Tuesday 5th of May 2026

Nairobi, Kenya

Tag: African Beauty

The Bole Festival In Port Harcourt In 2022 Will Feature Food, Entertainment, And Thrills.

Posted on by Oscar Alochi

A month ago, Port Harcourt’s largest food and music festival, the Bolè Festival, was held. The sixth iteration of the festival took place in August and filled Yakubu Gowon Stadium with thousands of spectators. For many people, the dynamic city’s thrill, experience, and memories are still very fresh.

The sixth iteration of the food festival, Bolé Festival 2022, with the theme Level up, was started in 2016 to honor the renowned Port Harcourt street food. The festival draws food lovers and chefs from all over the world to celebrate the rich culture and variety of popular food with a focus on Southern heritage. Bolé Festival had an increase in attendance from 300 guests in 2016 to a record-breaking 25,000 attendees in 2021.

The festival featured kid-friendly activities including musical performances and the visually magnificent bamboo Bolè village, where people lined up until three in the morning to enjoy the famed Bolè booths’ bole and fish. There were also dance competitions, culinary stalls, comedic performances, and games.

Nonso Iwuh started the Bolè festival in 2016 out of a love for showcasing a southern history and way of life. Despite the bad weather, over 28,000 people came to the Bolè festival 2022 over the course of two days, and there were over 100 vendors from all over Nigeria. We Pin!, a common Port Harcourt slang expression that implies “we are immovable,” was used in this situation.

The founder and creative director of Bolè, Nonso Iwuh, stated that the 2022 event would be the festival’s sixth and largest iteration. I am grateful to my team of smart, committed young brains who never fail to deliver, and I am astounded by the Bolè Festival’s evolution throughout the years.
Our Bolè BFFs (attendees and well-wishers) are our biggest inspiration, and we appreciate their confidence in us and their assistance.

The festival’s theme for this year was “Level Up,” which represents how, despite the pandemic’s setbacks, we increased our standards, resilience, and festival experience.

“Our identity and message at Bolè Festival are firmly founded in food, culture, and community. We are now able to draw thousands of foodies, brands, and companies every year to celebrate our unique street food culture.” Bolè Festival marketing and communication lead, Elsie Alasia.

The audience were treated to fascinating musical performances by Ruger, Cavemen, and a range of Port Harcourt’s greatest acts in addition to the food fair and games during the festival. Nedu Wazobia, Nas Boi, and Mr. Funny were among the other famous people and influences who performed.

Regarding the upcoming Bolè Festival, Iwuh said: “We anticipate that our 2023 edition will be even more thrilling. We are always searching for fresh approaches to improve the festival experience for our partners and visitors.”

Nigeria Breweries (Tiger Beer), Chipper Cash, La Casera, Bolt, Tecno, Imperial Blue, Chateau Varterly Winery, Bulzano Wine, Red Bull, Sun Ville Group, Fan Ice, Marie Stopes, Fire Condom, Trash Coin, Ceemore Global, YEO Foundation, Starchaser Wine, and Odibola Properties provided financial support for and sponsorship of the Bolè Festival 2022.

Content courtesy of The Bole Festival & NFH

African Fashion Model: African Supermodels Iman, Adut Akech, Anok Yai, and Alek Wek Have Been Selected for W Magazine’s 50th Anniversary Issue

Posted on by Oscar Alochi

Top models have officially taken over W Magazine’s 50th Anniversary Issue. In honor of the occasion, the magazine unveiled 17 captivating stars ranging from the world’s most famous names to women on the verge of total fashion dominance. Among them are four of Africa’s top models: Iman, Adut Akech, Anok Yai, and Alek Wek.

Naomi Campbell, Amber Valletta, Iman, Kendall Jenner, Precious Lee, Cindy Crawford, Bella Hadid, Karlie Kloss, Christy Turlington Burns, Shalom Harlow, He Cong, Loli Bahia, Sora Choi, and Binx Walton are also on the list.

The covers were photographed by a team of photographers. Models wore a variety of stunning looks for the issue and discussed the industry’s past, present, and future.

Naomi Campbell Gives Back

First and foremost, I enjoy what I do. To have a career that actually lasts, you must. Although I don’t have a specific professional plan, I now enjoy using my platform to support up-and-coming designers.

The children I work with are not only in the well-known markets, but also in places like Africa, the Middle East, and India. Because of my reputation and my in-depth familiarity with the fashion industry, I am able to bring these children the recognition they merit. I’ve been given so much by the fashion industry, and I believe in spreading that.

https://www.instagram.com/p/CiKycgPsIw7/?utm_source=ig_web_copy_link

Iman recalls her favorite runway moments

The trajectory of my fashion moment would not exist if it weren’t for Thierry Mugler. Many of the designers at the time were very cautious about how they wanted to present me. Yves Saint Laurent is another favorite of mine. Thierry Mugler, on the other hand, was like an MGM director. His performances were cinematic. He let me play whatever character I wanted on stage. In a world full of trends, I was always the girl who looked classic. But Mugler flipped the script and let me be a wild, African glamour girl, and editors and other designers recognized me as such.

