Friday 13th of November 2026

Nairobi, Kenya

African Fashion Events: The Ultimate Guide to Fashion Weeks, Shows, Exhibitions and Networking

African Fashion Events: The Ultimate Guide to Fashion Weeks, Shows, Exhibitions and Networking

From the runways of Lagos and Johannesburg to the creative showcases of Nairobi, Dakar, Accra and Dar es Salaam, discover the fashion events shaping Africa’s creative industry — and the opportunities they offer designers, models, photographers, brands, buyers, media and fashion entrepreneurs.

Africa’s fashion industry is experiencing an exciting period of creative expression, commercial ambition and international engagement. Across the continent, designers are reinterpreting traditional craftsmanship, developing contemporary fashion identities and building brands that speak to both African and global audiences.

At the centre of this evolution are fashion events: the runways, exhibitions, trade fairs, designer showcases, pop-up markets, workshops and networking gatherings that bring the industry together.

From established international fashion weeks to independent designer presentations and specialist textile exhibitions, these events provide more than an opportunity to see new collections. They create environments in which creative professionals meet potential clients, fashion brands connect with buyers, models encounter casting opportunities, photographers develop relationships with designers, and entrepreneurs explore business partnerships.

For emerging designers, a fashion show can be an introduction to the industry. For established labels, an exhibition can open conversations with retailers and international buyers. For models, photographers, stylists and makeup artists, events can provide opportunities to meet collaborators and demonstrate their professional abilities.

Across Africa, fashion events are also becoming important platforms for conversations about manufacturing, sustainability, cultural identity, entrepreneurship, technology and the future of the creative economy.

But with events taking place in different countries, cities and creative communities, knowing where to go, what to expect and how to make meaningful connections is essential.

This comprehensive guide explores the African fashion events landscape, highlights important fashion weeks and exhibitions, explains how to participate professionally and examines how Nairobi Fashion Hub is creating additional opportunities for discovery, networking and collaboration within Kenya’s fashion community and beyond.


1. Why African Fashion Events Matter

Fashion events are among the most visible expressions of an industry’s creative and commercial activity.

They bring together the people and businesses responsible for designing, producing, presenting, marketing and distributing fashion. They also provide a platform through which the public can engage with emerging trends, new designers and changing ideas about style.

For Africa, these gatherings have an additional significance: they help communicate the continent’s cultural diversity, creative capabilities and growing fashion entrepreneurship to international audiences.

A platform for showcasing African creativity

Africa has a rich history of textile production, craftsmanship, clothing traditions and artistic expression. Contemporary designers draw inspiration from these influences while experimenting with new silhouettes, materials, production techniques and design philosophies.

Fashion weeks and exhibitions allow designers to present this work in a professional setting.

Collections may incorporate traditional textiles, contemporary tailoring, handmade accessories, sustainable materials, modern streetwear and experimental couture.

Through runway presentations, exhibitions and fashion films, audiences can encounter different interpretations of African identity and contemporary style.

Connecting creativity with business

A successful fashion industry requires more than talented designers. It also needs manufacturers, fabric suppliers, retailers, distributors, investors, marketers, photographers, models and other specialists.

Fashion events create opportunities for these participants to meet.

A designer presenting a collection may encounter a potential retail partner. A textile manufacturer may meet a clothing brand seeking production capacity. An independent model may connect with a photographer or casting professional.

These relationships can develop into commercial projects, professional partnerships and longer-term collaborations.

Supporting emerging talent

Many fashion events include showcases dedicated to new designers, independent labels, young models and creative entrepreneurs.

Such opportunities can help emerging professionals introduce their work to audiences beyond their existing networks.

However, participation does not automatically guarantee employment, sales or international representation. The value often comes from preparation, the quality of the work presented and the professional relationships developed during and after the event.

Promoting African fashion internationally

International buyers, fashion journalists, stylists, photographers and industry representatives increasingly engage with African fashion through events and creative networks.

These interactions can help designers communicate their brand identities, present collections and explore new markets.

Fashion events therefore contribute to a broader ambition: making African creativity more visible while supporting the businesses and professionals behind it.


2. Understanding the Different Types of African Fashion Events

Not every fashion event serves the same purpose. Understanding the differences helps attendees identify the gatherings most relevant to their professional goals.

A. Fashion weeks

Fashion weeks are organised programmes of designer presentations, runway shows, exhibitions, industry discussions and related activities.

They usually bring together designers, models, casting directors, photographers, stylists, fashion editors, buyers, sponsors and fashion enthusiasts.

Fashion weeks may feature:

  • Established designer collections.
  • Emerging designer showcases.
  • Ready-to-wear presentations.
  • Luxury and couture collections.
  • Menswear and womenswear.
  • Sustainable fashion initiatives.
  • Accessories and jewellery.
  • Industry panels and workshops.
  • Buyer and media engagement.

For designers, a fashion week can provide a platform to present a collection and strengthen brand recognition.

For models, it can offer opportunities to participate in castings and runway presentations. For photographers and media professionals, it can create access to designers, collections and industry stories.

B. Runway shows and designer presentations

A runway show is a live presentation of clothing and accessories, usually worn by models walking along a designated catwalk or presentation space.

Designer presentations can also take place in galleries, studios, hotels, cultural venues and other unconventional locations.

Runway shows are particularly valuable for demonstrating how garments move, how collections work together and how a designer’s creative direction translates into a complete visual experience.

They require coordination between designers, models, casting directors, choreographers, stylists, makeup artists, hair professionals, lighting technicians, photographers and production teams.

C. Fashion exhibitions and trade fairs

Fashion exhibitions and trade fairs place greater emphasis on products, materials, manufacturing, commercial relationships and industry knowledge.

They may include:

  • Clothing and accessories exhibitions.
  • Textile and fabric showcases.
  • Leather and footwear exhibitions.
  • Manufacturing and sourcing fairs.
  • Sustainable fashion exhibitions.
  • Jewellery and craft exhibitions.
  • Fashion technology demonstrations.
  • Retail and wholesale showcases.

Unlike a runway show, a trade exhibition may allow buyers and visitors to examine products, discuss specifications, compare suppliers and negotiate business arrangements.

These events are particularly relevant to manufacturers, fashion entrepreneurs, retailers, sourcing professionals and designers seeking production partners.

D. Pop-up markets and fashion bazaars

Pop-up markets provide temporary spaces where independent designers, fashion brands, artisans and accessory makers can display and sell their products.

They may take place in shopping centres, hotels, creative hubs, outdoor venues, cultural spaces and lifestyle events.

For emerging brands, pop-ups can provide an opportunity to introduce products directly to customers, receive feedback and test demand.

They can also encourage collaboration between fashion labels, beauty businesses, food entrepreneurs and lifestyle brands.

E. Fashion conferences, workshops and masterclasses

Fashion conferences and educational gatherings focus on professional development, industry knowledge and the business of fashion.

Topics may include:

  • Fashion entrepreneurship.
  • Brand development and marketing.
  • Garment manufacturing.
  • Textile innovation.
  • Sustainability and responsible production.
  • Fashion photography.
  • Modelling and talent management.
  • Ecommerce and digital marketing.
  • Fashion law and intellectual property.
  • International market development.

These gatherings are particularly useful for students, emerging designers, creative entrepreneurs and established professionals seeking to strengthen their businesses.

F. Fashion networking events

Networking events are designed to bring people together for professional conversations and relationship building.

They may be organised independently or as part of a fashion week, exhibition or designer showcase.

Attendees may include designers, models, photographers, stylists, buyers, journalists, influencers, business owners, event organisers and investors.

The objective is to create opportunities for people to exchange ideas, identify common interests and explore potential collaborations.

A meaningful professional relationship may begin with a brief introduction at a fashion event and develop into a photoshoot, campaign, retail partnership or creative project.


3. Major African Fashion Weeks and Events to Know

Africa does not have one single fashion capital. Its fashion ecosystem is distributed across different countries, each with its own creative communities, design traditions, business opportunities and event platforms.

The following events and platforms are useful starting points for anyone interested in exploring the continent’s fashion landscape. Event formats, organisers and schedules can change, so attendees should confirm current information through official event channels before making travel or booking arrangements.

Lagos Fashion Week — Nigeria

Lagos Fashion Week is one of the continent’s prominent platforms for African fashion, design, business and creative industry engagement.

Based in Lagos, Nigeria, the event brings together designers, manufacturers, retailers, buyers, media, investors and other fashion stakeholders.

Its programme has developed beyond runway presentations to include initiatives focused on designer development, sustainability, industry education and commercial opportunities.

For emerging and established designers, Lagos Fashion Week provides an important environment for presenting collections and engaging with the wider fashion ecosystem.

