Sunday 3rd of May 2026

Nairobi, Kenya

South Africa fashion is going local, and it’s a good thing

Largely due to global supply chain disruptions brought about by Covid-19, more big South African fashion brands are committing to producing fashion at home. What are the implications?

Established local brands, like the iconic Madiba shirt producers Lontana Apparel, have long pioneered locally produced fashion. Dylan Rothschild, Managing Partner at Lontana, says, “We’ve always been a proudly South African manufacturer, and have committed ourselves to empowering our local community and providing much-needed jobs at home.

“During lockdown we shifted our focus to producing masks to meet Covid-19 needs, and worked with over 20 external CMT manufacturers, providing over 1,000 people with work.”

With large local brands now beginning to follow suit, here’s what South Africans can expect for the future of fashion.

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What can we expect?

For years, South African retailers have relied on fashion imports from Asia, particularly China. But large clothing brands, including Mr Price, The Foschini Group (TFG), Truworths, and Woolworths have recently announced their intentions to manufacture more of their items locally. As Covid-19 and the associated lockdowns have negatively affected the garment manufacturing sector, leading to job losses, factory closures and cancellations of stock, the shift towards local manufacturing has become a necessary step in reviving the local economy.

  • Mr Price currently sources 35% of its total merchandise units locally. The clothing brand has committed to reducing its reliance on Chinese imports, which still account for 48.5% of its orders, and refocusing to manufacturing in African countries. Mr Price has also announced that via membership to the South African Cotton Cluster (SACC), it will procure 1,357 tons of cotton from local producers.
  • TFG Africa, which used to import around 80% of its products from Asia, currently sources 35% of clothing locally and has announced a strategic imperative to reduce reliance on suppliers like China.
  • Truworths also has plans to move towards more locally produced fashion and announced their intention to increase local textile purchases to 50% in the coming years.
  • Woolworths has also committed to sourcing more fashion locally, and currently purchases over 50% from the SADC region.
  • Other well-known local brands are also committing to locally sourced fashion. Pick n Pay clothing will be embarking on collaborations with South African designers and local production, and Pep Clothing plans to expand, offering more jobs to local workers and producing disposable PPE items to aid in Covid-19 efforts.

Benefits

“There are many benefits associated with producing fashion locally. Local fashion promotes community enrichment, feeds into the local ‘eco-system’, and promotes environmental sustainability,” says Dylan.

Local manufacturing allows fashion to retailers to respond quickly when it comes to trends and weather changes. Whereas previously it may have taken months for imported clothing to reach South African shores, locally made items can be manufactured and on shelves within weeks, while they’re most relevant. This shorter lead time could equal greater profit for clothing brands, as they’re better able to deliver what customers want, when they want it.

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Local manufacturing also insulates the South African market against global disruptions, such as the pandemic and ongoing trade wars between major exporting countries. This, as well as an increase in jobs in local communities, could provide a much-needed boost to the local economy.

Challenges

“With the benefits of local production come some challenges. We’ve weathered and successfully overcome various difficulties as a proudly South African manufacturer, but it definitely isn’t for the faint-hearted,” says Dylan.

South African manufacturers face many challenges, not least of them the rising cost of electricity and an often-unreliable power source. As a nation, South Africa is are also faced with uncertainty regarding the unstable Rand, as well as an ageing skilled work force. When it comes to fashion, specifically, South Africa struggles to produce certain fabrics locally, still relying on imports, especially for winter garments.

What do these changes mean for brands that have always manufactured locally?

“Cheap imports from abroad have long been flooding our South Africa market. They are often low-quality items, which promote ‘fast fashion’, leading to environmental disasters such as overflowing landfills and the use of environmentally damaging fossil fuels for transport,” explains Dylan.

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As well as being detrimental to the environment, these imports have posed as competition to quality local brands, who have had to compete with disposable, low-priced items – especially in South Africa where the clothing market is characterised by a demand for variety.

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With brands set to increase local manufacturing, established local brands should see a greater equalisation in pricing and quality. The local, ethical production of clothing, free from exploitation and sweatshops, means pricing should come more into line with established local brands.

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A greater interest in local manufacturing and production could also lead to new opportunities for local textile factories and brands, as large brands looking to go local search out established, tested, quality manufacturers to include in their stores.

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“We welcome the increase in local clothing manufacturing, and hope to see more communities flourish as a result. Lontana remains committed to producing quality local apparel with South Africans in mind, and we look forward to more manufacturers doing the same,” concludes Dylan.

Content courtesy of Biz Community & Nairobi fashion hub 

Selina Beb showcases new collection at Glitz Africa Fashion Week with a powerful message

Celebrated Ghanaian fashion brand, Selina Beb, has launched its new collection on the runway of this year’s Glitz Africa Fashion Week, which was held at the Grand Arena located within the Accra International Conference Centre on Saturday, November 7, 2020.

The new collection includes a combination of minimalist silhouettes and contemporary styles, featuring colours such as white, black and bold prints.

The collection was in three parts: simple but elegant white dresses inspired by water, which also signifies purity or victory and made by nature; skirts made from silk fabrics and bogolan prints with the motifs in the print inspiring the design, and classic kimonos made from dashiki  a print worn by Africans and African-Americans in the diaspora – signifying black pride, worn over labelled tank tops bearing the phrases “Black Lives Matter, End SARS, and Stop Rape” – highlighting the revolution that these messages have started around the world.

