award around 700 small businesses in need among various categories.

A model is COOL Creative apparel.Courtesy of Comcast.

“When the thought of losing COOL Creative hit us, we kicked into fight mode,” Wilson said. “During a time of racial inequality and protests, we need fashion lines like ours more than ever. It really speaks to the struggle and truly connects people,” she explained, adding that she hopes their Little Haiti store will be a space for people to engage and connect within the community.

“Our fashion speaks to a nation that has been hurting,” Wilson said. “We’ll continue to rise.”

Written By 

Content courtesy of NBC News & Nairobi fashion hub 

Fashioning with Waste: Turning Fast Fashion into an Opportunity in Africa

Human capital, embodied in the skills, talents, energy, aptitudes, creativity of the human race, has propelled the global north to the pinnacle of global competitiveness. Africa being the youngest continent, with 720 million young people, has a significant comparative advantage in harnessing this sovereign capital. This is a critical consideration for a continent that needs to create no less than 13 million jobs each year to be competitive. One of the areas that these jobs can come from is in the fashion industry.

Social Media Effects

With the advent of social media and the convenience of e-commerce, the popularity of the fashion industry in Africa is growing significantly. The largest segment of Africa’s e-commerce is fashion with a projected market value of $8 billion in 2020. The youth are the most significant source of this market. Studies show that in developing regions like Africa, fashion – specifically textile and clothing – is the second-largest sector after agriculture. This sector is dominated by informal sector actors and is documented as holding the potential to create jobs for millions of women and youth across the continent. Cumulatively, the market value of fashion in Africa is estimated to be $31 billion. With interest and a ready and growing market, the fashion industry in Africa stands out as an area where millions of jobs can be created for youth entering the labour market each year.

How Fast Fashion Impacts the Environment

As lucrative as it sounds, the impact of fast fashion on the environment is extreme. For example, to manufacture one pair of jeans takes close to 8,000 litres of water. This amount is equivalent to what a person drinks over seven years. A cotton shirt requires close to 3,000 litres of water to manufacture. Typically, within ten uses, these jeans and shirts are discarded. They end up contributing to the 21 billion tons of textiles sent to landfills each year. In addition, thousands of different chemicals are used to turn raw materials into clothes. The fashion industry produces 10% of global carbon emissions and consumes more energy than aviation and shipping combined.

Ripe Time for Sustainable and Climate Resilient Fashion in Africa

With increasing concerns surrounding the environmental impact of fast fashion, there is a greater push for the industry to adopt sustainable practices. A strategic shift towards sustainability is beckoning. Africa is already contributing to this push, but through circumstances, rather than by design. And this is through the second-hand clothes market. A staggering 80% of people in Africa wear second-hand clothes. While this market is fueled by unfortunate circumstances, with those looking for low-cost clothing unable to afford any better than second-hand imports, this contribution to sustainability in fashion qualifies as “re-use” in sustainability parlance. But the continent can do much better.

First, is through competitively marketing Africa’s traditional sustainable fashion practices. From bark cloth making in Uganda, to woven textiles of Nigeria and Ghana, traditional Berber weaving in North Africa, and beadwork from Maasai and Ndebele artisans in Kenya and Tanzania, sustainable fashion has been a part of the continent’s cultural heritage. These practices need to be prioritised in a new push to bring sustainable fashion to the mainstream of fashion on the continent. Yet another opportunity comes from recycling and reusing other inorganic waste generated in the continent. For example, even as the push to ban plastics is looked at from the dimension of reducing waste, another alternative can be in the form of reusing the 180 million tonnes of waste plastic bags and bottles to manufacture synthetic apparel like shoes and bags.

The fashion industry, being the second largest sector in Africa after agriculture, offers a timely opportunity for diversification of innovative climate action enterprises for African youth. Through this sector, willing youth can establish innovative climate action enterprises that will enhance their liquidity and ability to invest in other equally promising climate action enterprise areas like clean energy. Fashioning with waste as a resource is a hidden gold mine that needs to be explored.

