Sunday 3rd of May 2026

Nairobi, Kenya

Top 10 List of Best Fashion Boutiques in Kenya

These are the most popular fashion boutiques in Kenya both on social media platforms like Facebook and Instagram and Offline with a wide range of fashion wear to select from.

Offline and Online stores in Kenya have basically revolutionized how many people do their shopping and online boutiques are just some of the major players in the fashion trends in the country
Here is a random list of the top 10 fashion boutiques in Kenya, you can share any other boutique you feel should be among

Backyard Shoez

Service options: In-store shopping · In-store pick-up · Delivery
Located in:  F 53, 1st Floor, Jamia Mall
Address: Kigali Rd, Nairobi
Hours: Opens 7:00 AM Closes 7:30 PM
Phone Number: 0720 596844
Website: https://backyardshoez.co.ke

La Bella Fashion

Service options: In-store shopping · In-store pick-up · Delivery
Located in: 1st Floor, Imenti House
Address: Moi Ave, Nairobi
Hours: Opens 7:00 AM Closes 6:00 PM
Phone Number: 0717 789272
Website: http://labellefashions.co.ke

The Oloo Collections

Service options: In-store shopping · In-store pick-up · Delivery
Located in: 1st Floor, Imenti House
Address: Off Tom Mboya Street, Cabral St, Nairobi
Hours: Opens 7:00 AM Closes 6:00 PM
Phone Number: 0712 553775
Website: N/A

Emirates Shoes Collection

Service options: In-store shopping · In-store pick-up · Delivery
Located in: 1st Floor, Imenti House
Address: Tomboya, Nairobi
Hours: Opens 7:00 AM Closes 6:00 PM
Phone Number: 0703 798023
Website: N/A

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Naiwear Men’s Collections

Service options: In-store shopping · In-store pick-up · Delivery
Located in:  Corner House, Mezzanine 2, Room A1
Address: Intersection of Kimathi and Mama Ngina Street, Nairobi
Hours: Opens 7:00 AM Closes 7:30 PM
Phone Number: 0723 453479
Website: https://naiwear.com

Dolex Wear

Service options: In-store shopping · In-store pick-up · Delivery
Located in:  Bhagwanji Building
Address: Biashara Street, Nairobi
Hours: Opens 7:00 AM Closes 6:00 PM
Phone Number: 0702 834242
Website: https://dolexwear.co.ke

Urbano Fashion Store

Service options: In-store shopping · In-store pick-up · Delivery
Located in:  Imenti House
Address: Moi Ave, Nairobi, Nairobi
Hours: Opens 7:00 AM Closes 7:00 PM
Phone Number: 0715075496
Website: https://urbano-clothes-house.business.site

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Sarai Afrique Fashion House

Service options: In-store shopping · In-store pick-up · Delivery
Located in:  Lavington Mall 2nd Floor
Address: Lavington, Nairobi
Hours: Opens 7:00 AM Closes 6:00 PM
Phone Number: 0701 932202
Website: https://saraiafrique.com

La Elegant

Service options: In-store shopping · In-store pick-up · Delivery
Located in:  1st Floor, Yaya Shopping Center and Two Rivers Mall
Address: Argwings Kohdek Road & Limuru Road, Nairobi
Hours: Opens 7:00 AM Closes 7:00 PM
Phone Number: 0757751274
Website: https://www.laelegant.com

Fazal The Luxury Boutique

Service options: In-store shopping · In-store pick-up · Delivery
Located in: Ground Floor, Yaya Centre, and Westgate Shopping Mall
Address: Argwings Kohdek Road & Mwanzi Rd, Nairobi
Hours: Opens 7:00 AM Closes 8:00 PM
Phone Number: 0794 867377
Website: https://www.fazalkenya.com

Content Courtesy of Nairobi Fashion Hub Digital Team 

Ethiopia Hosts Africa Fashion Gala 2021 At The Skylight Hotel In Addis Ababa

The Africa Fashion Reception, an annual fashion gala has returned to Ethiopia coinciding with the African Union theme for the year “The AU Year of the Arts, Culture, And Heritage: Levers for Building Africa We Want”.

This 2021 edition was held at the Skylight Hotel in Addis Ababa on October 22, a year after it was suspended because of the COVID -19 pandemic.

“It has been very difficult, I think this is the first time the designers are all coming out after the pandemic,” explains Lexy Mojo–Eyes, president of Legendary Gold, the company organizing the event.

“We were expecting 30 designers from 30 countries, but the pandemic has reduced the number, or some it was either because of COVID protocols, the other was about visa fees as a result of COVID, we are hoping that the future will be brighter for all of us,” says Nkosinatyaso, a designer from South Africa.  “For the 15 designers that made it, it was a chance to show the world the beauty of their creativity. Our Africa fashion is very unique unlike overseas and every other culture, so I think we need more platforms where we can show the world what we are made of as Africans.”

However, those who have been in the industry longer say Africa has not yet got the value it deserves from the industry.

“It is about time that African Union supports their own,” says Sant Anzo the director of
Arapapa by Santa, a Ugandan Fashion company, The African Development Bank values Africa’s textile and the fashion industry at 1.3 trillion dollars.

