Thursday 22nd of October 2026

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Tag: Female Models

Anastacia Mwiathi Makes History as First Runner-Up at Universal Woman 2026

Posted on by Fashion Tribe Influencer

Anastacia Mwiathi Puts Kenya in the Global Spotlight as First Runner-Up at Universal Woman 2026

Universal Woman - Kenya :: Behance

INTERNATIONAL PAGEANTRY | PHNOM PENH, CAMBODIA | OCTOBER 10, 2026

Kenya’s Anastacia Mwiathi has secured a place among the leading contestants at Universal Woman 2026, finishing as first runner-up at the international pageant held in Phnom Penh, Cambodia. Brazil’s Marissol Savagin won the crown at the October 9 grand finale, while Kenya’s result placed the East African nation among the competition’s top performers.

Mwiathi’s achievement marks a proud moment for Kenya’s pageant community, bringing international attention to a representative who carried the country’s flag onto a global stage. In a competition bringing together women from different nationalities and cultural backgrounds, her placement stands out as a significant result for Kenya.

The outcome also highlights the increasingly international character of contemporary pageantry, where national representation, personal confidence, cultural exchange and women’s empowerment contribute to the wider story beyond the crowning moment.

For Kenya, the message is clear: although the ultimate title went to Brazil, Mwiathi emerged from the competition with an achievement worthy of national recognition.

Anastacia Mwiathi: A Proud Moment for Kenyan Pageantry

 

Representing Kenya as Universal Woman Kenya 2026, Anastacia Mwiathi competed against international delegates for the coveted title. Her first runner-up finish placed her immediately behind the eventual winner, Marissol Savagin of Brazil.

The result is an important milestone for Kenya’s presence in international beauty competitions. It offers an opportunity to celebrate Kenyan talent while drawing attention to the dedication involved in representing a country before an international audience.

International pageants demand more than a memorable stage appearance. Contestants must navigate demanding schedules, engage with people from different cultures and communicate their identities in a highly competitive environment. They also become representatives of their countries, carrying expectations from supporters at home while introducing international audiences to their national identities.

Mwiathi’s placement gives Kenyan supporters a reason to celebrate her performance and the visibility she brought to the country throughout the competition.

While the available reporting does not provide a detailed account of her personal journey, professional background or advocacy priorities, her result at Universal Woman 2026 provides a clear achievement around which Kenya’s pageant community can rally.

Universal Woman 2026: Brazil Takes the Crown

Miss São Paulo, Marissol Savagin conquista o Universal Woman Brasil e vai representar o país no Mundial - Jornal da República

Brazil’s Marissol Savagin emerged as the winner of Universal Woman 2026, bringing the international competition to a close in Cambodia.

Savagin had previously secured the Universal Woman Brazil 2026 title in São Paulo, earning the opportunity to represent her country at the international event. Her national victory was announced by the Universal Woman organisation in June 2026.

Her international victory placed Brazil at the centre of this year’s pageant celebrations, while Kenya secured the first runner-up position.

The top five reflected the competition’s international reach, with representatives from Asia, South America and Southeast Asia joining Brazil and Kenya in the final results.

Universal Woman 2026: The Final Results

PositionCountryContestant
WinnerBrazilMarissol Savagin
First runner-upKenyaAnastacia Mwiathi
Second runner-upChinaYuanxi Qi
Third runner-upVenezuelaFaddya Halabi
Fourth runner-upCambodiaMean Sonyta

The results were reported following the October 9 finale in Phnom Penh.

For Kenya, Mwiathi’s first runner-up placement was the standout national result of the competition. For Brazil, Savagin’s victory represented the culmination of a journey from winning her national title to securing international recognition.

Cambodia Brings Culture to the Universal Woman Stage

candidatas a universal woman 2024. final: 22 march. - Página 15

Beyond the final results, Universal Woman 2026 offered contestants an opportunity to experience Cambodia’s cultural heritage.

The host country welcomed delegates from around the world for activities that showcased its traditions, historical landmarks and tourism destinations. One of the notable highlights was a presentation of traditional Cambodian sbai attire at Angkor Wat in Siem Reap.

Reports published during the competition described contestants wearing different interpretations of the traditional garment, accompanied by distinctive colours, jewellery and styling. The programme also included visits to Cambodia’s historic temple complex and coastal destinations.

These experiences added a cultural dimension to the competition, allowing international contestants to encounter Cambodian heritage beyond the pageant stage.

Fashion played an important role in this exchange. Traditional dress can communicate history, craftsmanship and cultural identity, offering audiences an opportunity to appreciate the significance of clothing beyond its visual appeal.

For an international fashion and pageantry audience, the Cambodian programme illustrated how competitions of this nature can create a meeting point for national identities, cultural storytelling and contemporary presentation.

Beyond Beauty: The Purpose Behind Universal Woman

Universal Woman positions itself around empowerment, diversity and global impact, according to the organisation’s official website. Its stated mission places emphasis on women and the potential of international pageantry to create visibility for meaningful initiatives.

This broader approach reflects a wider conversation taking place across the pageant industry. While presentation, styling and stage performance remain important elements, contemporary competitions increasingly discuss leadership, social engagement, confidence and opportunities for women to participate in public life.

An international platform can help contestants build connections, communicate their ideas and reach audiences beyond their home countries. It can also provide opportunities for collaboration across fashion, media, entrepreneurship and advocacy.

However, each contestant’s individual contribution should be assessed on the basis of verified information about her work and initiatives rather than assumptions based solely on her placement.

For Mwiathi, her first runner-up result provides a strong foundation for public recognition. Further details about her personal advocacy, professional ambitions and future projects would help audiences understand the wider impact she hopes to make following Universal Woman 2026.

What Anastacia Mwiathi’s Achievement Means for Kenya

Mwiathi’s result arrives as another opportunity for Kenya’s fashion and pageant community to recognise the value of international representation.

Kenya has a diverse creative sector spanning modelling, fashion design, beauty, photography, media and event production. International pageants can bring these connected industries into wider conversations, particularly when contestants receive visibility beyond their national competitions.

A strong international placement can also inspire emerging contestants to pursue opportunities that require preparation, confidence and commitment. For aspiring models and pageant participants, seeing a Kenyan representative reach the final positions of an international competition offers an encouraging example of national participation on a global stage.

The result also presents an opportunity for brands, sponsors, talent agencies and creative organisations to support future contestants through professional development, wardrobe partnerships, communication training and international exposure.

Such support is important because a contestant’s journey often involves a wider network of professionals working behind the scenes. Designers, stylists, photographers, coaches and event organisers can all contribute to how a national representative presents herself to international audiences.

Mwiathi’s achievement is therefore worth celebrating not only as an individual milestone but also as a moment of visibility for the wider Kenyan pageant and fashion community.

A Celebration of Achievement, Representation and National Pride

As Brazil celebrates Marissol Savagin’s crowning as Universal Woman 2026, Kenya has its own reason to celebrate through Anastacia Mwiathi’s first runner-up finish.

The final result gives both countries a moment of recognition: Brazil claims the international crown, while Kenya celebrates a representative who finished among the competition’s leading contestants.

For Mwiathi, the achievement is a milestone that deserves acknowledgement. For her supporters, it is an opportunity to recognise the significance of representing Kenya on an international platform. And for the country’s pageant community, it is a reminder of the importance of nurturing talent and creating opportunities for Kenyan women to participate in global competitions.

Congratulations to Anastacia Mwiathi, Universal Woman Kenya 2026, on emerging as first runner-up at Universal Woman 2026 in Phnom Penh, Cambodia.

You have represented Kenya with elegance, confidence and distinction, giving the nation a proud moment on the international stage.

Hongera, Anastacia! Kenya is proud of you. 🇰🇪

Congratulations to Marissol Savagin of Brazil on winning the Universal Woman 2026 crown.

 

Content Courtesy of Universal Woman & NFH Digital Team 

Paris Fashion Week 2026: Givenchy, Louis Vuitton, Lacoste and the African Fashion Revolution of SS27

Posted on by Ann Mumbi

Paris Fashion Week 2026: A New Chapter for Global Fashion.

Paris once again became the centre of the international fashion calendar as Paris Fashion Week Spring/Summer 2027 unfolded from September 28 to October 6, 2026, bringing together some of the world’s most influential fashion houses, established creative directors, emerging designers and a new generation of models.

Organised by the Fédération de la Haute Couture et de la Mode (FHCM), the women’s ready-to-wear season featured a packed official calendar of shows and presentations, with major houses including Christian Dior, Saint Laurent, Chanel, Givenchy, Louis Vuitton, Lacoste, Miu Miu, Valentino, Balenciaga, Loewe, Celine, Hermès, Chloé, Tom Ford, Balmain, Mugler and Jean Paul Gaultier, alongside independent and emerging labels.