When I first arrived in the United States, there was a widespread belief that there could only be one Black model at a time, which fostered hostility and competition among us.
But my friends and I were able to change that. I never called myself a Black woman in Somalia, where I grew up, because there was no reason to.

The entire country is dark. My identity was based on my worth. On purpose, I began making friends with Black models.
They were going to tell me who was the best photographer for us, the best hairdresser for our hair, and the best makeup artist for our skin. So we formed a tribe, and we are still that tribe.

Adut Akech discusses what drew her to modeling.

I wanted to be a model because I was always inspired by models like Naomi Campbell. One thing that surprised me was how difficult this job is. I never expected it to be easy, but you never know until you try it.

Being the second Black woman to ever end a Chanel haute couture show as the bride in 2018 was one of many remarkable milestones in my career.
Karl Lagerfeld personally selected me.
Models now have a voice thanks to social media. We can criticize brands for lacking sufficient diversity.
Everyone is being compelled to abandon their outdated practices and adopt the proper behavior, which is to include models from various backgrounds.

Anok Yai on the recent changes in the modeling industry

I was unaware that I was the first Black model to launch a Prada show since Naomi Campbell until I did so. Even after everyone congratulated me as I stepped off the runway, I was still unaware. My agency didn’t call me till after that. That was a strange encounter, and it ranks among my most significant professional experiences.

Models have had more creative freedom since the Covid pandemic. I’ve had the opportunity to creative-direct a few shoots, and I’ve realized that at this point in my career, I can be more than just a model I can be an artist. A runway show is, at its core, a collaborative effort.
As a model, you may at times feel like nothing more than a hanger. But it feels like a performance when I’m on the runway. I’ve reached a point where if you don’t give me artistic freedom, I’ll just take it.

Alek Wek discusses how her modeling approach has evolved as she has gotten older.

Everyone has a story to tell, but I believe that mine is particularly insightful into the power of perseverance. I began when I was a little child, having fled a terrible conflict in South Sudan. Alek Wek now represents diversity when you look at him. Alek Wek is accompanied by the sound of doors opening.
I never imagined I would be employed at this age, and I am grateful to my mother every day for that. It is genetics. Similar to Benjamin Button, I am. Teenagers and young adults try to talk to me!

Now I make my own decisions. I don’t have to be in a place where people treat me badly. For the first time, I’m honoring not only my work, but also myself as a human being and a woman.

Credits

Naomi Campbell
Editor-in-Chief: @saramoonves
Photography: @MertAlas & @marcuspiggot
Styling: @mr_carlos_nazario
Hair: @rio_hair
Makeup: @anglomamakeup for Pat McGrath Labs
Manicure: @robbietomkins
Writer: @jennycomita
Casting: @emperor.lee
Production: @januaryproductions

Iman
Editor-in-Chief: @saramoonves
Photography: @inezandvinoodh
Styling: @kegrand
Hair: @hoshounkpatin
Makeup: @kilprity
Manicure: #BojirHasanov
Casting: @emperor.lee

Adut
Editor-in-Chief: @saramoonves
Photography: @rafaelpavarotti_
Styling: @ibkamara
Hair: @EugeneSouleiman
Braiding: @hairbybarbietm
Makeup: @ChiaoLiHsu
Manicure: @EriHandaNail
Writer: @JennyComita
Casting: @emperor.lee
Set Design: @mhs_artists
Studio: @hookstudiobk
Props: @hookprops

Anok
Editor-in-Chief: @saramoonves
Photography: @rafaelpavarotti_
Styling: @ibkamara
Hair: @EugeneSouleiman
Makeup: @ChiaoLiHsu
Manicure: @EriHandaNail
Casting: @emperor.lee
Set Design: @mhs_artists
Studio: @hookstudiobk
Props: @hookprops
Production: @prodn_artandcommerce

Alek
Editor-in-Chief: @saramoonves
Photography: @quillemons
Styling: @Rebeccarams
Hair: @Joeygeorge
Makeup: @MarceloGutierrez
Manicure: @JinSoonChoi
Casting: @emperor.lee

Content courtesy of W Magazine & NFH

Teaser Hoochie Dressing Is Not Appropriate for African American Women!

Posted on by Oscar Alochi

Let me start by stating that anyone has the sociological (not legal) right to dress however they please. But in a real world, our women must understand that how they portray themselves will affect how they are seen, treated, and approached.
The same is true for us men as well, but we would all do well to understand that there is a double standard and that wearing whatever a woman wishes would not alter that standard.
Therefore, regardless of her intentions, regardless of right and wrong, and regardless of whether she is aware of or accepts this harsh, unforgiving truth, a woman who dresses like a “hoe” or hoochie will probably be perceived as one.

