Monday 4th of May 2026

Nairobi, Kenya

Nisha Kanabar The Curator Championing African Fashion

Nisha Kanabar knows a thing or two about global fashion. Kanabar grew up in Tanzania in a family of Indian origin, moved to the U.S. to study at Parsons, and has worked at American Vogue, Vogue India, and Style.com in the Middle East. In 2018, her expertise led her to launch Industrie Africa, a platform representing the diversity of contemporary fashion in Africa.

She founded Industrie Africa in hopes of addressing the misconceptions and stereotypical impressions of what African design really is. “It was important for me to create a 360-degree hub of contemporary African fashion that’s global, curated, and current,” she told the Cut. “A space of commerce, content, and community celebrating and representing the voices of the industry and its pioneers.” The site is both a directory and a store, with over 80 brands from 24 different African countries.

The Cut spoke with Kanabar about The Real Housewives, French fries, and those Balenciagas that look like socks.

What’s one part of your work that’s especially meaningful to you?
Our inaugural summer campaign! It’s true to who we are as a platform and the designers we represent: fashion focused and curated, yet diverse and dynamic. The clothes and styling are powerful, distinct, and intrinsically African.

How do you thank someone for a gift?
A note of thanks via eye-catching stationery and  more importantly a reciprocal gesture of appreciation. That mutual exchange of generosity and thoughtfulness goes a long way in cultivating relationships.

What would you never wear?
Non-stretch skinny jeans. Make them low rise and then you have the stuff of nightmares.

What’s your dream vacation?
A long, ambling culinary journey across the Far East, peppered with street food and special restaurant experiences. Currently, Tokyo and Kyoto are at the top of my list. Beyond food, Japan has the most incredibly fascinating city cultures.

What’s a good book on your coffee table right now?
Not African Enough, by Sunny Dolat. Sunny is an exceptional ambassador for the shifting aesthetics of African (and, more specifically, Kenyan) fashion, often provoking dialogue on this notion of what is “authentically African.” He also sits on Industrie Africa’s advisory board.

Last show you binge-watched?
Masaba Masaba on Netflix.

What’s your guilty pleasure?
Real Housewives of literally anywhere.

Secret to hosting a good party?
A good atmosphere stems from great lighting, delicious drink, and a very attentive host.

What is a trend that you like right now?
Considered, conscious shopping habits. The consumer of today is different from the consumer of six months ago people value “slow fashion” and search for meaning in their purchases more than ever.

One you don’t understand?
Corsets. I like to breathe.

Favorite restaurant in New York?
Gramercy Tavern, my neighborhood haunt back in the day.

What’s the one thing you could eat every day for the rest of your life?
Crispy, chile-lime-salted French fries!

Shoes you wear most often?
Day to day, mostly leather sandals for our coastal tropical climes. When I travel? Probably my Balenciaga knit-sock sneakers.

What are five inanimate objects that bring you joy?

Ami Doshi Shah Form Earrings $285

Buy Here

“You will not find anything like these geometrically sculpted brass earrings. They walk a delicate line between sophistication and edge. All Ami’s pieces are inspired by her Kenyan environment, handcrafted using local materials.”

Fornasetti Rossetti Scented Candle $365

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“Fornasetti ceramics are the ultimate whimsical indulgence. Their candles (housed in decorated heirloom vessels) take on the role of art and accessory and add great texture to your home.”

Lisa Folawiyo Wide Leg Pants $420

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“I love to build a look around one statement separate, and these luxurious, mixed-print pants from celeb-favorite Nigerian designer Lisa Folawiyo are both fun and fashionable.”

Patrick Mavros Mongoose & Cobra Swizzle Stick $366

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“Zimbabwean heritage brand Patrick Mavros has been creating these masterful, wildlife-inspired silver accessories since 1980 (you can shop their jewelry on Industrie Africa). I love these darling sterling-silver swizzle sticks; they complement any bar set, make a great gift, and are a lovely conversation piece.”