Its international connections also make it relevant to buyers, fashion journalists, stylists and creative professionals interested in Nigerian and pan-African fashion.

Official website: https://lagosfashionweek.ng/

South Africa Fashion Week — South Africa

South Africa has an established fashion industry supported by designers, fashion businesses, manufacturers, creative professionals and educational institutions.

South Africa Fashion Week is an important platform for presenting local design talent and engaging with the country’s fashion market.

Johannesburg and other South African creative centres also host fashion showcases, designer presentations and industry gatherings that connect fashion with retail, media and business.

For designers seeking to understand the Southern African fashion market, these events provide valuable opportunities to explore contemporary design and meet industry participants.

Africa Fashion Week — South Africa and other markets

Africa Fashion Week platforms have helped provide visibility for African designers and emerging fashion businesses.

In South Africa, Africa Fashion Week offers a space for designer showcases and wider engagement with the fashion enterprise ecosystem.

Its associated initiatives have included support for emerging designers and accessories businesses through development, mentorship and market access opportunities.

For independent brands, such programmes can be particularly relevant because they connect creative development with the commercial requirements of running a fashion business.

Official website: https://www.africafashionweek.co.za/

Dakar Fashion Week — Senegal

Dakar has a distinctive position within West African fashion, with a creative scene influenced by contemporary design, cultural heritage, craftsmanship and international exchange.

Dakar Fashion Week, founded by designer Adama Paris, has contributed to the visibility of Senegalese and wider African fashion.

The event provides a platform for designers to present collections and engage with creative professionals, fashion media and audiences.

Its international outlook makes it relevant to people interested in the relationship between African design, cultural identity and global fashion.

Swahili Fashion Week — Tanzania

Swahili Fashion Week is an important East African fashion platform based in Dar es Salaam.

It provides a stage for designers from Tanzania and other African countries to showcase their work and engage with the wider fashion community.

Its programme has included runway presentations and fashion industry recognition through the Swahili Fashion Awards.

For East African designers, models, photographers and fashion entrepreneurs, the event offers an opportunity to connect with professionals across the region.

Accra Fashion Week — Ghana

Accra has developed a vibrant fashion community supported by independent designers, fashion entrepreneurs, models, photographers and creative businesses.

Accra Fashion Week provides a platform for presenting Ghanaian and international design talent.

The event is relevant to designers, stylists, fashion media, models and brands seeking to explore West African fashion and connect with creative professionals in Ghana.

Mozambique Fashion Week — Mozambique

Maputo’s fashion scene offers a combination of contemporary design, cultural expression and creative experimentation.

Mozambique Fashion Week has provided a platform for local and international designers, with presentations that extend beyond conventional runway venues.

The event is relevant to those interested in exploring the fashion industry in Southern Africa and discovering emerging creative talent.

MTC Windhoek Fashion Week — Namibia

Windhoek Fashion Week is part of Namibia’s efforts to develop its fashion industry and create greater opportunities for local designers and creative professionals.

The event has a focus on supporting Namibian talent, encouraging professional development and connecting local fashion with wider African and international networks.

It is an example of how fashion events can contribute to the development of creative industries beyond the continent’s largest commercial centres.

Nairobi’s fashion events and creative showcases — Kenya

Nairobi is an important centre for Kenya’s fashion, design, photography, modelling and creative entrepreneurship communities.

The city’s fashion calendar includes designer showcases, fashion shows, exhibitions, creative workshops, pop-up markets and industry networking gatherings.

Kenya’s fashion ecosystem brings together independent designers, established brands, models, photographers, stylists, makeup artists, fashion educators and event organisers.

For professionals seeking to participate in East African fashion, Nairobi provides a valuable starting point for building relationships and discovering creative talent.

Nairobi Fashion Hub’s events directory provides an additional digital route for discovering fashion-related events and other gatherings.

Explore: https://app.nairobifashionhub.co.ke/events


4. African Fashion Exhibitions and Trade Events: Where Creativity Meets Commerce

Runway shows attract attention, but exhibitions and trade fairs are equally important to the development of the fashion industry.

They provide opportunities for the businesses behind fashion to meet, exchange information and explore commercial relationships.

Africa Sourcing and Fashion Week — Nairobi

Nairobi is also a location for textile, apparel, leather and fashion sourcing activities.

Africa Sourcing and Fashion Week brings together participants across areas such as textiles, clothing, leather, accessories and footwear.

These events are particularly relevant to manufacturers, suppliers, sourcing professionals, fashion brands and businesses interested in the production side of the industry.

The Nairobi Fashion Hub events directory has listed the sixth edition of ASFW Nairobi for May 2027 at Sarit Expo Centre. Visitors should consult the organiser for the latest programme, participation requirements and event arrangements.

Textile and manufacturing exhibitions

Textile exhibitions connect fabric producers, designers, manufacturers, retailers and sourcing professionals.

They allow participants to explore:

  • Natural and synthetic fabrics.
  • Traditional African textiles.
  • Innovative materials.
  • Sustainable production.
  • Textile printing and finishing.
  • Garment manufacturing technologies.
  • Supply-chain services.

For designers, such exhibitions can help identify materials and production partners. For manufacturers, they provide opportunities to present capabilities and engage with prospective customers.

Accessories and jewellery exhibitions

Accessories are an important part of the African fashion economy.

Jewellery, handbags, footwear, belts, headwear and other accessories contribute to the identity of fashion collections and offer opportunities for independent businesses.

Exhibitions dedicated to accessories can help creators connect with buyers, retailers, designers and potential collaborators.

Sustainable fashion and circular design events

Sustainability has become an important subject in fashion conversations around the world.

African designers and entrepreneurs are exploring different approaches to responsible production, including upcycling, textile reuse, local sourcing, traditional craftsmanship and longer-lasting garment design.

Sustainable fashion events provide spaces for discussing material innovation, waste reduction, responsible manufacturing and business models that consider environmental and social impact.

They also help connect designers with researchers, suppliers, manufacturers and organisations working on related challenges.


5. What Happens at a Fashion Week? A Guide for First-Time Attendees

For someone attending a fashion week for the first time, the experience can seem overwhelming.

Fashion weeks often include multiple events, different venues, changing schedules and a variety of professional and social activities.

Understanding the typical structure can help attendees prepare.

Designer runway presentations

These are among the most visible activities at fashion weeks.

Designers present collections through a sequence of looks worn by models. The presentation may be accompanied by music, lighting, choreography and a carefully designed stage environment.

Press and media activities

Fashion journalists, photographers, videographers, editors and content creators document the collections and interview designers or other participants.

Media coverage helps communicate the event to audiences who may not attend in person.

Buyer and industry meetings

Some fashion events include opportunities for buyers, retailers, sourcing professionals and designers to meet.

These conversations can cover product ranges, pricing, production capacity, distribution, retail placement and future business opportunities.

Exhibitions and showrooms

Showrooms allow visitors to view garments and accessories more closely than is possible during a runway presentation.

They may provide opportunities to discuss design details, materials, sizing, production and ordering arrangements.

Workshops and panel discussions

Educational sessions bring together industry professionals to discuss challenges and opportunities.

Subjects may include brand building, manufacturing, sustainability, fashion marketing, creative entrepreneurship and international expansion.

Networking receptions and after-show gatherings

Informal gatherings can be valuable opportunities to meet people in a less structured environment.

They may take place after runway presentations, during exhibitions or as separate industry events.

For many attendees, these conversations become an important part of the fashion week experience.


6. How Designers Can Prepare for African Fashion Weeks and Shows

Participating in a fashion event requires preparation well before the first model walks onto the runway.

For designers, the quality of the collection matters, but so do organisation, presentation, communication and commercial readiness.

Develop a clear collection concept

A collection should communicate a recognisable creative direction.

Designers should consider the inspiration, intended customer, materials, colour palette, construction, styling and relationship between individual pieces.

A strong concept helps create a coherent presentation and gives media and buyers a clearer understanding of the brand.

Prepare a professional portfolio

A designer portfolio should communicate the quality and identity of the work.

It may include:

  • Professional collection photographs.
  • Previous runway presentations.
  • Lookbooks.
  • Details of fabrics and craftsmanship.
  • Brand history and design philosophy.
  • Relevant press coverage.
  • Contact and business information.

Plan production and garment readiness

Every garment intended for presentation should be completed, checked and prepared before the event.

Designers should allow sufficient time for fittings, alterations, styling, transport and last-minute adjustments.

Select the right creative team

A fashion show requires collaboration.

Depending on the production, designers may need:

  • Models.
  • A casting director.
  • Fashion stylists.
  • Makeup artists.
  • Hair professionals.
  • Photographers.
  • Videographers.
  • Choreographers.
  • Production coordinators.