Obstacles to its growth include having over 90% of fashion businesses being small to medium scale. They reportedly stagnate because of lack of government support as well as lack of capital, Others fail because of a lack of intellectual property and the high cost of copyright.

Content courtesy of CGTN Africa & Nairobi Fashion Hub 

 

Ethical Fashion Initiative to Launch Paris Fashion Week Events

The program is launching a showcase for African designers in a bid to attract investors.

PARIS — The Ethical Fashion Initiative is coming to Paris next season, with events during Paris Fashion Week that it hopes will provide international visibility to African designers and attract investors.

The program, funded and managed by Simone Cipriani, is a flagship initiative of the International Trade Centre, a Geneva-based joint agency of the United Nations and World Trade Organization. What started out as a platform for connecting global lifestyle brands with artisans worldwide has expanded into an accelerator for African brands.

Now Cipriani is ready to take the EFI to the next level, beginning with a launch event on Oct. 30 and 31 in Paris that will include exhibitions, a concert, and round tables with designers Margaux Wong from Burundi and Lukhanyo Mdingi from South Africa, who was one of the joint winners of the Karl Lagerfeld Prize at this year’s LVMH Prize for Young Designers.

The event will be held at the 360 Paris Music Factory in the Goutte d’Or district of Paris, home to several designers who will be hosting workshop visits. The EFI has previously brought designers to events in Italy such as Vogue Fashion’s Night Out, Pitti Uomo, and Altaroma.

“We are going to Paris because it’s a progression,” Cipriani told WWD. “Paris is very open and very close to African fashion traditionally, and Paris has also a very active diaspora with a lot of good designers and with a lot of investors who can invest in these designers.”

Cipriani wants to transform the accelerator into a blended finance facility to mobilize investment from inside the African continent, but also from Europe. “Paris is the ideal place to do that,” he reasoned.

Some of the brands in the accelerator are already in discussions with facilities in Africa for investments ranging from 500,000 euros to 1.5 million euros, Cipriani reported. These typically impact investors or so-called “patient” investors, he added, noting the high cost of working capital financing in Sub-Saharan Africa.

For investors outside the African continent, there are potential returns that go beyond the required return for capital invested, Cipriani noted, citing the example of pluvial cotton grown in Burkina Faso, which has a lower impact on the environment.

“We have this whole value chain in Burkina Faso, where we make fabric out of organic cotton, where we make some garments, there are designers, and so on. So investing in these designers is also a way to get into a decarbonized supply chain, it’s also a way to get in a form of fashion which is consistent with the problems of COP26,” he said. “It’s an investment in ESG, more than a specific brand.”

Founded in 2009, the EFI offers a bridge between brands including Vivienne Westwood, Loewe, and Adidas, and some 10,000 artisans in countries including Burkina Faso, Mali, Kenya, Ethiopia, Uganda, DRC, Haiti, and parts of central Asia, though its program in Afghanistan is currently on hold due to the political turmoil in the country.

For Cipriani, investing in fashion design is also a good way to build social capital in African countries, where creative businesses such as fashion, music, and modeling enjoy huge followings on social networks. Above all, he wants to launch a set of events at Paris Fashion Week that will present African brands as international, rather than niche, labels.

Content courtesy of WWD & Nairobi Fashion Hub 

Lagos Fashion Week 2021: The Future Starts Now

Following a pandemic-induced hiatus, Lagos Fashion Week is finally set to return from October 27th-October 30th at the Lagos Fashion Week Tents, Federal Palace Hotel.

#TheFutureStartsNow is the defining theme for this year’s edition which speaks to the need for a global fashion industry that preserves and conserves the environment and values people over profit.

The future of fashion for the next decade and for many more to come starts now. It begins with a community of rising talents springing up across the continent, and with a commitment from our ecosystem to adopt a functional fashion system that delivers environmental, societal, and economic solutions that are beneficial for all.

To kick-off the season, we spent time with designers Cynthia Abila, Pepperow, Studio IMO, Elfreda, Maliko, TJ Who, Babayo, GETO, and Vicnate, alongside their muses Angel Obasi, Saleema, Deola Adebiyi, Wole Babalola, and Abiola Sonaike, who shared with us, their imaginings on the future of fashion in Africa.

“The Future of Fashion to me means smart production/consumption, sustainability, innovation and technology’ – Omafume Niemogha

“The Future of Fashion to me is inclusivity; Everyone gets a seat at the table”- Samatha Adebayo

“The Future of Fashion is in the metaverse for me, a confluence of physical and virtual fashion” – Edwin Okolo

“The Future of Fashion is wearable technology: Smart and intelligent textiles/footwear and garments are fast becoming the new innovation” – Cynthia Abila

While Lagos Fashion Week returns to the physical tents at Federal Palace, this year’s edition will embrace a hybrid model with digital shows highlighting rising talents from across Africa as well as featuring a distinct exhibition of the selected designers’ collections.

