Saturday 24th of October 2026

Nairobi, Kenya

Met Gala 2024: Everything They’re Wearing On The 2024 Met Gala Red Carpet And Who Wore The Best Dress At The Event.

One more Met Gala to add to the collection today. With the theme “Garden of Time” and the title “Sleeping Beauties: Reawakening Fashion,” celebrities, designers, and stylists alike occupied the Upper East Side for the 2024 Met Gala. The greatest red carpet trends (apart from lace, corsets, and leather) included birds, loads of florals, and tributes to John Galliano. Stylists combed into the archives to find looks inspired by gardens for their themes. The Loewe crew, which included Taylor Russell, Greta Lee, and Josh O’Connor, was astonished, while Tyla ruled the red carpet in Balmain. Zendaya debuted two looks. Loewe? It’s all explained here.

Who walked the red carpet at the 2024 Met Gala?
Chris Hemsworth, Jennifer Lopez, Bad Bunny, and Zendaya appeared first as hosts. And thank God, Zendaya gave us two Met Gala moments when we really needed one! When Tyla arrived wearing a “sand” outfit, she essentially walked the red carpet. Ayo Edeberi, Lauren Sanchez, Taylor Russell, Omar Apollo, Mike Faist, Gracie Abrams, Nicholas Galitzine, Rachel Sennott, and Angel Reese were among the many notable first-timers in attendance. Additionally, Shou Chew, the CEO of TikTok, and Jonathan Anderson of Loewe were honorary chairs. Surprisingly, though, none of the major TikTokers made their red carpet appearance.

Who did you think looked the best at the Met Gala?
We adored Gwendoline Christie in a bespoke Maison Margiela, Emma Chamberlain in a Jean Paul Gaultier, Zendaya in a John Galliano, Jennifer Lopez in a custom Schiaparelli Haute Couture, and Gigi Hadid in a Thom Browne. See our most creative, bizarre, and terrible looks here.

What was the theme again?
The Costume Institute at the Metropolitan Museum of Art chose a slightly less contentious option following last year’s tribute to Karl Lagerfeld. “Sleeping Beauties: Reawakening Fashion,” an exhibition organized by the Costume Institute, focuses on forgotten and delicate clothing. Current pieces by designers Phillip Lim and Stella McCartney are on display, along with archival designs from fashion icons like Elsa Schiaparelli, Yves Saint Laurent, Christian Dior, and Haut de Givenchy, to mention a few. Regarding the dress code (yes, they do differ), it focused on “The Garden of Time” and offered participants the option to play with the garden aspect or give a reference to the past with more vintage designs and artifacts.

Did Rihanna Show Up?
We lost out on Rihanna when she first announced she would be there, but a source later revealed to People that she is sick. Although disappointing, the event concluded on schedule.

The Met Gala 2024 unfolded on May 6, with attendees bedecked in enchanting ensembles, perfectly aligning with the event’s theme, “A Garden in Time,” inspired by the exhibit “Sleeping Beauties: Reawakening Fashion.” Leading the charge were luminaries such as Jennifer Lopez, Zendaya, Chris Hemsworth, and Bad Bunny, who graced the iconic steps of the Metropolitan Museum of Art in support of the museum’s Costume Institute. As guests traversed the red carpet, anticipation mounted over who would defy conventions and whose attire would etch itself into the annals of Met Gala history.

Amidst the allure and intrigue surrounding the event, we meticulously documented over 160 celebrities and their sartorial choices. From daring creations that push the boundaries of fashion to timeless classics exuding elegance, every ensemble promises a captivating visual feast. Would any appearances rival the most controversial outfits of all time, or would they ascend to the pantheon of the best-dressed? As the evening unfolded, the suspense was palpable, with speculation rife about surprise guests and the stalwarts of the Met Gala circuit, including luminaries like Blake Lively and Sarah Jessica Parker.

Our live blog chronicled each momentous arrival, capturing the essence of Fashion Prom in real-time. From the captivating red carpet debuts to the intricacies of each ensemble, no detail was overlooked. Following the main event, our curated list of best-dressed celebrities provided insights into the most captivating and trendsetting looks of the evening. And for those craving more, our coverage extended to the exclusive afterparty, unveiling a trove of unseen photos capturing the essence of post-Gala revelry.

Stay tuned as we unravel the captivating tapestry of fashion and spectacle from the Met Gala 2024, where every moment is an ode to creativity, extravagance, and the enduring allure of haute couture.

Content courtesy of The Cut & NFH Digital Team

The Evolution of Fashion in the Era of TikTok: A Transformative Influence on Style and Consumerism

As the potential for a TikTok ban looms, the platform takes center stage at fashion’s pinnacle event, the Met Gala. A pivotal scene from the iconic movie “The Devil Wears Prada” encapsulates the intricate machinery of the fashion world. Miranda Priestly, portrayed by Meryl Streep, presides over a pivotal decision on photo-shoot looks, illustrating how choices in elite fashion circles trickle down to shape consumer preferences. This enduring monologue not only elucidates the workings of the fashion industry but also underscores its profound societal influence.

The emergence of TikTok as a sponsor for this year’s Met Gala has sparked discussion, particularly in light of legislative actions potentially affecting the platform’s operations. Moreover, Vogue’s alignment with TikTok reflects a broader shift in fashion dynamics, where the platform has propelled fast fashion and unconventional trend cycles to the forefront, redefining the landscape of sartorial influence.

While Instagram revolutionized fashion by democratizing access to trends and fostering influencer culture, TikTok’s impact has been more disruptive, fundamentally altering the traditional hierarchy of fashion influence. No longer solely dictated by designers or marketing executives, fashion trends now emerge organically from the platform’s diverse user base, epitomized by the likes of trend forecasters like Mandy Lee.

The synergy between TikTok and the rise of ultrafast fashion, epitomized by brands like Shein and Zara, has reshaped consumer behavior, with online shopping becoming both an activity and a performance. Unlike traditional e-commerce platforms, TikTok’s algorithm-driven content facilitates the exploration of eclectic trends and aesthetics, transcending conventional fashion narratives.