The team should understand the collection and work towards a consistent presentation.

Prepare for business conversations

Designers attending fashion weeks should be ready to explain their brands and answer questions about pricing, production, availability, materials and distribution.

A fashion event can create commercial conversations, but the designer must be prepared to follow them up professionally.


7. Opportunities for Models at African Fashion Events

Fashion weeks and designer shows provide important opportunities for models to participate in professional productions.

Models may be engaged for runway presentations, promotional campaigns, editorial photography, designer lookbooks and event content.

However, successful participation requires preparation and professional conduct.

Build a relevant portfolio

A model’s portfolio should include clear, recent photographs that represent their current appearance and capabilities.

Depending on the assignment, it may include portrait images, full-length photographs, runway work, editorial images and commercial projects.

Prepare for castings

Casting directors may assess walking ability, posture, presentation, confidence and suitability for a particular collection.

Models should understand the casting brief and arrive prepared.

Network with designers and photographers

Fashion events bring models into contact with professionals who may be involved in future productions.

Introducing yourself professionally, sharing a portfolio and maintaining respectful communication can help establish relationships.

Understand booking arrangements

Before accepting an assignment, clarify the working hours, compensation, travel requirements, clothing arrangements, image-use permissions and other contractual terms.

Models should be cautious of vague promises and opportunities that require unclear or excessive upfront payments.


8. Opportunities for Photographers, Stylists and Makeup Artists

Fashion events are collaborative environments, and their success depends on the work of professionals beyond the designer and model.

Fashion photographers and videographers

Photographers document runway presentations, create backstage images, produce designer lookbooks and develop editorial content.

Fashion events can help photographers meet designers, models, agencies, magazines and creative directors.

A strong event portfolio should demonstrate technical ability, visual storytelling, consistency and an understanding of fashion presentation.

Fashion stylists

Stylists interpret collections and help develop the overall visual direction of a production.

They may work with designers, models, photographers, fashion editors and commercial brands.

Fashion events allow stylists to discover new collections, meet designers and identify opportunities for editorial or commercial collaboration.

Makeup artists and hair professionals

Makeup and hair contribute significantly to the visual identity of a fashion show or campaign.

Beauty professionals may work backstage, prepare models, develop creative looks and support editorial productions.

Events provide opportunities to demonstrate technical skills and build relationships with designers, models, photographers and production teams.

Fashion bloggers, influencers and media professionals

Fashion media and content creators help communicate collections, designers and events to wider audiences.

They may produce interviews, reviews, photographs, videos, social media coverage and behind-the-scenes content.

Professional media coverage can contribute to the visibility of designers and fashion events, although coverage should never be assumed or guaranteed simply because someone attends.


9. How to Network Successfully at African Fashion Events

Networking is one of the most valuable reasons to attend a fashion event.

However, effective networking is not simply collecting business cards or following people on social media. It is about developing genuine professional relationships based on shared interests, mutual respect and clear opportunities for collaboration.

Set clear networking objectives

Before attending, identify what you hope to achieve.

You may want to:

  • Meet potential clients.
  • Discover new designers.
  • Connect with fashion photographers.
  • Find models for upcoming campaigns.
  • Identify manufacturing partners.
  • Meet fashion buyers.
  • Explore media opportunities.
  • Find collaborators for a creative project.

Having a clear objective makes it easier to prioritise relevant activities.

Research the event and its participants

Review the event programme, participating designers, speakers, exhibitors and organisers.

Identify the people and businesses whose work is relevant to your professional goals.

This preparation can make introductions more focused and productive.

Prepare a professional introduction

Be ready to explain who you are, what you do and the type of work or collaboration you are interested in.

Keep your introduction concise and relevant to the person you are speaking with.

Carry a portfolio or digital profile

Designers, photographers, models, stylists and other creative professionals should have a convenient way to share their work.

A digital portfolio or professional profile makes it easier for potential collaborators to review your experience after meeting you.

Ask meaningful questions

Good networking involves listening as much as speaking.

Ask about someone’s work, current projects, creative interests or experience in the industry.

Genuine curiosity is more effective than approaching every conversation as an immediate sales opportunity.

Follow up after the event

A connection becomes more valuable when it develops into a professional relationship.

Send a short message referencing the conversation, express appreciation for the introduction and, where appropriate, suggest a practical next step.

Avoid sending generic promotional messages to everyone you meet.

Build relationships throughout the year

Do not limit networking to major fashion weeks.

Workshops, exhibitions, creative meetups, photography sessions and online professional communities can also provide opportunities to build relationships.

Consistency matters more than attending every major event.


10. How to Get the Most Out of a Fashion Exhibition or Trade Fair

For fashion entrepreneurs and businesses, exhibitions can be especially valuable when approached with clear commercial objectives.

Prepare your business materials

Exhibitors should have professional product photographs, company information, product descriptions, pricing information and relevant contact details.

Designers and manufacturers should be prepared to explain their production capabilities, order requirements and business arrangements.

Identify potential partners

Before attending, research the exhibitors and participating organisations.

Identify suppliers, retailers, manufacturers, designers or service providers whose work could complement your business.

Ask practical business questions

Useful conversations may cover:

  • Minimum order quantities.
  • Production lead times.
  • Material specifications.
  • Quality standards.
  • Pricing and payment arrangements.
  • Distribution options.
  • Shipping and logistics.
  • Customisation capabilities.

Record contacts and follow up

Keep a record of the businesses and people you meet, the subject of the conversation and any agreed next steps.

Follow up while the conversation is still fresh.

A trade exhibition should be approached as a business development opportunity, not simply a place to collect promotional materials.


11. How Fashion Events Support African Fashion Entrepreneurship

The commercial value of fashion events extends beyond the immediate programme.

They can contribute to the development of businesses and professional networks across the wider fashion value chain.

Supporting independent designers

Independent designers can use showcases and exhibitions to introduce collections, develop brand recognition and meet potential customers or business partners.

Encouraging local manufacturing

Textile and sourcing events can bring designers into contact with manufacturers, fabric suppliers and production specialists.

These connections can support the development of local supply chains and manufacturing relationships.

Creating work for creative professionals

Fashion shows and campaigns require models, photographers, stylists, makeup artists, hair professionals, production teams and other specialists.

This creates demand for a range of creative services.

Supporting fashion education

Workshops, talks and masterclasses provide opportunities to share knowledge and develop professional skills.

They can also strengthen relationships between educational institutions and the fashion industry.

Encouraging investment and international collaboration

Fashion events can introduce African businesses to potential investors, buyers, distributors, media organisations and international creative partners.

Such relationships require commercial preparation and follow-through, but they can create pathways for growth.


12. The Role of Digital Platforms in Connecting African Fashion Events

The growth of digital platforms is changing how fashion professionals discover events, promote their work and build relationships.

Traditionally, information about fashion shows, exhibitions and creative gatherings has often been distributed through social media, personal networks, event websites and industry publications.

Although these channels remain important, digital platforms dedicated to fashion can make discovery more organised by bringing professional profiles, event information and creative services into a connected environment.

For designers, digital visibility can help audiences discover their work beyond the physical event.

For models and photographers, professional profiles can provide a place to showcase portfolios.

For clients, directories can make it easier to identify creative professionals.

For organisers, event platforms can help present events to audiences and manage aspects of attendance.

This is particularly relevant to African fashion, where professionals may be based in different cities and countries but share opportunities for collaboration.

Nairobi Fashion Hub is part of this evolving digital landscape.


13. How Nairobi Fashion Hub Creates Opportunities for Fashion Networking and Event Discovery

Nairobi Fashion Hub is a Kenya-based fashion and creative platform that brings together models, designers, photographers, stylists, bloggers, makeup artists, beauty professionals, fashion brands, clients and event organisers.

Its digital platform is designed to support professional discovery, creative services, booking requests, project opportunities and fashion event experiences.

For people participating in African fashion events, the platform provides additional ways to discover professionals, present their work and connect with others in the industry.

Discover fashion events and creative gatherings

The Nairobi Fashion Hub events directory provides a place to explore listed fashion events and other relevant gatherings.

Users can discover event information, review available details and explore opportunities to attend.

Events may include fashion shows, exhibitions, workshops, networking gatherings and other creative activities.

The directory also retains ended events for visitors to explore, providing a way to look back at previous activities and the creative community’s event history.

Explore events:

https://app.nairobifashionhub.co.ke/events

Promote your fashion show, exhibition or networking event

For designers, fashion brands, agencies, creative organisations and event producers, organising an event is only one part of the process. Making the event discoverable and managing attendance are also important.

Nairobi Fashion Hub provides an event-host registration route for organisers who want to publish events through the platform.

Event hosts can use the available tools to publish events, sell tickets, manage guests and support attendee check-in.