Fashion Business Series, a platform designed to facilitate conversations with key stakeholders in the industry will hold digitally on 27th October 2021. Speakers include Aissa Dione, Busayo Olupaona, Chid Liberty, George Gachara, Laureen Kouassi-Olsson, Mariama Camara, Roberta Annan, Tammy Tinker, and Viola Labi amongst others.

This year, as part of our ongoing commitment, to facilitate new conversations and exchange of ideas surrounding sustainability in fashion in Nigeria and Africa, Lagos Fashion Week is teaming up with Fru Girls and PopSwap-a new digital community for the Global Fashion Exchange to host an inaugural digitally-enabled Swap Shop experience in Lagos which will take place from the 28th-30th of October.

Putting into practice the foundations of a circular economy that prioritizes reuse, reduce & recycle, Lagos Fashion Week will facilitate the exchange of pre-owned items through swapping, sharing, donating, and resale.

#LFW2021 Line-Up

● Fashion Business Series: 27th October 2021

● Digital & Offsite Shows: 28th October 2021

● Physical Runway Shows: 29th-30th October 2021

The countdown is officially on! It’s 7 days to go and the city of Lagos will once again come alive as Lagos Fashion Week returns in full force.

Campaign Shoot Credits:

Photography: Demola Mako
Creative direction: Chuchu Ojekwe
Produced by: Style House Files
Makeup: Wura Salvador
Hair: Lush Hair Nigeria
Muses: Angel Obasi, Deola Adebiyi, Saleema, Wole Babalola, Abiola Sonaike
Shoes: Shekudo, Maliko Studios
Jewelry: Milola Jewels
Models: Beth Modelling Agency (Natse Jeide, Chioma Tagbo )

Content courtesy of Lagos Fashion Week & Nairobi Fashion Hub 

Anji Degante Is Using Her Tampa-based Clothing Business To Help Orphaned Children In Kenya.

A Tampa business accepted into the 5508 Small Business Incubator Program is using the opportunity to make an impact beyond the Bay area.

​Anji Degante, the owner of Accent Styles Boutique, has been inspired ever since her 2014 trip to Kenya. She launched her African clothing business three years ago and now a portion of those proceeds benefit orphan children in that community.

“The Maasai tribe that I lived with were extremely traditional,” she said. “If they did not make it they did not wear it,” Degante says she learned a lot about Kenyan culture while living there.

“I’ve seen a lot of things that I wanted to improve,” she said. I thought that I could change Kenya but I feel like Kenya changed me. It made me a better person. It made me more conscious. It made me take a look into sustainable fashion. It made me look at ways to create cultural retention programs.”

After two years in the small business incubator program, Tampa Hillsborough Executive Action Plan CEO Derrick Blue says Degante’s business has become a bankable small business.

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“We have a lot of success stories from individuals that started off with laptops as coworkers in one of our spaces to now being seven-figure companies,” Blue said.

As she continues to be a success, Degante has been giving back to the community that influenced her brand.

A portion of the proceeds at her shop is helping more than 300 children at a Kenyan orphanage with their education, uniforms, and food. Degante says she felt compelled to step in and help when the orphanage’s leader passed away.

She also opened a library in Nairobi, Kenya with books donated from St. Petersburg and Tampa.

“They are definitely like my adopted children I absolutely love them,” Degante said.  She credits her success both locally and abroad to the opportunity she has with 5508.

“One of the things that I love about the rent being so affordable is that I’m able to buy more product, I’m able to hire more employees and I’m able to donate so much of my time,” she said.

Time and effort she says are fueling our local economy while providing resources and a future for orphans in that Kenyan village.

Content courtesy of Spectrum Bay News 9 & Nairobi fashion hub

 

Ozwald Boateng The Black Fashion Designer Who Became The Youngest Tailor on Savile Row

The designer dressed the cast of hit films – The Matrix Reloaded, Lock Stock and Two Smoking Barrels, Black Panther, and Bad Boys 2 London is considered one of the most iconic fashion capitals in the world, with some of the biggest fashion designers hailing from the UK.

From Alexander McQueen to Stella McCartney, high-end fashion is sewn into the fabric of city life but there are some designers who have blazed the trail and made their mark in spaces where Black people are rarely seen.

At the age of 28, a Muswell Hill-born designer decided to open up shop on Vigo Street at the end of the world-famous and prestigious Savile Row.

Ozwald Boateng became the youngest tailor to open a store on London’s sartorial street and went on to dress the likes of Rolling Stones’ Mick Jagger, Led Zeppelin’s Jimmy Paige, and stars of Sex and The City to name a few.

Born to Ghanaian parents, Ozwald used his mother’s sewing machine to design his first collection, but before pursuing fashion, the Londoner studied computing and eventually dropped out to enroll at Southgate College.

His career then took off in his 20s after successfully selling his clothing to a menswear store in Covent Garden, after dressing celebrities and musicians, Ozwald went on to open up a store on Portobello Road with his “Structured Classics”, which he created in line with classic Savile Row Tailoring.

In 1994, the Londoner achieved his first groundbreaking move by becoming the first tailor to hold a catwalk show during Paris Fashion Week as he said, “I knew that if I did a catwalk show in Paris as a tailor I could revolutionize tailoring”.