Written By &   

Photo courtesy of Business of Fashion

Content courtesy of International Policy Digest

The Folklore

The Folklore is a New York City-based multi-brand online concept store and wholesale showroom that allows U.S. based and international customers to easily shop exclusive styles from Africa and the diaspora’s top luxury and emerging fashion brands.

Shop clothing, accessories, shoes, jewelry, bags, hats, and homewares from top contemporary fashion brands including Andrea Iyamah, MaXhosa, Loza Maléombho, Orange Culture, Simon and Mary, and Pichulik.

Exclusivity and sustainability is key for The Folklore. Each season The Folklore carries very limited stock of each luxury item. The carefully curated high-end product-line reflects the diversity of Africa’s contemporary urban landscapes, minimalist design aesthetic, and artistic vibrancy.

Most of the fashion, accessories, and homewares available were handmade by local artisans based in South Africa, Nigeria, Ghana, Morocco, and Cote D’Ivoire.

In addition to operating as an online concept store, The Folklore also provides wholesale services to African designer brands interested in penetrating the global retail market. Our wide range of services help brands reach new audiences and significantly enhance profits. The Folklore works as an intermediary to facilitate positive and rewarding wholesale business relationships between brands and retailers.

The combination of goods and services provided by The Folklore helps enhance the visibility and financial success of Africa’s garment industry while exposing a global customer base to exclusive designers and styles, some of which were previously unavailable to shop online or outside of Africa until now.

Content courtesy of The Folklore & Nairobi fashion hub 

Ivorian startup, Afrikrea is building the online infrastructure for African culture commerce

Growing up in Mali, Moulaye Taboure was passionate about art and fashion. His studies took him to France, where he noticed that the people there took particular interest in buying art and fashion depicting African culture.

This wasn’t just in France; it was in many parts of Europe.

In 2010 while Taboure was working at PricewaterhouseCoopers (PwC) as the senior IT auditor and later in 2013 as the internal audit manager at Alstrom, Mali started having issues with tourism; the country was closing up to tourists.

In turn, artisans and designers began to struggle, turning to other jobs outside craftsmanship to survive.

Taboure says this led to him to brainstorm on how best to help these African designers sell their products.

In the meantime, a different group of designers began to gain international recognition from names like Burberry and IKEA fabrics because of their brand of Western aesthetics with African fabrics.

These two separate events and studying the success of models like US-based eCommerce platform, Etsy, led Taboure to enlist the help of his long-time friend, Kadry Diallo in 2014.

Driven by his disgust that the average craftsman didn’t get enough pay or recognition for their work, they began a side project called Afrikrea to make these businesses sustainable.

But the idea underwent iteration as further consumer studies showed that they needed to break the niche and include anyone making Africa-inspired art, fashion, or beauty.

This time, however, they would help African designers sell their products outside the continent.

“People could make DIY products in the US and sell them for billions of dollars on Etsy. It didn’t make sense that we couldn’t make something similar for African creatives recognised all over the world,” Taboure says to Techpoint Africa.

According to Statista, Africa’s eCommerce opportunity is estimated to be around $19.8 billion. McKinsey & Company, on the other hand, says that by 2025, the local manufacturing industry will grow to more than $900 billion.

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While this shows signs of promise for African online retailers to pursue a global push for Africa’s fashion industry, issues have come up to stifle collective progress.

For one, cross-border shipping and handling, and marketing are barriers to African fashion designers reaching global demand actively.

Similarly, difficulties arising from accepting online payments from platforms like Shopify exist. As with other eCommerce platforms, Shopify encourages African online retailers but does not build its platform to cater to their specific needs like payments.

Afrikrea: Tailored to the needs of African designers and global buyers

These were the problems Kadry and Taboure sought to solve with Afrikrea.

Quitting their jobs to work on the project full-time, Afrikrea officially launched in 2016 when Luc B. Perussault Diallo joined them to become Co-founder and CTO.

Based in Abidjan, the capital city of Ivory Coast, Afrikrea’s mission is to enable African designers to create storefronts, receive payments from customers globally, and lower shipping costs for delivery.

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Taboure tells us that Afrikrea can offer lower shipping costs because of its partnership with DHL. He further claims that shipping up to 2kg from Nigeria to the UK, for instance, costs less than $20 (₦10k).

