Saturday 14th of November 2026

Nairobi, Kenya

Nairobi’s Fashion Elite Dazzle at the Glamorous Fashion High Tea 2023

Fashion High Tea 2023: A Dazzling Celebration of Style, Charity, and Glamour, Nairobi’s fashion scene reached its pinnacle on Saturday, February 25th, as the highly anticipated Fashion High Tea 2023 unfolded at the serene and stylish Zen Garden. Despite the sweltering heat of February, the event lived up to its reputation as the city’s most glamorous, extravagant, and fashionable affair. A crowd composed of Nairobi’s most influential figures from fashion, media, politics, and entertainment gathered to sip on carefully curated drinks from gin and bubbles to whiskey and beer while savoring an assortment of gourmet snacks and sweet treats. But it wasn’t just the beverages and bites that made the event unforgettable; the fashion was, without question, the star of the show.

Fashion High Tea 2023: A Dazzling Celebration of Style, Charity, and GlamourNairobi's highly anticipated Fashion High Tea returned in dazzling style on Saturday, February 25th, transforming the Zen Garden into a haven of glamour, extravagance, and impeccable style.#nairobifashionhub #fashion

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-02-19T12:05:20.643Z

The attendees, a dynamic mix of women and men, effortlessly showcased their style prowess. From bold, statement-making pieces to sophisticated, understated elegance, the guests understood the assignment each outfit a testament to the level of sophistication that has come to define Fashion High Tea year after year. The event provided the perfect platform for fashion lovers and industry professionals to mingle, forge new connections, and celebrate all things chic.

Created by the powerhouse duo, sisters Shivani and Payal Radia, the event has become a tradition that marks the start of Nairobi’s fashion calendar. As the co-founders of Zen Garden, the venue that hosted the event, and the masterminds behind Fashion High Tea, the Radia sisters have made it their mission to blend high fashion with a noble cause. This year’s gathering was no different, as the event stood as a fusion of luxury, philanthropy, and style.

More than just a fashion spectacle, the event seamlessly blends style with philanthropy, raising funds for worthy causes. This year, Fashion High Tea proudly supported the Kenya Women & Children’s Wellness Centre (KWCWC), an organization dedicated to supporting survivors of gender-based violence.

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-02-19T12:13:10.610Z

A notable aspect of Fashion High Tea 2023 is its dedication to giving back. This year, proceeds from the event went to the Kenya Women & Children’s Wellness Centre (KWCWC), a pivotal organization committed to aiding survivors of gender-based violence. The KWCWC is currently working towards the construction of a Gender Violence Recovery Centre (GVRC) on a 10-acre plot of land near the Northern Bypass, behind USIU. In the interim, the center is actively engaging in sensitization programs and educational initiatives designed to raise awareness and build capacity within the Kasarani region. The efforts of KWCWC are vital, as they aim to provide support and healing for those affected by violence, while also fostering a deeper understanding of gender equality and justice in Kenya.

The event was a resounding success, not only as a style celebration but also as a powerful reminder of the role fashion plays in supporting meaningful social change. From start to finish, Fashion High Tea 2023 was a reminder that fashion is not only about what we wear, but about the causes we support and the communities we uplift.

The 2023 Fashion High Tea proved to be a resounding success, a testament to the Radia sisters' vision and the vibrant fashion scene in Nairobi.

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-02-19T12:15:01.755Z

Content courtesy of NFH Digital Team

RHON: The Real Housewives Of Nairobi

Nairobi, Kenya will host the first season of the “Real Housewives” franchise, which will feature five of the richest women in the nation.
After successful runs in Durban, Johannesburg, Cape Town, Lagos, and Abuja, The Real Housewives will finally make its way to East Africa. The Real Housewives of Nairobi, which premieres on Showmax on February 23, may have struck reality TV gold by expanding the show to further African nations and ensuring continuity with more seasons.

Fans can anticipate a never-ending amount of drama every Thursday when Real Housewives of Nairobi premieres soon.

The reality television program will follow the opulent lives of five Kenyan women who work in the media, entertainment, and entrepreneurship, orchestrating their own dynamics while taking note of the thread and cues that have come to make the program a subject of obsessive viewing.

The Real Housewives franchise, which has been licensed as a format by NBCUniversal Formats, is represented by this East African edition, which is produced by D&R Studios. Find out which cast members will surely hold our interest for several weeks.

1. Susan Kaittany

https://www.instagram.com/p/CpCbNVSo1ok/?utm_source=ig_web_copy_link

Being no stranger to the spotlight, Kaittany originally gained notoriety as a teen model and was named Miss Earth Kenya in 2004. She was able to participate in the Miss Earth pageant in the Philippines with competitors from all over the world because of the title.

She gave up her legal career to pursue a career in hospitality due to her intense enthusiasm for fashion and beauty.

Kaittany has established herself as one of Kenya’s leading beauty entrepreneurs and a socialite by founding Posh Palace, a multimillion-dollar beauty empire including hair salons and spas in Nairobi. Her preference for bold haircuts makes Real Housewives of Nairobi’s arrival suggestive of rich visuals. She also keeps up with runway trends by strutting for Kenyan apparel label Aulgah Nato’s most recent collection.

2. Vera Sidika

Vera Sidika is unquestionably the person the Real Housewives of Nairobi need on the show. Sidika is one of Kenya’s most well-known celebrities, and she enjoys stirring up a ruckus with her viewpoints, which has gotten her included on gossip blogs and in entertainment publications. She gained notoriety the previous year when she had to have her butt implants removed owing to health issues, and she encouraged young girls to value their natural bodies.

The 33-year-old originally gained public attention as a video vixen, despite having a big social media following in Kenya. In 2015, she made her reality television debut when she appeared on the show Nairobi Diaries, which also included celebrities and socialites.

She started her herbal slimming tea Veetox in 2017 and opened a beauty salon in Mombasa the following year as a successful businesswoman.
Sidika, who is married to the singer Brown Mauzo, has a daughter and is expecting a second child.

3. Sonal Maherali

A mother of four, Sonal Mahreali has established herself as one of Kenya’s top luxury vloggers. In 2016, she started a YouTube channel where she posts films on shoes, luxury travel, lifestyle, fashion, and a variety of other topics.
Sonal has a fixation with designer, expensive shoes, as needs to be reiterated. Even though she is composed and soft-spoken, she has admitted that for Real Housewives of Nairobi, she is able to break character when necessary.
Maherali is wed to Aly Maherali, the president and chief executive officer of Executive Healthcare Solutions (EHS), the company that represents Aetna International in Africa.
Simba Maharani is a collection of designer shoes and clothing owned by Maherali.

4. Minne Kariuki

Minne Kariuki’s arrival on Real Housewives of Nairobi won’t come as a surprise to those who remember her as Mariah from the Single Kiasi episode on Showmax.
Her on-screen persona features every Real Housewives tonal beat, including residing in an upscale condo, enjoying champagne, and taking private jets to opulent locations. She will, most importantly, bring snark and sassiness to Kenya’s Real Housewives.

Kariuki, the youngest actor on the cast, is married to musician Charles Miugai, aka Lugz Kenya, and they have two daughters together.

5. Lisa Christoffersen

Lisa Christoffersen, a successful businesswoman from Denmark with ties to Tanzania, works at the nexus of selected luxury safari experiences and interior design.