Months later, Ozwald added another first to his accolades by becoming the youngest tailor to set up shop on Vigo Street at the end of Savile Row, the epicenter of suit tailoring.

The sartorial genius incorporated color from his Ghanaian heritage fused with the distinct British tailoring and eventually opened his Headquarters in Savile Row and a flagship store in 2007.

The accolades for his work began to flood in as the tailor received the Award for Best Menswear Designer at the Trophées de la Mode in Paris and credits in Vanity Fair for “leading the way in British men’s tailoring”. In 2002, the fashion designer won Best Menswear Designer at the British Fashion Awards.

Ozwald’s success drew the attention of Hollywood A-listers and the tailor went on to dress the cast of films such as The Matrix Reloaded, Lock Stock and Two Smoking Barrels, Black Panther, and Bad Boys 2.

Away from the camera, the 54-year-old dressed stars for red carpets included the likes of Will Smith, Jamie Foxx, and Daniel Day-Lewis, who wore a diamond cloth suit to the Oscars worth $150,000.

In 2003, Ozwald became Creative Director of menswear for high-end French Fashion House Givenchy as his influence continued to grow internationally.

Then in 2006 the world-class tailor was awarded an O.B.E by the Queen and named an “Officer of the Order of the British Empire” for his services to the fashion industry.

The days of sitting at his mother’s sewing machine were now far behind him as Ozwald continued to be decorated for his great achievements.

The Londoner received an Honorary Degree (Master Of Arts) from The University of Creative Arts as well as an honorary doctorate from the University of Arts London both for his contributions to the fashion industry.

But his recognition from academics wasn’t limited to the UK as the tailor was awarded Harvard University’s Veritas Award.

Not forgetting his roots, Ozwald has been involved in giving back to his origins in Ghana and the continent of Africa overall. In 2006, the designer held a historic show at the state banquet of the 9th annual African Union summit held in Accra, Ghana to recognize 200 years since the abolition of Slavery and the country’s independence from Britain.

Content courtesy of My London & Nairobi fashion hub 

Africa Fashion Week London (AFWL) 2021

The largest annual African fashion event in Europe, Africa Fashion Week London, is back for Season 10!  Africa Fashion Week London (AFWL) is Europe’s largest fashion event promoting and nurturing African and African-inspired design talent

With a collaborative catwalk, exhibition, and business development program, AFWL has led the way in highlighting Africa’s emerging designers and apparel industry and has been at the forefront of bringing awareness of Africa’s burgeoning fashion industry to the international market.  AFWL has hosted 9 catwalk events and contributed expertise to at least 10 more events produced by 3rd parties such as The Mayor of London’s Black History Month celebrations

We have also showcased over 900 emerging designers & exhibitors, from Africa, Europe, and America, to almost 75,000 visitors including buyers, retailers, influential industry professionals, and the media, and is now a highlight on the annual fashion calendar.

AFWL brings value to designers through, contacts, experience, and knowledge within the fashion community. With a core team made up of experienced fashion industry experts and business professionals, AFWL is committed to creating a platform for African and African inspired designers that not only showcases them to an international market but also supports them in building a sustainable business that is globally recognized and promotes social change in Africa.

About Africa Fashion Week London

AFWL has hosted seven catwalk events since its inception in 2011 and contributed expertise to more than 12 events produced by 3rd parties such as The Mayor of London’s Black History Month celebrations and the annual Africa Centre Summer Festival. We have also showcased over 900 emerging designers & exhibitors, from Africa, Europe, and America, to almost 80,000 visitors including buyers, retailers, influential industry professionals, and the media, and is now a highlight on the annual fashion calendar.

Content courtesy of Move Me Back and Nairobi Fashion Hub 

Birimian Unveils the First Cohort of the IFM-Birimian Accelerator x Africa, the Accelerator Program Launched with Institut Français de la Mode

Birimian, the first operational investment company dedicated to African luxury and premium heritage brands, has selected the finalists of its first call for applications (see list below). These finalists will join the acceleration program IFM-Birimian Accelerator x Africa, in partnership with Institut Français de la Mode (IFM). The designers selected will also be highlighted at the Première Classe event organized by WSN as part of Paris Fashion Week on October 1–4, giving the brands valuable exposure to the European fashion scene.

Launched in June 2021, IFM-Birimian Accelerator x Africa is an innovative acceleration program for emerging African heritage brands in the fashion, accessories, and jewelry sectors. Every year for ten months, the program, funded by Birimian, intends to support ten young designers selected by a committee of experts from the international creative scene. The brands participating in the program will also receive investment and/or consulting and support services from Birimian.

The accelerator program provides essential tools to develop emerging brands:

  • Defining a brand platform
  • Strengthening the creative process
  • Targeting the relevant audience
  • Establishing a consistent marketing strategy
  • Financial management
  • Planning and structuring of collections
  • Distribution strategy
  • Communication policy, and more.

This program is a unique opportunity for designers and emerging brands, both on the continent and in the diaspora, to get strategic, operational, and financial support for ten months, thus allowing them to make their activities more professional and organized. It is a program focused on training the young African creative guard and promoting creative entrepreneurship.