In the past few years, DHL has been actively involved in Africa’s growing eCommerce space. It launched DHL Africa eShop, an eCommerce platform present in 34 African countries, in 2019, and a year later, inked a deal with Link Commerce which saw the logistics giant acquire a minority stake in the UK-based turnkey eCommerce firm.

Designers on the platform are not required to pay to sell at first. However, after an initial sale, they begin to pay $10/month.

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There’s the question of whether these designers will make as much as they pay to use the platform. But Taboure addresses that, saying the pricing is perfect for those who need the service.

“It’s pretty simple. We cost the same thing as a Spotify subscription and half the price of a Shopify one. Anyone serious about exporting and doing their business online will find our price not only affordable but very complete.”

Taboure says Afrikrea charges between 5% and 8% in commission on further sales made through the platform.

And to establish trust between buyer and seller, Afrikrea has a wallet feature. This means that when a buyer pays for a product, the seller doesn’t get the money until the buyer receives and rates the product based on their level of satisfaction. Moulaye claims Afrikrea guarantees a full refund to unsatisfied buyers as soon as possible.

“I think this is a big influence for someone buying globally without seeing the vendor or the product. Our value offering is to make the infrastructure so people can have trust to know when they sell, they’ll be paid; trust to know that when they buy, they’ll receive what they’ve bought.”

Taboure also adds that via the integration of multiple payments solutions in its wallet infrastructure, Afrikrea can pay designers in the 50 countries Afrikrea is currently present in.

In total, Afrikrea’s global infrastructure of African culture eCommerce spans 150 countries, including the US, UK, and most parts of Europe.

Pursuing African and global growth

Afrikrea’s marketplace also enables efficient exchanges between buyers and sellers before, during, and after an order through its messaging system, which Taboure says records over 30,000 messages a month.

Having made tremendous progress, the startup began to gain recognition when it was one of ten finalists at the Jack Ma Foundation Africa Netpreneur Prize Initiative 2019.

Although it lost out on the top three prizes of $250k, $150k, and $100k that went to LifeBank, Nawah-Scientific, and Water Access Rwanda respectively, the $65k Afrikrea took home was a huge validation of its platform.

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Further monetary validation would come in February 2020 when the Ivory Coast-based startup raised $1m.  The Africa-focused VC fund, Saviu.vc, led the round. Id4 Ventures, a European-based angel fund and Showroomprive, France’s second-largest fashion and beauty e-commerce platform, also participated.

Despite the investment, Moulaye is quick to add that so far, Afrikrea has also been running also on revenue. In the last 18 months, this amounts to a little over $2 million.

The goal is to achieve profitability in 2021 while doubling its revenue and sustaining most of its costs.

Traction is another area where the startup has fared well too. When we reported its fundraise ten months ago, Afrikrea had processed $5 million in sales across more than 6,000 shops in 101 countries.

Now, the numbers stand at $7 million in transactions from across 7,000 sellers in 150 countries. Taboure adds that 40% of the buyers are in Europe, while 30% make their purchases from the US.

A case for minority innovation and recognition 

Taboure recalls that when Afrikrea started, the team realised its first group of African designers did not trust themselves.

According to him, most of them didn’t believe that being with other designers was going to help them grow individually.

“They were afraid of competition and didn’t realise, until now, the effectiveness of the community, in terms of cross-selling, as two-thirds of purchases made on our platform are done to more than one seller at a time.”

Also, some services individual designers enjoy only exist because they are all on the platform. For instance, the DHL deal was only possible because Afrikrea promised to aggregate volume en masse.

Driving home his point about the success of the partnership, Moulaye says that in a recent encounter with DHL, the logistics company told him that Afrikrea was living up to its expectations and outperforming competitors in volume.

“They told us that we were the only company that moved from 150 shipments a month last year to nearly 10,000 this month within one year,” he says enthusiastically.

With a successful partnership and thriving business in place for more growth, the CEO sees Afrikrea dealing with products outside African fashion.

“We want to be the number one export partner for anyone who wants to transact between Africa and the world,” he says. However, Taboure doesn’t want to forget why Afrikrea started in the first place.

