Monday 11th of May 2026

Nairobi, Kenya

South African Retailer TFG-The Foschini Group To Beef Up Local Manufacturing

South African fashion retailer TFG (TFGJ.J) wants to locally manufacture 30 million pieces of clothing a year within four years as it increasingly turns away from global supply chains, its CEO said after the company swung to a half-year headline profit.

South African retailers, some of which are still heavily reliant on offshore manufacturing, are grappling with delays in international supply chains which have been compounded by a cyber attack at freight logistics operator Transnet that brought local ports and rail to a standstill.

The owner of British womenswear brands Hobbs and Whistles and the local Foschini clothing brand has fared better than its competitors as it has been bringing production closer to home over the past five years by expanding its own factories and buying new ones.

Today, TFG, formerly known as The Foschini Group, sources 72% of its clothes locally, with offshore accounting for 28%, down from just over 40% four years ago, most of it from China.

TFG CEO Anthony Thunström told analysts that the 30 million units it is aiming for by the company’s 2026 financial year will be manufactured on a quick turnaround basis to improve lead times. It is also increasingly looking to extend its quick turnaround manufacturing capabilities for its non-clothing lines.

“All of these quick response advantages were clearly important in the past but never more relevant than now, Thunström said, citing disruption in far East supply chains and shipping rates up 400% from a year ago.

The clothes, homeware, and jewelry retailer is planning to invest a further 575 million rand ($37.68 million) over the next three to five years to build local manufacturing capability.

TFG swung to a headline earnings per share (HEPS) profit of 393.4 cents in the six months ended Sept. 30, up from a loss of 83.3 cents in the same period last year, and grew sales by 51.8% to 19 billion rand as it recovered from COVID-19 restrictions which forced store closures across its markets.

It declared an interim payout of 170 cents per share after pausing dividends last year.

Content courtesy of Reuters 

Ethiopia Hosts Africa Fashion Gala 2021 At The Skylight Hotel In Addis Ababa

The Africa Fashion Reception, an annual fashion gala has returned to Ethiopia coinciding with the African Union theme for the year “The AU Year of the Arts, Culture, And Heritage: Levers for Building Africa We Want”.

This 2021 edition was held at the Skylight Hotel in Addis Ababa on October 22, a year after it was suspended because of the COVID -19 pandemic.

“It has been very difficult, I think this is the first time the designers are all coming out after the pandemic,” explains Lexy Mojo–Eyes, president of Legendary Gold, the company organizing the event.

“We were expecting 30 designers from 30 countries, but the pandemic has reduced the number, or some it was either because of COVID protocols, the other was about visa fees as a result of COVID, we are hoping that the future will be brighter for all of us,” says Nkosinatyaso, a designer from South Africa.  “For the 15 designers that made it, it was a chance to show the world the beauty of their creativity. Our Africa fashion is very unique unlike overseas and every other culture, so I think we need more platforms where we can show the world what we are made of as Africans.”

However, those who have been in the industry longer say Africa has not yet got the value it deserves from the industry.

“It is about time that African Union supports their own,” says Sant Anzo the director of
Arapapa by Santa, a Ugandan Fashion company, The African Development Bank values Africa’s textile and the fashion industry at 1.3 trillion dollars.

Obstacles to its growth include having over 90% of fashion businesses being small to medium scale. They reportedly stagnate because of lack of government support as well as lack of capital, Others fail because of a lack of intellectual property and the high cost of copyright.

Content courtesy of CGTN Africa & Nairobi Fashion Hub 

 

Ethical Fashion Initiative to Launch Paris Fashion Week Events

The program is launching a showcase for African designers in a bid to attract investors.

PARIS — The Ethical Fashion Initiative is coming to Paris next season, with events during Paris Fashion Week that it hopes will provide international visibility to African designers and attract investors.

The program, funded and managed by Simone Cipriani, is a flagship initiative of the International Trade Centre, a Geneva-based joint agency of the United Nations and World Trade Organization. What started out as a platform for connecting global lifestyle brands with artisans worldwide has expanded into an accelerator for African brands.

Now Cipriani is ready to take the EFI to the next level, beginning with a launch event on Oct. 30 and 31 in Paris that will include exhibitions, a concert, and round tables with designers Margaux Wong from Burundi and Lukhanyo Mdingi from South Africa, who was one of the joint winners of the Karl Lagerfeld Prize at this year’s LVMH Prize for Young Designers.

The event will be held at the 360 Paris Music Factory in the Goutte d’Or district of Paris, home to several designers who will be hosting workshop visits. The EFI has previously brought designers to events in Italy such as Vogue Fashion’s Night Out, Pitti Uomo, and Altaroma.

“We are going to Paris because it’s a progression,” Cipriani told WWD. “Paris is very open and very close to African fashion traditionally, and Paris has also a very active diaspora with a lot of good designers and with a lot of investors who can invest in these designers.”

Cipriani wants to transform the accelerator into a blended finance facility to mobilize investment from inside the African continent, but also from Europe. “Paris is the ideal place to do that,” he reasoned.

Some of the brands in the accelerator are already in discussions with facilities in Africa for investments ranging from 500,000 euros to 1.5 million euros, Cipriani reported. These typically impact investors or so-called “patient” investors, he added, noting the high cost of working capital financing in Sub-Saharan Africa.