Okapi Black Stonewash Aja Clutch With Black Ostrich Feather Charm $670

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“These ostrich-skin leather clutches are breathtaking and meticulously crafted, and they come paired with playful accessories like this feather charm. They’re also guilt free (the brand has adopted a no-waste ethos and uses materials that are ethically sourced as a by-product of South Africa’s preexisting farming industry).”

Content courtesy of The Cut & Nairobi fashion hub 

Milan Fashion Week gives small opening to Black Lives Matter

MILAN (AP) – When asked why there aren’t more people of color in the Italian fashion industry, officials have cited a lack of candidates in homogeneous Italy. Five African-born designers in Italy want to put that view to rest with their inclusion on the official Milan Fashion Week calendar Sunday.

Fabiola Manirakiza came to Italy after her parents were killed in her native Burundi in 1972. For her Made-in-Italy Kiza label, she incorporates patterns from her Bantu tribe, as taught by an elder sister, into her Western tailored silhouette, the influence of the Italian family who raised her.

‘’It is not just Italy that needs to see, it is the whole world,’’ said Manikrazia, whose creations were among those featured in the video presentation titled “We Are Made in Italy. Italy is Made of Us.”

The official Black Lives Matter in Italian fashion event is a first step in a process that Stella Jean, the only Black designer belonging to Italy’s prestigious fashion council, hopes will bring real diversity to the creative and decision-making centers of Italian fashion to combat racism in the industry.

Another critical step was the launch of a think tank last week bringing together top fashion houses on the council with Black creatives. But Jean said there remains resistance to the campaign she has launched with U.S. designer Edward Buchanan and Michelle Ngomo, founder of Afro Fashion Week Milano, with pressure on them to abandon it.

Italy’s relatively small African-origin population, which government statistics put at around 1.2 million, has rendered it mostly invisible in the country of some 60 million, with no well-known faces in the political class or on television — and few behind the closed doors of Italian fashion.

Jean and her colleagues began pushing the industry to make concrete moves toward diversifying Italian fashion after major houses showed social media support for the Black Lives Matter protests over racial equality and police brutality during the summer. After many racially charged gaffes in recent years, they also are asking for an accounting of the numbers of people of color working inside the system.

“No one is looking to stand back and blame you for the current situation,’’ Jean said in introductory remarks to the think tank, made available to The Associated Press. ‘’Instead we are asking you to be part of the solution starting today. Racism in Italy … is a very unique case study. It doesn’t resemble the type that exists with our European neighbors and it also differs greatly from the American kind. This however doesn’t render it less harmful or discriminative, only different.’’

Jean told The Associated Press that the few companies whose representatives spoke discussed activities to support Black minorities in the United States and other causes ‘’but completely avoiding the point of our discussion: Black minority in Italy.’’

“I must say with all sincerity that the silence of the representatives of the colossal Made-in-Italy brands left a lasting bitter and embarrassing impression,’’ Jean said. ‘’In total astonishment, it struck me that greatness and global commercial authority does not always correspond to an equally grand sense of responsibility to humanity.’’

On a positive note, the fashion council had agreed to implement six reform points by February, she said. The council also agreed to provide scholarships and mentorships to fashion students of color. And she hopes that the time spent listening will lead to greater participation next time.

The head of Italy’s fashion council, Carlo Capasa, called the meeting ‘’interesting and instructive,’’ and that the brand representatives were there to mostly listen. ‘’There was no reason for friction,” he said.

Calling the meeting, ‘’a beginning,’’ he told the AP the council will continue to work on diversity points of its nearly year-old diversity manifesto, including the commitment that diversity is an asset. He confirmed that the think tank would continue to meet periodically.

The brands participating were Armani, Zegna, Bottega Veneta, Etro, Gucci, Prada, Valentino and Ferragamo. The Kering conglomerate, which owns Gucci and Bottega Veneta, and the OTB group, which owns Marni and Diesel also participated.

A planned closing statement was never issued.

But Miuccia Prada, during the video presentation of next spring’s collection, emphasized the importance of inclusivity, along with sustainability. She acknowledged the need to ‘’really embrace it,” adding ‘’which is what I decided to do, not only declaring it, but trying, little by little, to be better.”