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“We want to make sure that people in Africa can realise how valuable their cultures, talents, and business can be. And that is important for everyone that has the will to sell properly,” he adds.

This includes women who account for 90% of the platform’s sellers. That’s a large number to keep in mind because women are generally underestimated in terms of talent and what they’re able to make of it.

Similarly, Francophone Africa is considered a minority in the African tech space. Often looked at as second-best to Anglophone Africa, the region has fewer technological innovations and startups.

“Looking at the well of startups in Africa, I feel like we’re almost despised and ignored by pretty much everyone in Africa,” he laughs. “It feels like there’s only Kenya, Nigeria, and South Africa in Africa. And that’s kind of insulting when we see that we’re able to create big businesses like the others,” he says on the matter.

Despite the consensus, Taboure believes the Francophone African tech space and startups shouldn’t be ignored. His take is straightforward: Francophone African countries can innovate and deliver globally, just like any other country in Africa.

Content courtesy of Tech Point Africa & Nairobi fashion hub 

 

Buki Ade is a Nigerian American fashion designer , CEO and Founder of BFyne

Buki Ade is a Nigerian American fashion designer. By utilizing culturally inclusive designs, she has transformed and revolutionized the swimsuit industry. Born and raised in Nigeria, Buki’s family emigrated from Nigeria to the US when she was 8 years old. As the first born of a traditional Nigerian family, Ms. Ade was expected to study medicine and take care of her family with a “guaranteed” income. In fact, she dutifully obliged by enrolling in nursing school. Ultimately, she decided to explore her own creative path.

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Growing up, Ms. Ade had ample opportunity to express creativity in her attire. It is common in the Nigerian community to have custom outfits made for special occasions and Ms. Ade never failed to push the limits of modern fashion. Even in her teenage years, she didn’t shy away from putting her unique style on everything she wore.

Those closest to her could tell you of the many ways she embodied all the makings of a designer at a young age. From distressing jeans, to reconstructing clothing and shoes  Ms. Ade’s innate flair for fashion was undeniable. Receiving her first sketchbook at 12, she became fully aware of her passion for design at 13.

As a young girl, Ms. Ade recalls learning the basics of sewing by watching her grandmother sew for hours.

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It could even be said it was in her blood as she often gives credence to her two fashion designer aunts she endearingly refers to as her “superheroes”.

While on vacation one day, Ms. Ade was frustrated by the lack of diversity in the design of the swimsuits. None of the options spoke to the Afrocentric exceptionality she desired to present. This, she attributed to the lack of diversity – more specifically the lack of African designers in the industry. Ms. Ade stepped in as a solution to this problem with the debut of her first collection in 2013.

Prior to the release of Asante (BFyne’s first Ghanaian kente print swimsuit), Ms. Ade refrained from using prints. When Ms. Ade and her team decided to push the envelope with that swimsuit, they had no idea the transformative effects it would have on the brand. From there, BFyne released the Sahara collection in 2017.

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This internet-stopping collection featured swimsuits with traditional dashiki prints. BFyne debuted swimsuit construction the industry had never seen before. The swimsuits were styled to perfection. As if kissed by Midas, models posed dripping in gold jewelry and accessories  a vibe Ms. Ade passionately weaves into the entire BFyne aesthetic.

In January 2019, their flagship store was opened in Miami, Florida. To date, she’s designed patterns and swimsuits for over 10 collections, and it doesn’t stop there. Ms. Ade has plans to release her first ready-to-wear collection! This fall, you’ll see clothing from the design style that changed the swimsuit industry forever.

THE BRAND

BFyne is a contemporary swim and resort-wear brand. Every hand-sewn garment has been conceptualized for the fiercely fashion-forward, cultural aficionado you are. BFyne designs are for the risk-taking woman in protest of the fashion status quo.

Highly regarded for enchanting designs and alluring hues, BFyne swimsuits emphasize your curves with intention. The BFyne experience is meant to leave you inspired and empowered. Audiences will be smitten by your embodiment of uninhibited sex appeal and poise.