For investors outside the African continent, there are potential returns that go beyond the required return for capital invested, Cipriani noted, citing the example of pluvial cotton grown in Burkina Faso, which has a lower impact on the environment.

“We have this whole value chain in Burkina Faso, where we make fabric out of organic cotton, where we make some garments, there are designers, and so on. So investing in these designers is also a way to get into a decarbonized supply chain, it’s also a way to get in a form of fashion which is consistent with the problems of COP26,” he said. “It’s an investment in ESG, more than a specific brand.”

Founded in 2009, the EFI offers a bridge between brands including Vivienne Westwood, Loewe, and Adidas, and some 10,000 artisans in countries including Burkina Faso, Mali, Kenya, Ethiopia, Uganda, DRC, Haiti, and parts of central Asia, though its program in Afghanistan is currently on hold due to the political turmoil in the country.

For Cipriani, investing in fashion design is also a good way to build social capital in African countries, where creative businesses such as fashion, music, and modeling enjoy huge followings on social networks. Above all, he wants to launch a set of events at Paris Fashion Week that will present African brands as international, rather than niche, labels.

Content courtesy of WWD & Nairobi Fashion Hub 

Lagos Fashion Week 2021: The Future Starts Now

Following a pandemic-induced hiatus, Lagos Fashion Week is finally set to return from October 27th-October 30th at the Lagos Fashion Week Tents, Federal Palace Hotel.

#TheFutureStartsNow is the defining theme for this year’s edition which speaks to the need for a global fashion industry that preserves and conserves the environment and values people over profit.

The future of fashion for the next decade and for many more to come starts now. It begins with a community of rising talents springing up across the continent, and with a commitment from our ecosystem to adopt a functional fashion system that delivers environmental, societal, and economic solutions that are beneficial for all.

To kick-off the season, we spent time with designers Cynthia Abila, Pepperow, Studio IMO, Elfreda, Maliko, TJ Who, Babayo, GETO, and Vicnate, alongside their muses Angel Obasi, Saleema, Deola Adebiyi, Wole Babalola, and Abiola Sonaike, who shared with us, their imaginings on the future of fashion in Africa.

“The Future of Fashion to me means smart production/consumption, sustainability, innovation and technology’ – Omafume Niemogha

“The Future of Fashion to me is inclusivity; Everyone gets a seat at the table”- Samatha Adebayo

“The Future of Fashion is in the metaverse for me, a confluence of physical and virtual fashion” – Edwin Okolo

“The Future of Fashion is wearable technology: Smart and intelligent textiles/footwear and garments are fast becoming the new innovation” – Cynthia Abila

While Lagos Fashion Week returns to the physical tents at Federal Palace, this year’s edition will embrace a hybrid model with digital shows highlighting rising talents from across Africa as well as featuring a distinct exhibition of the selected designers’ collections.

Fashion Business Series, a platform designed to facilitate conversations with key stakeholders in the industry will hold digitally on 27th October 2021. Speakers include Aissa Dione, Busayo Olupaona, Chid Liberty, George Gachara, Laureen Kouassi-Olsson, Mariama Camara, Roberta Annan, Tammy Tinker, and Viola Labi amongst others.

This year, as part of our ongoing commitment, to facilitate new conversations and exchange of ideas surrounding sustainability in fashion in Nigeria and Africa, Lagos Fashion Week is teaming up with Fru Girls and PopSwap-a new digital community for the Global Fashion Exchange to host an inaugural digitally-enabled Swap Shop experience in Lagos which will take place from the 28th-30th of October.

Putting into practice the foundations of a circular economy that prioritizes reuse, reduce & recycle, Lagos Fashion Week will facilitate the exchange of pre-owned items through swapping, sharing, donating, and resale.

#LFW2021 Line-Up

● Fashion Business Series: 27th October 2021

● Digital & Offsite Shows: 28th October 2021

● Physical Runway Shows: 29th-30th October 2021

The countdown is officially on! It’s 7 days to go and the city of Lagos will once again come alive as Lagos Fashion Week returns in full force.

Campaign Shoot Credits:

Photography: Demola Mako
Creative direction: Chuchu Ojekwe
Produced by: Style House Files
Makeup: Wura Salvador
Hair: Lush Hair Nigeria
Muses: Angel Obasi, Deola Adebiyi, Saleema, Wole Babalola, Abiola Sonaike
Shoes: Shekudo, Maliko Studios
Jewelry: Milola Jewels
Models: Beth Modelling Agency (Natse Jeide, Chioma Tagbo )

Content courtesy of Lagos Fashion Week & Nairobi Fashion Hub 

Anji Degante Is Using Her Tampa-based Clothing Business To Help Orphaned Children In Kenya.

A Tampa business accepted into the 5508 Small Business Incubator Program is using the opportunity to make an impact beyond the Bay area.

​Anji Degante, the owner of Accent Styles Boutique, has been inspired ever since her 2014 trip to Kenya. She launched her African clothing business three years ago and now a portion of those proceeds benefit orphan children in that community.

“The Maasai tribe that I lived with were extremely traditional,” she said. “If they did not make it they did not wear it,” Degante says she learned a lot about Kenyan culture while living there.