Christoffersen is the creator of Lioness Rally, the first women-only rally team in Kenya, and Lifestyle Nairobi, an artisanal venue with an art gallery, restaurants, spa, organic stores, and fashion boutiques in Nairobi’s diplomatic district of Gigiri.

Content Courtesy of Showmax & NFH 

 

How Outterspace is Changing the Definition of Luxury for Black Owned Apparel Companies

Africa has a diverse population in terms of languages, histories, and styles.
Several African-owned fashion firms are adding their distinctiveness to the current metropolitan fashion landscapes, making African fashion in particular a spectacle in the global fashion industry. Outterspace Integrated Luxury is a representative of these brands.

Outterspace Integrated Luxury is positioned to become a worldwide voice that raises awareness of Africa’s growing luxury fashion industry while staying true to its passionate and unusual creative heritage. In the three years since the brand’s launch, some of our favorite celebrities and powerful people have grown to appreciate its originality and youthfulness, making magnificent collectibles from the brand a staple in their wardrobes.

Integration of outer space Indulgence, comfort, prestige, sophistication, and street cred all fall under the category of luxury.

Excellence controls its original thought.
Since fans of high-end premium style and comfort exist all over the world, the brand strives tirelessly and creatively to cater to these customers by producing luxury streetwear.
Presently, the brand’s strongholds are in Nigeria and the United Kingdom, and it is progressively expanding its branches throughout the rest of Africa, Europe, America, and Asia.
Unlike the vast majority of African-owned clothing companies, which are frequently considered quota purchases (purchases meant to show love and support for Blacks)

With a voice that screams class, @Outterspace Luxury is changing the game by putting its distinctive design and aesthetic aspirations to life on people’s bodies all around the world. By doing this, they are not only changing how Africans view luxury but also opening the road for future African-owned fashion firms to compete with other international brands in the fashion industry.

For people who aren’t scared to stand out and utilize their clothing as a form of self-expression, their stunning designs are statement items.

Through their fantastic creations, the brand’s designers hope to bring cosmogenic joy and unwavering quality into their customers’ wardrobes.

A glance through their inventory reveals pieces that ooze style and work for a variety of occasions, such as Sunday brunch, romantic nights, picnics, etc.
Outterspace Integrated Luxury (@Outterspace Luxury) touts itself as a fashion find in the modern urban scene, deserving of all attention and capable of competing with the top names in international fashion.
They remain a high-end, daring, yet adaptable addition to any wardrobe, appealing to fans of comfort and sophistication as well.

Content courtesy of Fashion United & NFH

 

 

African Fashion: Professor Of Social Work Uses Clothes Design To Communicate With His Ancestors

By collaborating commercially with a Ghanaian family, the Fort Mosé 1738 collection, created by VCU’s Maurice Gattis and displayed at DC Fashion Week, complements Gattis’ social efforts.
At DC Fashion Week last fall, fashion model Diamond Minnetta was introduced to the creations of Fort Mosé 1738 LLC, a clothing brand established in 2021 by Virginia Commonwealth University faculty member Maurice Gattis, Ph.D.

Modeling all around the United States, Minnetta remarked, “I was in wonder over the colors and I loved how the cloth felt on me and how it looked.”

It was simply breathtaking. I felt fantastic after it.
On the occasion, Minnetta wore one outfit by Fort Mosé 1738, but she ultimately bought a jumpsuit and matching headband from the brand that she had seen being worn on the runway.

“I found it to be excellent. She said, “I had to have it. Because they were so genuine, his designs stood out. It feels like a celebration when you wear it. I was very impressed by that. I also enjoyed the cultural component.

Gattis, an associate professor at the VCU School of Social Work who has never taken a fashion or design course, claimed he never dreamed he would launch his own clothing company.

However, around a dozen items from Gattis’ clothing business were displayed on the runway the year before, one of which was modeled by a VCU student.
I’ve always been interested in clothing, particularly bright apparel, the man admitted.

According to Ean Williams, executive director of DC Fashion Week Inc., the panel that evaluates designer applications for DC Fashion Week, which is hosted at the Capitol Hilton Hotel in September, decided Fort Mosé 1738 would be a strong fit for the Emerging Designers Showcase.

Williams stated that the collection “boasts vivid colors, the staple of materials found in Ghana.” The fashion industry will undoubtedly be drawn to Gattis’ use of traditional textiles and a new silhouette.

An accidental encounter turns into a business opportunity
It was accidental for me to go into the apparel business. Gattis didn’t think about beginning a clothing business until he traveled to Ghana and met a couple, Nathaniel and Faustina, who was his driver and manufactured personalized apparel for Gattis while he was there.

He thought he and his wife would make the outfits, and I would design them. That sounds like a fascinating notion, I thought to myself,” Gattis recalled. “The universe was in harmony when I met Nathaniel and his wife.”

In order to help the couple, Gattis established Fort Mosé 1738, which he named after the first free Black town in the United States that was established in 1738 for people who had previously been held as slaves in West Africa. Fashion events in Richmond and Washington, D.C. have showcased his company’s designs, which are also available in-store and online via bespoke orders.

The company, according to Gattis, “helps me and Nathaniel connect with our ancestors.”

Cotton or a silk/cotton combination makes up the handwoven material that is utilized to make the clothes. Contemporary West African clothing is designed by Gattis, and Nathaniel and his wife produce the garments before shipping them to the United States.

“I believe in them and the fabric’s quality, which is why I said yes to Nathaniel. The clothing are extremely wonderfully crafted, added Gattis, who also stated he enjoys creating the clothes.
“It’s a fantastic outlet for creativity. It appears to be beneficial for my employment at VCU. I get to connect with individuals who don’t know me or what I do, which I find to be stimulating, so it strikes a wonderful balance.
where academics and creativity converge
Gattis, a native of Daytona Beach, Florida, has always delighted in pursuing his intellectual and artistic passions. He studied sociology at Emory University and danced for the Emory Dance Company.

He earned a master’s degree in social work from Columbia University and a doctorate in social work from Washington University in St. Louis’ George Warren Brown School of Social Work.

Following three years as a tenured professor at the University of Louisville, Gattis joined VCU.
He works at VCU’s Intersections in the Lives of LGBTQIA+ Communities Core as an iCubed scholar. In the fall of 2021, he received the position of senior adviser at VCU’s Q Collective.
He is also a founding member of the VCU School of Social Work’s Center for Youth-Engaged Research to Prevent and End Youth Homelessness.

His research focuses on homelessness, adolescent risk behaviors, and health disparities among LGBT+ (lesbian, gay, bisexual, and transgender) populations in North America, South Africa, and Canada. His primary research focuses on how social environment (family, peers, stigma, and discrimination) affects harmful psychosocial consequences like poor mental health and substance abuse.

Gattis was happy with himself for trying something in fashion and succeeding, he remarked after the D.C. fashion show.

He remarked, “I think it complements my work at VCU with LGBTQ youth and homelessness. Because this was a family trying to improve their financial situation, it complements my field of macrosocial work and community development.

Content courtesy of VUC & NFH

 

The Company Behind House Of Blueberry Is Bringing Diversity To The Realm Of Online Fashion.