But Paris Fashion Week 2026 was about more than luxury houses.

It was also a season of creative transition, African representation, new designers, changing consumer behaviour, sustainability, lighter clothing, stronger cultural identity and fashion responding to a rapidly changing world.

The season’s official schedule contained 68 shows, alongside presentations, showrooms and fashion-related events. The season also marked important returns to the calendar and introduced new creative leadership at selected houses.

And for Africa, the significance was particularly profound.

For the first time, MaXhosa Africa, founded by South African designer Laduma Ngxokolo, presented a full runway show on the official Paris Fashion Week calendar — a major milestone for African fashion on one of the world’s most influential fashion platforms.

Day One — September 28: Africa Opens Paris Fashion Week

The opening day immediately established one of the strongest narratives of the season.

The official calendar began with names including Julie Kegels, Fidan Novruzova, Kimhekim, Weinsanto, Vautrait, MaXhosa Africa, Hodakova and Matières Fécales.

But the defining moment belonged to MaXhosa Africa.

MaXhosa Africa makes history

For Laduma Ngxokolo, the MaXhosa Africa show was not simply another runway presentation.

It represented 16 years of building an African fashion identity into an international luxury proposition.

The Spring/Summer 2027 collection, titled “Izihlwele Zivumile”, which the house describes as meaning “the ancestors have approved”, brought Xhosa heritage, South African craftsmanship and contemporary luxury to the official Paris runway.

The collection was presented at the South African ambassador’s residence in France, with locally sourced wool and production connected to the brand’s facilities in Johannesburg and East London.

The clothes drew from Xhosa geometric language and broader African cultural references, with garments featuring references to African countries and a contemporary interpretation of heritage.

The presentation also included an important Kenyan connection: Kenyan artist Cyrus Kabiru contributed eyewear created from waste materials, while South African musician Sjava provided the soundtrack.

This made MaXhosa one of the clearest symbols of the season’s growing conversation around African fashion, craftsmanship and cultural ownership.

It was also significant because MaXhosa had previously appeared in Paris through presentations; September 28 marked the transition to a full runway show on the official calendar.

Matières Fécales makes a statement

Later that evening, Matières Fécales, the Montreal/Paris creative project of Hannah Rose Dalton and Steven Raj Bhaskaran, presented one of the week’s most politically charged shows.

The designers presented 99 looks, with the number symbolising the 99%. The show featured an all-person-of-colour model cast, making representation itself part of the collection’s message.

It was an unusually direct statement for a fashion runway: fashion as clothing, performance, politics and social commentary at the same time.

September 29: Dior, Saint Laurent and the Return of the Major Houses

The second day moved Paris into blockbuster territory.

Christian Dior, Saint Laurent, Maison Margiela, Ganni, Mame Kurogouchi, Burç Akyol, Marie Adam-Leenaerdt and others occupied the calendar.

Dior was particularly important because Jonathan Anderson was presenting his third women’s ready-to-wear collection for the house, part of a wider season in which several newly appointed creative directors were beginning to establish their identities.

Saint Laurent, under Anthony Vaccarello, continued its highly recognisable language of glamour, sensuality and powerful silhouettes.

The day demonstrated one of the defining characteristics of Paris Fashion Week SS27: fashion houses were no longer simply introducing seasonal clothes; they were establishing new creative eras.

September 30: New Creative Voices Take the Stage

September 30 brought another major chapter with Tom Ford, Acne Studios, Stella McCartney, Dries Van Noten, MaitrePierre, Ruohan, Loulou de Saison, Balmain and Courrèges among the names on the calendar.

Drew Henry’s Courrèges debut

One of the season’s two officially identified major designer debuts came at Courrèges, where Drew Henry presented his first collection for the house.

According to the official schedule, Henry’s debut was one of only two major new creative-director debuts on the SS27 Paris calendar, the other being Kai Nesselrath at Carven.

That made Courrèges one of the collections watched particularly closely by buyers, editors and fashion insiders.

Stella McCartney and sustainability

Stella McCartney continued to place sustainability and animal welfare at the centre of her fashion proposition, reinforcing a broader SS27 conversation about responsible production and the environmental impact of fashion.

The industry’s sustainability agenda was also reflected structurally through FHCM’s partnership with PwC, whose STEP.event platform enables participating houses to assess the environmental and social impact of fashion events and explore lower-impact event design.

 

October 1: Chloé, Balenciaga and the New Generation of Luxury

The October 1 schedule included Isabel Marant, Schiaparelli, Gauchère, Uma Wang, Rick Owens, Icicle, Balenciaga, Carven, Alainpaul and Chloé.

Chloé: Romance meets practicality

At Chloé, creative director Chemena Kamali presented Spring/Summer 2027 at the Paris Observatory.

Her collection, titled “Obsession,” drew heavily from Chloé’s archives, combining romantic lace, lingerie references, broderie anglaise, ruffles and soft silhouettes with heavier outerwear and tailoring.

The contrast was important: delicate femininity was placed alongside practical, substantial garments.

Balenciaga under Pierpaolo Piccioli

Balenciaga continued its new chapter under Pierpaolo Piccioli, who was among the creative directors reshaping one of Paris’s most recognisable houses.

The season represented the third collection for several newly installed creative leaders, making SS27 something of a test of whether fashion’s recent creative-director upheaval could translate into long-term identities.

October 2: Givenchy, Loewe and the Power of Reinvention

October 2 was arguably one of the most important days of the entire week.

The official calendar brought together Givenchy, Yohji Yamamoto, Victoria Beckham, Casablanca, Marine Serre, Jitrois, Issey Miyake, Loewe, Undercover, Leonard Paris and others.

Givenchy Summer 2027: Sarah Burton’s Vision of the Modern Woman

For Sarah Burton, Spring/Summer 2027 was about clarity.

Her third season at Givenchy explored the question of how women dress when life itself is constantly moving.

Givenchy described the collection as an attempt to create balance and clarity, building a wardrobe around precision, simplicity and adaptability.

Burton approached the collection through highly engineered cutting.

The runway opened with a striking black leather dress, while the collection moved through sharply constructed tailoring, leather, asymmetry, sculptural dresses, jeans, peplum jackets, trench coats and garments designed to shift between different aspects of a woman’s life.

The collection also introduced new handbags designed by Marco De Vincenzo, including slouchy zippered shapes and crescent forms with mirror details.

The result was a Givenchy woman who appeared simultaneously powerful, practical, sensual and prepared.

Givenchy’s runway cast

The show featured 57 recorded models, according to FashionDB’s runway database, with Nyaduola Gabriel opening and Sarah Isaksen closing. The recorded cast included major names such as Liu Wen, Mona Tougaard, Agel Akol, Awar Odhiang, Rejoice Chuol, Achol Ayor, Soo Joo Park, Eva Herzigova and Fatou Mbaye.

The show also recorded three runway debuts, although the available database cautions that its cast information remains provisional rather than an official Givenchy-issued cast list.

The African and African-diaspora presence was particularly visible, with South Sudanese-Canadian models including Awar Odhiang, Agel Akol and Rejoice Chuol, alongside other models of African heritage.

Casablanca: African and Global Identity Collide

Another important October 2 presentation came from Casablanca, founded by Moroccan-French designer Charaf Tajer.

The Spring/Summer 2027 show featured 46 recorded models, with Sayonara Araujo opening and Lais Garcia closing.

The cast included models such as Saliou Gueye, Fama Diop, Opeyemi Ajibola, Bukki Musafiri and Moussa Sanogo, adding another layer of African representation to the Paris runway.

Brazilian singer Ludmilla also attended the Casablanca show wearing a look created specifically around the brand’s Spring/Summer 2027 collection.

Casablanca’s presence was significant because the label sits naturally between Parisian luxury, Moroccan heritage, travel culture and a distinctly contemporary global identity.

 

October 3: Celine, Hermès, Elie Saab and the Power of Craft

October 3 brought another heavyweight group:

Ann Demeulemeester, Hermès, Comme des Garçons, Elie Saab, Vivienne Westwood, Nehera, Noir Kei Ninomiya, Celine, Niccolò Pasqualetti, Junya Watanabe and Barbara Bui were among the official collections.

Celine under Michael Rider

At Celine, Michael Rider continued to define his vision for the house with a collection that drew on Parisian ease, 1970s references and a more relaxed interpretation of luxury.

Hermès: quiet luxury in motion

At Hermès, Nadège Vanhée continued to explore sensual minimalism and lightweight clothing an especially relevant direction during a season in which heat, climate and changing lifestyles influenced many designers.