This can be useful for:

  • Fashion shows and runway presentations.
  • Designer collection launches.
  • Fashion exhibitions.
  • Pop-up markets.
  • Workshops and masterclasses.
  • Industry networking events.
  • Fashion and beauty showcases.
  • Creative business gatherings.

Register as an event host:

https://app.nairobifashionhub.co.ke/join/host

Find models, designers, photographers and stylists

Fashion events often lead to creative projects that require more than one professional.

A designer planning a collection presentation may need models, photographers, makeup artists and stylists. A photographer preparing an editorial shoot may need a model, designer and beauty team.

Nairobi Fashion Hub’s professional services directory allows clients to explore different creative categories and identify professionals whose services may suit their projects.

The directory includes categories such as fashion models, fashion designers, fashion photography, influencers, hair and beauty professionals, and modelling agencies.

Explore the directory:

https://app.nairobifashionhub.co.ke/services

Create a professional profile and showcase your work

For models, photographers, designers, stylists and other creative professionals, being discoverable is an important part of building a career.

Nairobi Fashion Hub gives service providers an opportunity to create professional profiles, list services and showcase portfolio work.

A strong profile should communicate:

  • Your professional identity.
  • Your specialisation.
  • Your location.
  • Your experience.
  • The services you offer.
  • Relevant portfolio photographs.
  • Accurate contact and booking information.

For someone attending a fashion event, a professional profile can provide a useful reference to share with people they meet.

Register as a service provider:

https://app.nairobifashionhub.co.ke/join/provider

For fashion brands and clients: Discover creative talent

Brands, businesses, photographers, designers, event organisers and individuals may need creative professionals for different projects.

Nairobi Fashion Hub provides a client registration route through which users can access the platform’s professional discovery and booking experience.

Clients can explore listings, review profiles and submit booking requests.

This can be useful when preparing a fashion campaign, editorial shoot, runway production, brand launch or other creative project.

Register as a client:

https://app.nairobifashionhub.co.ke/join/client

Explore creative gigs and project opportunities

Not every fashion opportunity begins with a major fashion week.

Many projects begin with a brief: a brand needs models for a campaign, a designer needs a photographer for a lookbook, or an organiser needs creative professionals for an event.

Nairobi Fashion Hub’s creative gig functionality allows clients to publish project briefs with budgets, while professionals can submit offers for consideration.

For clients, clear project information helps attract relevant proposals. For professionals, it creates another channel through which they can discover projects and assess whether an opportunity matches their skills and availability.

Connect with the wider fashion community

Fashion is a collaborative industry.

A designer may need a photographer. A model may need a stylist. A brand may need an influencer. An event organiser may need models, makeup artists and production professionals.

By bringing different creative categories together, Nairobi Fashion Hub supports the discovery of professionals who may become collaborators on future projects.

The platform is intended to complement real-world fashion events by providing an additional digital space in which professional relationships can begin and continue.

Access Nairobi Fashion Hub on mobile

Nairobi Fashion Hub is available through its web application and dedicated mobile applications.

Website and web application:
https://app.nairobifashionhub.co.ke/

Android application:
https://play.google.com/store/apps/details?id=co.ke.tinker.nairobi_fashion_hub

iOS application:
https://apps.apple.com/uy/app/nairobi-fashion-hub/id6817497424


14. How to Organise a Successful African Fashion Event

Organising a fashion event requires creative direction, planning, production management, marketing and professional coordination.

Whether you are preparing a small designer showcase or a large fashion exhibition, a clear plan helps bring the different elements together.

Establish the event’s purpose

Begin by defining what the event is intended to achieve.

Is it a runway show, designer exhibition, fashion networking gathering, trade fair, product launch or educational workshop?

The event’s purpose should guide the programme, audience, venue and promotional strategy.

Identify the target audience

Determine who should attend.

Your audience may include designers, models, photographers, buyers, fashion students, retailers, sponsors, media representatives, creative entrepreneurs or members of the public.

Understanding the audience helps shape the event experience and marketing strategy.

Develop a realistic budget

Prepare a budget that considers:

  • Venue hire.
  • Stage and runway production.
  • Lighting and sound.
  • Models and casting.
  • Photography and videography.
  • Hair and makeup.
  • Styling and wardrobe.
  • Marketing and publicity.
  • Event staff and security.
  • Guest management.
  • Transport and logistics.
  • Contingency expenses.

The budget should reflect the scale and objectives of the event.

Select an appropriate venue

The venue should support the event’s format and expected attendance.

Consider accessibility, capacity, lighting, backstage facilities, changing areas, power supply, parking, transport and safety arrangements.

Assemble a professional team

A fashion event requires coordination between creative and operational professionals.

Depending on the format, the team may include designers, models, stylists, photographers, videographers, makeup artists, technical staff, event coordinators and marketing professionals.

Develop an event marketing strategy

Promote the event through appropriate digital channels, media relationships, professional networks and partner organisations.

Provide clear information about the event’s purpose, date, location, programme, participants and ticket arrangements.

Manage registration and attendance

Make it easy for guests to understand how to attend and what to expect.

Use clear registration or ticketing arrangements and establish a process for managing guests on the event day.

Continue engagement after the event

Share approved event photographs, videos and highlights.

Thank participants, partners, sponsors and attendees. Follow up with people who expressed interest in collaboration.

The relationships developed after an event can be as important as the event itself.


15. The Future of African Fashion Events

The future of African fashion events will be shaped by the relationship between creativity, business, technology and international collaboration.

Several developments are likely to influence how these events evolve.

Greater integration between physical and digital experiences

Digital platforms can help audiences discover events, explore designers and connect with professionals before and after physical gatherings.

Online portfolios, digital showrooms, livestreams and event platforms can extend the reach of fashion presentations beyond their venues.

Stronger focus on business development

Fashion events are increasingly expected to deliver value beyond visibility.

Buyers, manufacturers, designers and entrepreneurs need opportunities to discuss production, retail, distribution and market access.

The integration of commercial programmes, trade exhibitions and professional networking can help strengthen this aspect of the industry.

More attention to sustainability

Responsible production, textile waste, local sourcing and circular design are important subjects for the future of fashion.

Events can help bring together designers, manufacturers, researchers and businesses to explore practical approaches.

More opportunities for emerging African designers

Emerging talent needs access to mentorship, production resources, professional networks and market opportunities.

Fashion events can provide important spaces for introducing new designers and encouraging relationships with established industry participants.

Wider international collaboration

African fashion has the potential to build stronger relationships with international retailers, creative agencies, media organisations, manufacturers and educational institutions.

Events that encourage meaningful cross-border engagement can contribute to this ambition.

Greater recognition of the wider creative workforce

The fashion industry is supported by many professionals whose contributions are not always visible on the runway.

Photographers, makeup artists, stylists, models, production teams, digital creators, manufacturers and event organisers all play important roles.

The future of African fashion events should recognise and create opportunities for the wider creative ecosystem.


16. A Practical Checklist for Attending an African Fashion Event

Whether you are attending a fashion week, exhibition, runway show or networking event, preparation can help you make the most of the experience.

Before the event

  • Research the organiser and event programme.
  • Confirm the date, venue and attendance requirements.
  • Identify designers, exhibitors and professionals you would like to meet.
  • Prepare a professional introduction.
  • Update your portfolio or business profile.
  • Carry business cards or prepare a digital contact link.
  • Plan transport and accommodation if travelling.
  • Review ticketing and registration arrangements.

During the event

  • Arrive on time.
  • Respect event access and photography rules.
  • Engage professionally with participants.
  • Ask relevant questions.
  • Exchange contact information appropriately.
  • Visit exhibitions and networking areas.
  • Take notes about useful contacts and conversations.
  • Respect the work and creative rights of designers and exhibitors.

After the event

  • Follow up with relevant contacts.
  • Share approved photographs and event coverage.
  • Thank people who introduced or assisted you.
  • Explore potential collaborations.
  • Review what you learned.
  • Keep building the relationships beyond the event.

Conclusion: African Fashion Events Are Building More Than Runways

African fashion events are helping shape the continent’s creative and commercial future.

From fashion weeks and runway presentations to textile exhibitions, trade fairs, pop-up markets and professional networking gatherings, these platforms bring together the people and businesses responsible for moving the industry forward.

They provide designers with opportunities to present collections, models with opportunities to participate in productions, photographers with opportunities to develop creative relationships, and fashion businesses with opportunities to explore customers, suppliers and commercial partners.

Across Nairobi, Lagos, Accra, Dakar, Johannesburg, Cape Town, Dar es Salaam, Windhoek and other creative centres, the fashion events landscape reflects the diversity and ambition of African fashion.