TikTok’s influence extends beyond mere trend dissemination; it has become a cultural barometer, reflecting and shaping societal attitudes toward fashion. From cottagecore to indie sleaze, the platform has incubated and popularized diverse aesthetics, challenging the hegemony of established fashion norms. Moreover, TikTok creators have emerged as influential arbiters of taste, democratizing access to fashion knowledge and discourse.

Despite initial skepticism from traditional fashion houses, TikTok’s ascendancy has compelled brands to reassess their engagement strategies, with an emphasis shifting toward authenticity and relatability. Creators like Charles Gross and Izzi Allain have bridged the gap between luxury fashion and everyday consumers, demystifying haute couture and fostering a more inclusive dialogue around style.

Ultimately, TikTok has democratized fashion discourse, empowering individuals to participate in shaping trends and challenging established fashion paradigms. As the industry grapples with evolving consumer preferences, TikTok remains at the forefront of fashion’s transformative journey, heralding a new era of style, democracy, and creativity.

Content courtesy of NFH Digital Team

Meet the Women Changing the Face of Fashion in the Era of Female Designers

Empowering Female Designers, Vogue Celebrates Women’s Contributions in Fashion, In an era where female designers are making significant strides in the fashion industry, questions persist about the obstacles they continue to face in securing their rightful place. Vogue, a beacon of style and influence, shines a spotlight on a diverse array of women whose talent, creativity, and impact defy gender stereotypes and speak volumes about their contributions to fashion.

The pages of Vogue serve as a platform to celebrate the achievements of female designers from around the world, showcasing their innovative designs, groundbreaking concepts, and unwavering determination. Through compelling narratives and stunning visuals, Vogue champions the voices of these trailblazing women, amplifying their stories and highlighting the unique perspectives they bring to the table.

From established fashion houses to emerging labels, Vogue’s coverage encompasses a global spectrum of female talent, representing diverse backgrounds, cultures, and aesthetic sensibilities. These women are not only shaping the fashion landscape but also challenging the status quo, pushing boundaries, and redefining industry norms.

Yet, despite their undeniable talent and contributions, female designers often find themselves confronting systemic barriers and biases that hinder their progress. Vogue’s coverage delves into the complex dynamics at play within the fashion industry, exploring issues of gender inequality, lack of representation, and the persistent challenges faced by women in positions of leadership.

Through thought-provoking interviews, insightful commentary, and thoughtfully curated features, Vogue sparks important conversations about the need for greater inclusivity, diversity, and equity within the fashion ecosystem. By amplifying the voices of female designers and shedding light on their experiences, Vogue advocates for positive change and strives to create a more inclusive and equitable future for all.

In celebrating the achievements of female designers, Vogue reaffirms its commitment to championing diversity, empowering women, and fostering a more inclusive fashion industry. With each issue, Vogue reaffirms its dedication to showcasing the talent, creativity, and resilience of women who continue to shape the world of fashion and inspire generations to come.

Sarah Burton, Alexander McQueen

Last October, Burton departed the label she oversaw for 13 years with a show that was a glorious tour de force, underscoring her strengths: scalpel-sharp tailoring and exquisite artisanal effects.

Nadège Vanhée-cybulski, Hermès

You likely won’t know her because, as always with the storied French house, the team comes first. But her impeccably made clothes resonate with intimacy and intelligence.

Louise Trotter, Carven

For Trotter’s 2023 debut for Carven (founded in Paris in 1945 by Marie-Louise Carven), she played to her own strengths and those of the house: fashion and functionality, writ large.

Rachel Scott, Gaëlle Drevet, Aurora James, Emily Adams Bode Aujla, Catherine Holstein

Stephens Auditorium: The Fashion Show members reflect on Midnight Bloom

The 42nd annual Fashion Show commenced with grandeur on April 20th at Stephens Auditorium, marking a celebration of creativity and innovation within the student designer community. With this year’s theme, Midnight Bloom, as their guiding muse, more than 75 student designers embarked on a journey of artistic exploration and expression.

Reflecting on the culmination of months of meticulous planning and dedication, key figures from The Fashion Show’s committees shared their perspectives on the event’s orchestration and the relentless efforts invested behind the curtains.

Madeline Hayes, serving as the Marketing Director and a senior in marketing, expressed her awe at witnessing the fruition of the students’ endeavors. “This was my first year involved in The Fashion Show, and the experience was nothing short of mesmerizing. Witnessing the culmination of talent, dedication, and hard work showcased by fellow students left me profoundly inspired,” remarked Hayes.

The evening unfolded with a blend of retail therapy, as merchandise adorned the venue, alongside poignant speeches delivered by committee members, collaborators, and faculty members. Following the spectacle on the runway, a poignant moment ensued as committee members themselves graced the catwalk, a symbolic gesture acknowledging the collective effort behind the organization’s marquee event.

Emma Allen, a member of the marketing committee and a sophomore in English, shed light on the transition from spectator to participant, underscoring the exhilaration of contributing to a landmark event. “Partaking in the show was undeniably more demanding, yet infinitely more gratifying. The culmination of efforts on the day of the show, coupled with the recognition received during the runway walk, epitomized the essence of reward,” shared Allen.

The marketing endeavors, spearheaded by Hayes and her team, encompassed a spectrum of initiatives aimed at garnering campus-wide and community attention. From orchestrating pop-up displays to facilitating collaborations with local businesses, the marketing committee left no stone unturned in amplifying the event’s reach.

Alejandra Palou, director of the Visual Merchandising Committee and a sophomore in apparel, merchandising, and design, elaborated on the collaborative efforts undertaken to create an immersive experience for attendees. “Our committee’s endeavors extended beyond conventional realms, from installations across campus to strategic partnerships with local vendors. Witnessing the fruition of our collective vision was profoundly rewarding,” shared Palou.