While inclusion is unquestionably vital in the real world, it has only recently started to get attention among individuals in the industry because the virtual world is still in its early stages of growth.
Only a few companies have genuinely implemented inclusion into the core of their business practices, so the value is still filtering through everything from company leadership to product offerings.

House of Blueberry, a brand of online clothing, is one of them. Gizem “Mishi” McDuff started the business in 2012, however, the landscape at the time was very different from what it is today, with regard to digital fashion.
Because she wanted more digital apparel alternatives for the open-world platform Second Life, Mishi originally entered the industry.

https://www.instagram.com/tv/CZ2Bl1zMd-U/?utm_source=ig_web_copy_link

where her dissatisfaction with the restricted selection for her avatar was evident. In reaction, she began creating her own clothing, largely using Photoshop, and over time, she developed the brand into what it is now.
But this was not the start of Mishi’s tech career. She oversaw a variety of start-up businesses before joining House of Blueberry, including the marketing and gaming data company Peanut Labs. She also briefly served as Sony’s head of publishing.
She eventually came across virtual concerts and otherworldly avatars, a realm that piqued her interest and inspired her to play a bigger role in this sector.

In an interview with FashionUnited, Mishi remarked, “Before I knew it, House of Blueberry was earning one million dollars in revenue each year from other people buying my creations.
I essentially came onto an underserved market of metaverse users that want stunning, current pieces crafted with the same care as IRL (in real life) fashion.

New funding and multi-platform accessibility
The brand moved from its Second Life home to introduce digital wearables into The Sims and Roblox, an open-world platform where it has already amassed a community of over 13,000 in just a few months, as the industry started to rapidly evolve.
This was the beginning of the true scaling of House of Blueberry, which saw the company grow out of its Second Life home.
The business also disclosed earlier this month that it had obtained a six million dollar finance to support its initiatives.
Direct-to-avatar products, which may be purchased through in-game markets and catalogs on various virtual platforms, are what makes them appealing to customers.

https://www.instagram.com/p/Bp5-trUAVP0/?utm_source=ig_web_copy_link

In terms of representation, Mishi has also overcome obstacles. She belonged to a minority group because she founded a company in the tech sector as a woman.
However, her business acumen has only been influenced by her experience, as evidenced by the company’s 20 employees, 90% of whom are women, and the products it produces.
While not entirely on purpose, Mishi continued, she enjoys looking for strong women to collaborate with in order to increase the representation of women in metaverse-related businesses, where just 9% of founders and CEOs are female.

Female representation in tech and gaming
This has also influenced the way House of Blueberry approaches its product selection. Mishi said the following about the subject: “Given that women and girls make up roughly half of all gamers, I think it’s imperative to expand representation in the gaming business, particularly when it comes to female entrepreneurs and leaders.

If women aren’t involved in the development of games, how can we expect them to reflect the interests and desires of female gamers?
One of my key objectives, when I founded House of Blueberry, was to make a brand in the digital industry that was developed by and for women.
The merchandise produced by House of Blueberry reflects this sentiment, as do the partners it chooses to work with.

“I believe that people are embracing or finding beauty in what they might often consider to be a fault and receiving that support from their group.
It is assisting with such insecurities. It is undoing the damage. Customers want to be free to embrace their actual selves and be distinctive, not a flawless appearance, in my opinion.

Self-expression matters
Building a feeling of community is one of House of Blueberry’s distinguishing ideals, as seen by its most recent partnerships with modern streetwear brand Boy Meets Girl and Roblox influencer Leah Ashe, for which the company unveiled a digital clothing line and held a virtual event.
It is noteworthy that traditional fame does not resonate with the digital fashion community as much as those who are already fully involved in this industry, many of whom are gamers.
They prefer to watch entertainment from these kinds of influencers, which encourages more devoted participation.

As a result, Mishi said, “we were able to connect to the Leah Ash community, a group of people that follow her exploits in virtual spaces. People aren’t purchasing into a specific brand or product; they’re buying into a community.” It’s even more personal.
The ties and allegiance to that influencer are stronger.
Customers now view artists as influencers in their own right.

Mishi aims to continue implementing these concepts into House of Blueberry’s virtual world presence in the future by embracing its four core values: creator-led, community-obsessed, data-informed, and partnership-ready.

“Gaming communities and the amazing creators who occupy them are at the heart of what we do,” she said.
“House of Blueberry wants to be present on all digital platforms where self-expression is valued. We intend to strive toward this aim this year while upholding our key principles.

Content courtesy of Fashion United & NFH 

 

 

 

​​African Fashion Foundation: The African Fashion Futures Incubator Welcomes 14 New African Fashion Designers.

14 fashion designers who have been chosen for the African Fashion Futures Incubator’s first cohort and who will be enrolled in the program to receive training and grant money are introduced.

The incubator’s goal is to provide upcoming fashion designers and companies with the knowledge and funding they need to build a company with an ethical foundation for people, place, and profit.

The African Fashion Futures Incubator gives the 14 participating fashion designers a place to test out ideas and business models as well as access to mentors and resources. The incubator will also cover business models, market positioning, comparative advantage, sustainability & impact, and other related subjects.

The incubator seeks to foster cross-cultural learning and peer mentoring among its participants, as well as to future-proof them and provide the groundwork for strong operational and commercial foundations that will support expansion. While enhancing the business skills of fashion designers, the program also aims to create financially sound businesses.

The Impact Fund For African Creatives established the African Fashion Foundation in Ghana as a partner in the African Fashion Futures Incubator, with Seedstars serving as the program’s implementing partner.

“Since it was founded, the African Fashion Foundation platform has fostered employment and educational possibilities in collaboration with well-established actors to assist the growth of the African creative sector. This collaborative program’s goal is to support budding designers by giving them access to resources like workspace, start-up money, training, mentorship, and investment opportunities. Onyinye Fafi Obi, the African Fashion Foundation’s project director, shared.

African Fashion Foundation (AFF) is a non-profit organization that helps Africans and members of the diaspora who work in the creative industries flourish in the global fashion industry.

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AFF has been chosen as the aggregator and incubator for fashion designers and brands for the Impact Fund For African Creatives, drawing on their vast experience in offering professional and educational developmental opportunities (IFFAC).

IFFAC will make investments in privately owned small and medium-sized firms in Africa that target the creative, fashion, and lifestyle sectors. The Fund strives to solve fledgling brands’ lack of funding and management expertise.

Following are the names of the 14 fashion designers taking part in the African Fashion Futures Incubator:

1. Omafume Niemogha of Pepper Row (Nigeria)
2. Travis Obeng-Casper of AJABENG (Ghana)
3. Cynthia Otiyo-Abila of Cynthia Abila Studios (Nigeria)
4. Jason Jermaine Asiedu of Jermaine Bleu (Ghana)
5. Orire Aleshinloye of Oríré (Nigeria)
6. Kusi Kubi of PALM WINE IceCREAM (Ghana)
7. Ebuka Omaliko of Maliko (Nigeria)
8. Kelvin Vincent of Anku Studio (Ghana)
9. Abiola Adeniran-Olusola of Abiola Olusola (Nigeria)
10. Jafaru Larry (Ghana
11. Victor Anate of VICNATE (Nigeria)
12. Nadia Eman Ibrahim of TABOu (Ghana)
13. Aline Mukamusoni of AMIKE (Rwanda)
14. George Tetteh of Atto Tetteh (Ghana)

“We’re thrilled to aid designers in their work by fusing commercial knowledge with their creativity.
The network that supports and empowers creatives in all facets of their job, according to Seedstars, is what fuels creativity across all industries. Tom-Chris Emewulu, Program Manager of Seedstars, stated, “In this scenario, from fabric to the runway, we’d like to ensure designers in the incubator are equipped to scale.