The brand also launched some new accessories in the form of statement neckpieces and earrings made from leather and cowries, which are both from nature sticking to the same theme and inspiration for the clothes, which is; water, nature, African prints and also importantly, the revolution around the world.

Selina Beb is a multiple award-winning brand which specializes in unique accessories and elegant dresses which now also includes a male line – made with the savvy and yet busy man in mind. The line, which features a small collar, slim fits, regular fits, and tailored fits, is comfortable and made from light but quality fabrics. With a crease-resistant, the shirts come in different colours and designs.

The brand caters for custom made designs for both its men and women line. Selina Beb was also listed on Beyoncé’s curated list of prominent black designers.

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Selina Beb Shop

Selina Beb’s flagship store is located in Osu, Accra, behind Photoclub. They can be reached by phone and email at +233 54345900 and available on social media  page @selinabeb.

Content courtesy of Graphic Online & Nairobi fashion hub 

African Fashion Foundation hosts first Kayeyei collaboration showcase

African Fashion Foundation (AFF) in partnership with The Lotte and the Adonai Children’s Development Foundation (ACDF) present the inaugural Kayayei Collaboration Collection at the Glitz Africa Fashion Week 2020.

AFF created this project to empower, equip, and encourage young street females by pairing them up with some great talent in the fashion accessory and garment industry in West Africa for a skills exchange program.

With the support of the ACDF in finding and nurturing those that needed support especially during this global COVID-19 pandemic, the aim was to present a collaborative new collection alongside Accra’s infamous concept store – The Lotte. The young street women and porters (Kayayei) were working in the designers’ studios and trained in key sewing and production skills all whilst contributing to a collection that will be showcased internationally.

This project is a social impact venture to empower the Kayayei woman and show a way that fashion can be used for good. This inaugural collection will kickstart an ongoing partnership with The Adonai Children Development Foundation and the Kayayei women to equip them with key skills and reintegrate them back into the community.

The pilot project was done with Ophelia Crosslands and Velma’s Millinery & Accessories who kindly took on Gifty Alazoe (a young kayayei, mother of 1) and trained her in beading and basic sewing and millinery skills. She was able to use these skills to contribute to the limited edition Kayayei collection that was created. The final collections will be made available for purchase exclusively at The Lotte retail space.

The showcase at the Glitz Africa Fashion Week 2020 was evidence of a successful project and AFF will be providing ongoing support for the participating kayayei women as well working on making this a continuous, scalable, and sustainable initiative. Gifty Alazoe will be continuing her AFF sponsored internship with Velma’s Millinery & Accessories for another year.

Content courtesy of Ghana Web & Nairobi fashion hub 

Whitney Madueke Re-envisions Traditional Nigerian Fabrics for a New Generation

Growing up, Whitney Madueke watched on the sidelines as her parents got dressed up for Nigerian weddings and parties. “My dad would play pretty background music and you knew he was getting ready to go out,” she says, laughing. “I was mesmerized at how my parents would pair their traditional Nigerian attire with modern pieces from the Western world tradition, mixed with, like, a pair of Gucci sunglasses,” she quips.

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As a student in England, Madueke realized that her own cultural encounters started influencing her fashion choices in the same way as her father a mix of trendy and time-honored pieces. “I started mixing Nigerian pieces like a Buba blouse, a top with long loose style sleeves, with a pair of jeans.

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Or I’d find myself mixing traditional silk fabrics with more modern materials,” she says. Drawing on her African background and her love of fashion, Madueke, 26, set out to launch her own eponymous fashion line, which went live on her website and on Instagram in June. Currently living in New York, Madueke frequently travels back to London to visit her siblings and spends winters with her parents in Nigeria, where her line is based.

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Here, we chat with Madueke about her own style, her clothing line, and her favorite designers to shop now.

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Marie Claire: How did you get your start in fashion?

Whitney Madueke: Since I was little, I’ve had an interest in fashion and fashion design. I wanted to study fashion in college, but I figured my parents would say no to that, so I went to college in England to study law. I needed a creative outlet there, so I started a fashion and beauty YouTube channel and an Instagram but I wasn’t really happy with law. I was like, What is my life? What’s my next step? I needed to do something that would make me happy, so I decided to move to New York to study fashion design at Parsons in their Associate’s Degrees for Professionals program. Last year, I started working on the launch of my clothing brand, Whitney Madueke.

MC: What was the inspiration behind your new fashion line?

WM: Nigerian fashion represents the people, but it also tells the story of the country and its surrounding nature. I wanted my clothing line to tell more African stories and to expand on who I am as a Nigerian and African woman in the fabrics, the silhouettes, and the vibrant colors.

MC: Tell us about Lagos Fashion Week.

WM: Just like New York, Lagos fashion week is a great way for the fashion community to connect with one another. Designers tell stories through their collections using traditional Nigerian fabrics like Adire fabrics, Kente and Akwete cloths. As a Nigerian fashion designer, I love celebrating a diverse group of designers telling the story of home. Lagos Fashion Week was scheduled for late October this year, but in light of the #EndSARS protests [centered around police brutality in Nigeria], the event has been postponed.

MC: How do you get dressed in the morning?

WM: It depends on how I feel that day, but I tend to gravitate towards bright colors, especially vibrant, primary colors that stand out in a room. I also love versatility I’m always looking for great basics that I can pair in numerous different ways.