The participants in the Black Lives Matter event have worked in other trades or professions before following their fashion dreams. Most have submitted resumes to fashion companies, with no response, and some have seen professional doors fail to open after promising meetings, without explanation.

Joy Meribe, born in Nigeria and with an Italian Masters in business, studied fashion in Italy so she could alter garments she was selling through her blog on African fashion designers, and realized she had the knack herself. Her collection, Modaf Designs, uses African prints on silk and cotton instead of the traditional wax cloth, making them easier to wear and integrate into a Western wardrobe.

Claudia Gisele Ntsama, originally from Cameroon, has supported herself cleaning houses to pursue her dream of becoming a fashion designer, unveiling in Milan fantastical swirling pieces made mostly of raw hemp.

Ngomo, who discovered the five designers, said she feels a great responsibility also to young people of color in Italy who have been inspired by the initiatives.

‘’Many kids are writing to thank me, saying they have rediscovered their trust, and they had hope,’’ Ngomo said. “I know we are trendy now. I am not sure next year we will have all this light on the project. I want to be positive and believe this is a next step.’’

Content courtesy of Journal Now, The Associated Press & Nairobi fashion hub

Caribbean Designers Make Modern Looks From Traditional African Prints

Photo by David I Muir Model: Michelle McLean

Fashion isn’t for decoration only. What we wear can be a proud declaration of our cultural heritage. This is the guiding principle for these Caribbean fashion designers, who are using African-inspired prints to create styles that fit every woman. Inspired by their culturally grounded, but always fashion-forward perspective, we take their stunning looks out for a stroll.

Photo by David I Muir Model: Michelle McLean

Designed by Fashion brand Brass and Sassy, this dark, striped romper feels fit for the daring diva, combining a bare midriff with butterfly sleeves with layered pum pum shorts. Add a pair of dark strappy heels and prepare to have all eyes on you.

Photo by David I Muir Model: Maisie McNaught

Also from Brass and Sassy, this matching tied bandeau top and fitted, flared pants in earthy hues of orange, green and deep red create a statuesque silhouette.

Photo by David I Muir Model: Maisie McNaught

Bright orange with bands of purple are made fit for a queen in this regal, billowing off-the-shoulder dress designed by Kulture Klothes, a chic boutique in Miami Gardens. With a floor-length hemline, it’ll make you look like you’re walking on air.

This off-the-shoulder denim number from Kulture Klothes is dressed up with large flower patterns, accent bands of fabric, and a whole lot of bling. Casual, eye-catching, fabulous.

Photo by David I Muir Model: Kimberley McNaught

From Kulture Klothes, this sleeveless, high-low baby doll dress is fitted at the top with a shapely lower half that’s short in the front and long in the back. The blue and red fabric is accessorized with royal blue shawl and head wrap.

Model: Michelle McLean
Model: Maisie McNaught
Model: Kimberley McNaught
Makeup: Faith Elibert

Content courtesy of Island Origins Magazine & Nairobi fashion hub 

Elijah Mcquinn The boldest fashion brand in Uganda

Hello I am Harriet and I will be your personal designer today. I love to help you to design and buy African print clothing that perfectly suits your personality and style.

International clothing brands are hard to get by in in the Ugandan capital of Uganda. That does not mean that the urban hipsters are left behind. A surge of young ground breaking designers has taken over the market of Ugandan fashion landscape and now determines what is trendy.
We talk to Harriet Alur who is the creative director of Elijah Mcquinn, a sustainable fashion brand located in Kisementi, next to Brood.

Harriet, Where does the name and brand Elijah Mcquinn originate from?

Elijah Mcquinn is my son`s name. His coming to the world inspired me to start a clothing line that would support both of us.

Since those difficult early days as a single mom I am now proud to announce the opening of our first shop in Kisementi. It offers both posh dresses, skirts & tops with kitenge features as well as cool streetwear & shorts with an African touch for men.