Roberta Annan, the founder of IFFAC, said: “IFFAC is eager to begin this cooperation with AFF and Seedstars, with the intention of establishing and capturing value in these brands at their initial growth stages.

In order to develop their businesses and improve their value chains, participants will engage in an exponential and revolutionary program over a 5-month incubation period.
Through a tried-and-true technique, the fashion designers will also receive practical assistance from industry professionals within a global network, grant financing of up to $5,000 apiece, and further fundraising assistance.

Content courtesy Tech Economy of & NFH 

 

 

Meet Malik Afegbua The Nigerian AI Artist Redefining Fashion for The Older Generation’s Style

Malik Afegbua, a Nigerian filmmaker and artist, is dispelling myths about African beauty, particularly among the older age.

Today’s digital culture has made artificial intelligence a popular topic. Despite being a contentious technological advancement, you can tell how many people are preparing for an AI world by just scrolling through your social media page.
The internet went wild over Malik Afegbua’s fashion show, which featured images of classy, old-fashioned seniors wearing the sexiest African garb.

The Fashion Show for Seniors photo series has received over 100,000 likes on social media and sparked debate about whether computer-generated art can truly replace human creativity.

Malik Afegbua organized a fashion show for seniors last month as his debut runway event. The showcase defied every fashion guideline by having a cast of classic males and attractive old-fashioned women. Senior models from Afegbua strolled down the catwalk while dressed in natural tones.

Some had their gele headdresses elegantly folded, while others had their outfits expertly arranged with overlapping pieces. The models provided a range of modern flare and vintage majesty that is particularly Nigerian, with the stately air of senior gentlemen.

The ground-breaking runway extravaganza by Afegbua received a lot of praise. It was nearly impossible to persuade his models, who were admired for their regal appearance, that their experience wasn’t real. However, neither they nor it was the case. The world is a fabrication. False characters have been created. All of it is idealistic, Afegbua told ESSENCE.

The models, the clothes, and the complete Fashion Show for Elders were inventions of the artist or, more precisely, an artificial intelligence-powered embodiment of his genius.
One of Afegbua’s numerous creative interests is pushing the boundaries of digital art, yet his daily work as a filmmaker takes up much of his attention.

The director, who was born in Nigeria, works with his production firm, Slickcity Media, to create advertisements, movies, and documentaries.

He is now developing a Netflix documentary about Nike Davies-Okundaye, a Nigerian textile designer and recognized fashion icon around the world. This year will see the release of the biopic. Additionally, he co-produced and directed the second and third seasons of the Netflix documentary series Made By Design, which celebrates African creative genius.

I spoke with the multimedia artist through video call when he was at home in Lagos. He discussed the impact of technology on the development of art, the bizarre experience of becoming instantaneously popular, and the moving motivation for his Fashion Show for Elders.

Regarding AI and the future of the arts.

Since its early inception into the cultural zeitgeist, the idea of artificial intelligence has advanced significantly. The Wizard of Oz, a 1939 motion picture, introduced the public to the archetype of an artificially intelligent robot. The idea was first presented in the image of the “Tin man,” a mechanical man without a heart who personifies human characteristics. As AI technology advanced, so did its applications.

The creative vision that Afegbua has for AI is only partially realized in his Fashion Show for Elders. Ese, my wife, and I both write. She creates screenplays and movies. Additionally, we cannot afford to make the movies that we write. We would require a sizable studio, personnel, and various overhead.

We’ll get there eventually, but in the meantime, technology allows us to accomplish so much.

Different mediums of art have different perspectives on how technology and art should coexist. Concerns about what AI means for the future of artists have been expressed by several. Many people think that machine-generated pictures will kill the artist, much as some claim that the popularity of music videos destroyed the radio star.

That anxiety is not shared by Afegbua. Instead, he accepts AI as a way to improve creativity in people.
Artists and buyers should both accept the inevitable if the astonishingly lifelike models used in his virtual fashion show are any hint of what is achievable in art with AI.

When the elders broke the internet.

Afegbua’s virtual runway display went viral on social media in a matter of minutes. He was surprised by the prompt response, saying, “I honestly wasn’t expecting it. I anticipated around 20 comments and a few friend reposts. He received far more than that. My phone kept buzzing nonstop. It spread all over again. Everyone was tagging me all over the timeline after The Shade Room tweeted it, he claimed.

Afegbua’s email and direct messages (DMs) were inundated with demands for interviews from social media blogs, television networks, and reporters (including those from the present company) from all over the world within an hour of publishing his vividly melanoid AI-generated models.

Afegbua had 3,000 Instagram followers before sharing his Fashion Show for Elders, and he now has over 35,000.
“I received many touching comments from individuals all throughout the world expressing how it affected them. I received messages from elderly individuals who had lost friends and spouses, as well as from young people who missed their grandparents. I’ve received thousands of prayers and thank-you notes from folks. Thousands,” he remarked.

None of us could have imagined that the dignified elders who sparked our communal pride were motivated by heartbreak.

The virtual show serving as the essential catharsis for a creative in distress was something we also could not have foreseen.

Afegbua was so overwhelmed by the warm welcome that it took him some time to understand its significance. In fact, he admitted, it was rather overpowering. “But I understand now.
For me, this endeavor was personal.

I believe that resonated with folks. Many individuals who are going through a lot of difficulties, like I was when I made it, might relate to it. So perhaps it really is a worldwide phenomenon, Afegbua speculated.
Every day, Afegbua talks to his mother, Elizabeth. The two are connected in a way where they ask each other for counsel and find excitement in recounting mundane daily activities. It’s deep with my mum,” he remarked. “I’m 38 now.

I reflect on all of our discussions and all of the teachings Mom has imparted.

Afegbua, one of six kids, claims that his siblings and the family’s grandmother get along well. She deserves the privilege. “Before he retired, my father worked as a pilot, therefore he frequently traveled from one nation to another. So, our mother was with us most of the time. She had direct contact with each and every one of us, he claimed.
Afegbua, who is now a spouse and father, recently confronted one of his greatest fears.

Early last year, after a 12-hour journey from Nigeria to Atlanta, the relationship between him and his mother almost came to an end.

On the jetway at Hartsfield airport, she had a crippling stroke. She suffered several strokes. He remarked, “It was awful.

The family had a very hard time processing the circumstance because it happened suddenly and unexpectedly. Thankfully, Elizabeth’s condition started to get better.

She remained on life support for a long, but Afegbua claimed that she kept improving. “God operates in a strange manner. Every day as a family, we prayed. Every single one of us has a very close relationship with our mother.

Although the path to recovery has been difficult and long, Afegbua is incredibly grateful that his mother is still alive. But he claimed that the experience of almost losing her changed something about him.