“I’ve seen a lot of things that I wanted to improve,” she said. I thought that I could change Kenya but I feel like Kenya changed me. It made me a better person. It made me more conscious. It made me take a look into sustainable fashion. It made me look at ways to create cultural retention programs.”

After two years in the small business incubator program, Tampa Hillsborough Executive Action Plan CEO Derrick Blue says Degante’s business has become a bankable small business.

https://twitter.com/FadiaTVNews/status/1447299129579917314?s=20

“We have a lot of success stories from individuals that started off with laptops as coworkers in one of our spaces to now being seven-figure companies,” Blue said.

As she continues to be a success, Degante has been giving back to the community that influenced her brand.

A portion of the proceeds at her shop is helping more than 300 children at a Kenyan orphanage with their education, uniforms, and food. Degante says she felt compelled to step in and help when the orphanage’s leader passed away.

She also opened a library in Nairobi, Kenya with books donated from St. Petersburg and Tampa.

“They are definitely like my adopted children I absolutely love them,” Degante said.  She credits her success both locally and abroad to the opportunity she has with 5508.

“One of the things that I love about the rent being so affordable is that I’m able to buy more product, I’m able to hire more employees and I’m able to donate so much of my time,” she said.

Time and effort she says are fueling our local economy while providing resources and a future for orphans in that Kenyan village.

Content courtesy of Spectrum Bay News 9 & Nairobi fashion hub

 

Ozwald Boateng The Black Fashion Designer Who Became The Youngest Tailor on Savile Row

The designer dressed the cast of hit films – The Matrix Reloaded, Lock Stock and Two Smoking Barrels, Black Panther, and Bad Boys 2 London is considered one of the most iconic fashion capitals in the world, with some of the biggest fashion designers hailing from the UK.

From Alexander McQueen to Stella McCartney, high-end fashion is sewn into the fabric of city life but there are some designers who have blazed the trail and made their mark in spaces where Black people are rarely seen.

At the age of 28, a Muswell Hill-born designer decided to open up shop on Vigo Street at the end of the world-famous and prestigious Savile Row.

Ozwald Boateng became the youngest tailor to open a store on London’s sartorial street and went on to dress the likes of Rolling Stones’ Mick Jagger, Led Zeppelin’s Jimmy Paige, and stars of Sex and The City to name a few.

Born to Ghanaian parents, Ozwald used his mother’s sewing machine to design his first collection, but before pursuing fashion, the Londoner studied computing and eventually dropped out to enroll at Southgate College.

His career then took off in his 20s after successfully selling his clothing to a menswear store in Covent Garden, after dressing celebrities and musicians, Ozwald went on to open up a store on Portobello Road with his “Structured Classics”, which he created in line with classic Savile Row Tailoring.

In 1994, the Londoner achieved his first groundbreaking move by becoming the first tailor to hold a catwalk show during Paris Fashion Week as he said, “I knew that if I did a catwalk show in Paris as a tailor I could revolutionize tailoring”.

Months later, Ozwald added another first to his accolades by becoming the youngest tailor to set up shop on Vigo Street at the end of Savile Row, the epicenter of suit tailoring.

The sartorial genius incorporated color from his Ghanaian heritage fused with the distinct British tailoring and eventually opened his Headquarters in Savile Row and a flagship store in 2007.

The accolades for his work began to flood in as the tailor received the Award for Best Menswear Designer at the Trophées de la Mode in Paris and credits in Vanity Fair for “leading the way in British men’s tailoring”. In 2002, the fashion designer won Best Menswear Designer at the British Fashion Awards.

Ozwald’s success drew the attention of Hollywood A-listers and the tailor went on to dress the cast of films such as The Matrix Reloaded, Lock Stock and Two Smoking Barrels, Black Panther, and Bad Boys 2.

Away from the camera, the 54-year-old dressed stars for red carpets included the likes of Will Smith, Jamie Foxx, and Daniel Day-Lewis, who wore a diamond cloth suit to the Oscars worth $150,000.

In 2003, Ozwald became Creative Director of menswear for high-end French Fashion House Givenchy as his influence continued to grow internationally.

Then in 2006 the world-class tailor was awarded an O.B.E by the Queen and named an “Officer of the Order of the British Empire” for his services to the fashion industry.

The days of sitting at his mother’s sewing machine were now far behind him as Ozwald continued to be decorated for his great achievements.

The Londoner received an Honorary Degree (Master Of Arts) from The University of Creative Arts as well as an honorary doctorate from the University of Arts London both for his contributions to the fashion industry.

But his recognition from academics wasn’t limited to the UK as the tailor was awarded Harvard University’s Veritas Award.

Not forgetting his roots, Ozwald has been involved in giving back to his origins in Ghana and the continent of Africa overall. In 2006, the designer held a historic show at the state banquet of the 9th annual African Union summit held in Accra, Ghana to recognize 200 years since the abolition of Slavery and the country’s independence from Britain.