The talent identification process took two months and involved scouting, active engagement with brands, and selection of candidates from three segments: ready-to-wear (general public and premium) for 80% of the brands, ready-to-wear fashion (premium and luxury), and accessories for 20%. 85% of them are “made in Africa.” Their collective customer base reflects Birimian’s ambitions with a strong openness to the international market (40%) and significant potential for influence beyond the borders of the continent. 80% of them boast a revenue of over $US50,000, one of the main selection criteria.

The first group, characterized by a geographic diversity representative of the continent’s main economic hubs, illustrates the richness of the brands’ creative worlds. It includes the following finalists:

Laureen Kouassi-Olsson, CEO of Birimian, commented, “The class of designers invited to join the IFM-Birimian Accelerator x Africa program embody the new creative African guard: reinvented tradition, undeniable creative talent, Afropolitan, urban, and digitally focused on the world, proudly showcasing their heritage through collections whose originality no longer needs to be proven.

However, it remains fragile, hence the need to strengthen their basics and provide them with operational, strategic, creative, and financial support. This is the entire purpose of this program, which is fully aligned with our investment strategy. The network of experts it draws on and the unique access to the ecosystem of the French and European creative scene will inevitably create value. We cannot wait to warmly welcome them to Paris alongside Institut Français de la Mode.

“The 10 brands selected for this first intake of the IFM-Birimian Accelerator x Africa are full of creative talent and ambition for their development. The designers and entrepreneurs will work on all the components of their brand with the objective of not only boosting their reputation but also developing sustainable businesses in an international ecosystem while preserving their African heritage.

The right balance will be struck by working together towards creative, inclusive and sustainable entrepreneurship”, concludes Thomas Delattre, Director of the Fashion Entrepreneurship Center at Institut Français de la Mode.

About Birimian
The first operational investment platform dedicated to African luxury and premium heritage brands, Birimian supports designers on the continent in their growth and international development over the long term. Birimian’s main objective is to accelerate the international emergence of African creators by positioning itself as their major partner in four main sectors: fashion, accessories, beauty & cosmetics, and gourmet.
Birimian is aimed at brands that carry the continent’s culture, tradition, history, and cultural heritage, magnificent in its diversity, in their DNA and identity, brands that adapt to modern and contemporary codes.

About IFM
Institut Français de la Mode is a higher education institution, a training center for apprentices, a provider of executive education, as well as a center of expertise for the textiles, fashion, and luxury industries. It offers 16 educational programs at vocational, Bachelor, Master, Executive MBA, and doctorate levels, which prepare students for all the professions in the fashion industry in the fields of management, design, and craftsmanship.
Based in the heart of Paris on a new 9,000 m² campus, Institut Français de la Mode welcomes more than 1,000 students of some fifty nationalities – managers, designers, technicians, entrepreneurs – encouraging meetings, collaborations, and cultural effervescence.

Institut Français de la Mode is a member of HESAM Université, of the Conférence des Grandes Ecoles and of the International Foundation of Fashion Technology Institutes (IFFTI). It is supported by the French Ministry of Economy. It is recognized by the French Ministry of Higher Education.

Content courtesy of IFM-Birimian Accelerator x Africa 

 

 

Oakland Clothing Designer Sources Textiles from Africa

How an Oakland clothing designer Ade Dehye is challenging fashion industry norms, sourcing directly from Africa with his 100% Black-owned and operated brand, “Tunde” Ahmad is merging textiles from Ghana with urban streetwear designs.

East Oakland’s Akintunde “Tunde” Ahmad had long wanted to visit the African continent and reconnect with his ancestry. When he arrived at the University of Ghana in Accra in 2016, taking a semester off from Yale to study abroad, he was captivated by everything about the bustling city.

“I was fortunate to be able to go for an entire semester and have a deeper and longer connection out there, learning African history from an African perspective, rather than Eurocentric or American perspective,” he said. “I was able to dispel a lot of myths and stereotypes that are negative, overwhelmingly, and put into our heads about the continent.”

One of the most stunning revelations to Ahmad was how prosperous Ghana’s fashion industry is but not in the fast-fashion, the mass-produced way we’re accustomed to in America. In Accra, you’ll see a lot of people in completely custom outfits, rather than something you’d find at a chain store.

The reason: It’s extremely easy to access affordable tailors, along with endless unique fabrics, from bògòlanfini (traditionally dyed with fermented mud) to woven kente (a handwoven cloth with strips of silk and cotton).

“Even every dorm on campus had a tailor,” he said. Ahmad started getting garments made and visiting different fabric markets. “The tailors get your measurements and can make different custom pieces.”

These experiences laid the groundwork for what is now Ahmad’s successful clothing brand in Oakland, called Ade Dehye, which uses custom West African textiles sourced directly from Ghana to create urban streetwear designs. It’s all operated under an ethical business model that aims to respect, rather than exploit, African culture and workers.

“It was a very natural progression,” he said. “I never really had a huge interest in fashion. But once you actually get to try stuff and see how it looks on yourself, that is how I caught the fashion bug.”