For a long time, I was unable to speak with her. Due to all the aftereffects of the stroke, we were unable to converse. Months went by so quickly. I was reflecting on her in a variety of ways, including our pleasant interactions and chats. “Everything is shared with us,” he stated.

“During that time, I had several life events that I was unable to share with her. And it put me in a peculiar situation. Afegbua turned to his art for solace when he was experiencing an existential crisis.
“For me, creating is like therapy. I find it to be calming and relaxing. I also utilize it to aid in my emotional processing, he said.

What he experienced at the time was a sobering understanding of the frailty of life and a gratitude for old age as a blessing that should not be taken for granted.

He considered his mother, who now required the assistance of family members and medical experts to meet her basic necessities. All the grown children in his situation sprang to mind. He reflected on how senior persons are discarded by society. “I believe that seniors are marginalized in society once they reach an age or stage in life where they are unable to take care of themselves or participate as they once did. He said, “It’s like we just dumped them somewhere to wait to die.

The artist discovered his muse at that precise moment of inspiration.

“I wanted to design something that will alter how we perceive things” (of seniors). Elderly Black people have experienced so much injustice and been put down, he remarked.

Would it be possible to depict them as Kings and Queens?
What if I demonstrated their self-assurance and fortitude?

Content courtesy of Essence, Malik Afegbua, Slick City & NFH 

 

 

LGBTQ Activist, Fashion Designer and Model Edwin Chiloba Was Brutally Killed, His Body Stuffed In A Metal Box

In Kapsaret, Uasin Gishu County, Edwin Chiloba was brutally murdered and his remains were placed in a metal casing.
DCI detectives are working around the clock to find those guilty of the horrible and inhumane murder of Edwin Chiloba, despite the fact that the reason for his death is yet unknown.

In one of the interviews, Edwin Chiloba, who was from Elgeyo Marakwet, described his challenging upbringing following the death of his mother. When his mother passed away, he was still quite little.
Later, while he was a senior in high school, death would strike once more, robbing him of his father.
He gives his father accolades and claims that by encouraging his creativity, his father gave him acceptance and meaning.

While a student at Moi University West Campus, Edwin found happiness and a new love for fashion.
Dejected and aimless, Edwin Chiloba eventually relocated to Nairobi, where he stayed until a friend offered to sign him to his modeling and entertainment agency.

Soon after starting his drawings, a white couple who admired them sent him a Direct message on Facebook, which was when he had his big break.
They eventually helped him enroll in a fashion school and supported him in his endeavors.
His body was found packed inside a metal box that was delivered by an unmarked, unremarkable car; Uasin Gishu authorities are looking into how he was killed.

The event was reported, and when the police arrived, they found a decomposing male body inside a box, dressed in women’s attire.
The deceased person’s body was brought to Moi Teaching and Referral Hospital so that an autopsy could be performed to ascertain how he passed away.

Attack
Four months before the discovery of his decomposing body, Chiloba had been attacked and injured.

According to Nairobi News, people who were reportedly against his LGBTQ involvement pounced on him baying for his blood.
Although he managed to escape, Chiloba suffered a large cut on his lips, a cut on the upper part of his face, and bruises all over his face.

Gruesome murder
Chiloba was brutally murdered with his body stuffed inside a huge metallic box and abandoned in Kapseret, Uasin Gishu County.
According to witnesses, the metallic box was dumped by a vehicle that had a concealed number plate at around noon.

Police officers were alerted and when the box was opened, they found Chiloba’s decomposing body dressed in a woman’s clothes.

The body was taken to Moi Teaching and Referral Hospital, awaiting post-mortem.

Last moments
Chiloba was last seen in public on New Year’s Eve in the company of his friends at a local entertainment joint in Eldoret.
According to a video widely circulated online, the model was seen having fun alongside his two friends.

Chiloba was found dead in the same clothes he wore during a New Year’s eve party.
His death has attracted calls for speedy investigations into the death of the model, who many have said was targeted for his gender choices and activism.

Rest in Peace

Content courtesy of UGC & NFH

 

 

Chanel Goes to Africa: Bringing its first runway show to the continent of Africa

It might have gone horribly wrong. One of the most opulent European luxury companies, Chanel, could have been accused of colonialism if it had parachuted into Africa with a flashy one-off fashion display while having no stores or significant operations there.

Particularly considering Chanel has no particular personal history with the region (“I cannot say Madame Chanel dreamed to come to Dakar,” said Bruno Pavlovsky, Chanel’s president of fashion), the fact that it was the first such show ever in sub-Saharan Africa, as well as Dakar, Senegal, a country that was once part of the French empire and now has its own thriving fashion culture and heritage, and the fact that the city is where the show took place.

Particularly after the fashion industry’s admission of its mistakes with regard to diversity, inclusivity, and cultural appropriation, as well as its own numerous errors in this area.

It’s a credit to the efforts the house made to reframe the event that the Chanel Métiers d’Art presentation, held at the Palais de Justice in Dakar earlier this week, went off with only a slight amount of backlash on Twitter.
It was planned as a three-day festival to follow Dakar fashion week in order to highlight the nation’s abilities in art, dance, music, and literature rather than just a fashion parade to entice new customers to spend a lot of money. In other words, it’s more of an equality celebration than it is an exotic shortcut for fresh creativity.

This was significant, if unfinished, step forward. However, by highlighting a number of show collaborators, such as Senegalese rapper Nix, singer Obree Daman, and the nearby Ecole des Sables dance school, and placing the connections between them and Chanel somewhere on the abstract plane of the mind, it also gave the appearance that the clothes themselves were the least important thing.

The garments remain. In contrast to anything as overt as a traditional Senegalese pattern, material, or artisanal skill, they were allegedly inspired by “the pop-soul-funk-disco-punk decade” of the 1970s (the intricate craftsmanship of the collection).

which was created to display the work of various specialized ateliers Chanel acquired to preserve their know-how and was all made in France). Which, it turns out, meant largely… pants. Knit, bouclé, flared, and denim are frequently worn with intricately detailed jackets, tunics, or blouson tops.

Designer Virginie Viard can create a beautiful traditional Chanel dress, and she did so here with some lacy crochet designs, garden party cocktail frocks, and sequined siren evening numbers, but they were hampered by offerings that seemed more appropriate for a tribe of dabbling hippie bourgeoisie.

The variety of hues and the layering of the garments—a beaded vest over a bouclé jacket, a tidy wrap skirt over some slender knit flares, and a long, floaty tunic over faded jeans, caught by a gold belt—were the only creative connections between the setting and the goods. 19 of the 62 models in the show were African, with 12 of those being Senegalese. According to Mr. Pavlovsky, the makeup and hair crews were split about evenly between locals and foreigners.
850 people were brought to Dakar, mostly for the garments, with roughly 500 of them coming from various parts of Africa.

The purpose of inviting famous people like Pharrell Williams, Whitney Peak, and Nile Rogers was to enhance the city’s standing as a center of culture and to portray Chanel as a type of creative, well — What? King-maker or equalizer of world power?

There is discomfort because it’s difficult to tell where to draw the line between the two postures (maybe it depends on where you are seated).

President Macky Sall and the minister of culture both agreed to support Chanel’s participation in the event. Chanel plans to continue working with local talent and will visit Dakar for a 19M program in January.