Body positivity is a foundational principle at BFyne. You will always see models of varying shapes, sizes and ethnicities strut down the catwalk. This, coupled with stand-out designs, it’s no wonder BFyne shut down Miami Swim Week in July 2019. BFyne has also showcased collections in NY Fashion Week, Cayman Island Fashion Show and the Elite Fashion Show.

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BFyne’s list of patrons remains star-studded with fashion icons such as Beyoncé, Iman, Alicia Keys, Eva Marcille, Taraji P Henson, Jordan Dunn and Rosci Diaz – to a name a few. You may have even spotted BFyne on the tube. Looks from the brand have been featured in the movie Pacific Rim as well as music videos from Tiwa Savage (often referred to as the Beyoncé of Africa), Grammy-nominated artists Jidenna, Flo Rida, Tinashe, and X-Factor stars Fifth Harmony!

The brand boasts of a 400k+ following and articles in fashion publications like Essence, Vogue, Harper’s Bazaar, the Fader, Allure, Glamour, Popsugar, Huffington Post, CFDA, Sports Illustrated and many others.

THE DESIGN

Perfection is the goal. BFyne’s designs are the result of a painstaking research process. Every pattern, print and snip have been meticulously thought out to ensure a fun, functional and flattering experience for you.

These garments intentionally lift key areas and accentuate the most essential curves of your body. Quality and style are prioritized. Rigorous screening and testing processes permit an elevated swimwear experience.

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Textile prints are inspired from Designer, Buki Ade’s passion for life and cultural experiences. As a Nigerian American, she is able to merge the richness of West African influences with the portraits that comprise scenes of her everyday functions. Africa – its sunrises, fabrics and agricultural silhouettes will forever give way to new BFyne Designs.

Content courtesy of Bfyne & Nairobi fashion hub 

Top 10 Fashion brands from Africa and the African Diaspora that are enriching the fashion industry

In the wake of fashion’s racial reckoning, Farfetch, the e-commerce platform that merges more than 700 boutiques from 50-plus countries into one global marketplace, debuts its partnership with The Folklore, a New York–based online retailer of brands from Africa and the African diaspora.

“We are excited to welcome The Folklore to the Farfetch platform,” Holli Rogers, chief brand officer of Farfetch, tells BAZAAR.com. “We are committed to improving the representation of Black-owned businesses on Farfetch.com and are thrilled to provide increased global exposure to 10 new designers from Africa and the diaspora, opening doors to fashion and fashion lovers everywhere.”

The chosen designers are Nigeria-based brands Andrea Iyamah, Clan, Fruché, Lisa Folawiyo, Onalaja, Orange Culture, and Tokyo James; and New York–based labels William Okpo, EDAS, and Third Crown. Although they might not yet have global name recognition, all have distinct points of view and offer forward-thinking collections that enrich the fashion industry.

Since launching The Folklore in 2017, Amira Rasool, a lifestyle writer and entrepreneur, has been promoting Black-owned luxury labels that, for too long, have not gotten the global recognition they deserve. Now, with the resources and exposure that Farfetch provides, she is hopeful that they will soon become household names.

“A partnership like the one we have cultivated with Farfetch can truly be a career-defining moment for some of our designers,” Rasool says. “Being able to have designers from Africa and the diaspora on a platform as big as Farfetch is a huge thing in terms of visibility. Seeing Orange Culture or Onalaja sold next to Alexander McQueen or Gucci helps condition consumers and retail buyers to recognise that these brands are in fact luxury.”

Ahead of the launch, BAZAAR.com asks the founders of each brand to give us insight into their creative process and the diverse stories they hope to tell with their designs.

1. Adebayo Oke-Lawal, Orange Culture

Orange Culture references a story I wrote for a class about the orange boy. It details his experiences of toxic masculinity. I saw the colour orange as an alternative to more typical masculine shades like red or blue. I grew up very different to most boys.

I went to an all-boys school, a very hyper-masculine all-boys school, and I was very tiny and I had big glasses. People would say, “Talk louder, talk like a man,” and, “Do this, do that.” There was always aggravation towards me just because of the way I presented myself. I was bullied a lot.