Where do you get your inspiration?
Our inspiration comes from frequent visits to the country`s largest market `Owino` (meaning born with a cord around the neck). While getting lost in the chaos and commotion of the people both buying and selling used clothing and cooling down later in the day in the most fancy upmarket boutiques we are able to obtain unique insights which allow us to redesign in all creativity.

Your brand Elijah Mcquinn claims to be sustainable. Can you explain?
Every day tons of second hand clothing are dumped onto the African continent. For every piece of item dumped, a local tailor has one day less income. As Elijah Mcquinn we decided to make a statement against this unsustainable practice by recycling the attributes of this original western clothing.

How would you describe your style?
We want our clients to feel in a fairytale destination where the sun always shines. We mix, blend and merge styles from across the 4 wind directions and regions in Uganda . This allows us to impress both upmarket Ugandan clients as well as foreign visitors.

Our jumpsuits draw all attention to you during that fancy cocktail party in Kololo. Our chiffon maxi dresses will convert an early spring day into a full summer in Paris. Our silk kimonos will reveal an oriental touch in . Our bomber jackets make your street style pop in the streets of New York

Recently you added a travel bag line.
Our clients requested us to reflect on their regular travel needs as they indicated the absence of fashionable bags to carry. Therefore we developed crafted work of the best leather available in combination with animal skins. Our safari travel bags make you stand out in even the most upmarket hotel lobby.

https://www.instagram.com/p/B4E0uCdFXXY/?utm_source=ig_embed

Would you say that beauty can be purchased or it is intrinsic to a person?
We believe that every lady has what it takes to be beautiful. It is all about developing your own style and highlighting your strongest features. We are glad to explore with our clients how our designs an attributes can do that perfectly. To help ladies show their beauty even further we recently offer organic shea butter directly from Northern Uganda to revitalize and smoothen our delicate skins.

What message do you have to share with the audience?
Be proud of your Ugandans origins without being feeling shy to recombining your style with other foreign themes. In Uganda people tend to think that foreign products are automatically of superior quality.

Unfortunately that is how we have taken advantage of and mediocre imports enter the country under the flag of international quality. With my brand I want to prove that `Made in Uganda` can reach international standards and has what it takes to make us all proud.

We select buttons, laces, linings and cutouts which are still in perfect condition and we reuse them into newly designed items. This reduces local clothing market distortion and reduces the environmental impact by unnecessary production. We try to send these up-cycled articles back to Europe for retail to the same people who threw them. I wish they knew.

Where can we find you?
We are located on plot 4 sturrock road, Kisementi, Kampala. Right next to Cutting Station Kampala. S
Since last summer we also occasionally during popups in Antwerp in Belgium.

Online sales are done at www.elijah-mcquinn.com
www.uganda-fashion.com
More designs are available on our Instagram page @elijahmcquinn

https://www.instagram.com/tv/CEeKcI9nG5g/?utm_source=ig_embed

Content courtesy of Elijah Mcquinn & Nairobi fashion hub

Lizzo On The Cover Of ‘vogue’ Magazine October Issue

Vogue released its October 2020 cover on Thursday, and it’s Good as Hell: The always fabulous Lizzo fronts the issue, which was shot by Hype Williams and styled by Carlos Nazario.

She Can Be Heroes “I had to travel the world and I had to meet people and read DMs and look into their eyes and really hear their stories, to believe that I was making an impact in a positive way,” says Lizzo. Moschino Couture cape. Sylva & Cie earrings. Bvlgari necklaces. Bracelets and rings by Tiffany & Co. and Chopard. Photographed by Hype Williams, Vogue, October 2020

Clad in a crimson Valentino dress that a politician could probably pull off at a luncheon, the ensemble is rather toned for the performer. (We’re used to seeing the artist in head-to-ruffles and over-the-top feathers, after all.) But the glam is turned up in the accompanying editorial, as Lizzo wears everything from a princess-worthy bubblegum pink Moschino Couture gown to a beaded LaQuan Smith top and skirt.