Elie Saab

Lebanese designer Elie Saab once again brought his distinctive couture sensibility into the ready-to-wear environment, maintaining the Middle Eastern fashion house’s strong Paris presence.

October 4: Lacoste Turns Roland-Garros Into a Runway

Then came one of the most visually memorable shows of the season.

Lacoste Spring/Summer 2027: “No White Required”

Pelagia Kolotouros, Lacoste’s creative director, took the Spring/Summer 2027 collection to the Philippe-Chatrier central court at Roland-Garros.

Instead of treating the tennis court as a pristine white-and-green symbol, Kolotouros turned its clay into part of the collection’s visual language.

The runway itself traced an infinity loop across terre battue, while clay was used almost like a fashion material.

The collection revisited the history of tennis clothing and the rebellious legacy of René Lacoste and Suzanne Lenglen.

Lacoste’s traditional preppy codes were loosened.

Garment-dyed cottons, washed fabrics, relaxed tailoring, tropical wool, technical jerseys and breathable materials created a wardrobe built around movement rather than rigid uniformity.

Colours moved from clay and mineral earth tones to cobalt blue, acid yellow and silver.

Oversized piqué polos were layered with technical jerseys. Tracksuits, pleated skirts, loose tailoring, wide trousers and technical outerwear transformed tennis vocabulary into contemporary streetwear.

Even white garments appeared deliberately stained with clay turning imperfection into a symbol of movement and effort.

Lacoste models

FashionDB recorded 40 models in the Lacoste SS27 runway cast, with Josefa Santos opening and Bella Novello closing.

The cast included models such as Agel Akol, Aluel Keror, Aluel Makuach, Alyssa Traoré, Saliou Gueye, Farida Ebene, Noemi Kassa, Yahne Ba and Evelyn Effrim.

Notably, Agel Akol, a South Sudanese-Canadian model, was also part of Givenchy’s cast, demonstrating how models from African backgrounds were increasingly visible across major Paris houses.

Mossi Traoré: African Heritage in a Different Parisian Language

October 4 also brought Mossi, the label founded and creatively led by Mossi Traoré.

The Spring/Summer 2027 presentation drew inspiration from Père-Lachaise Cemetery, using tombs, stone, vegetation and the passage of time as creative references.

The resulting collection explored muted grey, green and natural tones, creating an atmosphere that was poetic rather than overtly commercial.

The presentation featured 16 models, with Ani Cuevas opening and Melisa Turkmen closing.

It also provided one of the clearest examples of emerging-model activity during the week.

FashionDB recorded Nyibol Dok Jok of South Sudan and Kadiata Ba of France among the models making their brand debuts at Mossi’s SS27 presentation.

October 5: Chanel, Sacai and Miu Miu

By October 5, the week was approaching its climax.

The schedule included Chanel, Agnès b., Florentina Leitner, Zimmermann, Time, Gabriela Hearst, Abra, Shiatzy Chen, Dice Kayek, Sacai and Ungaro, among others.

Chanel under Matthieu Blazy

Matthieu Blazy continued his Chanel chapter with a collection that engaged directly with the legacy of Gabrielle Chanel.

The show revisited ideas of freedom, femininity and movement, while translating the house’s historic codes into contemporary silhouettes.

The collection reportedly featured 83 looks, with different shoes completing each look another indication of how accessories, particularly footwear, became increasingly important during the SS27 season.

Miu Miu

Miu Miu continued its dialogue between youthful fashion, sportswear and femininity, with Gigi Hadid among the models seen on the runway during the season.

October 6: Louis Vuitton Brings Paris Fashion Week to a Futuristic Close

The final day belonged to Louis Vuitton.

The official schedule included Louis Vuitton, Pierre Cardin, Situationist, Boyarovskaya, CFCL, Christopher Esber and Litkovska.

Louis Vuitton Summer 2027: Fashion for a Warmer World

Creative director Nicolas Ghesquière closed the Paris ready-to-wear season with one of the most conceptually ambitious shows.

The collection responded to a world experiencing rising temperatures.

Instead of heavy, rigid fashion, Ghesquière explored lightweight fabrics, sheer materials, fluid jackets, strappy dresses, pastel shades and wide-slit trousers.

The objective was not simply to make summer clothes look lighter. It was to rethink how luxury clothing can function in a warmer future.

The runway itself became part of the argument.

The Louvre setting was transformed into a futuristic cityscape featuring 34 Damier-inspired flying-car structures, creating an imaginary urban environment in which the collection could exist.

Ghesquière described the concept in terms of the cities of the future asking how people will move through increasingly dense and changing urban environments.

Louis Vuitton’s model cast

FashionDB recorded 47 models, with Harriet Wellock opening and Noor Khan closing. Casting was handled by Ashley Brokaw.

The show also recorded five runway debuts, although, again, the database identifies its cast information as provisional rather than an official Louis Vuitton publication.

Among the major names appearing in Louis Vuitton’s wider SS27 runway activity was Noor Khan, who was one of the season’s strongest runway performers according to FashionDB’s Paris rankings.

African Fashion and Models Were Impossible to Ignore

Perhaps the most important story running beneath Paris Fashion Week 2026 was Africa’s increasing visibility.

The continent was not represented through a single aesthetic.

Instead, Africa appeared through South African knitwear, Moroccan heritage, Malian-French design, African models, African artists, African manufacturing and global African-diaspora creativity.

The designers and houses

The strongest African connections included:

  • MaXhosa Africa — Laduma Ngxokolo, South Africa
  • Casablanca — Charaf Tajer, Moroccan-French
  • Mossi — Mossi Traoré, Mali/French
  • Xuly Bët — Lamine Badian Kouyaté, Mali/France
  • Elie Saab — Lebanese designer and international fashion house with strong Paris presence

Xuly Bët is particularly important historically. Founded in Paris in the early 1990s by Malian-born Lamine Kouyaté, the house has long connected African identity, Parisian fashion and upcycling. The name itself means “Open your eyes wide” in Wolof.

African and African-diaspora models

Among the models documented across the major SS27 shows were:

Awar Odhiang, Agel Akol, Rejoice Chuol, Achol Ayor, Nyaduola Gabriel, Fatou Mbaye, Stella Winfred Nakiria, Aluel Keror, Aluel Makuach, Saliou Gueye, Farida Ebene, Evelyn Effrim, Noemi Kassa, Yahne Ba, Nyibol Dok Jok and Kadiata Ba, among others.

The representation is particularly significant because many of these models appeared across multiple houses rather than being confined to African designers.

FashionDB’s season-wide tracking recorded 1,208 models across 81 shows in its current database, while its rankings identified Athiec Geng, Noor Khan, Awar Odhiang and Mona Tougaard among the leading performers based on recorded appearances and its proprietary scoring system.

New Designers and Emerging Talent

Paris Fashion Week SS27 was also a season of transition.

The two most significant new creative-director debuts highlighted by the official schedule were:

Drew Henry — Courrèges

Henry’s September 30 debut represented the beginning of a new chapter for Courrèges.

Kai Nesselrath — Carven

Nesselrath presented his first collection for Carven on October 1.

These were the only two major new creative-director debuts specifically identified in the official pre-season schedule, although the calendar also contained numerous emerging designers and returning labels.

SPHERE: Paris’ emerging-designers platform

Behind the main runway schedule, the FHCM’s SPHERE Paris Fashion Week Showroom continued its role as an incubator for emerging talent.

The SS27 SPHERE session took place at the Palais de Tokyo from September 30 to October 6, supported by DEFI and L’Oréal Paris.

The participating brands included:

ACT N°1, Maison J. Simone, Matho, Meruert Tolegen, Riz Poli, Sevali, Vautrait, Victoria Valette and Weinsanto.

This is important because the future of Paris fashion will not be determined only by the traditional mega-houses. It will also be shaped by designers developing new business models, new cultural references and alternative approaches to production.

The Official Paris Fashion Week SS27 Line-Up

The official FHCM collection calendar included the following houses and labels across the September 28–October 6 season:

September 28:
Julie Kegels, Fidan Novruzova, Kimhekim, Weinsanto, Vautrait, MaXhosa Africa, Hodakova and Matières Fécales.

September 29:
Ester Manas, Alexandra Golovanoff, Ganni, Marie Adam-Leenaerdt, Mame Kurogouchi, Christian Dior, Burç Akyol, Maison Margiela, Saint Laurent and others.

September 30:
Tom Ford, Acne Studios, Stella McCartney, MaitrePierre, Dries Van Noten, Ruohan, Loulou de Saison, Balmain and Courrèges.