The orange boy was an individual. He was unique, he didn’t really fit in, but he celebrated his difference in spite of this. It was about saying that whatever society had called me to be wasn’t who I wanted to be, and that’s fine. There wasn’t only one type of man. There wasn’t only one yardstick to measure a man’s masculinity. There were various ways you could be a man. I could be a man, at that time, in a pink suit and I wouldn’t be thought of as less than.

That was the narrative behind the orange in Orange Culture a culture that represents accepting individual expressions of self without limitations. Orange Culture is a brand that fights for individuality and celebrates a new age of liberation. Our brand in entirety is a mixed celebration, conversation, and confrontation of Nigerian culture from our silhouettes to our prints to our vibrant colours and stories. Our supply chain in itself is a celebration of Nigerian culture.

2. Kanyinsola Onalaja, Onalaja

I would describe Onalaja as a contemporary womenswear brand that experiments with demi-couture elements. Onalaja represents an imaginative concept of culture, heritage, luxury, and a contemporary appreciation of beauty through its highly crafted pieces that explore texture clashes, a play on proportions, colour, and textile manipulation.

An underlying concept within all pieces always remains, “Our heritage reimagined: the Africa we don’t see.” Reimagining heritage and the language of tradition is an aspect key to the DNA of the brand, which is brought to life with traditional craft techniques and collaborations with local artisans who create stories with their hands. Every piece gets the attention befitting of the discerning wearer, a cosmopolitan woman with an appreciation for intricately made items.

3. Teni, Aba, and Tiwa Sagoe, Clan

Clan is a premium ready-to-wear brand established in 2011 in Lagos, Nigeria. The name Clan stands for our ability to engage with communities far and near. Clan uplifts women through the expression of dress, strongly communicating power and confidence.

As such, our clothing is typically categorised by triangles, which represent female energy and strength. We are dedicated to providing the modern-day woman with versatile staples that feature a contemporary, hard-t0-miss edge.

4. Tokyo James

In one word, Tokyo James can be described as an intersection. It’s a brand where many worlds meet, where Africa meets Europe, where simplicity meets complexity. It’s a world where people come to find commonality in what their differences are.

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5. Kristin and Kofi Essel, Third Crown

Our brand, Third Crown, is a contemporary jewellery brand. We make bold and genderless pieces that are everyday. From an everyday look to an evening look, our brand represents unity, love, and powerfulness.

6. Andrea Iyamah

My brand is inspired by a cultural story. It is born and bred in Nigeria by a Nigerian who grew up in the country and was brought up by parents who were exposed to traveling.

They believed that travel was a form of education. This is the basis of the brand, giving people that experience through fabric and texture; looking at the culture and appreciating everything that it has to offer aesthetically, while also understanding the nuances in the pieces.

7. Lisa Folawiyo

We are a global womenswear brand based in Nigeria. Our signatures are detailed and intricate hand craftsmanship by local artisans, the play on colour and textures, and designing custom prints alongside the manipulation of local and traditional fabric applications.

Our brand continues to have an edge with its very cool and refined design aesthetic a distinct, strong, and forward-thinking point of view. Every collection is designed and manufactured in Nigeria, and through these collections, we are able to tell our authentic African story as we connect with people all over the world.

8. Sade Mims, EDAS

We are an accessories brand based in Brooklyn. I identify as a multidisciplinary artist who does various mediums. I love working with my hands and being explorative with my artistry and storytelling. I love incorporating culture, fashion, and style all the things that I really love with designing and being an artist.

My dream, and my goal, for EDAS is to continuously grow and tell stories that are important. I dream of making it a house, where we dive into the art realm with paintings, shoes, housewares, and furniture. EDAS is rooted in ethics, sustainability, consciousness, storytelling, and community building.

9. Frank Aghuno, Fruché

Fruché is a contemporary Nigerian brand. We like to infuse modern contemporary design with our traditional Nigerian artisanal techniques. We use different applications and dying techniques.

We are a very radical and progressive brand. We like to tell stories of culture and progressive stories of our culture, which I mix with my personal life. Each collection is like a page in a diary of my life.

10. William Okpo

Darlene and Lizzy Okpo named their brand after their stylish Nigerian father, who immigrated to New York in 1976 with just $80 in his pocket. The label launched with womenswear, but has recently expanded into beauty. Expect vibrant colours, exaggerated silhouettes and buckets of playfulness.