Abigail Klauer, director of the Fashion Show’s design committee and a senior in apparel, merchandising, and design, offered poignant insights into the camaraderie and resilience exhibited throughout the event’s preparation. “One cherished memory from this year’s event was the camaraderie shared during the early morning hustle across campus. Despite the challenges, the experience fostered lasting bonds and memories,” reminisced Klauer.

Beyond the glitz and glamour of the runway, various committees worked tirelessly behind the scenes, hosting Fashion Week events, orchestrating stage decorations, and providing invaluable support to models and designers.

As Emma Allen aptly summarized, “The Fashion Show 2024 epitomized success, underscoring the collective prowess of each committee. It’s a testament to the remarkable achievements possible through concerted efforts in a student-run production of such magnitude.”

Content courtesy of IOWA State Daily & NFH Digital Team

The Face of Africa 2024 International Pageant: A Triumph of Diversity, Elegance, and Empowerment

Celebrating Africa’s Beauty and Resilience

Nairobi, the vibrant heart of East Africa, recently played host to an extraordinary event that captured the essence of African beauty, resilience, and empowerment. On April 20th, 2024, Delight Technical College became the epicenter of glamour and grace as The Face of Africa 2024 International Pageant unfolded in all its glory. This prestigious occasion brought together contestants from across the continent, each representing the epitome of beauty, grace, and empowerment.

More than just a showcase of aesthetics, The Face of Africa 2024 International Pageant served as a celebration of diversity and resilience. Contestants hailing from various backgrounds and cultures united on one stage, weaving together the rich tapestry of Africa’s heritage. From the bustling streets of Lagos to the serene landscapes of the Serengeti, each contestant brought a unique story and a distinct charm to the competition.

The night was a symphony of elegance and talent, as contestants dazzled the audience with their poise and charisma. Against a backdrop of glitz and glamour, the judges faced the formidable task of selecting the winners who would embody the essence of African beauty and grace for the year to come.

The Crowning Moments

After much anticipation and deliberation, the winners were finally announced:

– Face of Africa 2024: Lucy Mueni
–  First Runner-Up: Veronicah Mutheu
–  Second Runner-Up: Sheryne Nkirote

Additionally, special awards were presented to recognize exceptional talent and character:

–  Face of Africa 2024, Face Plus Size: Ramona Njeri Munene
–  Congeniality Award: Vilmer Komora
–  Style Icon Award: Grace Laura

These remarkable individuals not only epitomized beauty but also showcased the depth of talent and character present within Africa’s diverse tapestry.

 

Empowering Dreams, Embracing Individuality

The evening was not just about crowning beauty queens; it was about empowering women to embrace their inner strength and shine brightly in a world that often seeks to dim their light. Through their grace and confidence, the contestants inspired audiences to embrace their own uniqueness and strive for their dreams, regardless of the obstacles they may face.

As the curtains drew to a close on this unforgettable night, The Face of Africa 2024 International Pageant left an indelible mark on the hearts of all who attended. It served as a reminder of the power of unity and the celebration of individuality. In a world often divided by differences, this event showcased the beauty that emerges when diversity is celebrated and embraced.

In the heart of Nairobi, Africa’s beauty shone brighter than ever before, leaving a legacy of empowerment and inspiration that will resonate far beyond the glitz and glamour of the stage. The Face of Africa 2024 International Pageant not only celebrated Africa’s beauty but also ignited a spark of hope and possibility for generations to come.

 

Content courtesy of Delight Fashion School, The Face Of Africa & NFH Digital Team

The Face Of Africa 2024 International Pageant: Celebrating Diversity, Elegance, And Empowerment

Nairobi, Kenya – April 22, 2024 Nairobi, the vibrant heart of East Africa, bore witness to an extraordinary event as the Face of Africa 2024 International Pageant unfolded in all its grandeur at Delight Technical College. This esteemed occasion, held on Saturday, April 20th, 2024, brought together contestants from across the continent, each embodying the pinnacle of beauty, grace, and empowerment.

The Face of Africa 2024 International Pageant transcends mere aesthetics; it stands as a celebration of diversity and resilience. Contestants hailing from diverse backgrounds and cultures converged on one stage, exemplifying the rich tapestry of Africa’s heritage. From the bustling streets of Lagos to the serene landscapes of the Serengeti, each contestant brought forth a unique narrative and distinct charm to the competition.

The evening unfolded as a symphony of elegance and talent, with contestants captivating the audience with their poise and charisma. Amidst the glitz and glamour, the judges faced the daunting task of selecting the winners who would epitomize African beauty and grace for the forthcoming year.

In the heart of Nairobi, Kenya, the vibrant pulse of African fashion beats passionately at Delight Fashion School. In the bustling metropolis, where creativity intertwines with tradition, this esteemed institution has once again proven itself as the epitome of sartorial excellence with its highly anticipated annual event, “The Face of Africa 2024”.

As the sun dipped below the horizon, casting a golden glow over the city, the runway at Delight Fashion School illuminated with an aura of anticipation. Fashion enthusiasts, industry insiders, and aspiring designers gathered under one roof to witness the unveiling of Africa’s next top models and the showcase of groundbreaking designs that encapsulate the continent’s rich cultural tapestry.

The event kicked off with a burst of energy as models strutted down the runway, exuding confidence and grace. Each ensemble showcased a fusion of traditional African motifs with contemporary flair, a testament to the school’s commitment to preserving heritage while pushing the boundaries of innovation.

From intricate beadwork inspired by Maasai traditions to bold prints paying homage to the diverse landscapes of the African continent, every garment told a story of identity, resilience, and celebration. Designers spared no expense in experimenting with textures, colors, and silhouettes, resulting in a breathtaking display of creativity that captivated the audience’s imagination.