October 1:
Isabel Marant, Schiaparelli, Gauchère, Uma Wang, Rick Owens, Icicle, Balenciaga, Carven, Alainpaul and Chloé.

October 2:
Givenchy, Yohji Yamamoto, Victoria Beckham, Casablanca, Marine Serre, Jitrois, Issey Miyake, Loewe, Undercover, Leonard Paris and others.

October 3:
Ann Demeulemeester, Hermès, Comme des Garçons, Elie Saab, Vivienne Westwood, Nehera, Noir Kei Ninomiya, Celine, Niccolò Pasqualetti, Junya Watanabe and Barbara Bui.

October 4:
Mugler, Akris, Miu Miu, Lacoste, Margaret Howell, Mossi, Valentino and Jean Paul Gaultier.

October 5:
Chanel, Agnès b., Florentina Leitner, Zimmermann, Time, Gabriela Hearst, Abra, Shiatzy Chen, Dice Kayek, Sacai and Ungaro.

October 6:
Louis Vuitton, Pierre Cardin, Situationist, Boyarovskaya, CFCL, Christopher Esber and Litkovska.

The full official calendar also contained presentations and additional events beyond the headline runway shows.

Who Supported Paris Fashion Week 2026?

It is important to distinguish official partners from ordinary commercial sponsors of individual fashion houses.

According to the FHCM’s official partners page, the official partners supporting the Paris Fashion Week ecosystem included:

Official Partners

  • DEFI
  • L’Oréal Paris
  • Accor
  • Mercedes-Benz

DEFI supports the French fashion industry and emerging labels, including the SPHERE programme. L’Oréal Paris provides beauty expertise and supports both established and emerging fashion talent. Accor’s partnership centres on hospitality, creativity and innovation, while Mercedes-Benz has maintained a long-running relationship with fashion, design and creative talent.

Broadcasting and Media Partners

The official FHCM partnership network also included:

  • YouTube
  • Google
  • Tencent
  • The Asahi Shimbun
  • CNN Style
  • TikTok
  • Meta

These partnerships helped extend Paris Fashion Week beyond physical venues and into digital audiences around the world.

Professional Partners

The fashion ecosystem was additionally supported by:

  • Launchmetrics
  • Le New Black
  • Institut Français de la Mode
  • Zedonk
  • RSM
  • Stellae International
  • Bureau Future

Sustainability Partner

PwC served as FHCM’s sustainability partner, providing the STEP.event platform for assessing the environmental and social impact of fashion events.

Event Partners

The official event network also included:

  • Palais de Tokyo
  • Air France
  • Paris Musées

And FHCM listed additional support from:

  • Lime
  • Sixt Ride
  • Motocab
  • Café Caron
  • Stockman
  • Novelty
  • Novu

What Paris Fashion Week Spring/Summer 2027 Really Said About Fashion

When the final Louis Vuitton model walked away from the futuristic Louvre installation on October 6, the message of Paris Fashion Week SS27 was remarkably clear.

Fashion is changing.

The most successful collections were not necessarily those with the loudest logos or the most complicated garments. Instead, designers repeatedly explored movement, practicality, climate, femininity, cultural identity, craftsmanship and emotional relevance.

At Givenchy, Sarah Burton asked how women can dress for the many versions of themselves.

At Lacoste, Pelagia Kolotouros challenged the idea that tennis fashion must be pristine and white.

At Louis Vuitton, Nicolas Ghesquière imagined clothing for a warmer world.

At Chanel, Matthieu Blazy continued to reinterpret Gabrielle Chanel’s philosophy of freedom.

At Chloé, Chemena Kamali balanced romance with practicality.

At Maxhosa Africa, Laduma Ngxokolo demonstrated that African heritage can become the foundation of a contemporary global luxury house rather than simply a decorative reference.

And across the runways, a new generation of models continued to reshape what the international fashion image looks like.

The African Moment May Be One of Paris Fashion Week’s Biggest Stories

If there was one development from Paris Fashion Week 2026 that deserves attention beyond the clothes, it was the strengthening of African fashion’s place within the official global fashion system.

MaXhosa Africa’s move from Paris presentations to the official runway calendar was not an overnight success. It followed years of development, experimentation and persistence.

Ngxokolo’s achievement therefore carries a message for African designers across Nairobi, Johannesburg, Lagos, Accra, Dakar, Casablanca, Addis Ababa, Kampala and beyond:

African fashion does not have to wait for global fashion to discover it.

The opportunity is increasingly about building brands with strong creative identity, world-class production, compelling storytelling and the ability to operate on the same international platforms as established luxury houses.

Paris Fashion Week 2026 demonstrated that the African story is no longer limited to the audience.

Africa is increasingly becoming part of the runway itself.

And as the final lights went down in Paris, Spring/Summer 2027 left behind more than a collection of beautiful clothes. It left a picture of an industry trying to redefine itself  one where heritage and innovation, established houses and emerging designers, European luxury and African creativity can increasingly occupy the same global stage.

Paris may still be the fashion capital of the world. But the runway is becoming unmistakably more global.

Editorial fact-check note

The FHCM official calendar is used above to establish the dates, official houses and Paris Fashion Week structure. Individual runway model names and cast sizes are drawn from current runway-tracking records where available; these databases explicitly note that some casts remain provisional. Therefore, it would be misleading to describe any third-party model database as a definitive list of every model who walked every Paris show.

Content Courtesy of Paris Fashion  Week & NFH Digital Team 

Margaret Wanjiru: The Rising Kenyan Model Redefining Fashion, Confidence and Self-Expression

Posted on by Oscar Alochi

Margaret Wanjiru: Finding Her Voice in Fashion, One Frame at a Time

Introduction

For Margaret Wanjiru, modelling is becoming a journey of confidence, discovery and creative expression. A professional physiotherapist by background, she has gradually found herself drawn toward fashion, photography and the possibilities of visual storytelling. Her journey has included creative photoshoots, pageantry and new opportunities that continue to shape her identity as an emerging model.

Her crowning as Miss Curvy KMTC 2023/2024 marked a defining moment, particularly as it was her first pageantry experience and an opportunity to discover a confidence she had not previously recognised in herself. Today, Margaret is exploring fashion campaigns, editorial, lifestyle and commercial modelling while continuing to develop her portfolio and professional presence.

In this exclusive conversation with Nairobi Fashion Hub, Margaret reflects on her personal style, the evolving African fashion landscape, the importance of confidence and professionalism in modelling, the role of social media, and her ambitions for the future. Her answers offer a glimpse into a young creative finding her voice while remaining open to growth and new possibilities.

About You & Your Journey

1. Tell us about yourself. Who is Margaret Wanjiru beyond being a fashion creative and aspiring model?

Beyond fashion and modelling, Margaret Wanjiru is a professional physiotherapist committed to helping people improve movement, manage pain, recover from injury and ultimately enhance their quality of life. Her professional background has given her a perspective grounded in discipline, empathy and an appreciation for personal wellbeing.

2. What inspired you to venture into modelling and the fashion industry? Was there a particular person, experience or moment that influenced your decision?

My entry into modelling was inspired primarily by my appreciation for fashion and its ability to provide a platform for self-expression. Over time, that interest developed into a desire to explore the creative possibilities of the industry and understand where I could position myself within it.

3. How would you describe your personal style? What makes your fashion identity unique?

I would describe my personal style as feminine, confident and versatile. I enjoy the ability to move between different aesthetics and adapt my presentation to suit the mood, concept or creative direction while maintaining a sense of individuality.

4. What does fashion mean to you personally? Is it about self-expression, confidence, culture, creativity, or something else?

For me, fashion is fundamentally a form of self-expression. It creates a visual language through which I can communicate my personality, emotions and perspective without necessarily having to articulate them verbally.

5. When did you first realize that modelling and fashion could become an important part of your life?

I began to recognise its significance when I noticed how naturally I was drawn to photography, fashion and creative expression. That growing interest eventually encouraged me to explore modelling more intentionally.

 

Modelling & Creative Experience

6. What has your modelling journey been like so far? Tell us about some of the experiences that have shaped you.

My modelling journey is still developing, but it has already been a meaningful process of discovery. Creative photoshoots, becoming more comfortable in front of the camera, stepping beyond my comfort zone and learning how to present myself professionally have all contributed to my growth. Each experience has offered an opportunity to learn something new about the industry and myself.

7. What type of modelling interests you most runway, commercial, editorial, beauty, lifestyle, fashion campaigns, or another area and why?

I am particularly drawn to fashion campaigns, editorial, lifestyle and commercial modelling because these areas allow for versatility and creative interpretation. They provide opportunities to explore different concepts, visual identities and dimensions of my personality.