MC: Who are some of your favorite designers right now?

WM: Social media has made it so much more accessible for global designers to have a voice, and I’m able to actively find and support more African designers. Two of my favorites are Abiola Olusola and Onalaja. Both are Black women designers that embody timeless fashion. Their pieces are crafted from African textiles and include intricate beading techniques.

Written By Marie Claire

Content courtesy of Marie Daire & Nairobi fashion hub 

Full List of winners at Couture Africa Style Awards 2020

The Gala for the 2020 Couture Africa Style Awards went down over the weekend and Citizen TV Swahili news anchor Lulu Hassan was crowned the Most Stylish TV and Radio Personality of the Year.

Actress Catherine Kamau popularly known as Kate Actress took home two Awards; Most Stylish Person of the Year (Female) and Most stylish entertainer of the year.

Mombasa Governor Ali Hassan Joho won the award for the most stylish Male Public Servant, as Comedian Eric Omondi got recognized for being the most stylish male content creator.

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Full List of Winners 
Most Stylish Entertainer (Famale)

Akothee
Fena Gitu
Catherine Kamau – Winner 
Brenda Wairimu
Teacher Wanjiku
Muthoni Drummer Queen

Most Stylish Content Creator (Famale)

Joy Kendi
Maureen Waititu – Winner 
Maxine Wambosha
Farhana Oberson
Nyawira Mumenya
Fashionable Stepmum

Most Stylish Content Creator (Male)
Chef Ali Mandhri
Vinnie O
Eric Omondi – Winner 
Muriuki Kagiri
Eli Mwenda
Mulanda Kombo

Most Stylish Sports People (Famale)

Emily Muteti
Evelyn Okinyi
Sabrina Simadar
Hellen Obiri
Naomi Wafula
Janet Wanja – Winner 

Most Stylish Sports People (Male)

David Rudisha
Billie Odhiambo
Eliud Kipchoge – Winner 
Ronald Okoth
MacDonald Mariga
George Manangoi

Most Stylish Public servant (Famale)

Nadia Ahmed
Judge Mumbi Ngugi
Hon. Gladys Shollei
Achie Ojany Alai
Hon. Naisula Lesuuda
Hon. Amina Mohamed – Winner 

Most Stylish Public servant (Male)

Hon. Ababu Namwamba
Sen. Joshnson Sakaja
Gov. Hassan Joho – Winner
Hon. Otiende Omollo
Hon. Abdulswamad Shariff
Hon. Najib Balala

Most Stylish Person of the year (Famale)

Julie Gichuru
Catherine Kamau – Winner 
Sylvia Mulinge
Hon. Joyce Lay
Diana Opoti
Sonal Maherali

Most Stylish Person of the year (Male)

Sir. Charles Njonjo
Zeddie Loky
James Maina
Martin Keino
Vinnie O
King Kaka – Winner 

Most Stylish Entrepreneur (Famale)

Michelle Ntalami – Winner 
Carol Kinoti
Rita Muchiri
Dr. Jennifer Riria
Jennifer Barasa

Most Stylish Corporate (Famale)

Rabecca Miano
Carol Ndungu – Winner 
Beth Muthui
Brenda Mbathi
Sheila M’Mbijiwe
Dr. Betty Radier

Most Stylish Corporate (Male)

Kris Senanu – Winner 
Joshua Oigara
Captain Ronald Karauri
Jimi Kariuki
Geoffrey Odundo
Dr. David Wachira

Most Stylish TV and Radio Personality (Female)

Amina Abdi
Beatrice Marshall
Jane Ngoiri
Lulu Hassan – Winner
Talia Oyando
Tracy Wanjiru

Most Stylish TV and Radio Personality (Male)

Jamal Gadafi
James Samart
Mc Jessy – Winner 
Michael Gitonga
Miano Muchiri
Muthee Kiengei

The People’s Choice Award (Female)

Ms Fawwie
Christine Obiero – Winner
Lynne Wangui

The People’s Choice Award (Male)

Kiptala
Amar Jonathan
Mike Mwaura – Winner

Congratulation to all winners 

Content courtesy  of Couture Africa Limited & Nairobi fashion hub

African Inspired ‘Black Panther’ salute gallops into Sunnydale

Jade Williams, an Oakland School for the Arts fashion design student, carefully crisscrossed each strand of hair until the long braid was finished. Turquoise, white and yellow beads were added until the dark mane was filled with decoration, making a gentle clattering sound as they struck together.

Brianna Noble, left, her friend Dale Johnson, and Noble’s sister Brittany Lewis, ride their horses through the Sunnydale neighborhood clad in their “Black Panther” inspired costumes during a socially distanced Halloween event on Friday, October 30, 2020, in San Francisco, Calif. Noble is the founder and owner of Mulatto Meadows, an equestrian business.

Noble brought three horses to the Sunnydale Boys & Girls Club for a socially distanced Halloween event. The horses were outfitted in costumes in tribute to the movie ÒBlack PantherÓ and its Afro-futurist style by students in the fashion design program at the Oakland School of the Arts, where Noble attended high school. Noble was already a figure in the community before her viral fame for bringing her horses to the area, her sister Brittany Lewis is a San Francisco police officer in the Sunnydale neighborhood.