In the cover story, Lizzo talks justice and the upcoming election with Claudia Rankine. “I just want to encourage people to register to vote,” the bop singer said. “That is the most important thing to me. Because there’s a lot of upset people, and there’s a lot of people who have power. There’s a lot of voter suppression in Black communities. But there’s a lot of angry white kids now. And I’m like, ‘Yo, register to vote. Go out. You won’t get suppressed if you try to go to your ballot box.’

The self-love queen  who Vogue recently announced will be speaking at its Forces of Fashion conference in November also touched on the importance of maintaining a public image that is committed to positivity and celebrating her uniqueness.

“I think it’s important that I take full responsibility for the way the world perceives me because that is the way they’re gonna perceive someone who looks like me in the future,” Lizzo explained. “Maybe, hopefully, that would give some young girl someone to look up to and take away the opportunity for someone to weaponize her uniqueness against her. I had to travel the world and I had to meet people and read DMs and look into their eyes and really hear their stories to believe that I was making an impact in a positive way. And now that I believe in myself in that way, I’m gonna continue to just push that conversation by being a better me every single day.”

The October issue of Vogue will be available on newsstands on Oct. 6. You can read Lizzo’s full cover story here.

Content courtesy of Fashionista, Vogue & Nairobi fashion hub 

African Prom Dresses

Are you looking African prom dress ideas to inspire you for the big night? Or simply looking for the best African prom dress stores online. Hurray! You’ve come to the right place!

Find the latest 2020 dashiki prom dress styles Find your perfect modern & trendy African print prom dress and gown for you.

Prom is one of the many exciting highlights of every high school girl. It’s one of those events in your life that you want to stand out beautifully & effortlessly from the crowd! Over the years, prom has and always will be a big deal for most high schoolers especially in America.

No one ever forgets what they wore on this big night. Which brings us to African prom dresses! They entirely steal the show if you ask me. They draw an accurate picture of what the black lady represents. Bold. Beautiful & Breath-taking.

Every day, we are inundated with latest African dress styles and top dashiki prom dresses. While Africa might not be the first idea that comes to mind for most people when it comes to new fashion trends, African print dresses, or dashiki dress as it’s better known proves to be a great option for a variety of occasions & moments.

Each year, African fashion designers come up with fresh, trendy & stunning African dresses that are excellent choices for all occasions ranging from prom date, weddings, ballroom and gala nights and everything in between.

African dresses are known for their vibrant mixed colors. It’s one of the qualities that makes the African print fabric a versatile and sensational option for special moments like proms and weddings.

The color and shine that accompanies African print prom dresses are irresistible. Let’s not forget that every dress needs accessories to go with it. African print dresses are the easiest to accessorize. This is because of the variety of colors you can choose from. If for example, you were going to wear a white dress, this would limit your accessory options tremendously. On the other hand, if you chose an African print prom dress with three mixed colors, then that increases your options.

African dresses can fit into any customization you find best. Furthermore, they come in multiple colors. The designs of African prom dresses also offer a more natural look. Some clothes can be used to tie your hair up into a neat look to compliment the dress. The cloth is often the same theme and color as the dress to give you that very natural look.

No matter how much we talk about African prom dress designs, it won’t help if you don’t know where to buy prom dresses for black girls. Note that some designs are often done using low-quality cloth, so be careful with where you choose to buy your prom dress.

Each dashiki dress is custom made for you. To help you find the best African prom dress, we have curated 100+ dashiki prom dresses and styles for your big night. So, don’t be afraid to step out beautifully in one of these beautiful African print prom dresses. You are sure to make lots of heads turn in amazement and receive tons of compliments.

And don’t forget, or the look to be perfect, it is usually advisable to liaise with your hair stylist, so you get the perfect hairstyle to complement the dress. African print prom dresses can be woven into a lot of shapes and sizes. So, it doesn’t matter how you look, there is a design that would look absolutely gorgeous on you.

Content courtesy of Africa Blooms & Nairobi fashion hub 

Zambian Fashion Designer Juliet Mayida Jacobs nominated for three awards at this year’s Designers Award Africa.

Zambian Fashion Designer Juliet Mayida Jacobs of Interfashional Africa has been nominated for three (3) awards at this year’s Designers Award Africa.