Content courtesy of My London & Nairobi fashion hub 

Africa Fashion Week London (AFWL) 2021

The largest annual African fashion event in Europe, Africa Fashion Week London, is back for Season 10!  Africa Fashion Week London (AFWL) is Europe’s largest fashion event promoting and nurturing African and African-inspired design talent

With a collaborative catwalk, exhibition, and business development program, AFWL has led the way in highlighting Africa’s emerging designers and apparel industry and has been at the forefront of bringing awareness of Africa’s burgeoning fashion industry to the international market.  AFWL has hosted 9 catwalk events and contributed expertise to at least 10 more events produced by 3rd parties such as The Mayor of London’s Black History Month celebrations

We have also showcased over 900 emerging designers & exhibitors, from Africa, Europe, and America, to almost 75,000 visitors including buyers, retailers, influential industry professionals, and the media, and is now a highlight on the annual fashion calendar.

AFWL brings value to designers through, contacts, experience, and knowledge within the fashion community. With a core team made up of experienced fashion industry experts and business professionals, AFWL is committed to creating a platform for African and African inspired designers that not only showcases them to an international market but also supports them in building a sustainable business that is globally recognized and promotes social change in Africa.

About Africa Fashion Week London

AFWL has hosted seven catwalk events since its inception in 2011 and contributed expertise to more than 12 events produced by 3rd parties such as The Mayor of London’s Black History Month celebrations and the annual Africa Centre Summer Festival. We have also showcased over 900 emerging designers & exhibitors, from Africa, Europe, and America, to almost 80,000 visitors including buyers, retailers, influential industry professionals, and the media, and is now a highlight on the annual fashion calendar.

Content courtesy of Move Me Back and Nairobi Fashion Hub 

Birimian Unveils the First Cohort of the IFM-Birimian Accelerator x Africa, the Accelerator Program Launched with Institut Français de la Mode

Birimian, the first operational investment company dedicated to African luxury and premium heritage brands, has selected the finalists of its first call for applications (see list below). These finalists will join the acceleration program IFM-Birimian Accelerator x Africa, in partnership with Institut Français de la Mode (IFM). The designers selected will also be highlighted at the Première Classe event organized by WSN as part of Paris Fashion Week on October 1–4, giving the brands valuable exposure to the European fashion scene.

Launched in June 2021, IFM-Birimian Accelerator x Africa is an innovative acceleration program for emerging African heritage brands in the fashion, accessories, and jewelry sectors. Every year for ten months, the program, funded by Birimian, intends to support ten young designers selected by a committee of experts from the international creative scene. The brands participating in the program will also receive investment and/or consulting and support services from Birimian.

The accelerator program provides essential tools to develop emerging brands:

  • Defining a brand platform
  • Strengthening the creative process
  • Targeting the relevant audience
  • Establishing a consistent marketing strategy
  • Financial management
  • Planning and structuring of collections
  • Distribution strategy
  • Communication policy, and more.

This program is a unique opportunity for designers and emerging brands, both on the continent and in the diaspora, to get strategic, operational, and financial support for ten months, thus allowing them to make their activities more professional and organized. It is a program focused on training the young African creative guard and promoting creative entrepreneurship.

The talent identification process took two months and involved scouting, active engagement with brands, and selection of candidates from three segments: ready-to-wear (general public and premium) for 80% of the brands, ready-to-wear fashion (premium and luxury), and accessories for 20%. 85% of them are “made in Africa.” Their collective customer base reflects Birimian’s ambitions with a strong openness to the international market (40%) and significant potential for influence beyond the borders of the continent. 80% of them boast a revenue of over $US50,000, one of the main selection criteria.

The first group, characterized by a geographic diversity representative of the continent’s main economic hubs, illustrates the richness of the brands’ creative worlds. It includes the following finalists:

Laureen Kouassi-Olsson, CEO of Birimian, commented, “The class of designers invited to join the IFM-Birimian Accelerator x Africa program embody the new creative African guard: reinvented tradition, undeniable creative talent, Afropolitan, urban, and digitally focused on the world, proudly showcasing their heritage through collections whose originality no longer needs to be proven.

However, it remains fragile, hence the need to strengthen their basics and provide them with operational, strategic, creative, and financial support. This is the entire purpose of this program, which is fully aligned with our investment strategy. The network of experts it draws on and the unique access to the ecosystem of the French and European creative scene will inevitably create value. We cannot wait to warmly welcome them to Paris alongside Institut Français de la Mode.

“The 10 brands selected for this first intake of the IFM-Birimian Accelerator x Africa are full of creative talent and ambition for their development. The designers and entrepreneurs will work on all the components of their brand with the objective of not only boosting their reputation but also developing sustainable businesses in an international ecosystem while preserving their African heritage.

The right balance will be struck by working together towards creative, inclusive and sustainable entrepreneurship”, concludes Thomas Delattre, Director of the Fashion Entrepreneurship Center at Institut Français de la Mode.

About Birimian
The first operational investment platform dedicated to African luxury and premium heritage brands, Birimian supports designers on the continent in their growth and international development over the long term. Birimian’s main objective is to accelerate the international emergence of African creators by positioning itself as their major partner in four main sectors: fashion, accessories, beauty & cosmetics, and gourmet.
Birimian is aimed at brands that carry the continent’s culture, tradition, history, and cultural heritage, magnificent in its diversity, in their DNA and identity, brands that adapt to modern and contemporary codes.