But the real value of these gatherings extends beyond the event itself. It lies in the professional relationships, business conversations, creative collaborations and opportunities that continue long after the final runway presentation.

Digital platforms are adding another dimension to this ecosystem by making it easier to discover events, explore creative services and maintain professional connections.

Nairobi Fashion Hub is contributing to this development by connecting models, designers, photographers, stylists, makeup artists, fashion brands, clients and event organisers through a shared digital platform for professional discovery, creative opportunities and fashion events.

Whether you are a designer preparing for your next showcase, a model looking for runway opportunities, a photographer building your creative network, a brand exploring exhibitions or an organiser planning a fashion event, the next important connection could begin with a single introduction.

Discover the events. Meet the talent. Build the relationships. Grow African fashion.

Become part of Nairobi Fashion Hub

For fashion professionals: Create a profile, showcase your portfolio and list your services.
https://app.nairobifashionhub.co.ke/join/provider

For brands and clients: Discover creative professionals and submit booking requests.
https://app.nairobifashionhub.co.ke/join/client

For event organisers: Publish events, sell tickets and manage guests.
https://app.nairobifashionhub.co.ke/join/host

Explore fashion events:
https://app.nairobifashionhub.co.ke/events

Discover fashion professionals:
https://app.nairobifashionhub.co.ke/services

Visit Nairobi Fashion Hub:
/

Download the mobile app:
Google Play | Apple App Store


About Nairobi Fashion Hub

Nairobi Fashion Hub is a Kenya-based fashion and creative-industry platform operated by Tinker Digital Limited. It connects models, fashion designers, photographers, stylists, bloggers, makeup artists, beauty professionals, fashion brands, clients and event organisers through digital tools for professional discovery, service bookings, creative gigs, portfolios and fashion events.

With a commitment to strengthening Kenya’s fashion community and supporting the wider African fashion industry, Nairobi Fashion Hub aims to make creative talent more discoverable, encourage professional collaboration and contribute to the international visibility of African fashion.

NAIROBI FASHION HUB — HOME OF AFRICAN FASHION.

Pushing the agenda for Made in Africa to the world.

Website: /
Email: info@nairobifashi

Diamond Platnumz – Achii ft. Koffi Olomide: True Definition Of African Fashion Sapeur To The World

Legendary Tanzanian singer, songwriter, and WCB Wasafi CEO, Diamond Platnumz lights up the music stage with a brand new breathtaking single tagged “Achii.”

In this sweet-sounding version, he tapped on the musical dexterities of  Koffi Olomide, a very talented Congolese soukous singer, dancer, producer, and composer.

Furthermore, this new release serves as a follow-up to “My Baby (Remix),” his previous delivery which featured the musical talents of Nigerian music sensation, Chike.
The production credit of this track goes to multi-skilled Tanzanian record producer, Lizer Classic.
Over and above that, this new musical composition is sure to entice you. Nonetheless, you can add to your music collection if you appreciate good music.

           Diamond Platnumz Ft. Koffi Olomide – Achii (Official Music Video)
[taq_review]

Content courtesy of NFH Digital Team

Wedding Gown: Disposable Plastic Dishes and Cups Were Used To Make This Beautiful Wedding Dress.

Request a bride. Finding the ideal bridal gown for your special day might be a complete nightmare.

What if, though, you took a different approach and made a garment out of plastic kitchenware? Following the discovery of this bridal outfit made out of plastic cups and plates, social media went crazy. Would you put it on?


A WEDDING DRESS MADE OF PLASTIC UTILITIES: WOULD YOU WEAR IT?


After a woman was photographed wearing a bridal dress constructed out of plastic cups and plates, social media went crazy. Although the material serves as the design’s foundation, the dress really shines because of the skillful usage of recycled plastic materials.

On TikTok, fashion designer Isabelle Tengue posted a video of a woman wearing an unusual bridal gown.
While another woman assists in carrying the stunning train of the dress, the woman can be seen in the video strolling down a flight of steps.

The bodice of the garment is nearly entirely constructed of plastic cups, but the front of the skirt has a circular pattern that looks to be formed of plastic spoons and plates. Additionally, the design has some metallic and what appear to be cut-out details.
Plastic plates were used to create the rear of the ballgown’s train and skirt, giving it an almost scalloped appearance.


Users of TikTok were eager to praise the video and the distinctive bridal dress design. The video has been viewed more than 14 million times since it was posted.
Wow, that’s creativity, a user on TikTok said in reference to the video.
Another supporter commented, “This puts all the top designers to shame; this is gorgeous.”

A third person on social media said, “This is incredibly beautiful.”

 

Here Are The Highlights Of The 23rd Designer Collections Autumn/winter Season Of South African Fashion Week At Mall Of Africa

The Autumn/Winter 23 collections were displayed at the Mall of Africa in Midrand from Thursday through Saturday, October 20–22, as South African Fashion Week (SAFW) returns for its 41st season since its beginning in 1997.

Trans-seasonal designs, which can be worn in both cool and warm weather, have been included as part of fashion week’s adherence to global trends. It supports the gender-neutral and gender-fluid design and champions inclusion and diversity.

The local and international creative partnerships during fashion week have improved.

In addition, it continues to be dedicated to “marketing and supporting our designer entrepreneurs, creatively and commercially, while most importantly, providing the visibility required to access the local, as well as global, fashion industry,” as stated by fashion week founder and director Lucilla Booyzen.

Day 1: Fikile Sokhulu’s Gradual Ascent
Be on the lookout for Fikile Sokhulu’s understated genius. Her clothing has an ethereal, feminine, and timeless aspect that is infused with ecological and thoughtful ideas.

Her x-factor is only confirmed by her inclusion in the recent Standard Bank Gallery exhibition We Are Culture, which was organized by creative visionary Bee Diamondhead and featured 13 young artists.

Sokhulu, a fashion design graduate from the Durban University of Technology, made history as a student by debuting at fashion week and participating in the Cheers Qingdao Fashion Project in China. She and Mr. Price worked together on a collection, and she was a finalist in the SAFW New Talent Search competition.

Sokhulu was additionally one of four South African designers chosen for the Fashion Bridges project, a partnership between South Africa and Italy through a number of organizations, including Milan Fashion Week and the SAFW, that provided young designers from South Africa and Italy with the chance to collaborate on cross-cultural and artistic exchange.

“I’m extremely fascinated by the idea of life and trying to represent it in a way that has an aesthetic femininity, a connection to nature, and an organic approach,” Sokhulu explains. I enjoy observing women in my career wearing both delicate and sturdy clothing. This is also apparent in the fabrics I select because I only use natural materials.

Her most recent collection, which explores holy beauty and has the theme “converting dust into gold,” expands on her adoration for women.
The American-based Amanda Laird Cherry, who has never missed a SAFW season, is another Day 1 standout. Her clothing is renowned for incorporating cultural anthropology, and her designs are deliciously theatrical and sculptural.
Cherry returns to her South African roots this season and draws inspiration from the Victoria Street spice market in Durban.

Rubicon’s Hangwani Nengovhela is also researching her ancestry. Her Autumn/Winter 22 collection, which used muted colors and a restrained design approach, was a memorial to her late father and a time for introspection.
In the Rubicon Autumn Winter 23 collection, she draws inspiration from her Venda ancestry to continue down this route.

Day 2: Munkus is One to Watch
With its New Talent Search competition, the SAFW has established careers and produced fashion stars for 24 years. Successful designers like Jacques van der Watt of Black Coffee, David Tlale, Anissa Mpungwe, and most recently Woolmark prize winner Mmuso Maxwell have all benefited from it.

The SAFW’s continuous and thoughtful responses to industry difficulties can be credited with the competition’s longevity and success. It has achieved this by putting a strong emphasis on commercial success and by assisting the winners and finalists via a number of platforms.
In order to check the sustainability box, Booyzen added the slow fashion criterion to the competition brief around 2017.
Textile craft and print were added to the brief in 2019 in response to South Africa’s faltering textile sector.

This year’s New Talent Search design subject, “Show us your print,” challenged the top contenders to alter public ideas of fabric design and think about eco-friendly fabrics.

The winner for 2022 is Thando Ntuli, with her company Munkus, and Day 2 should feature her. Her design philosophy and successful collection, which featured colorful prints and voluminous, asymmetrical, traditional, and layered constructions, were influenced by the conveniences of the home.

Ntuli began her career working with boutiques that support regional products while she was a student at the North West School of Design and Fedisa Fashion School in Cape Town.

As a junior fashion buyer, she was hired by a corporation and immediately realized that it wasn’t a suitable fit for her creative style.

She invested herself in developing her brand and testing out many platforms in search of chances and growth, living by the maxim “apply for everything and think about it later.” She won the New Talent Search competition this year, her second attempt.