  1. African Fashion Brand of the Year
  2. African Female Designer of the Year
  3. African Fashion Stylist of the Year Female.

Juliet Mayida Jacobs is former runway model, international pageant judge, Last year’s Zambia fashion week challenge winner and she recently showcased at this year’s Lusaka July in September.

Voting for Designers Award Africa starts on the 27th of September and will close on the 26th of October 2020. – You can vote here Elfrique

Content courtesy of Mwebantu & Nairobi fashion hub 

Vivacom partners with Fashion TV International Fashion And Lifestyle Broadcasting Television Channel

The Bulgarian incumbent telco Vivacom has entered into an agreement with Fashion TV to distribute the channel on pay-TV platforms across Africa on Eutelsat 8W.

Fashion TV was launched in France in 1997 and is currently distributed worldwide on over 50 satellites, cable and IP networks, for Fashion TV Africa, it is adding blocks which focus on African fashions and lifestyles.

Commenting on the development, Vladimir Rangelov, senior manager broadcasting service at Vivacom, said: “We’re pleased to add Fashion TV channel on our 8W MCPC platform, extending their coverage to African TV market”.

FashionTV is an international fashion and lifestyle broadcasting television channel. Founded in France in 1997, by its Polish-born president Michel Adam Lisowski, FashionTV is a widely distributed satellite channels in the world with 31 satellite and 2,000 cable systems. As of 2014, it had 400 million viewers around the world, including 80 million in Arab countries.

FashionTV is a multi-media platform offering a review of global fashion and is independently owned and operated from the headquarters in Paris, London and Vienna.

Content courtesy of Broad Band Tv News & Nairobi fashion hub 

Chioma Nnadi Named Editor Of Vogue.com

Chioma Nnadi has moved up the Vogue masthead. The magazine announced Monday that its current Fashion News Director will replace Stuart Emmrich, who announced his departure in July, as the Editor of Vogue.com. In her new role, Nnadi will oversee all of Vogue’s digital content.

The former Fashion News Director will replace Stuart Emmrich, who announced his departure in July.

“I am so thrilled that Chioma will be the new editor of Vogue.com,” said Anna Wintour, the editor-in-chief of Vogue and the artistic director of Condé Nast, in an official release. “Above all we know her as someone who intuitively understands fashion and brings to it a genuine love of discovery. She looks in unexpected places and all over the world to find out who is doing the best work and who we should be celebrating now. I absolutely rely on her eye and her cosmopolitanism and her taste. Even better, she is forward looking and understands that Vogue needs to reach new audiences and do so in new ways.”

Nnadi started her career at the features desk of the Evening Standard Magazine in London, before moving to New York to write for Trace, an independent style magazine. She then went on to work as the Style Director at Fader and landed at Vogue as a fashion writer in 2010. Nnadi was named Fashion News Director in 2014 and has stayed in that position up until her newly announced promotion.

Content courtesy of Fashionista & Nairobi fashion hub

New Home for SA fashion Week at Mall of Africa

Mall of Africa is the new host of SA Fashion Week and has also welcomed the opening of Koop Studio, a new retail hub that showcases the work of local fashion designers.

Koop Studio is a collaborative venture between seasoned retailer Sandy Rogers and industry stalwart, Lucilla Booyzen, who has been spearheading the development of local design culture as director of South African Fashion Week for the past 23 years.

Located on the shopping centre’s upper level close to Town Square, the new retail space will carry at least 12 collections at any time, which will be interchanged regularly to ensure ongoing variety.

The brands available from Koop Studio include: Ezokheto by Mpumelelo Dhlamini; Dolz by Thabiso Molelekoa; Dope Motherhood by Nqobile Mhlongo; Bi Parel by Shaylene Morris; BLVNK by Neo Rangaka; There and Back by Nicola Valentine and Pilani Bubu; Yung Blood Apparel by Kabelo Legodi; Mekhukhu by Botshelo Molete; Lunar by Nicola Luther; BB Dolls by Beryl Dingemans and Bianca Tanchal; FANthesi by Mike Ubisse; Beryl Dingemans by Beryl Dingemans; Moraka Interiors by Lethabo Cleo Moraka; Watermelon Social Club by Sthembiso Mchunu, Siyabonga Ngcamu and Khayelihle Hadebe; Melomalism by Sinthemba Mthethwa; and Pret-a-Perfect and The Design Innovation by Sandy Rogers.