It was the high school freshman’s first time styling a horse, and the animal was surprisingly patient during the hour-long process.

“They’re really well behaved,” Linda Ricciardi, the school’s fashion design chair, said of the three horses her students were grooming, dressing and painting on Friday in a vacant lot above San Francisco’s Sunnydale neighborhood. “We’re excited to be a part of this, it’s been something positive the students have been looking forward to all month since Bri approached us with the project.”

The project was designing and constructing costumes for three riders and their horses in the Afro-futurist style of the movie “Black Panther,” which is as known as much for its Academy Award-winning fashion by Ruth E. Carter as it is for its groundbreaking depiction of Black superheroes. Brianna Noble, founder of the nonprofit horse education program Humble, invited the school to be part of Sunnydale’s Community Day Halloween celebration once she knew this year’s ride would be celebrating the comic book blockbuster and its star, the late actor Chadwick Boseman.

Noble is an alumna of the arts school and is well-known in the community after a photo of her riding her horse ahead of the downtown Oakland protests over the Minneapolis police killing of George Floyd went viral in May.

“When ‘Black Panther’ came out, I watched it five times,” said Williamsthe first-year student. “I knew I wanted to tie Black Lives Matter and Black history into my costume designs.”

For the second year, Noble and her sister, Brittany Lewis, brought horses to the neighborhood for a festive ride down Sunnydale Avenue. They were joined by a third rider, Dale Johnson, with all three equestrians and their mounts decked-out in full Wakanda style. Wakanda is the fictional country where “Black Panther” is set.

“This is the kids show,” said Noble, getting her face painted in a African-inspired design. “It’s all about the kiddos and their vision of what they want this to be. My job here is to help facilitate things for them. If anything, I’m just a horse safety officer: It’s their hair design, their costume designs, their ideas. We want to showcase that for the community.”

Lewis, a police officer in the Sunnydale neighborhood, sat in Noble’s combination horse trailer and RV while getting gold-tipped false eyelashes glued on. The sisters joked that they named their three-rider tribe “Watusi Wakanda” after the muscular African cattle breed.

“I feel so pretty right now,” said Lewis, adjusting her elaborate gold hoop necklace and beaded collar. “I feel like … back to my roots.”

Lewis is part of the San Francisco police housing team in the Ingleside District, which works to build relationships between the police and the Sunnydale community.

It’s “more of a proactive community policing approach,” Lewis said. “Build trust and essentially have fun, show the human side of law enforcement. This is just another level of having fun and bringing people together. Horses, they’re the key to your heart, how can you not be happy?”

Once horses and riders were painted and dressed, it was was time to mount up. The three riders shivered as the wind whipped up: Wakanda-style nods to warmer African climates don’t include a lot of coverage against Bay Area elements. After kicking off their shoes they got on their horses, which were blanketed in colorful African print fabrics in lieu of saddles.

“I feel powerful,” Johnson said of his finished look. As for the cold, all three riders hoped the heat of the horses’ bodies would help keep them warm.

Raising her prop spear, Noble yelled out “Watusi, Wakanda forever!” and began the ride three blocks downhill to the Sunnydale Boys & Girls Club and Willie L. Brown Jr. Youth Center, accompanied by a police car playing the “Black Panther” soundtrack for added ambiance.

Cars halted, people stopped on the sidewalk to watch and others came out of their homes. Some shouted hellos to Lewis, others recognized Noble from her viral photograph and Xfinity commercial. A few shouted lines from the movie and made the hero’s signature crossed arm salute. A little boy in his own Black Panther costume stopped in his tracks seeing the horses, lifted his mask and smiled excitedly as he took the whole spectacle in.

As they rode across the Black Lives Matter street mural painted in front of the Boys & Girls Club, the song “Fight the Power” blasted on a sound system. Dozens of people from the neighborhood gathered around to watch as the riders took position on the lawn so residents could pose with the group for socially distant selfies.

After thanking the crowd and acknowledging the work of the Oakland school’s student designers, Noble led her three-person Watusi Wakanda tribe through the neighborhood before heading back up the hill. Michelle Noble, the mother of Brianna and Brittany, was easy to spot in her shirt and mask emblazoned with the words “Proud Mom.”

“I’m proud of both my daughters,” Michelle Noble said. “Growing up in Oakland, being from a lower-middle-class family, the sport (riding) they wanted to pursue, the things they wanted to do, was so far out from what my husband and I knew that it was hard to embrace this because we didn’t know anything about it. This is a reminder to me that when they have a vision and a dream, support it with everything you got.”

Content courtesy of San Francisco Chronicle & Nairobi fashion hub 

Archel Bernard Making Bold Moves in Africa Fashion Industry 

“I’m sort of from everywhere.”

That was Archel Bernard’s response when asked where she’s from. The journey of life sometimes takes unexpected detours.

Born in Liberia, as a child Bernard came to Georgia with her family, refugees of war. “We were the only Black family in the neighborhood, the only African family, the only refugees. We were the only.”

She attended high school in Metro Atlanta and then enrolled at Georgia Tech. “It was the first school I was admitted to that my mother was really excited about. My grandparents never thought anyone in my family could go to school like Georgia Tech,” Bernard said.

She was very active on campus, including working at the Georgia Tech Cable Network reporting on stories about life at Tech.