The official name of the speciality ateliers’ headquarters is 19M, and it will highlight pieces made in collaboration with regional embroiderers and artisans. That will then serve as the foundation for a later exhibit that the company will present in Paris. And according to Mr. Pavlovsky, their experience in Dakar could serve as a template for future cultural exchange and collection activities.

He stated, “If you’re locked on the street Cambon in Paris, it’s hard to be creative.”

Would Chanel ever invest in a specialized Senegalese weaving workshop in the same way that they have in European ones like Lesage and Maison Michel, in order to preserve their know-how?

There are no such plans, according to Mr. Pavlovsky, but he admitted that he could picture a day in the future when it might be feasible.

The brand is currently being given the benefit of the doubt, according to Oumy Diaw, a curator who attended the exhibition, despite certain setbacks like organizing the exhibition on the same day as the anniversary of the foundation of Dakar’s Museum of Black Civilizations. Ms. Diaw expressed hope that “This Chanel passage will not be a one-hit wonder or an opportunistic endeavor to feed the Western fashion houses with Africa’s vast aesthetic capital,” but rather the start of a much-needed process to recognize exactly how vibrant that aesthetic capital is.

Since Chanel presentations are held in Paris, the audience typically shows up appropriately dressed in their most glitzy bouclé, camellias, and ropes of pearls. In contrast, the audience in Dakar made eye-catching fashion statements of their own.

Content courtesy of New York Times & NFH

The Parthenon Hall In Dar Es Salaam, Tanzania, Hosted Swahili Fashion Week 2022, Showcasing Brilliant African Designers.

Over 50 fashion designers, largely from Swahili-speaking nations and beyond, descended on Tanzania’s port city of Dar es Salaam for the opening night of Swahili Fashion Week, the continent’s yearly fashion event.

The international fashion industry, as well as its clients, saw the fashion and accessory designers’ skills and originality on display.
“Models like me have a great opportunity thanks to Swahili Fashion Week.
Thank you for honoring me with an award tonight “As the 15th edition of the Swahili Fashion Week and Awards 2022 got underway over three days, Rio spoke after receiving a prestigious award.

The public voted for the winners of 29 fashion categories, and an auditing firm verified the results. Rio was one of the winners. “This is only the beginning of a long road leading to the fashion industry for me. I’m excited to take part in all fashion shows both domestically and overseas and win more accolades.”

The Swahili Fashion Week is a fantastic chance, especially for emerging designers to be able to present their work, according to Mboko Uswege, a young fashion designer who was taking part in the event for the first time.

The originator of the Swahili Fashion Week, Mustafa Hassanali, stated that the goal of the event is to inspire talented designers to use it as a launching pad into the fashion industry.

“Celebrating 15 years of Swahili Fashion Week,” according to Hassanali, has been the leading creative forum for designers from Swahili-speaking nations and beyond who present their collections to a global audience.

Kedmon Mapana, the executive secretary of the government-run National Arts Council, pleaded with people to support the fashion sector. “The local talent needs to be developed to become internationally renowned brand names.”

In 2008, renowned Pan-African designer Mustafa Hassanali of Tanzania founded and developed the platform known as Swahili Fashion Week.

The Swahili Fashion Week logo is a graphic representation of the African continent in reverse, called the kipepeo (the Swahili name for a vibrant, colorful butterfly)
The crisp models lend a glossy air to the “Fashion is Business” and “Made in Africa” ideals. The representation of Africa is similar to the face of an African woman wearing her distinctive head wrap.

The wings represent the direction that is intended to bring the international market of the Eastern African fashion industry.
With an eye toward becoming the most sought-after and favored fashion venue in Africa for the global market, Swahili Fashion Week

Content courtesy of Swahili Fashion Week & NFH 

Dressing And Developing One’s Personality

The growth of a person’s personality aids in their overall development. The way someone dresses has a big impact on how their personality comes across. “A man is identified by his clothes and address,” as the saying goes, is true.
A person’s sense of style reveals a lot about his personality and character.
You must pay close attention to what you are wearing. Do not simply wear something because everyone else is doing so. Check to see if the dress might look nice on you. When choosing to clothe, one needs to be particularly mindful of their body shape, build, weight, complexion, and even family history, line of work, and climate.

Adapt your attire to the situation. For an impressive personality, one must present themselves well.

Do your clothes express who you are, how you’re feeling at the time, and occasionally even your life goals?

Always keep in mind that your clothing should reflect who you really are. Your choice of clothing expresses your personality, character, mood, sense of style, and true self. People who dress garishly and have bright makeup tend to be outgoing and enjoy going to parties. By looking at someone’s clothing, you may tell a lot about who they are as a person. While bright colors not only show your good mood but also make the other person happy, dull colors are a sign of sadness or upset.

To look incredibly polished and professional at work, pair a plain white shirt with black pants.

Do your clothes express who you are, how you’re feeling at the time, and occasionally even your life goals?

Always keep in mind that your clothing should reflect who you really are. Your choice of clothing expresses your personality, character, mood, sense of style, and true self. People who dress garishly and have bright makeup tend to be outgoing and enjoy going to parties. By looking at someone’s clothing, you may tell a lot about who they are as a person. While bright colors not only show your good mood but also make the other person happy, dull colors are a sign of sadness or upset.

To look incredibly polished and professional at work, pair a plain white shirt with black pants.

On the other hand, if you wore your little black dress to an evening event, you would command attention. Everything depends on the occasion and the attire you are wearing.

Let me ask you a question:
I’ll offer you a few hints about a person’s attire, and it’s up to you to determine that person’s personality type.

Tom favors sporting tattered jeans, a t-shirt, and sneakers. He frequently wears a ponytail and loves to show off his necklaces, earrings, and bracelets.

Jack, though, is dressed simply in a linen shirt and pair of pants. His clothing is ironed, and his dress shoes are beautifully polished. He prefers to wear a straightforward chain around his neck rather than wearing many other embellishments.

You must have correctly predicted that I’m sure.
Tom is extroverted and loves to party. He most likely attends college and enjoys being the life of the party.

Jack, on the other hand, is a composed and professional individual.
If you guessed correctly, don’t forget to give yourself a pat on the back.

Yes, your clothing choices do represent who you are. Keep in mind that appropriate attire has nothing to do with cost.
You might not look beautiful in a pricey dress. Ask yourself questions such as, “Does the dress look well on me?” and “Am I dressed appropriately for the occasion?” before leaving the house.

Never dress in clothing that is too little or too tight. Pay close attention to how the clothing fits.

A skinny person would look beautiful in puff sleeves and flare dresses, whereas someone on the bulkier side of average weight would seem slim in a black long outfit.

Whatever you wear, be sure it is well-kept. Don’t just grab some clothing from your closet and put them on. The right way to iron clothes is required. Prior to leaving the house, shine your shoes.

Photo: Ashok Sunny Tailored Limited

Content Courtesy of Management Study Guide & NFH

How to Become a Commercial Model, Modeling Advice for Aspiring Fashion Models

Interested in making a career in fashion modeling? These dos and don’ts from seasoned experienced models give advice on how to succeed as a fashion model.