Following much anticipation and careful deliberation, the esteemed winners were announced:

  • Face of Africa 2024: Lucy Mueni
  • First Runner-Up: Veronicah Mutheu
  • Second Runner-Up: Sheryne Nkirote

The Face of Africa 2024 Winner: Lucy Mueni

 

The Face of Africa 1st Runners Up: Veronicah Mutheu

The Face of Africa 2nd Runners Up: Sheryne Nkirote

In addition to these prestigious titles, special awards were bestowed to acknowledge outstanding talent and character:

  • Face of Africa 2024, Face Plus Size: Ramona Njeri Munene
  • Congeniality Award: Vilmer Komora
  • Style Icon Award: Grace Laura

 

Winner Face of Africa 2024 Face Plus Size:  Ramona Njeri Munene

 

Congeniality Award: Vilmer Komora

Style Icon Award: Grace Laura

The evening served as a testament to the power of unity and the celebration of individuality. Through their grace and confidence, the contestants inspired audiences to embrace their own uniqueness and pursue their dreams, irrespective of the obstacles they encounter.

As the curtains drew to a close on this unforgettable night, the Face of Africa 2024 International Pageant left an indelible mark on the hearts of all attendees. It’s not merely about crowning beauty queens; it’s about empowering women to embrace their inner strength and radiate brightly in a world that often seeks to dim their light.

However, “The Face of Africa 2024” was more than just a fashion show; it was a platform for empowerment and inclusivity. Delight Fashion School has long been dedicated to nurturing talent from all walks of life, providing opportunities for aspiring designers to showcase their skills and break into the competitive world of fashion.

One of the highlights of the evening was the announcement of the winners of the prestigious “Face of Africa” competition. Amidst fierce competition, a select few models stood out for their charisma, poise, and distinctive beauty. These individuals were not just crowned as ambassadors of African fashion but as symbols of diversity and representation in an industry often criticized for its lack thereof.

As the final curtain fell on “The Face of Africa 2024,” the reverberations of its success echoed far beyond the confines of the runway. Delight Fashion School had once again cemented its reputation as a beacon of creativity and excellence, not only in Kenya but on the global stage. Through its commitment to innovation, inclusivity, and cultural preservation, the school continues to shape the future of African fashion, inspiring generations to come.

In a world where fashion is often synonymous with fleeting trends and superficiality, Delight Fashion School reminds us that true style is a reflection of heritage, creativity, and authenticity. As we bid farewell to another spectacular event, we eagerly await the next chapter in the school’s journey, knowing that the face of Africa will continue to shine brighter with each passing year.

Content  courtesy of Delight Fashion School, The Face of Africa & NFH Digital Team

Capturing Elegance: Inside the Lens of Bryan Mutiso, Kenya’s Rising Star in the Fashion Industry

Bryan Mutiso is a Kenyan artist who has established himself as a multifaceted creative force, specializing in photography, filmmaking, and graphic design. Under the moniker Tisoh Captures, Bryan has dedicated himself to crafting unforgettable visual experiences that resonate deeply with his audience. With a career spanning five years, Bryan’s passion and dedication shine through in his work, which consistently pushes creative boundaries and inspires others through the art of visual storytelling.

Through his brand, Tisoh Captures, Bryan aims to evoke emotion and captivate viewers with his unique perspective and a keen eye for detail. Whether through captivating photographs, immersive films, or compelling graphic designs, Bryan’s work reflects his commitment to excellence and his ability to convey stories and messages in a visually stunning manner.

You can find Bryan’s work showcased on various social media platforms, including TikTok, Instagram, YouTube, and Behance, all under the handle @tisohcaptures. Through these channels, Bryan invites his audience to join him on his creative journey, offering glimpses into his process, sharing behind-the-scenes moments, and showcasing his latest projects.

As Bryan Mutiso and his brand, Tisoh Captures, continue to evolve and grow, they remain dedicated to pushing the boundaries of creativity and inspiring others to explore the power of visual expression. Join Bryan as he embarks on new adventures and continues to make his mark on the world of art and design.

Oscar Alochi: As a fashion photographer in Kenya, what challenges have you encountered
when working with models, and how do you navigate them?

Brian Mutiso:
1. There is limited availability of professional models. I network within the local modeling community
and collaborate with models.
2. Cultural considerations: I respect and understand cultural backgrounds, prioritize open
communication, and build trust with models to ensure comfort during shoots.
3. Logistical challenges: I plan meticulously, communicate clearly with the team, and have
backup plans in place to address location and scheduling issues.
By addressing these challenges with creativity, adaptability, and sensitivity, I can create
compelling fashion imagery that celebrates Kenya’s diversity and beauty.

OA: Can you share any experiences where you’ve had difficulty finding models to
collaborate with your fashion shoots, and how did you overcome this challenge?

BM: During a fashion shoot in Kenya, finding professional models posed a challenge due to the
limited availability of agencies and local talent. To address this, I networked within the
community, leveraging connections, and scouting for potential models.

This proactive approach helped me discover hidden talent within the area, allowing us to find diverse models who
brought authenticity to the shoot, showcasing the beauty of the local surroundings.

OA: How do you ensure that your photography captures the essence and beauty of
diverse Kenyan models?

BM: To ensure my photography captures the essence and beauty of diverse Kenyan models, I celebrate their uniqueness, prioritize building trust and comfort, collaborate closely with them, maintain cultural sensitivity, adapt styling and composition techniques, and strive to empower through representation.

OA: Can you discuss the importance of communication and collaboration between fashion photographers and models in Kenya?

BM: Communication and collaboration between fashion photographers and models in Kenya are crucial for ensuring a successful shoot. It helps align expectations, fosters creativity, and creates a comfortable working environment, leading to more authentic and impactful images.

OA: Have you faced any obstacles related to diversity and representation in the modeling industry, and how have you addressed these issues in your photography?

BM: Yes, I’ve faced challenges related to diversity and representation in the modeling industry. To address these issues in my photography, I actively seek out diverse models, celebrate their uniqueness, and challenge traditional beauty standards through inclusive and empowering imagery.