8. What has been your most memorable modelling or fashion experience so far? What made it special?

One of my most memorable experiences was being crowned Miss Curvy KMTC 2023/2024. As my first experience in pageantry, the moment was significant because it allowed me to discover a level of potential and confidence I had not previously recognised in myself. Walking away with the crown made the experience particularly meaningful.

9. What challenges have you encountered as an aspiring model, and how have you handled them?

One of the challenges has been developing confidence and learning to put myself forward, particularly while entering an industry with so much to learn. I have approached this by remaining open to learning, accepting constructive feedback and deliberately working on my confidence through experience.

10. How do you prepare yourself mentally and physically before a photoshoot, casting, runway show or fashion event?

Preparation begins with taking care of the basics getting adequate rest, staying hydrated and allowing sufficient time to prepare without unnecessary pressure. I also believe in understanding the creative concept, wardrobe, location and expectations beforehand so that I can approach the assignment with greater clarity and confidence.

11. What qualities do you believe make a successful model beyond physical appearance?

A successful model needs much more than physical presence. Confidence, professionalism, discipline, adaptability and a strong work ethic are essential. Resilience is equally important because modelling can involve rejection, uncertainty and challenges, all of which require the ability to remain focused and continue developing.

12. How important is confidence in modelling, and how have you developed your own confidence in front of the camera or on the runway?

Confidence is fundamental because it influences how a model carries themselves, communicates emotion and connects with the camera or audience. I have developed mine gradually by becoming more comfortable in front of the camera, allowing myself to be seen and learning to respond positively to direction and constructive feedback.

 

Fashion & Creativity

13. Who or what inspires your creativity and fashion choices? This could include designers, models, celebrities, artists, cultures, music or everyday life.

My creative perspective draws from a combination of influences, including culture, music, models and everyday experiences. I find that inspiration can come from different environments and moments, often in unexpected ways.

14. Are there any Kenyan or African fashion designers, models or creatives you admire? What do you appreciate about their work?

This is an area I continue to explore as I learn more about the creative landscape. I appreciate creatives who bring originality, strong visual storytelling and a distinct point of view to their work.

Editorial note: Margaret did not provide specific names in her original response to this question, so the answer has not been attributed to a particular designer or creative.

15. How do you think African fashion and modelling are evolving, particularly among young creatives?

African fashion and modelling are evolving in an exciting direction. Young creatives are increasingly finding fresh ways to reinterpret culture through contemporary fashion, creating work that feels both connected to heritage and relevant to modern audiences.

16. If you could collaborate with any fashion designer, photographer, stylist, makeup artist or model in the world, who would you choose and why?

I would choose Alek Wek, as an international collaboration would provide an opportunity to challenge myself creatively while exploring how my own African identity could be expressed within a broader international fashion environment.

17. What role do social media platforms such as Instagram, TikTok and Facebook play in building your identity and career as a fashion creative/model?

Social media provides an important space to showcase my work, communicate my personal style and connect with photographers, designers, brands and other creatives. It also creates opportunities to build relationships and potentially discover new professional collaborations.

 

Personality, Vision & Future

18. What is one misconception people have about modelling that you would like to change?

One misconception I would like to challenge is the idea that modelling is solely about physical appearance. While presentation is part of the profession, successful modelling also requires confidence, discipline, professionalism, creativity and the ability to communicate through expression and body language.

19. What is your biggest dream in the fashion and modelling industry? Where would you like to see yourself in the next five years?

My ambition is to build a successful and recognisable career in fashion and modelling while remaining authentic to who I am. Over the next five years, I hope to become a more experienced, confident and versatile model with a strong portfolio and a distinctive personal brand.

20. What advice would you give to young people who are interested in modelling or fashion but are afraid to take their first step?

I would encourage them to begin, even if they do not feel completely ready. Feeling nervous or uncertain when entering a new industry is natural, but confidence develops through experience. Taking that first step creates the opportunity to learn, grow and discover what is possible.

21. Finally, what would you like the Nairobi Fashion Hub audience to remember about Margaret Wanjiru after reading your story?

I would like readers to remember me as someone who is passionate, authentic and willing to grow. My journey into fashion and modelling is not simply about being seen; it is about self-discovery, creative expression and using every opportunity as a chance to become better.

Bonus Questions

Who would you love to work with or collaborate with in Kenya or internationally, and why?

In Kenya, I would love the opportunity to collaborate with Brian Babu, the award-winning fashion stylist. His approach to storytelling, creativity and individuality makes the prospect of working together particularly inspiring to me.

As we come to the end of the interview, what is your parting message or advice to aspiring models, fashion creatives and young people pursuing their dreams?

My message is simple: do not be afraid to begin. You may not have everything figured out at the start, and the journey may include rejection, uncertainty or moments of self-doubt. However, those experiences can become part of the learning process. What matters is remaining open to growth, continuing to believe in your potential and allowing each experience to move you forward.

Editorial Closing

Margaret Wanjiru’s story is still unfolding. Her journey reflects the reality of an emerging model learning to navigate an industry where confidence is built through experience and identity is refined through creativity.

From her first steps into pageantry to her growing portfolio and ambitions within fashion, she represents a generation of Kenyan creatives approaching modelling not simply as an image-based profession, but as a platform for expression, individuality and personal growth.

For Margaret, the most compelling part of the journey may not be the destination, but the evolution along the way.

Connect with Margaret Wanjiru on her social media platforms

Instagram: Lifesty_leiva
Tiktok: Lifesty_leiva
Facebook:Lifesty_leiva

Content Courtesy of Margaret Wanjiru, NFH Digital Team, Photography Credit: Bleev Creations

Nairobi Crowns Its New Royals in a Celebration of Beauty, Culture, and Conservation: A Closer Look at the Mr. and Miss Nairobi City County 2025 Pageant

Posted on by Fashion Tribe Influencer

Nairobi, Kenya – May 5, 2025 – The vibrant city of Nairobi played host to a dazzling spectacle of talent, creativity, and advocacy on May 3rd, as the second annual Mr. and Miss Nairobi City County pageant unfolded within the esteemed walls of the University of Nairobi’s CCU Hall. This highly anticipated event, meticulously organized by Delight Technical College through its dedicated School of Modeling and Etiquette, transcended the traditional beauty pageant format, embracing a powerful theme: “Beauty and Wild in Harmony.” This focus masterfully intertwined the captivating world of fashion with the urgent need for environmental conservation, creating a truly unique and impactful experience for all in attendance.

Mr. Nairobi City County 2025: Joseph RutoJoseph Ruto was crowned Mr. Nairobi City County 2025 at the CCU Hall, University of Nairobi, on May 3rd. He was one of the 51 contestants in the pageant, which was organized by Delight Technical College with the theme "Beauty and Wild in Harmony".

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-05-05T10:33:39.832Z

The atmosphere within the CCU Hall was electric, buzzing with anticipation as a diverse and enthusiastic audience gathered to witness the culmination of months of hard work and dedication from the 51 exceptional male and female contestants. The attendees comprised a vibrant cross-section of Nairobi society, including prominent figures in the fashion industry, reigning and past pageant titleholders who offered their support and experience, representatives from various media outlets eager to capture the unfolding drama, and of course, the proud and supportive families and friends of the participants. Their collective presence underscored the growing significance of the Mr. and Miss Nairobi City County pageant as a platform for celebrating not only individual talent but also the cultural richness and environmental consciousness of the region.

Miss Nairobi City County 2025: Whitney JumaWhitney Juma was crowned Miss Nairobi City County 2025 at the CCU Hall, University of Nairobi, on May 3rd. She was one of the 51 contestants in the pageant, which was organized by Delight Technical College with the theme "Beauty and Wild in Harmony".

— Nairobi Fashion Hub (@nairobifashionhub.bsky.social) 2025-05-05T10:36:41.952Z

The runway, the focal point of the evening, was transformed into an imaginative space where storytelling and artistic expression took center stage. The contestants, each a budding ambassador for Nairobi’s vibrant spirit, presented a series of breathtaking designs and costumes that vividly brought the pageant’s theme to life. Majestic, animal-inspired silhouettes evoked the raw beauty of Kenya’s renowned wildlife, while delicate, butterfly-adorned ensembles whispered tales of nature’s intricate wonders. Beyond these literal interpretations, many contestants bravely ventured into more abstract and bold representations of Kenya’s diverse national parks, iconic landmarks, and rich tapestry of cultural heritage. Through their carefully chosen attire and confident presentations, they demonstrated a profound understanding of the interconnectedness between beauty and the natural world.