Broadening access to market
According to Rogers, this highly visible retail presence in the centre of a popular mall will allow the young entrepreneurs to fast-track their brands.

“One of the greatest impediments to the development of a local fashion culture has been the prohibitively high rental costs in major regional centres such as Mall of Africa. By necessity, young designers are typically in studios off the beaten track without access to target markets who could afford to support them,” she says.

The Mall of Africa retail hub is an extension of the Koop Studio in Victoria Yards in Johannesburg led by Rogers. The Victoria Yards studio facilitates the design and product development process from concept to customer for its clients, and is also available to young designers as a workspace for their own brands as well as to get involved with Koop Studio projects and clients.

A modern showroom, Wi-Fi, workspace, cutting tables, access to pattern makers and sampling facilities, as well as manufacturing capabilities with Koop Studio’s manufacturing arm, The Faktory, are all available to designers under one roof in Victoria Yards.

“Koop Studio and The Faktory, where we design and manufacture, are fortunate to operate from the new Victoria Yards semi-industrial development in Lorentzville. This is an incredibly beautiful environment to work in but does not have any real retail footprint. A presence in the Mall of Africa will undoubtedly be a game changer for all these startups and the development of local fashion,” says Rogers.

MaXhosa success
According to Michael Clampett, head of asset and property management-retail of Attacq Limited, the owners of Mall of Africa, the launch of Koop Studio follows on the heels of the enormous success that designer Laduma Ngxokolo has experienced with his MaXhosa knitwear since opening a small store on the mall’s lower level in 2018.

Within a year, the growing appetite for Ngxokolo’s signature Xhosa-inspired modern knits meant the brand had to relocate to a much larger flagship store on the upper level and Ngxokolo became one of the centre’s high profile brand ambassadors.

“Mall of Africa is firmly on track to become the continent’s premier destination for top local design. MaXhosa’s success confirmed our conviction that consumers are increasingly wanting to express a contemporary, yet uniquely African fashion identity. This, and the fact that we are acutely aware of the need to stimulate the local economy, and local job creation, lies at the heart of our strategy,” he explains.

SAFW kicks off in October
In line with tailoring its merchandise mix to support local brands, Mall of Africa has also recently become SAFW’s new host. The three-year partnership will kick-off in October with the staging of South Africa’s first hybrid designer collections showcase.

Twenty-six runway shows featuring collections shot at different locations in the mall will be streamed digitally over three days from 22 to 24 October.

This will be followed by the SAFW Trade Show from from 1 to 3 November in the mall’s Crystal Court with more than fifty designers of menswear, womenswear and accessories, and the SAFW Pop Up Shop where fashion lovers will be able to interact and buy directly from all the participating designers from 27 to 29 November, also in the Crystal Court.

Content courtesy of Biz Community & Nairobi fashion hub

Tshego Manche from a small town of Klerksdorp with Big Dreams For African Fashion

Tshego Manche grew up in Klerksdorp and found sartorial visibility in big city Johannesburg, Born in Klerksdorp, a small town in the North West Province of South Africa, Tshego Manche was raised in a business-oriented family.

Her parents owned a salon and cosmetic store in the township for over 20 years before venturing into other businesses.

“Coming from that environment, I already knew I wanted to be an entrepreneur,” says the 30-year-old fashionista today. “I aimed for what I am passionate about. Growing up, I always said I am a small town girl with big city dreams.”

Manche, known for her sartorial sense among friends, studied for a BCom degree in Marketing Management and whilst in varsity, worked at Pulsate, a fashion store in Africa’s richest square mile, Sandton, in Johannesburg.