Do you want to learn the steps to modeling?
Do you envision yourself as the next Gigi Hadid to grace the Vogue cover?
With thousands of hopefuls vying for the title of the next supermodel, modeling has emerged as a highly coveted employment option. The likelihood of getting caught now is one in a million, so the days when you could rely on luck are long gone.
It requires self-control, perseverance, and work to become a role model.
To stand out and get recognized, you must plan, organize, and adhere to a strategy.

How to become a model?
To help you break into the modeling business and launch your modeling career, we consulted with various successful models and agencies and put together the list of recommendations below. So, here’s a guide on how to begin modeling.

  1. Develop your modeling skills
  2. Practice model poses in front of the camera
  3. Get a killer modeling portfolio
  4. Find the right modeling agency
  5. Do your research about the modeling agency you sign up with
  6. Learn to embrace rejection
  7. Make yourself constantly look better
  8. Be safe
  9. Be Professional
  10. Commit to work
  11. Build your social media following
  12. Never let your pride down

1. Develop your modeling skills
Learn the art of posing. Runway walking drills. Posing skills and walking style are what set one attractive model apart from another. It takes art to model.
Whether it’s watching endless episodes of America’s Next Top Model on Netflix, flipping through the pages of Vogue, watching tutorials on YouTube, reading modeling e-books like glamour pictures photography, or picking a favorite model.
On a runway, it can be incredibly uncomfortable to pose and move around. Practice. A piece of advice for modeling is as follows: Get used to posing in front of a camera and another person by having a buddy take photos of you. Alternately, before beginning your path to becoming a fashion model, start small, mount a camera on a tripod, and practice alone until your confidence increases.

2. Practice model poses in front of the camera
Getting practice in front of the camera is the next stage to learning how to start modeling. The supermodels you see in stunning magazine photographs didn’t just stand in front of the lens and hope a talented fashion photographer caught them at the right moment. They assisted the photographer in producing a masterpiece.
A model will use her posture, facial expressions, and artistic sense to help realize the photographer’s vision. They are both equally talented in their respective fields.

https://www.instagram.com/p/By-FNeigMQH/?utm_source=ig_web_copy_link

An important prerequisite for being a model is having the appropriate posing abilities. To make everything come to life on his end, the photographer will use his understanding of lighting, aperture, framing, etc. It’s a choreographed dance, therefore you should practice as much as you can.
It will be 20 times more difficult to acquire a great image if you can’t pose and don’t feel comfortable in front of the camera. Make an effort to improve as a model!

3. Get a killer modeling portfolio
Having a well-rounded modeling portfolio that highlights your best qualities through gorgeous, high-quality photos is one of the most important steps to becoming a model and building a solid profession.
The modeling portfolio is one of the first things agencies and clients look for in a model to make a good first impression.

It helps to have both a printed copy that you can present when you meet someone in person and an online version (your modeling portfolio website) that you can send to anyone via email. To climb the modeling ladder, you need as much exposure as you can get.

4. Find the right modeling agency
A modeling agency is necessary for every fashion model. Getting seen by a prominent modeling agency in your area is the first step to being signed by one. Snapshots of oneself must be submitted in order to be seen.
In the business, these photos are frequently referred to as “digitals” or “polaroids.”
The most straightforward and unposed photographs are what modeling agencies are searching for so they can see you for WHO YOU ARE. Send in pictures of you with minimal to no makeup on at most a light coat of foundation and mascara.
Include images of both your hair up and down, pulled away from your face, and don’t style it (just make sure it’s clean).

The background must be simple and underacting (standing against a plain wall works best). Use natural lighting when taking pictures; a friend can simply serve as your photographer. If you have friends that are studying fashion design, be sure to heed their suggestions for your wardrobe.
Your digitals should have the following pictures: full-length, up-close headshots, left and right side profiles, smiling (with teeth, without teeth), and non-smiling shots (both facing the camera and turned away from the camera). You should wear pants and a solid-colored t-shirt for your attire.

5. Do your research about the modeling agency you sign up with 
Do your study before submitting it to every modeling agency on the planet and see what sticks.
Do your research about the modeling agency you sign up with Do your study before submitting to every modeling agency on the planet and seeing what sticks. List everything. Is this agency legitimate, which comes first and foremost?
Do they have any negative reviews, and can their company be easily verified? Are models with your appearance and stature now being accepted by this modeling agency?
What is the submission procedure for the modeling agency (detailed instructions differ by agency, but you should be able to obtain this information on their website)? Who are the current and former models for the agency? What are the newest advertising initiatives for the modeling agency? Are they collaborating with reputable brands and businesses?
Do you WANT to be represented by this firm, which would mean that you would also be representing them?

Send digitals to your top choices once you’ve identified the modeling agencies you are convinced will be a good fit for you.
If you get a call asking you to meet with an agency in person after submitting your digitals, do even more research ahead of time.

Learn about notable fashion designers, the ‘it’ supermodels of the time, and recent news in the fashion, beauty, and modeling industries. By no means do you need to be a walking “encyclopedia of fashion models”; just be observant and knowledgeable.

6. Learn to embrace rejection
Prepare your mind to accept a lot of rejection. You MUST be capable of accepting doors closing in your face without hesitation. Even the most beautiful supermodels to ever walk the earth were given the “NO” signal. Numerous people told them “NO” in various ways and numerous repetitions. It comes with the territory to be rejected. You will do better if you realize and accept that as soon as possible. Do not measure your value by how you appear to others or by their approval of you.

Start getting ready by committing to ignoring any criticism you get this week. Find out if it was simple or challenging. You needed to develop tougher skin even more so the harder it was.
Are you offended that I just encouraged you to develop a thicker skin? If so, the point is just that! Start honing your capacity to accept criticism with a smile! But don’t worry, with enough practice, anyone can pick up this skill.
Every “NO” is simply one “NO” closer to a “YES,” so keep that in mind when you encounter rejection.

7. Make yourself constantly look better
Take good care of your physique, health, skin, and hair. Whether you like it or not, modeling is an aesthetically focused industry, and appearance/beauty is unquestionably important. (Despite this, anyone can succeed as a commercial model regardless of physical attractiveness or body type.) The height and weight requirements for fashion models are, however, more stringent and severe than those for any other type of modeling. Although there isn’t much you can do about genetics, it IS up to you to utilize the genetic makeup that was given to you.
You must follow your meticulous beauty routine if you want to become a model. The following routines, which are used by many supermodels, include but are not limited to the following:

Drinking copious amounts of water throughout the day to stay hydrated and maintain supple skin, quitting smoking, and consuming alcohol sparingly. Others include taking a multivitamin, working out 4-5 days a week, according to a strict diet/meal plan, wearing SPF, never going to bed in makeup, exfoliating/washing/moisturizing their face every morning and evening, and many others.
Whether you are looking at it from a business or personal perspective, feeling and looking your best will only be beneficial to you. Win-win situation. But for any aspiring fashion model, having your beauty routine down pat is unquestionably a career benefit.

A model who takes pride in her appearance is far more valuable than one who is unmotivated to maintain good hygiene and attractiveness.

If your height and weight don’t meet the current standards for fashion models, you can still pursue modeling in a variety of other fields. To discover which genres you might be a good fit for, please read this essay on the many types of modeling.