The judging process was a rigorous affair, extending beyond mere physical appearance. The esteemed panel of judges meticulously evaluated each contestant based on their walk confidence, demonstrating poise and self-assurance on the runway. Crucially, they also assessed the innovative execution of the “Beauty and Wild in Harmony” theme, looking for originality, creativity, and a clear understanding of the message being conveyed through their attire. Finally, overall stage presence played a significant role, capturing the contestants’ ability to command attention, connect with the audience, and embody the spirit of the pageant. The combination of these criteria ensured that the winners would not only possess outward beauty but also intelligence, creativity, and a genuine commitment to the pageant’s underlying message of conservation.

As the evening progressed, filled with captivating performances and moments of palpable excitement, the judges deliberated on the remarkable talent displayed before them. Finally, the moment arrived to announce the individuals who would carry the prestigious titles of Mr. and Miss Nairobi City County for the year 2025:

  • Mr. Nairobi City County 2025: Joseph Ruto
  • Miss Nairobi City County 2025: Whitney Juma
  • 1st Runners-Up: Larry Ricky and Risper Awuor
  • 2nd Runners-Up: Alexander Rodney and Veronica Mutheu

These newly crowned titleholders were met with enthusiastic applause and cheers, recognizing their hard work, dedication, and the exceptional qualities that set them apart.

While the glamour and excitement of the pageant were undeniable, the event’s true significance lay in its powerful message of conservation. The Mr. and Miss Nairobi City County pageant served as a compelling reminder of the urgent need for environmental stewardship, effectively demonstrating how platforms like fashion and performance can be potent tools for raising awareness and inspiring action. By centering the theme around the harmony between beauty and the wild, the organizers successfully communicated the intrinsic value of Kenya’s natural heritage and the responsibility of its citizens to protect it for future generations.

The driving force behind this impactful event, Delight Technical College, through its dedicated Modelling Institute, continues to demonstrate its commitment to nurturing the next generation of Kenyan talent. Beyond simply training aspiring models, the institute plays a vital role in shaping young individuals into cultural ambassadors and creative professionals who can use their platforms to advocate for important social and environmental causes. The resounding success of this year’s Mr. and Miss Nairobi City County pageant further solidifies the institute’s growing reputation as a crucial launchpad for young, visionary talent within the dynamic fashion and modeling industry in Kenya.

The Mr. and Miss Nairobi City County pageant, while distinct from any potential “Mr. and Miss Nairobi University” event, serves a similar purpose on a broader city-wide scale. While a university-specific pageant would focus on the talent and representation within that particular institution, the City County pageant encompasses a wider pool of young individuals from across Nairobi, allowing for a more diverse representation of the city’s beauty, culture, and values. Both types of events, however, share the common goal of providing a platform for young people to showcase their talents, build confidence, and potentially become influential voices within their respective communities. The success of the Mr. and Miss Nairobi City County pageant highlights the potential for such events to contribute meaningfully to both individual development and the promotion of important social and environmental messages.

As the curtains closed on another successful Mr. and Miss Nairobi City County pageant, the impact of the event resonated throughout Nairobi and beyond. The newly crowned titleholders, Joseph Ruto and Whitney Juma, now embark on a year of representing their city with grace, poise, and a commitment to the vital message of “Beauty and Wild in Harmony.” The event served as a powerful reminder that beauty and conservation are not mutually exclusive but rather interconnected forces that can inspire positive change and foster a deeper appreciation for the rich natural and cultural heritage of Nairobi and Kenya as a whole.

For those seeking further information, wishing to arrange media interviews, or exploring potential partnership opportunities with Delight Technical College and the Mr. and Miss Nairobi City County pageant, please do not hesitate to reach out via the provided contact details:

📧 Email: info@delight.ac.ke

📞 Phone: +254 722 533 771

📸 Instagram: @mrandmissnairobicounty

#MrAndMissNairobi2025 #BeautyAndWild #DelightModellingInstitute

Nairobi Fashion Hub: Where Creativity Meets Opportunity (Launching App & Live Web Version!)

Posted on by Oscar Alochi

The Nairobi Fashion Hub is thrilled to announce the launch of its innovative app and live web version, a groundbreaking step toward revolutionizing the fashion landscape across Africa. As a premier platform for creatives, brands, and enthusiasts, we are reshaping how the world engages with African fashion.

Calling all Nairobi creatives! Get ready to unleash your inner fashionista with the launch of the Nairobi Fashion Hub app in January 2025! But wait, there’s more! We’re so excited to announce that the web version is already live and ready to use at www.app.nairobifashionhub.co.ke.
This revolutionary platform is more than just an app; it’s your gateway to success. Whether you’re a designer with dazzling sketches, a makeup artist known for your magical transformations, or a model whose poses captivate everyone, the Nairobi Fashion Hub is your one-stop shop to showcase your talent and connect with the perfect clients.
Bridging the Gap Between City and Country
We believe creativity knows no boundaries, and that’s why the Nairobi Fashion Hub is designed for everyone! Whether you’re in the heart of the bustling city or nestled in a picturesque rural area, as long as you have internet access, this platform is for you.
The app will be your:

  • Digital Portfolio: Showcase your work and let your talent shine!
  • Client Connection Hub: Connect with potential clients seeking your services – no matter where they are located!
  • Inspiration Station: Get inspired by fellow creatives, discover new trends, and learn from the best!
    The web version allows you to experience all the above right now! Start building your profile, browse portfolios, and get ready to take your creative journey to the next level.
    Nairobi Fashion Hub: It’s Time to Shine!
    Join the movement and be part of a vibrant community of talented individuals. Don’t miss out on this incredible opportunity to showcase your skills and connect with the perfect clients.
    Launch the app in January 2025, or get started now on the web version at www.app.nairobifashionhub.co.ke. Let your creativity bloom!


Nairobi Fashion Hub is your ultimate platform to connect with clients and showcase your creativity.

Whether you’re a seasoned designer, a makeup artist, or a model, our app and web platform offer a seamless experience to connect with clients across urban and rural areas. It’s time to take your career to new heights!

Content courtesy of NFH Digital Team

The Nairobi Fashion Hub (NFH) App: Transforming Fashion in Kenya and Beyond

Posted on by Oscar Alochi

The NFH App: A Catalyst for Kenyan Fashion, The Nairobi Fashion Hub App is a revolutionary platform that empowers Kenyan designers and artisans to showcase their unique creations to a global audience. This innovative solution bridges the gap between talented individuals and a market hungry for authentic African fashion.

By providing a centralized digital marketplace, the app fosters economic growth, job creation, and cultural exchange.

The fashion and beauty industry in Africa is undergoing a digital transformation, and leading this change is the Nairobi Fashion Hub (NFH) App. Positioned as a game-changer for Kenyan designers and creatives across the continent, the NFH App not only connects talent to global markets but also sets a new standard for fashion innovation and cultural preservation. With its unique features and focus on empowering creatives, the app is poised to rival existing fashion and beauty platforms while offering a uniquely African perspective.

Revolutionizing the Fashion Industry
The NFH App serves as a digital hub for Kenyan and African designers, bringing together artisans, buyers, and fashion enthusiasts. Unlike traditional e-commerce platforms, the NFH App is deeply rooted in the celebration of African culture and heritage, presenting a blend of  authentic, contemporary, and traditional designs  to the world.

Key Impacts:
1. Empowering Local Designers:
Emerging and established designers alike benefit from a platform that showcases their work globally, fostering brand identity and market visibility.
2. Economic Growth:
By driving sales and elevating local talent, the app contributes to the growth of the fashion industry and creates sustainable economic opportunities.
3. Cultural Preservation:
By highlighting traditional techniques and aesthetics, the app ensures that Africa’s rich fashion heritage is celebrated and passed on to future generations.

Innovation at Its Core
What sets the NFH App apart is its cutting-edge technology and user-centric features, designed to revolutionize the fashion experience.

Standout Features:
1. Virtual Showrooms: Designers can showcase collections in 360-degree views, offering buyers an immersive shopping experience.
2. AI-Driven Personalization: With AI-powered recommendations, users can discover styles tailored to their tastes.
3. Interactive Community: The app fosters a collaborative space where designers and buyers engage through live Q&A sessions, virtual fittings, and behind-the-scenes content.
4. Accessibility for Rural Artisans: By connecting artisans from remote areas to urban and global markets, the app bridges geographical divides.

Comparing NFH with Other Fashion & Beauty Apps
While apps like Shein, Asos, and Beautylish dominate the global scene, they primarily focus on Western trends, often neglecting the richness of African design. The NFH App fills this gap by offering a platform that prioritizes African culture, style, and craftsmanship.