Content courtesy of Harper Bazaar & Nairobi fashion hub 

South Africa fashion is going local, and it’s a good thing

Largely due to global supply chain disruptions brought about by Covid-19, more big South African fashion brands are committing to producing fashion at home. What are the implications?

Established local brands, like the iconic Madiba shirt producers Lontana Apparel, have long pioneered locally produced fashion. Dylan Rothschild, Managing Partner at Lontana, says, “We’ve always been a proudly South African manufacturer, and have committed ourselves to empowering our local community and providing much-needed jobs at home.

“During lockdown we shifted our focus to producing masks to meet Covid-19 needs, and worked with over 20 external CMT manufacturers, providing over 1,000 people with work.”

With large local brands now beginning to follow suit, here’s what South Africans can expect for the future of fashion.

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What can we expect?

For years, South African retailers have relied on fashion imports from Asia, particularly China. But large clothing brands, including Mr Price, The Foschini Group (TFG), Truworths, and Woolworths have recently announced their intentions to manufacture more of their items locally. As Covid-19 and the associated lockdowns have negatively affected the garment manufacturing sector, leading to job losses, factory closures and cancellations of stock, the shift towards local manufacturing has become a necessary step in reviving the local economy.

  • Mr Price currently sources 35% of its total merchandise units locally. The clothing brand has committed to reducing its reliance on Chinese imports, which still account for 48.5% of its orders, and refocusing to manufacturing in African countries. Mr Price has also announced that via membership to the South African Cotton Cluster (SACC), it will procure 1,357 tons of cotton from local producers.
  • TFG Africa, which used to import around 80% of its products from Asia, currently sources 35% of clothing locally and has announced a strategic imperative to reduce reliance on suppliers like China.
  • Truworths also has plans to move towards more locally produced fashion and announced their intention to increase local textile purchases to 50% in the coming years.
  • Woolworths has also committed to sourcing more fashion locally, and currently purchases over 50% from the SADC region.
  • Other well-known local brands are also committing to locally sourced fashion. Pick n Pay clothing will be embarking on collaborations with South African designers and local production, and Pep Clothing plans to expand, offering more jobs to local workers and producing disposable PPE items to aid in Covid-19 efforts.

Benefits

“There are many benefits associated with producing fashion locally. Local fashion promotes community enrichment, feeds into the local ‘eco-system’, and promotes environmental sustainability,” says Dylan.

Local manufacturing allows fashion to retailers to respond quickly when it comes to trends and weather changes. Whereas previously it may have taken months for imported clothing to reach South African shores, locally made items can be manufactured and on shelves within weeks, while they’re most relevant. This shorter lead time could equal greater profit for clothing brands, as they’re better able to deliver what customers want, when they want it.

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Local manufacturing also insulates the South African market against global disruptions, such as the pandemic and ongoing trade wars between major exporting countries. This, as well as an increase in jobs in local communities, could provide a much-needed boost to the local economy.

Challenges

“With the benefits of local production come some challenges. We’ve weathered and successfully overcome various difficulties as a proudly South African manufacturer, but it definitely isn’t for the faint-hearted,” says Dylan.

South African manufacturers face many challenges, not least of them the rising cost of electricity and an often-unreliable power source. As a nation, South Africa is are also faced with uncertainty regarding the unstable Rand, as well as an ageing skilled work force. When it comes to fashion, specifically, South Africa struggles to produce certain fabrics locally, still relying on imports, especially for winter garments.

What do these changes mean for brands that have always manufactured locally?

“Cheap imports from abroad have long been flooding our South Africa market. They are often low-quality items, which promote ‘fast fashion’, leading to environmental disasters such as overflowing landfills and the use of environmentally damaging fossil fuels for transport,” explains Dylan.

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As well as being detrimental to the environment, these imports have posed as competition to quality local brands, who have had to compete with disposable, low-priced items – especially in South Africa where the clothing market is characterised by a demand for variety.

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With brands set to increase local manufacturing, established local brands should see a greater equalisation in pricing and quality. The local, ethical production of clothing, free from exploitation and sweatshops, means pricing should come more into line with established local brands.