OA: Can you share any insights into the process of building trust and rapport with models to capture authentic and compelling images?

BM: Building trust and rapport with models is key to capturing authentic and compelling images. I do this by actively listening to their input, respecting their boundaries, and creating a supportive atmosphere where they feel valued and respected.

OA: How do you approach capturing the unique personality and style of each model you work with within your photography?

BM: I capture the unique personality and style of each model by getting to know them personally, understanding their preferences and characteristics, and collaborating with them to bring out their individuality in the images.

OA: Can you discuss any strategies you employ to create a comfortable and empowering atmosphere for models during fashion shoots?

BM: To create a comfortable and empowering atmosphere for models during fashion shoots, I prioritize open communication, provide a safe space for expression, and ensure that their needs and concerns are heard and respected throughout the process.

OA: Have you encountered any challenges in challenging traditional beauty standards and promoting inclusivity through your fashion photography?

BM: Yes, I’ve faced challenges in challenging traditional beauty standards and promoting inclusivity through my fashion photography. To address this, I actively incorporate diverse models and representations of beauty in my work, aiming to redefine beauty standards and promote inclusivity.

OA: Can you share any stories of collaboration with models that have been particularly memorable or impactful for your work?

BM: One memorable collaboration was with a model who shared her personal story and journey with me. By incorporating her experiences into the shoot, we created powerful images that resonated with audiences and highlighted the importance of diversity and representation in the industry.

OA: How do you ensure that your photography celebrates the diversity of Kenyan beauty and culture?

BM: I celebrate the diversity of Kenyan beauty and culture by actively seeking out models from different backgrounds, showcasing traditional attire and customs, and capturing the vibrant essence of Kenyan culture in my photography.

 

OA: Can you discuss the role of fashion photographers in advocating for better representation and treatment of models in Kenya?

BM: Fashion photographers play a crucial role in advocating for better representation and treatment of models in Kenya by promoting diversity, inclusivity, and professionalism in their work, and by supporting initiatives that prioritize the well-being and rights of models.

OA: What measures do you take to ensure that models feel valued and respected while working with you on fashion shoots?

BM: To ensure models feel valued and respected, I maintain open communication, provide a supportive environment, and actively listen to their feedback and concerns. I also prioritize their well-being and ensure they have agency in the creative process.

OA: How do you handle situations where models express concerns or discomfort during a shoot?

BM: When models express concerns or discomfort during a shoot, I address them with empathy and respect. I prioritize their comfort and well-being and work collaboratively to find solutions that ensure a positive and productive shoot.

OA: Can you share any insights into the behind-the-scenes dynamics between fashion photographers and models during photo shoots?

BM: Behind-the-scenes dynamics between fashion photographers and models involve teamwork, creativity, and mutual respect. It’s a collaborative process where both parties contribute their expertise to bring the creative vision to life.

OA: What initiatives or changes would you like to see within the Kenyan fashion industry to better support and uplift models?

BM: I would like to see more initiatives within the Kenyan fashion industry that prioritize the well-being, diversity, and professional development of models. This includes better representation, fair treatment, and opportunities for growth and advancement.

OA: How do you approach photographing models of different ages, backgrounds, and body types with sensitivity and inclusivity?

BM: I approach photographing models of different ages, backgrounds, and body types with sensitivity and inclusivity by celebrating their diversity, respecting their individuality, and highlighting their unique beauty in my photography.

OA: Can you discuss the importance of collaboration and mutual respect between fashion photographers and models?

BM: Collaboration and mutual respect between fashion photographers and models are essential for creating successful and meaningful imagery. It fosters creativity, builds trust, and ensures a positive and productive working relationship.

OA: What advice would you give to aspiring fashion photographers in Kenya about working effectively and respectfully with models?

BM: My advice to aspiring fashion photographers in Kenya is to prioritize professionalism, respect for models, and inclusivity in their work. Collaborate closely with models, embrace diversity, and strive to create imagery that empowers and inspires.

OA: How do you ensure that models have input and agency in the creative process when collaborating on fashion shoots?

BM: I ensure models have input and agency in the creative process by actively involving them in discussions, respecting their ideas and preferences, and collaborating closely to co-create images that reflect their identity and vision.

OA: Can you share any experiences where you’ve collaborated with models to incorporate their ideas or perspectives into your photography?

BM: I often collaborate with models to incorporate their ideas or perspectives into my photography. By listening to their stories and experiences, we create images that are authentic, impactful, and meaningful to both of us.

OA: How do you address challenges related to lighting, location, or other technical aspects of fashion photography when working with models?

BM: I address technical challenges related to lighting, location, or other aspects of fashion photography by being prepared, adaptable, and resourceful. I work closely with my team to find creative solutions that ensure a successful shoot.

OA: What do you hope to achieve in terms of advancing the representation and treatment of models within the Kenyan fashion industry through your photography?

BM: Through my photography, I hope to advance the representation and treatment of models within the Kenyan fashion industry by promoting diversity, challenging stereotypes, and advocating for fair and ethical practices.

OA: How can clients contact you, You can share with the audience your contact details and social media handles.

BM: Clients can contact me through the following channels:

Email: tisohcaptures@gmail.com

WhatsApp: +254105833093 / +254702677662

Social Media Handles:
– TikTok: @tisohcaptures
– Instagram: @tisohcaptures
– Behance: @tisohcaptures
– YouTube: @tisohcaptures

Feel free to reach out to me via any of these platforms for inquiries, collaborations, or bookings. I look forward to connecting with you!

OA: Who inspired you and who do you admire, to work within the fashion industry in Kenya and internationally?

BM: I’m not sure really at the moment but I admire photographers who use their platform to advocate for social change and challenge norms within the industry.

Content courtesy of Brian Mutiso, Tisoh Captures & NFH Digital Team 

Securing $3.4 Million In Seed Funding, The Folklore Aims To Empower Marginalized Communities, Empower African Fashion Designers, And Expand Its B2B Wholesale Platform.