About IFM
Institut Français de la Mode is a higher education institution, a training center for apprentices, a provider of executive education, as well as a center of expertise for the textiles, fashion, and luxury industries. It offers 16 educational programs at vocational, Bachelor, Master, Executive MBA, and doctorate levels, which prepare students for all the professions in the fashion industry in the fields of management, design, and craftsmanship.
Based in the heart of Paris on a new 9,000 m² campus, Institut Français de la Mode welcomes more than 1,000 students of some fifty nationalities – managers, designers, technicians, entrepreneurs – encouraging meetings, collaborations, and cultural effervescence.

Institut Français de la Mode is a member of HESAM Université, of the Conférence des Grandes Ecoles and of the International Foundation of Fashion Technology Institutes (IFFTI). It is supported by the French Ministry of Economy. It is recognized by the French Ministry of Higher Education.

Content courtesy of IFM-Birimian Accelerator x Africa 

 

 

Oakland Clothing Designer Sources Textiles from Africa

How an Oakland clothing designer Ade Dehye is challenging fashion industry norms, sourcing directly from Africa with his 100% Black-owned and operated brand, “Tunde” Ahmad is merging textiles from Ghana with urban streetwear designs.

East Oakland’s Akintunde “Tunde” Ahmad had long wanted to visit the African continent and reconnect with his ancestry. When he arrived at the University of Ghana in Accra in 2016, taking a semester off from Yale to study abroad, he was captivated by everything about the bustling city.

“I was fortunate to be able to go for an entire semester and have a deeper and longer connection out there, learning African history from an African perspective, rather than Eurocentric or American perspective,” he said. “I was able to dispel a lot of myths and stereotypes that are negative, overwhelmingly, and put into our heads about the continent.”

One of the most stunning revelations to Ahmad was how prosperous Ghana’s fashion industry is but not in the fast-fashion, the mass-produced way we’re accustomed to in America. In Accra, you’ll see a lot of people in completely custom outfits, rather than something you’d find at a chain store.

The reason: It’s extremely easy to access affordable tailors, along with endless unique fabrics, from bògòlanfini (traditionally dyed with fermented mud) to woven kente (a handwoven cloth with strips of silk and cotton).

“Even every dorm on campus had a tailor,” he said. Ahmad started getting garments made and visiting different fabric markets. “The tailors get your measurements and can make different custom pieces.”

These experiences laid the groundwork for what is now Ahmad’s successful clothing brand in Oakland, called Ade Dehye, which uses custom West African textiles sourced directly from Ghana to create urban streetwear designs. It’s all operated under an ethical business model that aims to respect, rather than exploit, African culture and workers.

“It was a very natural progression,” he said. “I never really had a huge interest in fashion. But once you actually get to try stuff and see how it looks on yourself, that is how I caught the fashion bug.”

Now, his 100% Black-owned and operated brand works with a dozen tailors in Accra to create around 250-300 pieces at a time. Ade Dehye is known for its fusion of intricate prints stylized as streetwear, bomber jackets, lined trench coats, and two-piece outfits that you can mix and match. The pieces are then shipped to Oakland and sold online or through pop-ups. The timeframe from Ahmad selecting the fabrics and designs to receiving the garments can take anywhere between 10 weeks to five months.

“There needs to be more investment in Ghana, in the continent as a whole,” Ahmad said. “And not just in the clothing industry, but in industrializing the country as a whole, and getting West Africa more up to speed and competitive with the rest of the world in every sector.”

Although Ahmad wasn’t always interested in fashion, he was familiar with West African textiles. His mom often wears clothing made out of West African prints, so Ahmad was exposed early on to textiles like Kente cloth, Ankara, and mud cloths. “I was no stranger to these fabrics. But I’d never been able to get stuff tailor-made to me,” he said.

Ahmad’s path to fashion wasn’t always clear, but he always had a goal to make a difference. When he graduated from Oakland Tech High School in 2014 he was praised on national television for his achievement as a senior who was accepted into some of the most elite Ivy League universities. Ahmad received his bachelor’s in sociology from Yale in 2018, and his master’s in journalism and documentary film from Columbia Journalism School in 2019.

“I got a lot of attention for [my college acceptances], and I always wanted to return the favor to come full circle and actually get into education,” he said of his goal to return home and pay it forward like he watched his mom do as being an educator with the Oakland Unified School District for three decades.

While he wanted to make his way home eventually, he decided to stay in New York to work as a journalist and filmmaker in Harlem after graduating from Columbia. But when COVID-19 hit, he and his partner, Elena, traveled back home to Oakland for what was supposed to be no more than a 10-day shelter in place. They ultimately canceled their return flight to New York and stayed in the Bay Area.

When he came home, he got the opportunity to teach at OUSD’s African American Male Achievement program, designed to improve academic and life outcomes for male students. At the same time, he took part in the prestigious Ida B. Wells fellowship in investigative reporting. While Ahmad was forging a budding journalism career, he never stopped thinking about the time he spent in Ghana. He started dreaming up creating a 100 percent Black-owned brand solely sourced and produced out of Ghana.

Having no fashion knowledge other than what he learned during his time abroad as a college student, he reached out to the people in the fashion industry he had met during his stay back in 2016. One of them was local Ghana fashion designer Awurama Mankatah, owner of the Threaded Tribes clothing brand.