After earning her degree in history, technology, and society from the Ivan Allen College of Liberal Arts in 2011, Bernard decided to try her hand at returning to Liberia and continuing to hone her television skills. “I wanted to be the West African Oprah Winfrey.”

She thought she’d work for a year or two in Liberia and return to the U.S. to work in the entertainment industry. But something changed. “I started getting more calls about what I was wearing on television than calls for TV gigs,” she said.

Because shopping options were limited in Liberia’s developing economy, Bernard made her own clothes. She couldn’t afford the wardrobe she wanted to wear, so she developed her own custom dresses from bold African fabrics.

Many African garments are made from rigid fabrics and require large zippers because they are form-fitting. Bernard’s designs buck that trend. “They focus on comfort. Casual, but with contemporary appeal,” Bernard said.

She seized the opportunity and launched her own business in Monrovia, the capital of Liberia. She helped teach women to sew her designs and opened a small factory. Her staff is made up of women earning salaries for the first time in their lives and includes Ebola survivors, victims of sexual abuse, and women with hearing impairments.

Together they opened a small boutique.

“Every time I’d sell one dress, I’d reinvest and make two more,” Bernard said. She called the operation “Bombchel” a play on Archel’s name.

“Georgia Tech stretched my mind in terms of what I thought I could accomplish. So many of my peers started businesses and were doing big things. Thinking about that made me feel like I was capable too.”

The internet and social media helped Bernard expand her designs. After posting pictures and photos on Instagram and developing a website, her customer base grew  and the relationships she built at Tech also helped the business grow.

“Many of my first customers were my friends from Georgia Tech,” she said. “The most invaluable thing has been all the connections I made. Now I’m able to lead in my community.”

Disheartened by a shortage of Black-owned businesses, she reached out to Ponce City Market. They responded and asked how they could do better. After sending her proposal, she now has her own storefront.

“Some of my first customers here were people from Georgia Tech who supported me all along the way,” she said.

The journey has come full circle for Bernard in so many ways.

As a child, Bernard remembered feeling embarrassed when her mother would dress in traditional African garments to pick her up from school. Now, she’s empowered by those colorful patterns and making people feel special wearing them. “It’s important that we see African fashion on everybody,” she said. “We need people to know their purchases matter, and that you can make an impact when you choose to spend money.“

The purchases from Bombchel will continue to support women in Liberia. Each garment has a tag to identify who crafted the custom, handmade item.

“We are making tangible change in the lives of women who work for us.“ It’s change inspired by Bernard’s journey and all the people who have been part of it. Her grandmother, after fleeing Liberia, worked long hours in retail at a J.C. Penney until she couldn’t work anymore. She was at the grand opening of Bombchel.

“Now I own the place. I work for myself in a building that my grandmother once couldn’t shop in,” Bernard said. “It’s my legacy and my family’s legacy.”

Content Courtesy  of Georgia Tech News Center & Nairobi fashion hub 

The Twyg Sustainable Fashion Awards 2020 Finalists Announced

Twyg has announced the finalists of its Sustainable Fashion Awards for 2020. The annual awards celebrate South African designers leading sustainable, ethical, circular and regenerative practices in the fashion industry.

The designers recognised are intentionally improving fashion’s relationship with nature and people and reflect that fashion can be at the forefront of positive ethical, social and environmental change.
The winners of this year’s awards will be announced on 19 November 2020.

Judging process
The Twyg Sustainable Fashion Awards 2020 judging panel includes content creator Kelly Fung; Cyril Naicker, national co-ordinator of Fashion Revolution; Aaniyah Omardien, founder of The Beach Co-op; Desiree Smal, vice dean Faculty of Art, Design and Architecture at the University of Johannesburg; and Fezile Mdletshe-Mkhize, founder and director of Fezile Fashion Academy.

The judges selected three finalists in each of the Accessories, Trans-seasonal, Nicholas Coutts, Student, Retail and Influencer categories. A fourth finalist was included in the Innovative Design and Materials categories.

The Changemaker Award was not open for nominations. Instead, winners of the Accessory, Innovative Design and Materials, Nicholas Coutts, Trans-seasonal and Student categories will be judged against the criteria set for the Changemaker Award. This category is supported by Country Road which has sponsored R100,000 in prize money to the winner. Country Road’s head designer Maria Rinaldi-Cant will join the panel for the judging of this category.

Twyg consulted WWF South Africa on the criteria for the categories, and the rigorous two-day judging process was independently audited by attorney Elisabeth Makumbi.

2020 finalists
Innovative Design and Materials Award

• Anmari Honiball
• Lara Klawikowski
• Sealand Gear
• The Sewing Café

This award seeks to recognise a designer or brand who uses techniques that minimise textile waste through innovative pattern cutting, the use of pre- and post-consumer fabric waste, and / or reconstruction techniques. The award also seeks to recognise a commitment to using sustainable fabrics in a collection.

Trans-seasonal Fashion Award

• African Renaissance Designs
• Fields
• Tshepo Jeans

This award recognises a designer, brand or collection that promotes trans-seasonal and versatile style. It rewards quality garments whose design aspires to be timeless and which are made to last. This category also recognises brands that remain invested in garments after their sale, for example, through the provision of lifetime guarantees or repair services.

Accessory Award

• Ivy Grace
• Matsidiso
• The Wren Designs

This award recognises an accessory or accessory brand which implements ethical labour practices, limits toxic chemicals and uses sustainable materials to create a quality item and considers end-of-life. Ideally it should be made of compostable materials, but, if not, it should be made using recyclable or recycled materials.