The Folklore, a firm that empowers underprivileged communities and African fashion designers, has raised $3.4 million in seed money to grow its business-to-business (B2B) wholesale network. Lead investors in the investment round were Techstars, Black Tech Nation Ventures, Slauson & Co., and venture capital company Benchstrength.

African apparel designers were given economic prospects when founder Amira Rasool opened The Folklore in 2018 as an online boutique. The business has now reached out to underserved populations all across the world. Offering a number of additional services, such as The Folklore Source, The Folklore Capital, and The Folklore Hub, has been made possible by The Folklore’s pivot to a B2B wholesale platform.

Kenneth Chenault Jr., managing partner of Benchstrength, stated, “Benchstrength is thrilled to invest in The Folklore.” “We think the business is creating a strong movement that will support and grow the next big names in the industry. We can’t wait to work with Amira and her group.

Rasool underlined the value of cultivating connections with investors, pointing out that Benchstrength’s investment was made subsequent to her initial communication with Chenault. In the end, her emphasis on the importance of updating investors on the company’s development influenced Benchstrength’s decision to make an investment.

Brand partners’ comments fueled Folklore’s growth and the introduction of new services. After asking brand partners what areas they were particularly in need of assistance, Rasool and her team created The Folklore Source, The Folklore Capital, and The Folklore Hub.

As per the news statement, marketers can obtain access to The Folklore platform and its resources by subscribing to a $39 monthly subscription. The Folklore’s emphasis on offering technology and knowledge to enable underrepresented communities in running successful brands is indicative of its dedication to supporting up-and-coming brands.

According to Rasool, “We are positioning ourselves as a one-stop shop for brands to access technology that can increase their sales, streamline their processes, and help them grow.”

“We continue to develop our technology to support businesses as they expand and gain more traction, even as we serve up-and-coming brands.”

The funding infusion will support The Folklore’s 2022 transition from an online store that specializes in selling clothing from African labels to a business-to-business enterprise that facilitates the entry of up-and-coming businesses into retail spaces.

“We can’t do two big things and be successful as a small company,” Rasool remarked. “Therefore, in order to have a greater influence on our brands, we have chosen to concentrate on the B2B route.”

The Folklore is located in New York City and was founded in 2018. After receiving $2.8 million in two pre-seed rounds, the company’s total fundraising currently stands at $6.2 million with this latest investment.

Content courtesy of The Folklore, More Branches & NFH Digital Team 

Remembering the Legacy of Roberto Cavalli: Iconic Italian Fashion Designer Passes Away at 83 After a Long Illness.

Roberto Cavalli, a fashion designer, passed away at age 83. The long-ago sickness claimed the life of the Italian designer.
Roberto Cavalli, the renowned Italian designer with his own fashion house and distinctive animal print creations, passed away. He was in his eighties.

The renowned designer passed away on Friday, and a poignant note was posted on his company’s Instagram page to mark the occasion. The precise cause of his death was not disclosed by the firm.
The business released a statement saying, “We are sad to announce our founder Roberto Cavalli’s passing today.” “Roberto rose from modest beginnings in Florence to become a well-known, adored, and respected name on a global scale. Roberto felt that everyone can find and develop their inner artist, given their innate talent and creativity.”

“Roberto Cavalli’s legacy will live on via his creativity, his love of nature, and via his family, whom he cherished,” it said.
The brand also released a number of Cavalli’s motivational sayings, such as “I love to copy God, so I copy the clothes of animals.” God, in my opinion, is the most amazing designer.”
According to Vogue, some of Cavalli’s early creations, which comprised patterned leather gowns, were shown in 1970.

His opulent fashion brand kept growing, offering everything from eye-catching leopard designs to exquisitely crafted gowns that grace red carpets and runways worldwide. Famous people who have worn the designer’s creations include Beyoncé, Jennifer Lopez, Victoria Beckham, and many others.

The news of Cavalli’s passing this week brought anguish to his followers as well as his colleagues, designers, industry insiders, and others.
“I cannot imagine a vision of fashion more distant from mine than that of Roberto Cavalli, yet I have always had enormous respect for him: Roberto was a true artist, wild and wonderful in his use of prints, capable of transforming fantasy into seductive clothes,” Giorgio Armani, the renowned Italian fashion designer, said in a press release.
He continued, “I have learned with great sadness of his passing: his Tuscan verve will be greatly missed.”

In a statement, the creative director of Roberto Cavalli Fausto Puglisi paid tribute, saying, “Dear Roberto, you may not be physically here with us anymore, but I know I will feel your spirit with me always.”

“To work under your legacy and create for the brand you founded with such vision and style is the greatest honor of my career,” he went on. May you rest in peace. You are so loved and missed that your memory will go on as an inspiration to others, including myself.

Content courtesy of ABC News & NFH Digital Team 

 

Nike On Air Eliud Kipchoge: Breaking Records and Fashion Norms in Bode X Nike

Eliud Kipchoge, renowned worldwide as the epitome of marathon greatness, has once again defied expectations, this time not on the track, but on the streets of Paris, adorned in the finest threads from the Nike x Bode collaboration. In a surprising twist at Nike’s recent product reveal event, Kipchoge, the undisputed king of long-distance running, emerged as a symbol of style and sophistication, showcasing the seamless fusion of athleticism and haute couture.

Picture this: Eliud Kipchoge, the legendary marathoner, stands tall outside Nike’s Parisian extravaganza, clad in Bode’s Scrimmage Jacket and matching pants, exuding an aura of confidence and elegance that transcends the boundaries of sport. And on his feet, not the usual carbon-plated running shoes, but the yet-to-be-released black leather Bode x Nike Astro Grabber sneakers, a testament to his willingness to embrace innovation and creativity in every aspect of his life.

For Kipchoge, whose name is synonymous with speed, endurance, and world records, the transition from breaking marathon barriers to breaking fashion norms may seem unexpected. However, as he prepares for his fifth appearance at the Olympic Games, Kipchoge continues to redefine what it means to be a global icon, both on and off the track.