So far, Ahmad has self-funded the entire project, and money generated from pieces sold is reinvested into the brand.

Because tailors in Ghana specialize in making a limited number of custom-made pieces at a time, one of the biggest challenges was recruiting them to be involved. He leaned on Mankatah for guidance on finding the right tailors, as well as learning how long certain handmade fabrics take to make, and the different types of stitching and patterns. The roughly dozen tailors that work for Mankatah also work for Ahmad, and the entire manufacturing operates out of Accra.

For the most part, Ahmad has worked remotely to bring his vision to life, but he was able to travel to Ghana this past February.

From the beginning, Ahmad wanted to ensure his brand helped the African workers he partnered with financially and didn’t become an exploitative source as is the case in so many industries operating on the continent. Cacao is one of the most obvious examples of how Western countries take advantage of West Africa’s natural resources with little benefit to locals. While Ghana is currently one of the largest exporters of cacao, Western Europe and the United States have the highest number of chocolate manufacturers reaping profits.

“You see all of these folks from other places coming in and running things, and you understand this is a raw resource grab,” he said.

Ahmad knew he was taking a risk with his ethical vision for how to run Ade Adehye given how much easier and more lucrative it would be to run the brand out of China’s mass production infrastructure. “I purposefully chose not to do that,” he said.

So far, Ahmad has hosted two pop-ups, one in Alameda in May and one in downtown Oakland in August. During the Oakland pop-up inside Dish Boutique on 23rd Street, friends and visitors got the chance to mingle with Ahmad, ask questions about the pieces, and walk away with shopping bags filled with unique garments priced at $80-$250, which Ahmad says is a reasonable price for the handwoven items given the labor-intensive hours that go into making the garments.

Ahmad’s ultimate goal is to help other Black entrepreneurs follow the blueprint that he created with the help of other people in the fashion industry like Mankatah of Threaded Tribes to show how it is possible to run an ethically and sustainable company that’s successful.

For now, he’s getting ready to travel to Ghana for the second time to start working on what new pieces he will add to the Ade Dehye collection. In the end, he is keeping accessibility and his hometown in mind as he rolls out designs.

“I want to see my folks wearing my stuff. I come from East Oakland, I come from Oakland public schools, folks aren’t going to be paying $800, $900 for a trenchcoat,” he said. “I want the pieces to be accessible to my folks. It’s more about brand integrity, having morals and values that I’m trying to stick to.”

Content courtesy of The Oakland Side & Nairobi fashion hub

 

Met Gala 2021 The Best Dressed on the Red Carpet

Last night saw the long-awaited return of the Met Gala, an event that is often dubbed ‘the Oscars of fashion, and which always sees celebrities and designers pull out all the stops to create truly memorable red-carpet moments. After 18 months of cancelled events as a result of the Covid-19 pandemic, last night’s gala was even more special than usual as the biggest supermodels, actresses, sports stars and influencers made their way up those very famous steps for the first time in a while.

This year’s exhibition, and therefore the accompanying theme, was ‘In America: A Lexicon of Fashion’ or ‘American Independence’ which celebrates the Costume Institute’s 75th anniversary and explores a modern vocabulary of American fashion. When it came to the gala outfits, we saw both obvious and subtle nods to American fashion, culture, and history, while plenty of American designers were represented at the event.

It was a truly exciting night for fashion and there were plenty of memorable red-carpet moments.

One of America’s greatest exports is the image of the rugged cowboy, so it’s honestly surprising that the beige carpet at the Met Gala 2021 wasn’t full of spurs, wide-brimmed hats, and sturdy boots. Despite that, plenty of stars lived up to the “In America” theme by embracing Western wear in some way. From Leon Bridges who went traditional in a fringed Bode jacket to Jennifer Lopez who channeled a couture adventurer in an earthy brown Ralph Lauren gown, the looks that embraced the West were also the ones that felt riskiest and most alive.

Ben Platt, in Christian Cowan and Lupita N’yongo, in Versace, both embraced denim, while Shawn Mendes opted for a shirtless look in leather pants by Michael Kors. Kacey Musgraves was more abstract in an equestrian-inspired high-waisted skirt and boots by Ralph Lauren, while Kim Petras honored her childhood as a horse girl by wearing a spectacular printed Collina Strada gown complete with a horse’s head hanging from her neck.

Iman in Harris Reed

It takes a lot to steal attention on the Met Gala red carpet, but Iman managed to do exactly this in a striking look by Harris Reed. The model wore a completely handmade crinoline and gold leaf gown, jacquard bustier, and flares, with an enormous statement hat which Reed created in collaboration with Vivienne Lake. The stylist described the moment as their “biggest dream come true to date”.

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Zoe Kravitz in Saint Laurent

Post-pandemic, naked dressing is definitely back on the menu. This was proven by a number of stars last night, including Zoë Kravitz, who looked absolutely breathtaking in a completely sheer, beaded Saint Laurent gown, with sparkling Jessica McCormack diamonds.

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Paloma Elesser in Zac Posen

Model Paloma Elesser was the picture of old Hollywood glamour in a deep red satin gown by American designer Zac Posen, which featured a dramatic feathered train.