Retail Award

• Chic Mamas Can Do
• Convoy
• Mungo

This award recognises a retailer or a retailing initiative that enhances sustainability, including pre-loved/gently worn, “swop shops”, garment rental, and similar activities. The award is also open to retailers who support local producers, and sustainable design and manufacturing.

Student Award

• KQ_Made
• Loskop
• Vanklan

This award goes to a student who has produced a garment or collection that addresses the challenges of sustainability in fashion in the most innovative, beautiful and practical way.

Nicholas Coutts Award

• Beagle & Basset
• The Seen Collective
• Viviers Studio

This award recognises a designer who uses artisanal craft techniques such as weaving, embroidering or botanical dyeing to make fashion that foregrounds, celebrates and values the skills of the person who makes the garment.

Influencer Award

• Nomfundo Liyanna Basini
• Yasmin Furmie
• Zolani Mahola

This award recognises a personality who has actively promoted sustainable fashion over the last 12 months and who has sparked relevant conversations. On social media and other platforms, the influencer has explained sustainable issues factually and has cautioned against unsustainable fashion habits. The influencer supports conscious brands while promoting the Rs (reduce, reuse, recycle).

Positive design practices and social impact
“The judges’ decisions emphasise exciting directions in fashion such as the made-to-order manufacturing model, trans-seasonal clothing, the upcycling of plastic and textile waste, and increasing the use of handcraft and natural dyes. The attention to collaboration and the healing of our environment is inspiring,” commented Twyg founder and director Jackie May.

In addition to the design practices, the judges appreciated social impact through upskilling and working in collectives.

“We would like to thank the designers and the members of the public for the nominations. And finally from my team and I, congratulations to all the finalists!” said May.

The winners will be announced at a small event (which will be livestreamed) co-hosted with the textile recycling company, Rewoven on Thursday, 19 November 2020 in Cape Town.

Content courtesy of TWYG, Biz Community & Nairobi fashion hub 

Haute Afrika

 

Haute Afrika, (Haute “meaning high standards, class, and elegance in French”),  is an Award winning and internationally nominated contemporary African print brand founded in 2016 by Gracia Bampile. Her aim was to promote African sophistication and elegance by catering for a growing continent.

The brand embodies a modern culture and celebrates Africa’s heritage and shares the story one print at a time. Motivated to break societies stereotypes by infusing art through fashion and sharing the ethnic culture of Africans.

Haute Afrika brand is colorful, significant and explores the African roots and uniqueness that are engraved in Africa as part of its identity. Some of our textiles and fabrics are from different African nations and others are specifically created and printed by Haute Afrika to celebrate Africa as a whole as well as to cater for a more diverse audience by taking Africa to the world.

They believe that clothing can empower confidence, evoke topics and promote Africanism because “when you look good,you feel good.”

In the world of pop culture Haute Afrika maintains African print as its trademark and stand firm in breaking boundaries in order to merge cultures of artistic mindsets together.

They seek to make the availability of quality ready to wear outfits and the conceptualizing of custom made outfits a breeze. A lot of craftsmanship is actually put into every single outfit we make.

Haute Afrika strongly believe there is something about bold African prints that everyone can get to enjoy. Based in South Africa, our clothing has found its way on prominent people in different industries as well as celebrities.

Their  emphasis is and will forever be to give you unique, enjoyable and quality clothing that you will treasure forever.

Not many can say they discovered their ‘why’ before they turned 10. I would like to introduce you to, and request an interview with, Gracia Bampile a fashion entrepreneur who has a beautiful story to tell and is about to release a new HOT collection.

This formidable entrepreneur, who holds an International Relations Degree, has no formal fashion training background, yet she has inserted herself as a trendsetter in an industry booming with talent. She has dressed the likes of Boity Thulo, Maps Maponyane, Mihlali Ndamase, Amanda Black, Thabsie,Zamani Mbatha, Kwesta and many more.

Her latest collection is set to wow fashion lovers at this year’s fashion shows and catch the eye of influencers and the world press. She has already caught the eye of BBC World News and Vogue.

Born in July 1991, on her birthday, Gracia Bampile had what Oprah calls an “Aha moment”.  Her parents had bought her what she calls an ugly African print dress to celebrate.  It was so bad that it inspired her to start making clothes of her own at just eight years old.

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Gracia spent hours watching her seamstress grandmother make clothes until she mastered the art. As she grew older, she became concerned about how people didn’t like to wear African print designs especially as day to day wear. She says people had a perception that they can only wear African print clothes when attending events. So, she took it upon herself to disrupt the norm.

In 2015, she founded Haute Afrika, the home of her day to day African print designs made to change the narrative around African fashion.  She travels the continent in the hunt for high quality materials to create designs inspired by Africa’s history, heritage and stories for Africans from Cape to Cairo.

Content courtesy of Haute Afrika & Nairobi fashion hub 

Couture Africa Style Awards 2020 Full List of Nominees

The list for the 2020 Couture Africa Style Awards is out and heavy weights in the media, music, film and corporate industry will be battling for the prestigious Awards in different Categories.