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A greater interest in local manufacturing and production could also lead to new opportunities for local textile factories and brands, as large brands looking to go local search out established, tested, quality manufacturers to include in their stores.

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“We welcome the increase in local clothing manufacturing, and hope to see more communities flourish as a result. Lontana remains committed to producing quality local apparel with South Africans in mind, and we look forward to more manufacturers doing the same,” concludes Dylan.

Content courtesy of Biz Community & Nairobi fashion hub 

Selina Beb showcases new collection at Glitz Africa Fashion Week with a powerful message

Celebrated Ghanaian fashion brand, Selina Beb, has launched its new collection on the runway of this year’s Glitz Africa Fashion Week, which was held at the Grand Arena located within the Accra International Conference Centre on Saturday, November 7, 2020.

The new collection includes a combination of minimalist silhouettes and contemporary styles, featuring colours such as white, black and bold prints.

The collection was in three parts: simple but elegant white dresses inspired by water, which also signifies purity or victory and made by nature; skirts made from silk fabrics and bogolan prints with the motifs in the print inspiring the design, and classic kimonos made from dashiki  a print worn by Africans and African-Americans in the diaspora – signifying black pride, worn over labelled tank tops bearing the phrases “Black Lives Matter, End SARS, and Stop Rape” – highlighting the revolution that these messages have started around the world.

The brand also launched some new accessories in the form of statement neckpieces and earrings made from leather and cowries, which are both from nature sticking to the same theme and inspiration for the clothes, which is; water, nature, African prints and also importantly, the revolution around the world.

Selina Beb is a multiple award-winning brand which specializes in unique accessories and elegant dresses which now also includes a male line – made with the savvy and yet busy man in mind. The line, which features a small collar, slim fits, regular fits, and tailored fits, is comfortable and made from light but quality fabrics. With a crease-resistant, the shirts come in different colours and designs.

The brand caters for custom made designs for both its men and women line. Selina Beb was also listed on Beyoncé’s curated list of prominent black designers.

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Selina Beb Shop

Selina Beb’s flagship store is located in Osu, Accra, behind Photoclub. They can be reached by phone and email at +233 54345900 and available on social media  page @selinabeb.

Content courtesy of Graphic Online & Nairobi fashion hub 

Fabric Map of Africa By Mia Kora

Fabric map of Africa celebrating the richness of this beautiful continent through Mia Kora work and passion where art meets fashion.

Mia kora is a range of luxury scarves and shawls centered around the concept of bringing art into your everyday lives. Artwork and designs originally done by priya shah, mia kora now has a portfolio of artists joining the team to help create an art inspired fashion trend!
The team has expanded now to 25 graphic designers working in house, agents in Africa and Australia, collaborations with various design companies who share our passion for conservation and a great team on the factory floor who help bring Mia Kora designs to life.

I’m honoured and humbled at the impact this map has had, and how it has evoked a range of strong opinions. This map was born during lock down. It was created as a mood board to inspire my next collection based on my love of African textiles and patterns.

It took time to evolve, and I was constantly editing images until it was aesthetically pleasing and showed a range of fabrics. The map is a visual representation of the richness and beauty of African fabrics. It is an artistic reflection. Art sees no political boundaries, cast, religion or gender. Art in its truest form speaks across all barriers and lines. The map’s aim is to spread positivity and joy.
My dearest hope, as an African, is that this map raises worldwide appreciation and acknowledgment of African textiles and its high standing in influencing fashion and art.

Mia Kora Conservation

As life itself has been the very source of inspiration for Mia Kora’s collections, they have joined the worldwide movement to protect Africa’s elephants. By wearing one of Mia Kora ‘iconic elephants’ scarves, come together with them towards this cause.

Their latest collection is a tribute to the conservation efforts of the David Shepherd Wildlife Foundation. Alongside the other Artists who support this cause, they have designed scarves and shawls that are not only starting a new trend, but have a purpose. Mia Kora is also proud to be associated with Ol Pejeta Conservancy, helping raise funds through our scarves and paintings.

Content courtesy of Mia Kora 

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