Unique Advantages Over Competitors:
1. Cultural Relevance: Unlike global giants, the NFH App emphasizes African traditions and aesthetics, creating a sense of pride and belonging for users.
2. Designer Empowerment: Unlike mainstream apps that overshadow local creators, NFH ensures African designers remain the centerpiece of the platform.
3. Economic Impact: While global apps profit from sales, NFH directly contributes to job creation and economic growth within the region.

Apps like Fashion Nova and Stitch Fix have gained traction for their personalization features, but NFH’s AI-driven personalization combined with cultural storytelling elevates it as a truly distinctive platform.

Redefining the Future of African Fashion
The Nairobi Fashion Hub App is more than a digital marketplace it’s a catalyst for creativity and economic transformation.

By blending technology, culture, and fashion, the app is bridging gaps, breaking barriers, and inspiring a new generation of African designers to dream bigger.

Why the NFH App Stands Out:
1. It champions local talent, ensuring Kenyan and African designers gain recognition on a global scale.
2. It celebrates authentic African fashion, offering a platform where tradition meets modernity.
3. It empowers the entire fashion ecosystem, from rural artisans to urban designers and fashion consumers.
As Kenya and Africa take center stage in the global fashion scene, the Nairobi Fashion Hub App leads the charge with innovation, inclusivity, and cultural pride. By providing a platform tailored to the needs of African creatives, the NFH App isn’t just shaping the future of fashion—it’s rewriting the narrative for African creativity on the global stage. Whether you’re a designer, artisan, or fashion enthusiast, the NFH App invites you to be part of this transformative journey.

Content courtesy of NFH Digital Team

A Nigerian Queen Takes the Universe: Miss Universe Chidimma Adetshina’s Historic Win

Posted on by Fashion Tribe Influencer

Chidimma: A New Era for Miss Universe 2024

Chidimma has made history by winning the Miss Universe 2024 title for Africa/Oceania, a remarkable achievement that solidifies her as not only a representative of Africa but also a voice for the diverse nations of Oceania. This accomplishment marks a turning point in the pageant’s history, as Chidimma becomes a symbol of unity, bridging the two culturally rich and geographically distinct regions.

Chidimma’s Background and Early Life
Born and raised in Nigeria, Chidimma grew up in a vibrant community that celebrated culture, resilience, and the power of dreams. From a young age, she displayed a passion for advocacy and education, particularly championing women’s empowerment and sustainability. Her educational journey took her beyond Nigeria’s borders, where she pursued studies in international relations, earning her a degree that would later bolster her new role as a global ambassador.

The Journey to Miss Universe
Chidimma’s road to Miss Universe was one of determination and hard work. Her journey began with winning national titles, where her intelligence, beauty, and charisma captivated audiences and judges alike. She stood out not only for her striking appearance but also for her eloquence, advocating for global unity and environmental sustainability as her core platforms.

Her victory at Miss Universe 2024 places her alongside legendary winners like Lorraine Downes (New Zealand, Miss Universe 1983), Michelle McLean (Australia, Miss Universe 1992), and Jennifer Hawkins (Australia, Miss Universe 2004). Now, Chidimma proudly joins this list, representing both Africa and Oceania on the world stage.

What Africa/Oceania Representation Means
Winning the Miss Universe Africa/Oceania title means Chidimma is a beacon of hope and inspiration for a vast and diverse region. Oceania includes countries like:

– Australia
– New Zealand
– Fiji
– Papua New Guinea
– Samoa
– Tonga
– And many others.

By representing this dual-region title, Chidimma highlights the shared challenges and aspirations of these communities, from climate change and environmental preservation to celebrating indigenous cultures.

Chidimma’s Vision as Miss Universe 2024
Chidimma is not just a beauty queen; she is a diplomat, activist, and role model. Her victory brings a new level of responsibility as she serves as an ambassador for critical causes. In her own words:

*”Winning Miss Universe is not just about the crown—it’s about the impact I can make. I want to inspire young women worldwide to embrace their identities, dream big, and take action for a better world.”*

As a global representative, Chidimma plans to work on initiatives that address climate change, especially focusing on the vulnerabilities of Oceania’s island nations, which face existential threats due to rising sea levels. Her platform also includes promoting access to education for girls in underprivileged regions, a cause close to her heart.

Chidimma’s Legacy
Chidimma’s victory goes beyond the glitz and glamour of pageantry. It reflects a new era where cultural diversity, intelligence, and compassion are celebrated. She now stands as a unifying figure, connecting two continents and countless nations under a shared vision of progress and understanding.With her historic win, Chidimma has cemented her place in the annals of Miss Universe history. She exemplifies the values of leadership, inclusivity, and global responsibility. As she takes on the mantle of Miss Universe 2024, the world watches with anticipation, ready to see the incredible legacy she will undoubtedly leave behind.

#MissUniverse2024 #Chidimma #AfricaOceaniaUnity

Content courtesy of NFH Digital Team 

Miss SA Chidimma Vanessa Onwe Adetshina Citizenship Saga: Home Affairs Weighs In

Posted on by Oscar Alochi

The Miss South Africa pageant has been thrust into a national debate over citizenship and identity, sparked by allegations surrounding contestant Chidimma Vanessa Onwe Adetshina’s nationality. With claims of Nigerian parentage and questions about her eligibility to represent South Africa, the controversy has ignited a firestorm of public opinion and political involvement.

At the heart of the matter is Adetshina’s citizenship status. While the Miss South Africa organization maintains that she meets all the necessary requirements, the Department of Home Affairs has offered a complex clarification of South African citizenship laws.

Deputy Minister of Home Affairs, Njabulo Nzuza, emphasized that citizenship can be acquired either by birth (soil) or through parentage (blood). Unlike countries like the United States, where birthright citizenship is granted, South Africa primarily follows the principle of citizenship by descent from a South African parent.

However, the law also provides provisions for individuals born in South Africa to foreign parents to acquire citizenship under certain conditions, such as if their parents held permanent residence permits. This particular point has become a focal point of scrutiny in Adetshina’s case.

Investigations conducted by The Star revealed potential discrepancies between Adetshina’s stated age and the timeline provided by her alleged father, Ben Dlamini. Dlamini, in an interview, claimed to have arrived in South Africa in 2010 on a visitor’s visa and married Adetshina’s mother in 2013. These claims, if accurate, raise questions about the circumstances surrounding Adetshina’s birth and subsequent citizenship acquisition.

The controversy has divided the nation, with political parties taking opposing stances. The EFF has expressed solidarity with Adetshina, condemning xenophobic attacks and defending her right to participate. On the other hand, the Patriotic Alliance has threatened legal action, questioning Adetshina’s eligibility and calling for her disqualification.

As the debate intensifies, the Miss South Africa organization faces increasing pressure to provide concrete evidence supporting Adetshina’s citizenship. The Department of Home Affairs’ clarification has shed light on the complexities of South African citizenship law but has also raised more questions than answers regarding Adetshina’s specific case.

Ultimately, this controversy serves as a stark reminder of the challenges faced by individuals with mixed heritage and the need for clear and accessible citizenship guidelines. It has also highlighted the deep-seated divisions within South African society on issues of identity, belonging, and representation.

Content courtesy of  NFH Digital Team

Interview with Vanessa Chidimma Vanessa Onwe Adetshina’s Alleged Father Brings New Revelations, Mzansi Suspicious

Posted on by Oscar Alochi

The Miss South Africa pageant continues to be embroiled in controversy, with the spotlight firmly on contestant Vanessa Chidimma Adetshina. Amidst the ongoing backlash over her eligibility to represent the country, a recent interview with a man claiming to be her Nigerian father has introduced a new layer of complexity to the saga.

The interview, which has rapidly circulated online, offers a purported glimpse into the family’s history and the circumstances surrounding their arrival in South Africa. The man, whose identity has not been independently verified, alleges that he came to South Africa in 2010 to attend the FIFA World Cup as a visitor. He claims to have met Vanessa’s mother during this period. Notably, he asserts that they did not have children together at that time, a statement that directly contradicts the previously established narrative about Vanessa’s birth and upbringing.

When pressed about the nationality of his children, the man declared that they hold dual citizenship, being both Nigerian and South African. He emphasized their entitlement to the same rights as any South African citizen.

However, the interview has sparked a wave of skepticism among South Africans, with many expressing doubts about the veracity of the claims. Social media platforms are abuzz with discussions centered around inconsistencies in the timeline, questioning the possibility of Vanessa being born in South Africa if her parents met during the 2010 World Cup.

Furthermore, the man’s admission of holding a visitor’s visa at the time of his arrival has raised eyebrows, prompting speculation about the legality of his extended stay in the country and the circumstances surrounding the birth of his children.