Citizen TV Swahili news anchor Lulu Hassan has been nominated in the, Most Stylish TV and Radio personality (Female) Category, where she will be competing with; NTV’s Tracey Wanjiru, Amina Abdi Rabar, Talia Oyando, Beatrice Marshall and Jane Ngoiri.

The Male Category for Most Stylish TV and Radio Personality will see KTN’s Jamal Gaddafi face-off with Michael Gitonga, James Smart, Muthee Kiengei, MC Jessy and Miano Muchiri.

The voting process is currently ongoing via castyleawards.com under the slogan “…because life is too short to wear boring clothes”.

The battle for the Most Stylish Entertainer (Male) has been narrowed down to; King Kaka, Otile Brown, Lenana Kariba, Willy Paul, Chimano and Khaligraph Jones.

Full List of Nominees & Categories:
Most Stylish Entertainer (Famale)

Akothee
Fena Gitu
Catherine Kamau
Brenda Wairimu
Teacher Wanjiku
Muthoni Drummer Queen

Most Stylish Content Creator

Joy Kendi
Maureen Waititu
Maxine Wambosha
Farhana Oberson
Nyawira Mumenya
Fashionable Stepmum

Most Stylish Content Creator
Chef Ali Mandhri
Vinnie O
Eric Omondi
Muriuki Kagiri
Eli Mwenda
Mulanda Kombo

Most Stylish Sports People

Emily Muteti
Evelyn Okinyi
Sabrina Simadar
Hellen Obiri
Naomi Wafula
Janet Wanja

Most Stylish Sports People

David Rudisha
Billie Odhiambo
Eliud Kipchoge
Ronald Okoth
MacDonald Mariga
George Manangoi

Most Stylish Public servant

Nadia Ahmed
Judge Mumbi Ngugi
Hon. Gladys Shollei
Achie Ojany Alai
Hon. Naisula Lesuuda
Hon. Amina Mohamed

Most Stylish Public servant

Hon. Ababu Namwamba
Sen. Joshnson Sakaja
Gov. Hassan Joho
Hon. Otiende Omollo
Hon. Abdulswamad Shariff
Hon. Najib Balala

Most Stylish Person of the year

Julie Gichuru
Catherine Kamau
Sylvia Mulinge
Hon. Joyce Lay
Diana Opoti
Sonal Maherali

Most Stylish Person of the year

Sir. Charles Njonjo
Zeddie Loky
James Maina
Martin Keino
Vinnie O
King Kaka

Most Stylish Entrepreneur

Michelle Ntalami
Carol Kinoti
Rita Muchiri
Dr. Jennifer Riria
Jennifer Barasa

Most Stylish Corporate (Famale)

Rabecca Miano
Carol Ndungu
Beth Muthui
Brenda Mbathi
Sheila M’Mbijiwe
Dr. Betty Radier

Most Stylish Corporate (Male)

Kris Senanu
Joshua Oigara
Captain Ronald Karauri
Jimi Kariuki
Geoffrey Odundo
Dr. David Wachira

Most Stylish TV and Radio Personality (Female)

Amina Abdi
Beatrice Marshall
Jane Ngoiri
Lulu Hassan
Talia Oyando
Tracy Wanjiru

Most Stylish TV and Radio Personality (Male)

Jamal Gadafi
James Samart
Mc Jessy
Michael Gitonga
Miano Muchiri
Muthee Kiengei

The People’s Choice Award (Female)

Ms Fawwie
Christine Obiero
Lynne Wangui

The People’s Choice Award (Male)

Kiptala
Amar Jonathan
Mike Mwaura

Content courtesy of Couture Africa Limited & Nairobi Fashion hub

SA Fashion Week hosts first digital collections

Thursday’s opening night of South African Fashion Week (SA Fashion Week) Twenty Twenty Digital Collections, which was the first virtual showcase, was unique and organised.

Even the way the models strutted their stuff on the ramp, which was set up in the parking lot of Mall of Africa, you could see that they were at ease.

Gert-Johan Coetzee was the first to exhibit his latest work titled “Kraal Couture”, a collection inspired by the farms.

With blue and black being the dominant colours, the collection consists of beaded cowl skirts, smart pants with cow prints, a peplum tulle skirt, and ball gowns, some made of plastic.

Under the Diamond Fibre Collections, Mmuso Maxwell, Judith Atelier and Lukhanyo Mdingi brought nostalgia to the runway.

Maxwell presented their “Imbokodo” collection, a range that seeks to challenge the narrative of a woman’s place in society, especially in the African culture.

Some of our favourite pieces from the collection include the forest green side pleat jacket, the asymmetrical olive wrap jacket and matching pants, wool-side mustard pleat dress and the spiral knitted dress made of kid mohair.

Atelier introduced the brand to the luxurious world of mohair, which plays a big part in this collection.

Titled “ I am because we are”, the range includes appliqué skirts and dresses, with red and blue being the dominant colours and sometimes fused to create purple pieces.

In collaboration with Ginger Maggie, they also presented their SS21 jewellery collection using fine details such as macrame tassels, copper rings, polymer clay and copper rods that have been combined to create a unique new range.

Lukhanyo Mdingi presented a monochrome collection, rich in brown. His statement pieces include a sleeveless bike jacket made of felted kid mohair and pure merino wool blend gilet. Titled “Relic”, the collection is an extension from his previous works.