Ntuli’s distinctive design aesthetic stems from the way she scrounged items from her mother’s and grandmother’s wardrobes to develop a multigenerational look with millennial, modern elements.

“To me, being at home means being at your most contented and finest. I’m such a homebody, and I believe that South African culture is rooted in the family.
My mother, my grandmothers, and the way I was raised are the wonderful ladies who have shaped my life and all I am, says Ntuli.

Her Umama Wam collection for Autumn/Winter 23 is a tribute to her mother.

Day 3: Veterans Evolve
The opening performance by Maxhosa Africa on Day 3 on Saturday was a highlight.
The brand returns to the SAFW after a lengthy absence, having just shown the Alkebulan collection in London.
With it, Laduma Ngxokolo has developed an aspirational brand with a flare for luxury and workmanship.

In addition to the Scouting Menswear Competition, keep an eye out for Ephymol by Ephraim Molingoana. The designer’s ongoing experimentation with new textures, prints, and fashion trends.
A pioneer, Molingoana made his debut at the SAFW in 2002 with a collection named Pink Panther that introduced menswear to tailored tailoring and vibrant color. He delivers a collection this time that is gender-neutral.

Wandi Nzimande, a co-founder of Loxion Kulca who passed away, was another pioneer we lost.
Loxion Kulca, which has its roots in Soweto’s street culture, will finish this season of the SAFW now that Ole Ledimo is in charge.

The new collection is expressive and unconventional, according to Ledimo. It presents viewpoints, assertions, narratives, and perspectives on the core of streetwear.
It symbolizes an African-born way of life that was influenced by skateboarding, graffiti, punk, kwaito, reggae, hip-hop, the burgeoning amapiano and club scene, as well as the downtown city center art movement.

Content courtesy of Mail Guardian & NFH 

 

DFW 2022 Themed “Celebrating Culture & Fabric Manipulation”: How Delight Fashion Week Unfolded at Delight Tailoring Fashion Design School In Nairobi

Delight Fashion Week (DFW) is one of the Kenyan biggest fashion events.
Held in October each year, the event celebrates emerging Kenyan fashion designers’ and models’ collections, showcasing them to the world, this year’s theme was “Celebrating Culture & Fabric Manipulation”
DFW is also a hotspot for celebrities, who are spotted attending runways for inspiration, the event was hosted by Azeezah Hashim and Co-Host  by Jemimah Nempiris
This year, October’s DFW ran from October 3 – 7. Receiving over 50k online mentions during the event, this year’s Delight  Fashion Week has been the most discussed since 2020. So, what got fans talking?

Designers & Models

A total of 60 students participated in Delight Fashion Week 2022, showcasing and modeling one item from each of their individual designs.
The list of student designers from Delight Fashion and Design Tailoring School who debuted their collection on October 7, 2022, below is the list of designers and models.

Delight Fashion Week 2022: Student’s Single Piece Presentation as per the categories.

Designers & Models Group A
1. Rose Alinda
2. Joyce Mwangi(Mudafa)
3. Stancey Norah
4. Juventer Awuor
5. Sharon Muriithi
6. Joy Nyaga
7. Janis Koki
8. Jheria Mohammed
9. Emelda Akinyi

Designers & Models Group B
1. Lucy Ndanu
2. Jeanette Nyapela
3. Stacy Agnes
4. Stecy Jane
5. Regina Wothaya
6. Sarafina Julius
7. Ashley Nereah
8. Sylvia Nduta

Designers & Models Group C
1. Moreen Oroma
2. Mercy Nga’ng’a
3. Teresia Kirika
4. Amy Mbinya
5. Rosemary Munguti
6. Oreu Nadupoi
7. Gladys Wambui
8. Cynthia Kimaiga

Designers & Models Group D
1. Grace Waithera
2. Celine Sangwa
3. Teckla Mukami
4. Keziah Githinji
5. Jacqueline Alivizda
6. Sephora Naruba
7. Mercy Wangoi
8. Grace Baraka

Designers & Models Group E
1. Sandra Kalama
2. Amina Arif
3. Trizah Akoth
4. Nyandeng’ Priscilla
5. Vicky Mumo
6. Elizabeth Adhieu Makuach
7. Jedina Nyarinda
8. Stella Amwayi

Designers & Models Group F
1. Lucy Ngolo
2. Nyibol Mary
3. Maggy Kibe
4. Maureen Akinyi
5. Sylvia Mwagongo
6. Joyce Chepkorir
7. Joyce Kinuthia
8. Risper Msembe
​​​​​​​
Designers & Models Group G
1. Richard Mwangi
2. Samuel Poisa
3. Peter Kariuki
4. Abdinoor
5. Sammy Finest
6. David Dimba
7. Jaebet Twite

Miriam Kanama talks about sustainable and eco-friendly fashion and “recycling”, The collection by Demitu Toje, Raissa Ipollo, and Brenda Lemama focused on East African culture.

Global cultures were the focus of Joyce Wanja and Brenda Mwendwa’s collection.

The Invited Guest Designers

Crocheted items are made by Stickning Creations, and pieces made of bamboo and bottle caps are made by Ottyman Arts (Dan).

The Celebrities Guests.

  1. Carol Ng’ang’a Founder and Creative at Crafts With Meaning.
  2. Ashok Sunny CEO and Founder at Ashok Sunny Tailored.
  3. Lucy Rao Founder and Creative Designer at Rialto Fashions.
  4. Mercy Wilson Director at JW Show.
  5. Brightstar Kasyoka CEO Of Star Tailored Designs.
  6. Bevern Oguk CEO and Creative Designer at BOGUK.
  7. Musa Oyoo Founder at Terra Models Management Mombasa.
  8. Royd Bosire Founder at Entrepreneur Fashion Week.
  9. Branice Mayienga Head of Membership Services at Kenya National Chamber Of Commerce & Industry.
  10. Purity Manga Director at Pureza Beauty PALOUR.
The Round-Up
As with most live events, such as Delight Fashion Week, there is always a lively discussion going on online.
Brands may benefit from providing coverage of live events in order to gain exposure in a widely publicized conversation.
Furthermore, influencer marketing is more popular than ever. Brands can increase the impact of their campaigns with a much larger audience by utilizing influencers who have an engaged fanbase.
Don’t miss out on the next Delight Fashion Week which will be held on 13th-19th October 2023 marked your calendar and stay tuned for more of the talents from Delight Tailoring Fashion Design School.

About Delight Tailoring Fashion & Design School
The Peak of Sartorial Excellence: Preparing the Next Generation of Elite Tailors, The highest standard for training tailors By educating aspiring tailors to the greatest standards possible, the School seeks to safeguard, promote, and expand the value of bespoke tailoring.
For those looking to get the advanced knowledge, expertise, and experience necessary for work in reputable tailoring companies throughout the world or to start their own businesses, the School offers a singular chance. Graduates of this program will be equipped with the knowledge and abilities necessary to find a satisfying job in the tailoring industry.

Additionally, the school provides group Master Classes and Professional Workshops, which are perfect for people looking to improve their tailoring abilities in specific areas.

The School’s curriculum emphasizes the ancient techniques of soft-structured hand-craft tailoring, as well as cutting and fitting in accordance with body shape for style, elegance, and comfort. It is provided by highly educated Master Tailors.
For inquiries, call us at +254 722 533 771.

Content courtesy of Delight Fashion Week & NFH 

For The Love Of Classic Cars, Vintage Motorcycles & Fashion: Concours D’elegance Kenya 2022.

The Golden Africa Concours d’Elegance in 2022 will commemorate the Alfa Romeo Owners Club’s 50th year of hosting the annual Concours (Kenya).


The most upscale event on the Kenya Motor Sports Federation calendar, it is open to all models of vehicles and motorcycles. Additionally, it is a happy family day and a social occasion. The judging of 40 motorbikes and 70 classic and vintage cars serves as the event’s focal




A children’s amusement area, live music from a band, flyovers, a parade of all the Concours automobiles and motorbikes, and a grand finale following the award ceremony are additional attractions.




Gate Tickets: KES 1,500 for adults and KES 750 for children.

The Entries

The field is limited to 70 cars and 40 motorcycles on a first come first served basis. The entries in the Concours are of a high standard. Among the past overall car winners are a 1928 Chevrolet, a 1928 Ford, a 1926 Fiat, a 1934 Alvis Firefly, a 1934 Railton, a 1951 Daimler DB 18 Barker and a 1952 MGTD.

In recent years, the overall motorcycle winners have been a 1941 Indian Scout, a 1937 Moto Guzzi, a 1930 Ivory Calthorpe, a 1925 DKW, a 1922 Douglas 4HP and a 1915 Indian Model B.