8. Be safe
Being a fashion model makes you vulnerable, especially in the beginning. So be cautious and stay safe. The most crucial advice I can give aspiring fashion models that are working with fashion designers or photographers is this: Avoid being duped by fake modeling schools (you DO NOT need to pay money to attend any modeling school or training, period).
To begin started, you shouldn’t have to pay for any photos. It should be your agency that arranges for test shoots.
Other frauds include modeling competitions, dishonest “agents,” “casting directors,” or “photographers,” phony casting calls that offer thousands of dollars in pay and a photo shoot abroad, etc.

Establish a reliable support system.
The modeling profession might be intimidating, and it’s simple to become a victim of numerous other problems (party scene, eating disorders, etc.). Inform your family and friends about your professional development.

If anything seems off or strange, they can serve as a sounding board. They could take you to a shoot and wait outside for you. When you experience rejection or a difficult time, they can keep you motivated. Have a safety net and an assistive network!

9. Be Professional
It’s not simple to break into the modeling industry. You must act with complete professionalism. Respond to phone calls. Answer emails and voicemails right away.
Being 30 minutes late for a meeting, casting call, or photo shoot is never acceptable. You should, at the very least, arrive 15 minutes early.
Planning and time management are required for this. When aspiring models think, “Well, I’m pretty enough to be a model, so I will just glide by with my looks alone and no effort,” they are making a big error.

Many aspiring models in the past quit the modeling business because their lack of professionalism, bad attitude, and reputation started to overwhelm their attractiveness.

With a diva, no one wants to work. There are many other stunning women in the world who WON’T be disrespectful or snobby.
When you book a gig, you are speaking for your agency as well as yourself.
Treat EVERYONE with respect while you are on set. If your makeup artist followed a precise instruction that was provided to her but you don’t like the way your makeup turned out, it’s too bad. Do your part now that she has finished hers.

Regardless of your preference for cosmetics, take some killer shots and refrain from disparaging the makeup artist in public. In your modeling profession, showing respect and consideration will go a long way.

10. Commit to work
Although modeling may look glamorous and simple, that is far from the truth.
To become a model, you’ll need to put in a lot of effort.
Are you prepared to stick to your diet, exercise, and beauty routine even when you are having a tough time finding work? Are you prepared to work a 12-hour photo session in chilly, windy weather while donning an outfit that provides no warmth, all while obtaining the shot and being compliant?
Have you acknowledged that, after signing with a modeling agency, it can take years before you achieve success (if ever), as your agency works to advance your modeling career?

Are you prepared to spend a large amount of time away from your significant other, your family, your friends, and the comforts of home while taking lengthy overseas trips? When business is sluggish, are you prepared to take a side job that is utterly unappealing? Are you adaptable and willing to undertake a drastic hairdo change if your employer asks you to? By no means are these obligations designed to terrify you; modeling CAN be enjoyable, gratifying, thrilling, and glamorous. Make sure you are prepared to commit regardless of what, and that you are aware of the positive and negative potential on both sides!

11. Build your social media following
If you want to become a fashion model, you probably want to be represented by a modeling agency.
As previously indicated, while you wait for responses from modeling agencies, upload your digitals, practice posing and walking, build a beauty routine, etc.
Amass a following on social media in the meanwhile. Unbelievable as it may seem, it might help you be signed to an agency! Social media following creation is a relatively recent phenomenon.
Nowadays, modeling agencies analyze a model’s online viewership when deciding whether or not to sign them.
Models are frequently used by advertisers, but they increasingly want to hire models that already have a following that they can market to.

Although it is not a prerequisite, having a sizable social media following is a key quality for fashion models. There are currently no indications that this tendency may slow down. So as soon as you can, join the bandwagon. Be judicious in your social media messaging and strategy.

Know your values, be genuine with your followers, communicate with them frequently, and share beautiful photographs! Even further, you can launch a blog, a YouTube channel, or something similar. Due to their massive followings, several unintentional influencers have transitioned into successful professional models.

12. Never let your pride down
You have seen most of the procedures to becoming a model up to this point, but maintaining your pride is just as crucial. You are still a worthwhile person with feelings, thoughts, and opinions regardless of what happens.
Much more than just a gorgeous face, you are.
The majority of fashion models agree to the bookings made for them by their agency, which is acceptable and rather common.
But you must learn to speak out and express your opinion before it is too late if something ever crosses the line or makes you feel uncomfortable. Although we just emphasized that devotion is a crucial quality, there is a thin line.

Never let your career become so important to you that it takes precedence over you and your needs. What do you believe in? Make it clear from the beginning and don’t budge.
The better wealthy you will be, the less anxious you will be about acceptance and approval. Always have your own back and know when to use force. Who will defend you if not yourself, after all?

How many types of fashion models are there?
1. Runway Modeling
2. Plus Size Models
3. Fitness Model
4. Glamour Models
5. Alternative models
6. Parts Model
7. Promotional model

Now that you know how to become a model, you must also know the various career alternatives in modeling and choose the one that best suits you.

1. Runway Modeling
Runway models participate in runway events and are required to routinely change their attire and cosmetics.
A runway or ramp is a platform where models walk to display clothing and accessories during a fashion show. A runway model’s experience affects whether they are hired.

2. Plus Size Models
Plus-size models can be defined as those whose dimensions are larger than editorial fashion models. They participate in the promotion of cosmetics, stylish accessories, and plus-size apparel.
More and more plus-size models are appearing in fashion magazines and working in the fashion business.
The idea of creating clothing for the plus-size market is growing among designers.

3. Fitness Model
A well-defined figure with toned muscles characterizes a fitness model. These models are leaner and heavier due to their increased muscular mass.
These fitness models frequently appear in magazine advertising, but some of them also work as fitness trainers and participate in fitness-related competitions. To find out everything you need to know about how to become a fitness model, read this tutorial.

4. Glamour Models
Glamour model agencies don’t have a set standard for the model’s physical attributes; instead, it varies from location to location what standards they maintain.
These models can be found in calendars, men’s magazines, lingerie modeling, and music videos, with a general focus on a person’s sexual appeal.

5. Alternative models
Alternative models are those unorthodox women who favor participating in punk, goth, and fetish photo sessions and who have unusual physical characteristics.

6. Parts Model
According to a certain bodily part, parts models are used. I can take the form of hands, legs, chest, lips, etc. Unattractive portions are also in demand, despite the fact that attractive parts are the majority of the time. Some representation firms only work with models whose body parts are in demand.

7. Promotional model
A promotional model is a visually beautiful person hired to interact with clients in order to draw them to a product or service. By providing information about the goods, they give customers a real experience. Trade exhibitions, events, shopping centers, nightclubs, and other public locations all feature them.

Frequently Asked Questions

How do you become a fashion model?
There are many different categories of fashion models. So the first thing you need to do is figure out what kind of a model you want to be. Once you have a category determined, you would need to start setting up a portfolio which you will need to field to various agencies so that you can start getting modeling gigs.

What should a fashion model be like?
Generally, fashion models are expected to be tall and capable of carrying a lot of different looks and clothing. While being skinny used to be a common enough requirement, plus-sized models are also increasingly in demand these days.

What do you need as an aspiring model?
The most important thing for an aspiring model is to have a good quality professional modeling portfolio. Your modeling portfolio is a curated sample of your previous work or sample shots that can show potential clients what you look like and what kind of work you are capable of doing.

Content  courtesy of Pixpa & NFH

 

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