“The collection is an extension from what we’ve created in the past. The true provenance of what we do is that we’re always looking at the essentials and we’re always looking at our archives and that stems from really trying to execute what good design means to us because that’s what inspired us,” said Mdingi.

The Research Unit followed with their “Transformative” collection. As a brand that usually focuses on handbags, they collaborated with handweavers and the beaders from Kids Positive to push boundaries.

About the collection that had lots of coding, Erin-Lee Peterson, the founder of the brand, said: “We tried to push the boundaries as much as we could. Not just make it look African or beaded, or weaved, but we created shorts out of the handwoven scarf. We took our beadwork and created morse-code out of it. The smiley face on one of the tops was made through thinking about African masks, such as the one that has the six eyes”.

The range also included micro sling bags, travelling bags, as well as beach bags.

Paying homage to the Indian culture, Etka Kalan of Ekta played with colour and geometric shapes to create unique patterns.

On the inspiration behind the collection, she said: “My latest collection is called ‘Who am I’? It’s an exploration of identity and how we see ourselves. If you look at each person, their environments, their family life, their ethnicity, as well as the country where they live in, all plays a specific role in how they see themselves.

“I looked at my life and upbringing, taking being a South African Indian, loving being South African, but also deep-rooted into Indian culture. My collection looks at formlessness, as well as form. I took a sari, which is 5 metres of fabric, once wrapped into the wearer, takes shape and a form. Then taking this complete structured shirt and structured clothes such as a shirt and trousers, which is a complete western concept and fusing the two cultures to create a new collection and a new form.”

Closing the show was Helon Melon with a subtle, collection of white dresses. Titled “All Dressed Down and Everywhere To Go”, she had the lockdown in mind when creating the collection. To add some colour, she defined it with neon stitches and some art inspiration from Mary Sibande.

When asked why she called in “All Dressed Down and Everwhere To Go”, Melon said: “During the lockdown, we all dressed down. And the most exciting thing is that it is a dress downrange, but you can dress it up however you like. There are lots of whites, I’ve done everything in white cotton and added a few accent colours to the range. Lots of dresses, I’ve done a very chick cashmere suit, and I had to put it in because of what we’ve been through. It’s comfortable with South African influences in it, from the house that I saw in the Transkei over 20 years ago to our fabulous SA artists like your Mary Sibande.”

Content courtesy Independent Online, EWN & Nairobi fashion hub 

Future of Fashion 2020 indaba to explore African sustainability

Rewoven will host fashion indaba, Future of Fashion on 19 and 20 November 2020, with Twyg and AFRI hosting masterclasses from 3 to 12 November 2020.

The South African fashion indaba applies a locally-relevant lens to the topic of ethical and sustainable fashion and creates space for collaborative knowledge-sharing between all stakeholders in the fashion value chain.

Through sharing tools, frameworks and ideas between South Africa, Africa at large and Sweden, Future of Fashion aims to facilitate the development of a thriving, inclusive, ethical and future-fit local fashion industry. The indaba is open to anyone connected to and interested in the fashion industry: this includes manufacturers, retailers, designers, fashion institutions, fashion academia, consumers, clothing industry policy-makers and influencers.

This year, Future of Fashion will explore the theme ‘African sustainability – our way of being’. While the concept of sustainability seems to be a relatively new concept to many of us living in a largely Western and modern world, many indigenous groups in Africa and across the globe have been living in harmony with the environment for thousands of years.

There is much to learn about sustainability, circularity, the shared-economy, sustainable material sourcing and more from these communities whose sustainable practices have stood the test of time.

Here’s what to expect:

Fashion film
A locally-produced fashion art short film that explores the importance of caring about sustainability and climate change for a developing country such as South Africa will be screened. The concept of sustainability and climate change might often seem removed from the realities of people who live below the poverty line.

By unpacking the lessons to be learnt about sustainability and slow fashion from ancient and indigenous cultures in Africa and Sweden, the film aims to debunk this idea and rather create an inclusive, relatable and locally-relevant narrative on sustainability, climate change and slow fashion. The short film is shot in the Eastern Cape, Western Cape, Northern Cape, Kinshasa and Jokkmokk.

Twyg Sustainable Fashion Awards
The Sustainable Fashion Awards, in collaboration with Twyg, will be hosted at Rewoven and available via livestreaming on the virtual event platform.

Sustainable design showcase
The exhibition aims to showcase and celebrate the work of South African sustainable fashion designers. This year, the exhibition will be a video exhibition, which will be livestreamed on 19 November 2020. In total 15 designers will be showcased.

Addressing sustainable fashion
Founder of Lagos Fashion Week, Omoyemi Akerele, will be speaking on the topic of “The Future of African Fashion”. The second speaker is the sustainability manager of Fjällräven who will be sharing the experience of the company on “Designing for circularity, recyclability and slow fashion”. Fjällräven was voted Most Sustainable Brand in its industry, according to Sweden’s Sustainable Brand Index in April 2020.

Digital shopping
The virtual marketplace is a platform that shares, amplifies and celebrates sustainable businesses that are contributing to a sustainable and ethical fashion future. The virtual marketplace mimics a marketplace at an in-person event where there are multiple businesses on display that event attendees can interact with.

By utilising this platform, the aim is to showcase sustainable fashion businesses and provide them with an opportunity to directly interact with event attendees who could become potential clients/collaborators.

Content courtesy of Biz Community & Nairobi fashion hub 

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