Now, his 100% Black-owned and operated brand works with a dozen tailors in Accra to create around 250-300 pieces at a time. Ade Dehye is known for its fusion of intricate prints stylized as streetwear, bomber jackets, lined trench coats, and two-piece outfits that you can mix and match. The pieces are then shipped to Oakland and sold online or through pop-ups. The timeframe from Ahmad selecting the fabrics and designs to receiving the garments can take anywhere between 10 weeks to five months.

“There needs to be more investment in Ghana, in the continent as a whole,” Ahmad said. “And not just in the clothing industry, but in industrializing the country as a whole, and getting West Africa more up to speed and competitive with the rest of the world in every sector.”

Although Ahmad wasn’t always interested in fashion, he was familiar with West African textiles. His mom often wears clothing made out of West African prints, so Ahmad was exposed early on to textiles like Kente cloth, Ankara, and mud cloths. “I was no stranger to these fabrics. But I’d never been able to get stuff tailor-made to me,” he said.

Ahmad’s path to fashion wasn’t always clear, but he always had a goal to make a difference. When he graduated from Oakland Tech High School in 2014 he was praised on national television for his achievement as a senior who was accepted into some of the most elite Ivy League universities. Ahmad received his bachelor’s in sociology from Yale in 2018, and his master’s in journalism and documentary film from Columbia Journalism School in 2019.

“I got a lot of attention for [my college acceptances], and I always wanted to return the favor to come full circle and actually get into education,” he said of his goal to return home and pay it forward like he watched his mom do as being an educator with the Oakland Unified School District for three decades.

While he wanted to make his way home eventually, he decided to stay in New York to work as a journalist and filmmaker in Harlem after graduating from Columbia. But when COVID-19 hit, he and his partner, Elena, traveled back home to Oakland for what was supposed to be no more than a 10-day shelter in place. They ultimately canceled their return flight to New York and stayed in the Bay Area.

When he came home, he got the opportunity to teach at OUSD’s African American Male Achievement program, designed to improve academic and life outcomes for male students. At the same time, he took part in the prestigious Ida B. Wells fellowship in investigative reporting. While Ahmad was forging a budding journalism career, he never stopped thinking about the time he spent in Ghana. He started dreaming up creating a 100 percent Black-owned brand solely sourced and produced out of Ghana.

Having no fashion knowledge other than what he learned during his time abroad as a college student, he reached out to the people in the fashion industry he had met during his stay back in 2016. One of them was local Ghana fashion designer Awurama Mankatah, owner of the Threaded Tribes clothing brand.

So far, Ahmad has self-funded the entire project, and money generated from pieces sold is reinvested into the brand.

Because tailors in Ghana specialize in making a limited number of custom-made pieces at a time, one of the biggest challenges was recruiting them to be involved. He leaned on Mankatah for guidance on finding the right tailors, as well as learning how long certain handmade fabrics take to make, and the different types of stitching and patterns. The roughly dozen tailors that work for Mankatah also work for Ahmad, and the entire manufacturing operates out of Accra.

For the most part, Ahmad has worked remotely to bring his vision to life, but he was able to travel to Ghana this past February.

From the beginning, Ahmad wanted to ensure his brand helped the African workers he partnered with financially and didn’t become an exploitative source as is the case in so many industries operating on the continent. Cacao is one of the most obvious examples of how Western countries take advantage of West Africa’s natural resources with little benefit to locals. While Ghana is currently one of the largest exporters of cacao, Western Europe and the United States have the highest number of chocolate manufacturers reaping profits.

“You see all of these folks from other places coming in and running things, and you understand this is a raw resource grab,” he said.

Ahmad knew he was taking a risk with his ethical vision for how to run Ade Adehye given how much easier and more lucrative it would be to run the brand out of China’s mass production infrastructure. “I purposefully chose not to do that,” he said.

So far, Ahmad has hosted two pop-ups, one in Alameda in May and one in downtown Oakland in August. During the Oakland pop-up inside Dish Boutique on 23rd Street, friends and visitors got the chance to mingle with Ahmad, ask questions about the pieces, and walk away with shopping bags filled with unique garments priced at $80-$250, which Ahmad says is a reasonable price for the handwoven items given the labor-intensive hours that go into making the garments.

Ahmad’s ultimate goal is to help other Black entrepreneurs follow the blueprint that he created with the help of other people in the fashion industry like Mankatah of Threaded Tribes to show how it is possible to run an ethically and sustainable company that’s successful.

For now, he’s getting ready to travel to Ghana for the second time to start working on what new pieces he will add to the Ade Dehye collection. In the end, he is keeping accessibility and his hometown in mind as he rolls out designs.

“I want to see my folks wearing my stuff. I come from East Oakland, I come from Oakland public schools, folks aren’t going to be paying $800, $900 for a trenchcoat,” he said. “I want the pieces to be accessible to my folks. It’s more about brand integrity, having morals and values that I’m trying to stick to.”

Content courtesy of The Oakland Side & Nairobi fashion hub

 

Nigerian Born Fashion Designer Joy Ijeoma Meribe Opens Milan Fashion Week 2021

Designer Joy Ijeoma Meribe opened Milan Fashion Week on Wednesday with her debut runway collection, a concrete success for a movement to promote diversity in Italian fashion just a year after launching

MILAN — Nigeria-born designer Joy Ijeoma Meribe opened Milan Fashion Week on Wednesday with her debut runway collection, a concrete success for a movement to promote diversity in Italian fashion just a year after launching.