Kendall Jenner in Givenchy

Supermodel Kendall Jenner is no stranger to the Met Gala, and she is also no stranger to a sheer dress, but last night’s custom Givenchy ensemble may have been her best effort to date. The gown – which was embellished with crystals and featured a fishtail train and a jewelled neckpiece – was inspired by the house’s most famous muse, Audrey Hepburn, and a dress she wore in My Fair Lady.

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Lupita Nyong’o in Versace

While there was plenty of amazing fashion to be seen last night, the Met Gala theme of ‘American Independence’ was not always obvious with every single look. However, Lupita Nyong’o ticked all the right boxes with her denim Versace ballgown, which definitely nodded to all things USA.

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Rihanna in Balenciaga

It was a big night for Balenciaga with the house responsible for dressing some of the biggest stars in the world. This included Rihanna, always the queen of the Met Gala red carpet, who this year wore a black voluminous gown and beanie from the house’s latest couture collection, which she paired with lots and lots of Bulgari diamonds.

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Gemma Chan in Prabal Gurung

British actress Gemma Chan pulled out all the stops with her embellished Prabal Gurung mini dress, which featured a dramatic mint-green train. The dress was a tribute to Anna May Wong, the first Chinese-American film star of Hollywood’s golden era. “A trailblazer, fashion icon, and woman ahead of her time – she paved the way for those who came after and continues to inspire,” Chan wrote.

Michaela Coel in Balenciaga

It was Michaela Coel’s first time at the Met Gala, and she certainly did not disappoint. The actress, writer, and director arrived in a full Balenciaga look, where she was covered in sequins. The jumpsuit was made in a bright electric blue colour, which was presumably a nod to the American flag.

Kaia Gerber in Oscar de la Renta

Another star that nodded to old Hollywood glamour was Kaia Gerber who looked timeless and beautiful in a strapless black ball gown by Oscar de la Renta. The custom black faille gown featured ivy vines, which were made of black thread-work embroidery and lined the top of the corset bodice.

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Normani in Valentino

Normani had a picture-perfect moment in a Valentino couture gown for the 2021 Met Gala. The dress featured an enormous skirt, a dramatic train, and huge sleeves, all of which made for big, head-turning fashion, which is what this event is all about.

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Content courtesy of Harpers Bazaar, Met Gala & Nairobi fashion hub 

Everything We Know About the 2021 Met Gala

The 2021 Met Gala is tonight, September 13th, with live red carpet coverage starting at 5:30 p.m. EST. Typically held annually on the first Monday in May, the Met Gala aka fashion’s biggest night of the year returns this year as a smaller, more intimate affair than in years past.

(The soirée was canceled last year, and postponed to this September, due to COVID-19.) While it may look a little different this year, there will still be a red carpet filled with fabulous fashions and celebrity sightings.

So, ahead of the big bash, here are all the details we know about the event thus far including what the theme is, who’s hosting it, what the Costume Institute exhibit will entail, and what we can expect to see on the step and repeat.

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What is the Met Gala?

The Met Ball, or Met Gala, is the fashion world equivalent of the Oscars. It’s an evening when designers, models, and Hollywood stars convene in the year’s most over-the-top looks to celebrate and fundraise at a new exhibit from the Metropolitan Museum of Art’s Costume Institute. Typically, everyone dresses to the theme, and according to the feel, of the exhibit; past themes have included camp, religion, punk, and more.

When and where is it?

The 2021 Met gala will be held as an intimate gala on September 13, at the Metropolitan Museum of Art in New York.

What’s this year’s theme?

The 2021 Met gala is focused on celebrating all things American fashion. Andrew Bolton, the Wendy Yu Curator in Charge of the Costume Institute, felt it was time to reexamine American identity and fashion, especially as it has changed over the last several years due to both political and social justice movements.

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“I’ve been really impressed by American designers’ responses to the social and political climate, particularly around issues of body inclusivity and gender fluidity, and I’m just finding their work very, very self-reflective,” he told Vogue.

“I really do believe that American fashion is undergoing a renaissance. I think young designers, in particular, are at the vanguard of discussions about diversity and inclusion, as well as sustainability and transparency, much more so than their European counterparts, maybe with the exception of the English designers.”

What will the exhibit look like?

The Costume Institute will actually present a two-part 2021 exhibit, “In America: A Lexicon of Fashion” and “In America: An Anthology of Fashion.”

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Part one of the exhibition, “A Lexicon of Fashion,” will open on September 18 at the Anna Wintour Costume Center at the Met, marking the Costume Institute’s 75th anniversary. The exhibit will be organized to resemble a home, with intersecting walls and rooms that will establish what Bolton calls “a new vocabulary that’s more relevant and more reflective of the times in which we’re living.” Pieces from Christopher John Rogers, Sterling Ruby, Conner Ives, Prabal Gurung, and Andre Walker will be featured in part one of the exhibition.

Part two, “An Anthology of Fashion,” will open on May 5, 2022, in the period rooms of the museum’s American Wing. Bolton and the museum’s curatorial team will work with American film directors to create cinematic scenes within each room that depict a different history of American fashion. (A second Met gala will also take place on May 2, 2022, to mark the opening of “An Anthology of Fashion.”)