The controversy has deepened the divide among South Africans, with opinions sharply divided. While some sympathize with Vanessa and condemn the xenophobic attacks directed at her, others remain steadfast in their belief that she does not meet the criteria to represent the country.

As the situation continues to unfold, it is evident that the Miss South Africa pageant has become a microcosm of the broader societal issues facing South Africa, including xenophobia, immigration, and national identity. The pageant organizers find themselves in an increasingly difficult position, navigating a complex web of conflicting narratives and public opinion.

It remains to be seen how the Miss South Africa organization will address the latest revelations and whether Vanessa Chidimma Adetshina will be able to weather the storm and continue her journey in the competition.

Content courtesy of NFH Digital Team

Interview with Chidimma Vanessa Onwe Adetshina’s Alleged Father Sparks Controversy in Miss South Africa Contest

Posted on by Oscar Alochi

An interview with a man claiming to be the father of Miss South Africa contestant Vanessa Chidimma Adetshina has brought new revelations about her background, intensifying the scrutiny and backlash she faces from the South African public.

The interview, which has surfaced amidst ongoing controversy, features a man who asserts he is Vanessa’s Nigerian father. In his statements, he provides a detailed account of the family’s history and their journey to South Africa, aiming to clarify their background but inadvertently causing more suspicion among the public.

The Family’s History and Migration to South Africa

According to the man, he traveled to South Africa in 2010 for the FIFA World Cup on a visitor’s visa. During this period, he attended the games with Vanessa’s mother, whom he refers to as Chichi’s mother. He claims that at the time of their visit, they did not have any children.

When questioned about the nationality of his children, he emphasized that they hold dual citizenship: “It’s called dual citizenship, they’re both. They are Nigerian kids that have every single right that you have as a South African.”

Public Reaction and Growing Suspicion

The interview has not quelled the suspicions of the South African public. Instead, it has led to further questions and criticism regarding Vanessa’s eligibility and background. Netizens are particularly focused on the timeline provided by her alleged father, scrutinizing the dates and circumstances of his arrival in South Africa and questioning whether Vanessa was indeed born in the country.

Many are now debating the validity of her South African citizenship and her right to compete in the Miss South Africa pageant. This controversy has not only impacted Vanessa’s reputation but also cast a shadow over the integrity of the competition itself.

The Impact on Vanessa Chidimma Adetshina

The ongoing backlash has made the situation increasingly difficult for Vanessa. As she continues to face criticism and doubts from the public, the revelations from the interview have only exacerbated her plight. What was intended to provide clarity has instead fueled further controversy, leaving Vanessa and her family in a challenging position.

The interview with Vanessa Chidimma Adetshina’s alleged father has opened up more questions than it answered, leading to heightened scrutiny and suspicion from the South African public. As the controversy continues to unfold, it remains to be seen how it will affect Vanessa’s participation in the Miss South Africa pageant and her future endeavors.

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Uproar Over Miss South Africa Contestant Chidimma Vanessa Onwe Adetshina’s Celebration with Nigerian Family

Posted on by Oscar Alochi

Xenophobia Flares Up: Miss South Africa Contestant Faces Backlash Over Nigerian Heritage
The Miss South Africa pageant has been thrust into the spotlight amidst a raging controversy surrounding one of its contestants, Chidimma Vanessa Onwe Adetshina. The 23-year-old law student and model, born and raised in South Africa to a Nigerian father and a Mozambican/South African mother, has found herself at the center of a xenophobic storm.

A video capturing Chidimma’s joyous celebration with her Nigerian family following her advancement in the pageant has ignited a firestorm of criticism and threats. The footage, which depicts the young woman surrounded by her loved ones, has become a catalyst for a wave of xenophobic attacks directed at her.

Social media platforms have been inundated with hateful comments targeting Chidimma, questioning her eligibility to represent South Africa due to her Nigerian heritage. Some individuals have gone as far as demanding her immediate withdrawal from the pageant, while others have issued menacing threats.

The controversy has laid bare the deep-seated prejudices and intolerance that continue to plague South African society. Despite being born and raised in the country, Chidimma’s African heritage has been deemed incompatible with her representation of the nation. The attacks on her character and her right to participate in the pageant are a stark reminder of the challenges faced by immigrants and individuals of mixed heritage in South Africa.

Chidimma, however, has shown remarkable resilience in the face of adversity. Instead of being cowed by the hateful rhetoric, she has chosen to stand her ground and continue her journey in the pageant. Her determination to overcome the challenges thrown her way is an inspiration to many who have been victims of discrimination.

The Miss South Africa organization has found itself in a precarious position. On the one hand, it must condemn the xenophobic attacks directed at Chidimma and support her right to participate in the pageant. On the other hand, it must also address the concerns of those who feel that the pageant should be reserved for South African-born citizens.

This incident has sparked a much-needed conversation about xenophobia, identity, and belonging in South Africa. It is a stark reminder that the country still has a long way to go in achieving a truly inclusive and tolerant society. As the controversy continues to unfold, it is imperative that the pageant organizers, the government, and civil society come together to address the underlying issues and promote unity and understanding.

Chidimma’s story is a powerful testament to the human spirit and the ability to overcome adversity. It is a call to action for South Africa to confront its demons and build a future where everyone feels welcomed and accepted, regardless of their background.

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Celebrities Rally in Support of Miss SA Contestant Chidimma Vanessa Onwe Adetshina Against Online Bullying

Posted on by Oscar Alochi

A video featuring Chidimma Vanessa Onwe Adetshina, a contestant in the 2024 Miss South Africa pageant, celebrating with her Nigerian family has sparked significant controversy. The 23-year-old law student and model, born in South Africa to a Nigerian father and a Mozambican/South African mother, has been the target of xenophobic attacks. Some South Africans have issued threats, demanding her withdrawal from the pageant, and questioning her eligibility due to her Nigerian heritage.

In the recently circulated video, Chidimma is seen standing with her family members at a reception held in her honor to celebrate her advancement in the competition. The footage has fueled further backlash, with detractors leveling insults and questioning her right to compete. Despite the growing tensions, Chidimma remains steadfast in her participation, exemplifying resilience amidst adversity.

In recent weeks, the Miss South Africa pageant has found itself at the center of a heated public discourse, not due to the competition itself, but because of the online harassment directed at one of its contestants, Chidimma Adetshina. The young woman has been the target of numerous online attacks, including hateful comments and personal insults. In a show of solidarity and support, several high-profile celebrities have taken a stand against this wave of cyberbullying, calling for respect and kindness in both the digital and real worlds.

Chidimma Adetshina, a 24-year-old model and advocate for mental health awareness, has been outspoken about the challenges she has faced. Despite her resilience and grace, the online vitriol has taken a toll, highlighting the pervasive issue of cyberbullying. Celebrities from various fields have rallied to her defense, leveraging their platforms to denounce the harassment and promote a message of positivity and support.

Among the first to voice their support was actress and philanthropist, Charlize Theron. In a heartfelt social media post, Theron emphasized the importance of empathy and understanding, urging her followers to stand against online bullying. “Chidimma is a shining example of strength and courage,” Theron wrote. “Let’s lift her up and show the world that kindness always wins.”

Similarly, Trevor Noah, the South African comedian and host of “The Daily Show,” used his influential platform to address the issue. In a segment dedicated to online bullying, Noah highlighted the detrimental effects of such behavior on mental health and called for a collective effort to create a more supportive and inclusive online environment. “We must remember that our words have power,” Noah stated. “Let’s use them to build each other up, not tear each other down.”

Musician and international superstar, Sho Madjozi, also lent her voice to the cause. In a moving Instagram video, she praised Chidimma for her resilience and encouraged her fans to spread love and positivity. “Chidimma, you are an inspiration to so many,” Madjozi said. “Stay strong, and know that we stand with you.”

These public endorsements are more than just words; they represent a broader movement towards addressing and combating cyberbullying. As public figures, celebrities have a unique ability to influence and shape public discourse. By speaking out, they not only provide much-needed support to Chidimma Adetshina but also raise awareness about the harmful impact of online harassment.

In response to the overwhelming support, Chidimma expressed her gratitude in a statement, acknowledging the outpouring of love and encouragement she has received. “I am deeply touched by the support from so many incredible people,” she said. “Together, we can create a world where everyone feels valued and respected.”

The collective stand taken by these celebrities underscores the importance of addressing cyberbullying and promoting a culture of respect and kindness. As the Miss South Africa pageant continues, it serves as a reminder that true beauty lies not only in appearance but also in the strength and compassion we show towards one another.

Content Courtesy of NFH Digital Team 

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