The Italian National Fashion Chamber tapped Meribe to open six days of womenswear previews for Spring-Summer 2022 after her inaugural collection for the “We Are Made in Italy” initiative last year found commercial success.

“Beyond whatever video, proclamation, or manifesto that we make, the real test is whether clients buy your products. Joy passed that exam,’’ said Italian-Haitian designer Stella Jean, who helped launch the initiative in the summer of 2020, asking the question, “Do Black Lives Matter in Italian Fashion?” inspired by the U.S. movement and following racists gaffes by major Italian fashion houses.

“It wouldn’t have been so quick if there wasn’t an acceleration from the United States,’’ said Jean, who basked in the early success in the front row alongside Italy-based U.S.-born designer Edward Buchanan and Afro Fashion Week Milano founder Michelle Ngonmo.

Meribe broke down in tears after the show as she thanked the fashion chamber and the movement’s founders for getting her to the runway.

The collection featured tiered and ruffled skirts and jackets with built-in capes that were both regal, as seen in an off-shoulder dress sweeping the ground, and hip, including a mini day-dresses and shoulder-baring tunic. Textiles were an explosion of bright yellow against sky blue, with tropic prints featuring thatched cottages against flourishing banana trees, which Meribe said was meant to celebrate a return to more normality.

“We have passed from a dark moment, and I wanted to create something full of hope and light, the joy of restarting,’’ she said backstage.

The initiative that launched Meribe opened its second edition this fashion week, an all-female group of designers working in Italy with roots in Togo, Morocco, Haiti, Cuba, and India, following last year’s “Fab Five” inaugural class of all African-born designers.

“There is a movement happening,’’ said Buchanan, the American designer behind the Sansovino 6 label. “Of course everything takes time, but it takes somehow an industry to get used to the idea that these are talents like any other.”

To point, they have created a database of more than 3,000 fashion professionals with diverse racial and ethnic backgrounds living in Italy, including designers, merchandisers, photographers, and stylists, with the aim of putting to rest the notion that diverse talents weren’t available in Italy.

But even while marking progress on diversity being made in the industry, organizers said that a racist incident at a four-star hotel in Milan aimed at this year’s “Fab Five” underlined the work still ahead.

Ngonmo said that she was checking into the hotel with the five women when the desk clerks rudely dismissed routine requests by paying guests, indicating that they didn’t belong there. She posted the incident on social media and later spoke with management, who apologized and fired the two workers responsible.

“They dehumanized us, taking away our humanity and treating us like animals. It is really, really bad,’’ Ngonmo said.

Jean said the incident “is the proof that everything we are doing today, more than ever, needs to be done. It is a necessity.”

Content courtesy of abc News & Nairobi fashion hub 

 

The Story Behind Lupita Nyong’o’s Denim-Inspired Met Gala 2021 Beauty Look

Given that the springboard for Lupita Nyong’o’s 2021 Met Gala beauty was a Versace dress defined by a confluence of beaded detailing and denim panels, an above-neck approach equal parts pretty and irreverent seems a natural match. Fortunately, longtime conspirators Vernon François (hair) and Nick Barose (makeup) were more than up to the task, each ensuring that, in this case, an “American” moment meant a supremely creative one.

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“Brooklyn-born conceptual artist Lorna Simpson inspired the look,” said François of Nyong’o’s molded mane, its transparent folds designed to echo the delicacy of tulle. “[Simpson’s] take on texture is powerful, and I wanted to imitate the effortless wave and movement that she conveys in her work.”

François relied on hairpieces, ample pins, and a spritz of Redken’s Triple Pure 32 for maximum hold, along with an ardent communication of contrast, artistic freedom, and history. “Lupita is incredibly visionary and adventurous, not only does she have the most versatile kinky, coily, hair but the ability to wear and show the beauty of all hair textures,” he says. “I’ve always wanted to bring this technique to life within the Afro hair experience, and doing it for the Met Gala is mind-blowing.”

And while the striking hair may have matched the sculptural nature of the actor’s Versace dress, Barose’s makeup took its cues from its blue hue. The makeup artist used ten different shades of blue shadows pulled from two separate Lancôme Hypnôse 5-Color Eyeshadow Palettes, Bleu Hypnotique, and the soon-to-release Drama Denim with bright accents here and there for even more dimension. A rim of black eyeliner and brickish lipstick completed the look. The trick is the ’90s one, in step with Barose’s overarching inspiration.

“We’ve been exchanging images of the denim dress, which is kind of my heyday,” explained Barose. “I was so inspired by the supermodels of the ’90s and Versace, so it’s something that’s second nature to me. But we didn’t want to do anything too on the nose. It’s a different spin.” The makeup artist also cites Old Hollywood and Western films as references, the shared characteristic of all genres that of a femme fatale a woman who is strong, powerful, glamorous, and fierce. “Mostly fierce,” said Barose. “That word is thrown around a lot, but a Versace moment is always fierce.”