Nike’s collaboration with Bode has been a journey of anticipation and excitement, with fans eagerly awaiting each new revelation. From the initial teaser of the black Astro Grabber sneaker to the eventual unveiling of the full collection, the partnership between these two powerhouses has captivated audiences worldwide. And now, with the release date set for April 18, enthusiasts can finally get their hands on the entire range of Bode x Nike apparel and footwear.

It’s undeniable that for Kipchoge, style has never been the focus. With four of the ten fastest marathons in history under his belt and a world record time of 2:01:09, his priorities have always been clear: to push the boundaries of human achievement in the realm of athletics. Yet, seeing the GOAT adorned in full Bode x Nike attire serves as a reminder that greatness knows no bounds, whether on the track or the runway.

In the grand tapestry of sports and fashion, Eliud Kipchoge’s appearance in Bode x Nike is a masterpiece a harmonious blend of athleticism, innovation, and sartorial excellence. As we witness the convergence of two worlds, let us celebrate Kipchoge’s unwavering commitment to excellence, both as a marathon legend and an unexpected style icon. Truly, his presence drips with the essence of greatness, a masterpiece deserving of its place in the annals of history.

Could Kenyan Sporting Legends Eliud Kipchoge and Faith Kipyegon Be Emerging Fashion Icons?
In a recent showcase of Nike’s latest fashion line at the renowned Palais Brongniart in Paris, photos of globally acclaimed athletes Eliud Kipchoge and Faith Kipyegon gracing the runway have sparked international attention. Kipchoge, widely regarded as one of the greatest marathon runners in history, captured the spotlight as he strutted in a futuristic trench coat accentuated with puff shoulders.

Images of Kipchoge sporting a sleek gloss-black ensemble, complemented by shades, gloves, and baggy trousers, have drawn comparisons to iconic sci-fi imagery, evoking references to Star Wars among some observers on social media. This unexpected venture into the realm of high fashion by Kipchoge and Kipyegon has ignited discussions about their potential emergence as fashion influencers on a global scale.

Nike Unveils Summer Games Kits with Star Athletes Eliud Kipchoge, Faith Kipyegon, and Sha’Carri Richardson

In anticipation of the upcoming Summer Games, Nike hosted an event aimed at unveiling kits for various sports, ranging from track and field to basketball, soccer, and skateboarding. Renowned athletes, including Eliud Kipchoge, Faith Kipyegon, and Sha’Carri Richardson, graced the event, showcasing Nike casual wear on stage.

Sharing glimpses of the event on April 11, Kipchoge and Kipyegon highlighted their dazzling outfits. In one video, Kipchoge donned a striking black ensemble, drawing comparisons to the iconic style often associated with rapper Kanye West. Similarly, Kipyegon was dressed head-to-toe in all-black attire, accentuated with shorts, a jacket, gloves, socks, and shades, completing the sleek look.

While some lauded Kipchoge for his bold fashion sense, others expressed surprise, noting the departure from his usual athletic attire. A segment of Kipchoge’s fanbase suggested that the outfit did not align with his established style as a world-class athlete, advising him to maintain focus on his athletic pursuits. Despite differing opinions, many commended Kipchoge for showcasing versatility beyond the track.

Kipchoge’s collaboration with Nike has been a significant development in his career. In 2023, Nike announced a partnership with the marathon champion, unveiling the EK Umoja collection inspired by Kipchoge’s legendary career. This collaboration marks a milestone for Kipchoge, as athletes involved in such ventures receive a share of sales, making it a lucrative opportunity. The collection features footwear and apparel adorned with inscriptions commemorating Kipchoge’s race-winning achievements and his iconic mantra, ‘No human is limited’.

Content courtesy of  Highs No Biety & NFH Digital Team

Ami Doshi Shah, a Jewelry Designer, Reinvents Jewelry in Kenya Using Ropes, Brass, Salt, and Stone.

Sisal ropes, old brass, salt crystals, and volcanic pebbles are just a few of the unusual materials that award-winning Kenyan designer Ami Doshi Shah has consistently used to create elegant jewelry that redefines value in a market obsessed with carats. In an interview with AFP on her rooftop studio in Nairobi, the capital of Kenya, Shah, 44, said, “As a child, I was always finding beauty in unusual things like stones and fossils.” Shah creates her pieces by hand.

Her 2019 collection Salt of the Earth, which was on display at the Brooklyn Museum in New York and the Victoria & Albert Museum in London, included ropes, salt crystals, and patinated blue-green metal.

Shah claimed that it took her years to devote herself entirely to her vocation, even though she graduated from a university in Birmingham, England, with a degree in jewelry and silversmithing and the coveted Goldsmiths medal for best apprentice designer.

Ami Doshi Shah interned at Indian jewelers like The Gem Palace, whose clients have included Princess Diana, Oprah Winfrey, and Gwyneth Paltrow. She is a third-generation Kenyan of South Asian descent.
She did not agree with traditional Indian notions of jewels as an opulent investment. Furthermore, she wasn’t quite sure how to reconcile the demands of the commercial world with her experimental sensibility. Shah then started working for an advertising company, where he was based in Nairobi and London for the following twelve years.

She remarked, “I knew it wasn’t my calling.” During her second pregnancy, she took a break and started an artist residency at the nonprofit Kuona Trust in Nairobi for a year in 2014–2015.

Ami Doshi Shah claimed that although it was a cathartic time, it was also “filled with self-doubt.” It is difficult to realize that you might not be a commercial success, especially after spending so much time focused on earning money. I was concerned about whether people would enjoy my work.