Method of Judging

Judging is based entirely on cleanliness and condition and there are bonus points for age. As the Concours is open to all makes and types of cars and motorcycles, it is not possible to assess originality and this characteristic is not taken into consideration. The detailed method of judging is contained in the Regulations.

Future and the Past
The Africa Concours d’Elegance is a yearly event that takes place on the final Sunday in September at the grounds of Nairobi Racecourse. It is now in its 50th edition in the annual series and has established itself as the most upscale competition on the Kenya Motor Sport calendar.

The Alfa Romeo Owners Club (Kenya) celebrated its first birthday in 1971, which inspired the committee to organize an event. The anniversary was a source of great pride for the club’s members.

The committee drew design cues from the late 1960s Giulia coupes and Spider sports vehicles as well as Concours d’Elegance competitions held in numerous nations worldwide.

Content courtesy of Alpha Romeo, Capital Lifestyle & NFH

Top 20 Kenyan Fashion Influencers Making A Wave In The Creative Industry

Social media has given the world access to outstanding fashion influencers from across the continent and the entire world in this digital age. As new opportunities keep appearing, the Kenyan influencer market has been keeping up with digital trends and conventions.

We get a peek of how Kenyan fashion influencers present their aesthetics through their own designs thanks to the expanding number of Instagram creators, YouTube producers, and TikTokers.
You’ve come to the right place if you’re looking for some new fashion inspo, as we’ve carefully selected some fascinating Kenyan influencers for you to check out.

Esther Akoth Akothee

Diana Marua Bahati

Amber Ray

DJ Sadic

Berhane Lucia

https://www.instagram.com/p/Cdir5E8j9TZ/?utm_source=ig_web_copy_link

Esther Macharia
Ola Wanserska
Maureen Waititu
Dorea Chege
Dr. King’ori
Jackie Matubia
Arrow Bwoy
Adelle Onyango
Sharon Mundia
La belle fashions
David The Student
Nana Owiti
Don Krg Lobos
Bridget Shighadi
Wabosha Maxine
Backyard Shoez
Jacque Maribe
Tracy Wanjiru
Jacquey ‘Wilbroda’ Nyaminde

 

Rwanda: Rwandese Lady Mugabekazi Lilliane Detained For Inappropriate Attire

In Rwanda, a 24-year-old woman is currently imprisoned for wearing “indecent” clothing to a performance.
The woman wearing the See me through dress with her pants completely exposed can be seen in the viral photo that went popular on social media.
As far as one could tell from the picture after noticing her black pant, one could tell she was braless, but it was impossible to tell if she actually wore a bra.
The Rwandan government then detained this woman and accused her of wearing indescent clothing. Mugabekazi Lilliane has been denied bail and will remain in custody as requested by the prosecution in a closed-door hearing.

News of the arrest sparked outrage among some Rwandans, but government officials including former justice minister Johnston Busingye backed the move.

Mugabekazi Lilliane has been denied bail and will remain in custody as requested by the prosecution in a closed-door hearing. She was accused of “Public Indecency,” a crime that carries a maximum 2-year prison sentence under Penal Code Article 143.

A 24-year-old woman named Mugabekazi Lilliane is in court today on counts of indecent dressing.

The image was captured during a concert in Kigali. However, her attorney requested that the matter be heard behind closed doors. The administration has committed to control indescent clothing.

https://www.instagram.com/p/ChcGRB0Kp33/?igshid=YmMyMTA2M2Y=

Prosecutors claimed that she committed a “major criminal” by attending the event in “clothing that disclose her private parts…things that we label shameful.”

“We want the court to remand Mugabekazi for 30 days based on these significant grounds.”

“She may have engaged in public obscenity,” “Faustin Nkusi, a spokesperson for the prosecution, told AFP that the court would decide on Tuesday whether to grant her bail.

Some Rwandans expressed outrage upon hearing of the arrest, but government officials, including former justice minister Johnston Busingye, supported the action.

https://www.instagram.com/p/Chb2hD1oR9Q/?igshid=YmMyMTA2M2Y=

Busingye, who is currently Rwanda’s ambassador to Britain, tweeted, “The current issue of our young men and women who drink and drug themselves unconscious, stand in public literally nude, is unpleasant.

I support the initiatives taken to address it.

Last week, police spokesman John Bosco Kabera condemned what he called “immorality and vulgarity among young people” in a television appearance.

“This problem is getting worse… you see people walking about in just shirts, no shorts, no pants,” he remarked.

Then, wearing attire that resembles nets, these folks enter public spaces.

The first right is to dress correctly, not to wear indecently, he said in response to the program host’s question on whether “such people did not have a right to dress as they pleased.”

Content Courtesy of New 18 , Chimp Report & NFH

Introducing The Fashion Hub, A Collaborative Effort Promoting Emerging Design Talents During Milan Fashion Week

In celebration of sustainability, inclusivity, and diversity, the Camera Nazionale Della Moda Italiana partners with the DHL Young Designer Award and the Camera Buyer Italia.

Milan Fashion Week is not exclusively reserved for large houses or established brands, thanks to the Camera Nazionale Della Moda Italiana (CNMI). During Milan, Fashion Week Women’s Collection Spring/Summer 2022, from Sept. 21-27, 2021, CNMI celebrates and promotes young design talents from around the world at the Fashion Hub. A venue dedicated solely to the most interesting international designers, the Fashion Hub provides high visibility to emerging talents who embody CNMI’s values, like sustainability, inclusivity, and diversity.

An exciting night for new talents, the Fashion Hub’s opening on Sept. 21 brought individuals together to celebrate the recipients of a few coveted design awards the DHL Young Designer Award and the Camera Buyer Italia prize for Fashion Hub young designers presented by Italian actress Fiammetta Cicogna.

The DHL Young Designer Award was given to Gilberto Calzolari, whose collection is on display at the Fashion Hub, and Des Phemmes and Marco Rambaldi, brands included in the official CNMI calendar. DHL promises to support winning designers’ international expansion processes. Young designers working on the “Fashion Bridges – I Ponti Della Moda” project, Michael Peter Reid and Domenico Orefice with a special mention to Alessia Dovero e Sipho Mbuto won the Camera Buyer Italia prize.

The winners’ project, “Fashion Bridges  I Ponti Della Moda,” is an impressive, collaborative affair bringing talent together on an international, multicultural scale. CNMI worked with a variety of partners to make the collaboration possible the Italian Embassy in Pretoria, South Africa, the Italian fashion school Polimoda, the South African Fashion Week, the ICE Agenzia (Italian Foreign Trade Agency), the Centro di Firenze per la Moda Italiana, and the Nelson Mandela Forum Firenze.

The initiative paired four former Polimoda students with four emerging designers from the South African Fashion Week. The Milan presentation is the beginning of an ongoing collaboration that continues at the South African Fashion Week in Johannesburg at the end of October.

Other exciting initiatives exhibited at the Fashion Hub include the CNMI’s collaboration with the Hungarian Fashion and Design Agency on “Budapest Select;” the CNMI sustainability program’s “Designers for the Planet” promoting three emerging, eco-conscious brands (Tiziano Guardini, Gilberto Calzolari, and Re-generations); a joint-effort Instagram competition and project by DHL and the Camera60Studio to promote Italian craft businesses’ commitment to sustainability; a collaborative endeavor between CNMI and the Black Lives Matter in Italian Fashion Collective entitled “Black Lives Matter in Italian Fashion,” featuring five new BIPOC designers.

A true collaborative venture, the Fashion Hub celebrates the best and brightest new talents within Milan and far beyond.

 

Stockholm Fashion Week Spring 2022, Aajiya Designer Maimuna Cole Is Dreaming Big

Among the most striking looks to appear at Copenhagen, Fashion Week were cowrie-print separates from Aajiya, a Stockholm-based brand founded by Maimuna Cole. Born in Sweden with Gambian roots, Cole says she’s designing with a higher purpose (or two or three).

She’d like to raise the profile of Africans in fashion and hopes to contribute to the infrastructure of West Africa by moving her business there at some point. In the meantime, she’s busy building her own universe and filling it with colorful prints and romantic openwork dresses that are attracting a growing fan base that includes Seinabo Sey, Sabina Ddumba, and Gabrielle Union.

Here, Cole talks to Vogue Runway about her influential grandmother (for whom the line is named), the struggles she faces as a Black designer, and some of the people who inspire her.

When did you first become interested in fashion?
Where it all started was when I moved to Gambia when I was 10 years old, and I lived with my uncle and my grandmother. They have a huge atelier there, and every day they’re sewing from the morning tonight. I would see my grandmother taking the leftover fabrics and putting them together, and I always felt it was very cool. She was such a creative woman and really inspiring to me, so I would also just take the pieces from here and there [and try] to make a top or skirt or whatever.