Content courtesy of Vogue Magazine & Nairobi fashion hub

Met Gala 2021 The Best Dressed on the Red Carpet

Last night saw the long-awaited return of the Met Gala, an event that is often dubbed ‘the Oscars of fashion, and which always sees celebrities and designers pull out all the stops to create truly memorable red-carpet moments. After 18 months of cancelled events as a result of the Covid-19 pandemic, last night’s gala was even more special than usual as the biggest supermodels, actresses, sports stars and influencers made their way up those very famous steps for the first time in a while.

This year’s exhibition, and therefore the accompanying theme, was ‘In America: A Lexicon of Fashion’ or ‘American Independence’ which celebrates the Costume Institute’s 75th anniversary and explores a modern vocabulary of American fashion. When it came to the gala outfits, we saw both obvious and subtle nods to American fashion, culture, and history, while plenty of American designers were represented at the event.

It was a truly exciting night for fashion and there were plenty of memorable red-carpet moments.

One of America’s greatest exports is the image of the rugged cowboy, so it’s honestly surprising that the beige carpet at the Met Gala 2021 wasn’t full of spurs, wide-brimmed hats, and sturdy boots. Despite that, plenty of stars lived up to the “In America” theme by embracing Western wear in some way. From Leon Bridges who went traditional in a fringed Bode jacket to Jennifer Lopez who channeled a couture adventurer in an earthy brown Ralph Lauren gown, the looks that embraced the West were also the ones that felt riskiest and most alive.

Ben Platt, in Christian Cowan and Lupita N’yongo, in Versace, both embraced denim, while Shawn Mendes opted for a shirtless look in leather pants by Michael Kors. Kacey Musgraves was more abstract in an equestrian-inspired high-waisted skirt and boots by Ralph Lauren, while Kim Petras honored her childhood as a horse girl by wearing a spectacular printed Collina Strada gown complete with a horse’s head hanging from her neck.

Iman in Harris Reed

It takes a lot to steal attention on the Met Gala red carpet, but Iman managed to do exactly this in a striking look by Harris Reed. The model wore a completely handmade crinoline and gold leaf gown, jacquard bustier, and flares, with an enormous statement hat which Reed created in collaboration with Vivienne Lake. The stylist described the moment as their “biggest dream come true to date”.

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Zoe Kravitz in Saint Laurent

Post-pandemic, naked dressing is definitely back on the menu. This was proven by a number of stars last night, including Zoë Kravitz, who looked absolutely breathtaking in a completely sheer, beaded Saint Laurent gown, with sparkling Jessica McCormack diamonds.

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Paloma Elesser in Zac Posen

Model Paloma Elesser was the picture of old Hollywood glamour in a deep red satin gown by American designer Zac Posen, which featured a dramatic feathered train.

Kendall Jenner in Givenchy

Supermodel Kendall Jenner is no stranger to the Met Gala, and she is also no stranger to a sheer dress, but last night’s custom Givenchy ensemble may have been her best effort to date. The gown – which was embellished with crystals and featured a fishtail train and a jewelled neckpiece – was inspired by the house’s most famous muse, Audrey Hepburn, and a dress she wore in My Fair Lady.

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Lupita Nyong’o in Versace

While there was plenty of amazing fashion to be seen last night, the Met Gala theme of ‘American Independence’ was not always obvious with every single look. However, Lupita Nyong’o ticked all the right boxes with her denim Versace ballgown, which definitely nodded to all things USA.

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Rihanna in Balenciaga

It was a big night for Balenciaga with the house responsible for dressing some of the biggest stars in the world. This included Rihanna, always the queen of the Met Gala red carpet, who this year wore a black voluminous gown and beanie from the house’s latest couture collection, which she paired with lots and lots of Bulgari diamonds.

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Gemma Chan in Prabal Gurung

British actress Gemma Chan pulled out all the stops with her embellished Prabal Gurung mini dress, which featured a dramatic mint-green train. The dress was a tribute to Anna May Wong, the first Chinese-American film star of Hollywood’s golden era. “A trailblazer, fashion icon, and woman ahead of her time – she paved the way for those who came after and continues to inspire,” Chan wrote.

Michaela Coel in Balenciaga

It was Michaela Coel’s first time at the Met Gala, and she certainly did not disappoint. The actress, writer, and director arrived in a full Balenciaga look, where she was covered in sequins. The jumpsuit was made in a bright electric blue colour, which was presumably a nod to the American flag.

Kaia Gerber in Oscar de la Renta

Another star that nodded to old Hollywood glamour was Kaia Gerber who looked timeless and beautiful in a strapless black ball gown by Oscar de la Renta. The custom black faille gown featured ivy vines, which were made of black thread-work embroidery and lined the top of the corset bodice.

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Normani in Valentino

Normani had a picture-perfect moment in a Valentino couture gown for the 2021 Met Gala. The dress featured an enormous skirt, a dramatic train, and huge sleeves, all of which made for big, head-turning fashion, which is what this event is all about.

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Content courtesy of Harpers Bazaar, Met Gala & Nairobi fashion hub 

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