Personal and Political
Ami Doshi founded her brand in 2015 with the intention of producing striking, sculptural pieces that honor the talismanic significance of jewelry in Kenyan culture, where it is worn for protection, strength, and at significant life events.
Her collection includes everything from sisal neckpieces to brass earrings that sway with every movement and stone-inlaid cuffs.
Her creations are built to order using materials found in Kenya, marking a dramatic break from the traditional Indian jewelry that is dominated by expensive metals and jewels. She works with materials including leather, mango wood, and zoisite, a byproduct of the nation’s ruby mining in East Africa, in addition to brass, which is the predominant metal used in Kenyan jewelry.

The end product is jewelry that ranges in price from $75 to $375 and is quite personal and occasionally political.

“Not everyone will enjoy or comprehend my work, and that’s okay,” she remarked, emphasizing that she views jewelry-making as “a labor of love” rather than a financial endeavor. Her critically praised 2019 collection examined the contradictory properties of salt—it is a material that is both caustic and life-giving.

It also alluded to Britain’s colonial past, as Shah’s grandparents moved from Gujarat, India, where Mahatma Gandhi led a famous protest march in 1930 in response to harsh salt tariffs. That’s when she stated, “I felt for the first time that jewelry could be political, that it could be a thread connecting so many things.”

Tell Our Own Story
Her most recent collection, Memento Mori, came up as a result of her grief, as she considered her father’s passing in 2021 and their last days spent together in the Kenyan town of Watamu, which is located on the Indian Ocean.

Her concentration is squarely on the continent she calls home, both as the inspiration and the market for her sophisticated creations, which are stocked in shops in Nigeria, Ghana, South Africa, Ivory Coast, and Kenya, despite the fact that her work is sold and recognized in the West.

After the painful expulsion of South Asians from Uganda in 1972, she urged her fellow South Asians to embrace integration rather than seek safety in self-segregation, saying, “I feel far more Kenyan than Indian.” Her goal is to establish a multidisciplinary studio with “predominantly Kenyan” designers, building on her recent ventures into the furniture industry. “It’s crucial to be able to narrate our own story in our own unique way rather than having one forced upon us.”

Content courtesy of  Kuwait Times & NFH Digital Team

A Fashion Presentation “Under the Sea” to Launch a New Company, the Founders of Which Claim Would Transform How People See Formal Wear

At the Hayden Fairgrounds, 398 S. Poplar St., two ladies will launch a new dress rental service on March 16 with an “Under the Sea” fashion display.
Partnering with friend Liz Spinazzola to arrange the fashion event, Nicole Longo stated, “It’s really expensive to buy a dress that you might wear once.” “The purpose is to display clothes that may be rented right here in the city.
We aimed to transform the way individuals view formal wear and provide a means for them to enjoy the thrill of donning beautiful gowns without having to worry about breaking the bank.

The company will sell lightly used gowns, many of which are brand new or have only been worn once. After being dry cleaned, the dresses will be ready for rental. The concept came to Longo and Spinazzola after they noticed how many pricey gowns in their own wardrobes they had never worn.
The two ladies want the event to be enjoyable with delicious food and beverages, a DJ creating a party atmosphere while models make their way down the runway, and a fashion display that highlights the gowns that are available.

A numbered system will be implemented during the performance to facilitate audience members’ identification of their preferred outfits as the models walk across the stage.
“People can kind of write down which dress they like using our little system, and then they can get in touch with us,” Longo explained. “After that, they can come pick up the dress from us in Hayden, or we can deliver it to them.”

Currently, the gowns are kept in storage between the houses of Longo and Spinazzola, but eventually, the women intend to move the business into a commercial building that is presently being built, giving them a physical store.

The runway show will kick off at 5:30 p.m. with a party that allows attendees who paid $50 for VIP tickets to enter the lounge area, where they may partake in appetizers, visit the cosmetics bar, and win raffle tickets automatically. In addition to front-row seats for the performance, those guests will receive gift bags.

Those with general admission tickets, which cost $30 apiece and include snacks, a drink, and a little goodie bag to remember the occasion, can enter at 6:30 p.m. At the door, extra raffle tickets are available for purchase for a chance to win more prizes.

Spinazzola and Longo, who run their own businesses, came up with the idea for both the performance and the outfit rental service. Spinnazola is the owner of Manes and More By Mermaid, a Hayden salon offering services for cosmetics, personal care, and beauty. At her farmer’s market booth, Longo hosts Solstice Collective, a company that specializes in creating hand-tied malas and offers kids the opportunity to create solar-powered mason jar night lights.
According to Spinazzola, “We are just looking into introducing a dress rental opportunity for people who need them all year round.” “We plan to exhibit them at the fashion show, allowing people to see what resources are readily available in Routt County without the need for financial investment.”

The women also hope that by offering dress rentals, they will draw in tourists who may be passing through the area and in need of a dress or who don’t want to deal with the trouble of packing their own for a special occasion or a night out.
Eventbrite and Steamboat event posters both provide QR codes that may be scanned to purchase tickets. If there are still tickets remaining after the VIP line, they can also be bought at the door the night of the performance.
The women stated that the Hayden Valley Schools would receive a share of the sales.

“Perhaps the fashion show will become a yearly occasion in Routt County,” stated Spinazzola. “We were kind of inspired to do it because it’s kind of hard to shop in Hayden, especially for prom dresses and dresses for gala events, and we have so many beautiful gowns and dresses.”

Together with a lesser assortment of suits and dress things for the guys, the women estimate that they currently own close to 200 gowns.
“Everything is unique, therefore, there won’t be a “Who wore it better?” scenario because no two dresses will be the same, according to Spinazzola. “We have a pretty impressive collection,”

According to Longo, Northwest Colorado has long needed a dress rental company. Having one will enable residents to look good for special occasions without breaking the bank or piling up dresses for one-time wear in their closets.

“Dance Theater, Cabaret Dancing with the Stars, the Yampa Valley Autism Masquerade Ball, and all the high school dances are just a few of the events that are coming up,” Longo stated. “There are a lot of reasons why people dress up, and buying these dresses is very costly.”

Content courtesy of Steam Boat Pilot & NFH

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