How did you start your business?
I started the concept of Aajiya when I was 16, and I’m 27. I was 16 when I moved back to Sweden, and I began small projects here and there. My first one was batik blazers, and the response from that was such that, I was like, Okay, maybe I’m good at this, so let me just start to do it. So I did, but then I felt like I was lacking the business part of it. So I studied business management.

After that, I was like, Now I feel like I’m kind of ready, but how do you start? Where do I go? Who do I connect with? So I went to Senegal for six months and created a collection, my first, which Seinabo Sey wore at Way Out West in 2019, and that became my viral moment. And that’s when I was like, You know what? I’m going to do this as a career.

What challenges did you face?
[After that I was] just kind of like, Do I want to stay here in Sweden? Because I never felt like I belonged in Sweden. I’ve never been comfortable. Growing up, I felt like I was always the outsider. I always felt like I was different, the only Black girl in the classroom. In fashion, it felt as if there was no door for us at all, like there was nowhere for us to turn, so we had to just move out of here. It’s like, you guys don’t want us to be part of this. We’re never invited to events; even internships are a problem.

I was like, If you don’t want to open the door for me, I’ll make sure to build my own door. Honestly, it’s sad that you have to leave your own home, your own country, to go somewhere else where you’re appreciated. [In Stockholm] it’s more like, Oh, we have our own circle; let’s stick with that. It’s been like that for years, and it’s not working so far because they haven’t really advanced in the fashion spectrum. If you look at America or England, everything is so diverse, things are happening, but here it’s just flatlined.

I can speak for a lot of Black people here, creatives; we always have to adapt. My story is I had to change my name to Maya because people couldn’t pronounce my name. It’s like, I’m losing my identity to adapt to you. I shouldn’t have to do that. You always have to adapt and it always feels like you don’t belong here. They speak English when they see you. And it’s like, No, I speak Swedish. Or it’s like, “How long have you been here?” No, I was born here. Why does it always have to be that conversation? And it’s daily all the time. I just don’t care anymore; I’m creating my own little bubble and if you want to come, you can come get some knowledge, some culture, some stories, so you can feel where I come from through my clothes.

Do you have any role models?
Selam  Fessahaye honestly opened the doors for us. I can say that because she definitely made me feel like I can do this too, being a woman and being from East Africa. I was like, Oh, my God, she really did this. And she did not care. She did that. She had the big silhouettes, the colors everything; it was so, so amazing. And for me, that really inspired me to also just not give a shit, basically.

Do you feel more comfortable in Sweden now?
I honestly had to create my own world and that is why my clothes are so loud prints, colors…. This is who I am and I’m not afraid to own my space.

How do your Swedish and African roots meet in your work?
My work is basically a description of me. I come from two worlds, and I’m putting that together and just creating strength through that. That’s the simplest way for me to explain it. And also African fashion has been so downplayed, and I just want Africans to take space in the fashion industry. It’s coming, it’s coming, but I’m taking my steps as well to be part of African fashion, to lift it up and [to] be more mainstream [so] you can go everywhere and [it’s] not just like a costume, so it’s beautiful. And I’m so excited for this.

Can you tell me about the cowrie print in your latest collection?
For me, this collection was an introduction of who I am, where I come from. And the cowrie shell has been so commercialized that the history of it has been kind of lost. So for me it was [like], Let me take that back and educate people and also wear it as armor. It’s just a luxury feel when you know the history of it. In Africa, it was the first currency before the colony, and for me, it was like, this is something rich and also very cool and very authentic, so why not put this as a print and just have loud colors on top of it?

What could the industry do to help you?
I think it’s becoming more open to new creatives, a new experience of clothes and not just sticking to just one thing. I’m starting to see that Africans are being more accepted in the fashion industry, like Kenneth Ize. He’s someone who is very inspiring, because he came and had his show in Paris, which was amazing, with fabrics that were made in Africa. That’s what I want to be.

I just want people to accept what I’m making, and in the near future, I’m going to introduce other fabrics, like batik that is handmade. There’s so much luxury in our culture, and I really want to show that to people. As Africans, we wear customized clothes every single time and bring that kind of luxury feel with fabrics that are handmade and sustainable as well.

What do you dream of doing long-term?
My ultimate goal is to have a studio in my home country and bring all the tailors together. The thing is, in Africa, they’re all self-taught, and they’re lacking skills that could be very good for them if they want to branch out and create their own stuff. My ultimate goal is to have my clothes made in Gambia. I make them in China right now. I want to move everything here, make all this stuff in Sweden.

And then once I feel like I’m stable enough, I can go to Gambia, back and forth, and just make my stuff from there. I really, really want to be part of the infrastructure in Gambia or Senegal. It’s a higher purpose, it really is. It’s not just to sell clothes or whatever; it’s to bring awareness to Africa, how creative they are, how sustainable they are really, because most of the things that they do, it’s [with] what they have. It’s a big job to do, but I am very determined.

Content courtesy of Vogue Magazine & Nairobi fashion hub 

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Asorock Watches Africa’s First Luxury Watch Brand

ASOROCK Watches was founded to challenge the belief that high quality watches and accessories should only be affordable to the one-percenters in society.

We live in an age of radical transparency. Anyone with access to a web browser can find the manufacturing cost of a car, a smartphone, or a premium timepiece within minutes. This type of “free and open” information helps consumers make better purchasing decisions.

But it’s not always great for manufacturers who excessively inflate the prices of their products. For example.

The retail price of a traditional premium watch can be anywhere between 10 and 40 times higher than its production cost. A lot of this “margin” is used to compensate wholesalers, distributors, and retailers  the price increasing each time the watch changes hands. On top of that, there’s the celebrity advertising campaigns and event sponsorships many brands engage in.

ASOROCK is different. We believe in making premium timepieces available to everyone at fair prices. We value access over aspiration, and expression over status.

Here at ASOROCK Watches, a name influenced by the breath-taking mountains in Central Nigeria, our love and affection for watches, created a desire in us, to make a positive long-lasting impact on the African continent by representing her in the luxury watch market of the world.

Started by young entrepreneurs and watch enthusiasts Ben Iroala (Nigerian American), and Andrew Mutale (Zambian American) we sought to cut out the high retail mark up of popular name brands. We have been obsessed with watches our entire life and got fed up paying for overpriced name brand watches that only cost a fraction of the price to produce.

Being avid watch enthusiasts ourselves, we were fed up with our limited choices due to the inflated high mark up prices of popular name brands. It also didn’t help that we always felt like our collection was never complete (a problem all true watch enthusiasts can relate to).

It bothered us even more that we didn’t have a single watch from an African source where we have our roots. All these led to the creation of the ASOROCK range of watches.

About ASOROCK Watches 
When designing our watches, we did not hold back on quality. We made sure of 4 prospects that differentiate us:
1) We offer various multiple models of watches under each watch type.
2) All of our watches are made with the finest quality of materials. (staying true to our principles “if you are going to do something, do it right”)
3) We offer our watches at a price less than half of what our competitors charge for watches of the same category.
4) Purchase of any AsoRock watch, does more than just get you compliments, it also goes towards helping to create a better foundation for the youths in Africa.

Our Goals  And Commitment
proceeds from each watch sold by ASOROCK goes to building a library in a village in Nigeria by the end of 4th quarter 2021 and, all names of backers will be engraved in the middle of the library.

Primarily, we believe that through the sales of our fantastically made watches we will raise the funds needed to realize our deep dreams of building libraries with computers equipped with Wifi and learning software in various villages in Africa.

We also foresee the massive amounts of employment our brand will offer from; library keepers to tech-savvy millennials worldwide who want to promote and be an influencer for us, and also down to our photographers and design team that will grow as we grow and produce better designs than we have now. These factors further led us to the creation of ASOROCK.

That’s why ASOROCK Watches is truly more than just another watch company, not only are we more of a charity at heart by using the sales of our awesome watches as leverage to achieve our core aims of helping empower the youths in our motherland and continent, but we are also seeking to create jobs.

How We Do It
To offer you fairly-priced, premium watches at unbeatable prices, ASOROCK took the direct-to-consumer approach. (D2C)

Our pieces are crafted from the same top-quality components as other premium watch brands. But we’re obsessed with keeping our supply, distribution, and advertising costs to a bare minimum. This allows us to pass far greater savings on to you.

And the quality of our watches is guaranteed  your ASOROCK timepiece is protected by an industry-leading 2year international warranty. Wherever you are and whatever your problem, we’ll make it right.

We could continue congratulating ourselves for our wonderful work, but we’d prefer you experience the Asorock difference yourself. Our premium-quality watches are waiting to be discovered.

Content courtesy of ASOROCK Watches & Nairobi fashion hub 

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