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Who will be this year’s hosts?

Every year, the Met Gala has a number of cochairs who help host the event. For the 2021 Met gala, Timothée Chalamet, Billie Eilish, Amanda Gorman, and Naomi Osaka will co-chair the affair, while Tom Ford, Instagram’s Adam Mosseri, and Anna Wintour will serve as the honorary chairs.

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Will there be a red carpet?

Yes! While it’s a more intimate affair this year, to follow COVID-19 safety protocols, there will still be a step and repeat happening on the iconic Met steps. Get ready to take in all of the bold, outré ensembles.

Is there a formal dress code?

Yes. American Independence is the official dress code listed on the invitation for the 2021 Met gala. Expect this to be translated in more ways than one, though—from flashy star-spangled outfits to classic gowns made by American designers. With the Met Gala, the number one rule is to always expect the unexpected.

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Who’s invited to the Met Gala this year?

Part of the fun of the Met gala is not knowing who will show up! Designers typically invite the buzziest celebrities of the moment as their guests, so you can expect some big Hollywood names on the carpet.

Can I watch the Met Gala?

Yes: Vogue will be broadcasting the only official Livestream from the event, providing unprecedented access to the splashy event. Beginning at 5:30 P.M. EST, the Livestream can be viewed here on the night of, and it will even be hosted by two special guests: Actor and recording artist Keke Palmer, and actor, writer, and director Ilana Glazer. Together, they will provide unprecedented access to the Met Gala’s famous red carpet, interviewing high-profile guests as they arrive in grand style.

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Are there Covid safety protocols in place?

The health and safety of guests and staff are a top priority. All attendees must provide proof of full vaccination, provide a negative rapid PCR test the day before, and wear proper face coverings when indoors except when eating or drinking.

Content courtesy of Vogue Magazine & Nairobi fashion hub  

Kenyan Genge Musician Nonini Launches Footwear Line In US, Shoe Designed in Italy

Kenyan rapper Hubert Nakitare better known as Nonini has launched a footwear line under his Mgenge2RU in the US. The artiste confirmed the info through his social media platforms. The shoe edition was created by Italian master-crafts, AliveShoes, who have many of their shoe editions appearing in international magazines like Vogue.

According to Nonini, he has invested over Ksh 2million in the shoe line and hopes the merchandise gets global recognition. “The shoes going for Ksh24, 000 are real international quality wear. They have been produced and endorsed by one of the best Italian shoe companies,” said the rapper.

His latest design is a unique and limited edition shoe wear in which he has collaborated with Italian master-crafts AliveShoes, through its founder and CEO, Luca Botticelli, AliveShoes, certified Nonini’s designer shoes for distribution and sale to the public this week.

The announcement comes days after Nonini and his team met the Floyd Mayweather African team in Las Vegas to discuss collaborative ideas they can work on touching on the apparel business.

“The US is a lucrative market because as you know, their economy is thriving and that is why my products are doing well here,” he expounded on his choice of launching in the US. Besides seeking performance opportunities, the rapper relocated to the United States of America four months ago, where he has been consulting on how to expand and monetize his ‘Mgenge2Ru’ brand.

“I am still working on my music with two major collaborations; one with Redsan and the other with Tanzanian rapper Chege, coming out soon. But I have discovered that all creatives in the world including US rapper Kanye West are trying to make it through brands.

“Fashion can take you places including those international fashion platforms like the New York Fashion week and so I have my eyes on the prize. This is where all my focus is now,” the celebrated hip-hop star who was part of the Kenyan hip-hop revolution in the 2000s said.

Popular for his big songs such as ‘Furahiday’, ‘Mtoto Mzuri’, ‘Keroro’ and ‘Nimetoka Mbali’, Nonini started working on his fashion design Mgenge2Ru when he was still at Calif Records.

He recalls how he would visit Gikomba market to buy clothes that he would then brand and sell to his fans. This is how the popular Calif Records T-shirts came up.

“It is only that Mgenge2Ru apparel is exploding now otherwise what people are seeing now is a result of constant work dating back many years. The time I have put in this cannot be measured.

“In the last two years, I have put in about Sh2 million into the work and that tells you that since I have no partner this is a real investment that has gone into it. I am trying to create merchandise that is self-sustainable and one that earns itself a good international identity. This is a game-changer,” he said.

Nonini’s music career is also thriving.

“Last Saturday I performed in Oakland in California among other shows and it is during my interactions with fans that I am learning what they want in terms of fashion,” Nonini said.

Nonini is not the only Kenyan making it big in the US when it comes to fashion designs.

Zedekiah Lukoye, aka Zeddie Loky, the founder and CEO of California-based Blkkburd Genes has been making waves in the US with his designs showcasing Kenya’s exquisite features, recently, he hit international headlines after rapper Jay-Z was spotted wearing his designer T-shirt showing Lamu’s Riyadh Mosque.

Each pair of kicks comes with collector edition packaging, You can buy your own pair here.

Mgenge 2Ru Kicks 
Mgenge2ru Jeshi Ed
Mgenge2RU Ladies 
Mgenge2ru Kids 
Mgenge2ru Kids 

Content courtesy of Mgenge 2ru Brand & Nairobi fashion hub 

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