“Two weeks after being employed, the owner flew down and said he had to meet me as there was a spike in sales. I was never afraid to approach people and tell them about the store, and also interact with customers. I then learned customer and marketing skills, and developed a deeper love for fashion which led me to want to start my own brand,” says Manche.

La Manche clothing was registered in early 2012 and was ready to put the all the theory into practice. Manche dropped out of varsity during her third year and went on to start selling on a small scale to friends and family, and she opened her physical store end of 2012.

Her mother contributed immensely to her startup and invested in clothing, packaging, and also paid for her flights and accommodation to look for stock in China and Turkey. The brand started growing. In 2014, she employed three workers, teamed up with stylists and magazine editors and the brand grew with sales doubling, she says.

“In 2015, we hit our million mark [offering local and international clothing]. From 2016 onwards, we hit a decline in sales as new entrants in the market came; rental for my space was also high and the location remote.

In 2017, I started 100% custom-making; growth had been slow yet steady and I had nine employees by the end of 2019. I decided to close my physical store in April 2019 and stay with one employee. Now in 2020, we are focusing solely on the online space we have rebranded and restructured.”

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The coronavirus also had an impact on business but this has taught her that digitizing the business is the best way to go. She also took to social media, encouraging other entrepreneurs during the tough times.

“I invited different people from different industries to come talk to people and engage about entrepreneurship every Monday for 10 weeks. We had one livestream with over 10,000 viewers,” says Manche.

Who would have thought a small town girl would encourage entrepreneurs in a big city to keep pushing ahead in the hard times.

Content courtesy of Forbes Africa  & Nairobi fashion hub 

Afro Fashion Week Milan Forges Ties with CNMI, White Milano

African Fashion Marking its fifth anniversary, Afro Fashion Week Milan is expanding its reach — a sign of the multicultural bent the city has embraced.

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Organized by Afro Fashion, an Italy-based nonprofit organization that has been actively promoting the African continent’s designers and creative talents over the past five years, the showcase will encompass a range of fashion shows, entirely digital or livestreamed, talks and even a couple of high-scale partnerships with Camera Nazionale della Moda Italiana and White Milano.

From Sept. 24 to 27 a range of digital shows, panel discussions and exhibitions will shine a light on African fashion talents.

“It’s been a complicated year because of the COVID-19 pandemic and also in the wake of the Black Lives Matter [movement] which has resonated and drawn attention not only in the U.S., but internationally,” said Michelle Francine Ngonmo, president of Afro Fashion during a virtual press conference Tuesday.

Running Sept. 24 to 27, at the same time as Milan Fashion Week, Afro Fashion Week Milan will host on the association’s online platform a range of fashion showcases from Emeka Suits, a Kenyan green label founded by Sydney Nwakanma, Frida-Kiza, helmed by Burundi-born, Italy-based Fabiola Manirakiza, swimwear label Other Couture, launched by Mozambique-born Helena de Jesus; Otinguema, run by Gabonese designer Jessica Nguema-Metoule, and the collective display of works from students at Cameroon’s LABA Douala, or Libre Académie des Beaux-arts.

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The virtual shows will be flanked by panel discussions and talks spanning different topics, such as D&I in fashion, hosted by Stella Jean and Edward Buchanan; Fashion for Empowerment, analyzing how fashion can serve as a lever for economic and social development for the African continent, as well as a spotlight on leading fashion schools where African students are stretching their muscles.

In addition, the Afro Fashion organization has helped Stella Jean and Edward Buchanan, as well as the Black Lives Matter in Italian Fashion Collective, select the “The Fab Five Bridge Builders,” such as the five designers that will present the “We Are Made in Italy” project as part of Italy’s Camera della Moda official Milan Fashion Week calendar.

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As reported, the digital event spotlighting the five Black-owned Made in Italy businesses will take place on Sept. 27.

Centered on the “Exquisite Beauty” theme, which Ngonmo describes as a celebration of beauty in all its forms, Afro Fashion Week Milan has also forged ties with White Milano, which will host a special exhibition dedicated to Afro-Italian fashion throughout the four-day event.

Content courtesy of WWD & Nairobi fashion hub 

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