Additionally, she might draw in things or attention that she does not desire.
Other nations are aware of this. This is understood by other civilizations. Other racial groups are aware of this. And every religion in the world is aware of this. But for some reason, Americans have succumbed to the “everything goes” mentality.

The term “Teaser Hoochie Dressing Black Women” will now be defined (THDBWs).
You may claim that these are my thoughts, but whether you agree with them or not, you must admit that they are nonetheless facts.
THDBWs are women (or girls) that dress conspicuously in tight clothing to highlight certain bodily features. Many of them desire the eye contact, but they only desire particular kinds of guys to approach them.

However, if the man who approaches her piques her curiosity, she will flirt, smile, and enjoy the attention if he says the same things as the other man did.

Dressing To Impress Is Not The Same As Dressing To Tease

The Teaser Hoochie Dressing “Black” Woman does not simply dress in this manner because she enjoys looking in the mirror. She is in denial if she both admits to you that she is lying to you and if she also tells herself that.
She may not be aware of the signals she is giving by the way she dresses, but I would wager that she is quite aware of them most of the time.
She might dress that way to draw attention to herself by using “the booty,” which will make her feel better because she lacks confidence.

She may wear that clothing because she could genuinely be a “hoe,” often known as a chicken-head or a hoochie.
She might wear those clothing because her buddies do. Perhaps she doesn’t know the difference between sexy and hoochie, which is why she dresses that way.
She might dress that way since she seen her relatives doing so. She might even dress that way because she is determined to wear whatever she wants to wear, regardless of the signals that sends.
She might even dress that way because she is determined to wear whatever she wants to wear, regardless of the signals that sends. Perhaps she doesn’t value herself. She might be teasing. Or perhaps she’s a sweet girl who is sweet but illiterate.

I’ll say it again: Any woman, regardless of her ethnicity, is free to wear whatever she wants to wear, as long as it complies with the law. And I’m entitled to go alone through the worst parts of Chicago, Detroit, New York, or Atlanta at 3 in the morning while counting $100 dollars. However, if I do, we both know what will probably happen.
Was I a nuisance to anyone? No. Is anyone being injured by me? No.
But when the police arrive, they’re going to think I’m stupid and disconnected from reality.
Why? Because I ignored common sense in my surroundings and unintentionally exposed myself to the negative aspects of society.

For the ladies I discuss in this article, the same is true. Consequences of actions might be just or unfair, right or wrong.

Michael Jackson said the word “dangers.” Bell That chick is pooooiiissssssoooonnn, according to Biv Devoe. But today, so many brothers choose to reject the cautionary tales set to music in favor of being seduced by a huge butt and a grin, wallet and all. We men are constantly exposed to images of female body parts that tease and tempt us, whether it’s through magazines like Playboy and the Sports Illustrated Swimsuit Edition, beauty contests, your neighborhood Hooters, Beyonce, or the anaconda-loving Nikki Mirage.

Therefore, what should a guy do when they are the spiders and our hormones cause us to fall into their webs?

If A Woman Does Not Respect Herself, She Will Not Respect Her Male Companion
Brothers, try your best to choose a woman with substance, character, and identity who respects and appreciates herself. She has so much more to give than just her physique, therefore she need not show off every curve.
While the other women frequently have an almost enticing appearance, resistance is not pointless. You might not be able to escape if you allow yourself to be teased and drawn into the web.
What I’m about to tell you requires self-control, high moral standards, moral integrity, and character.
But the more you take a stand, the more women will learn that you cannot be so easily deceived.

And at that point, everyone’s circumstances will start to alter.

Writer: Trevo Craw

Content courtesy of Thy Blackman & NFH

Kenya Fashion: Nairobi is Becoming a Popular Destination Thanks to Kenyan Fashion Designers.

Posted on by Ann Mumbi

Ismail Einashe visits two designers who give various interpretations of contemporary Kenyan fashion in a BBC series of letters from African journalists.
Two tailors are using sewing machines to join, hem, and create gorgeous, patterned bags on a cloudy afternoon in the capital of Kenya. Totes created from old jeans are hung on the walls of the workshop.

Suave Studios, which is bustling with tailoring activity in downtown Nairobi, is housed on the second story of a lovely white and blue-painted structure.

Suave Studios, a company founded in 2013 by Mohamed Awale, has become recognized as one of the most interesting names in the city’s burgeoning fashion industry.

https://www.instagram.com/p/CUT_9rXo3uy/?utm_source=ig_web_copy_link

It uses leftover textiles to create wallets, passport holders, messenger bags, and other accessories like backpacks and backpacks.

Awale is inspired by Nairobi’s enormous, spreading Gikomba, the biggest market of its kind in East Africa, which is accessible to the public.
He claims that the more bags we sell, the more garbage we eliminate.
For Nairobi’s trendy students and young professionals, the tailors transform used clothing like discarded jeans, leather jackets, and suits purchased from the US and Europe into reasonably priced products.

According to the designer, his company started out on the current property in only one room and has since grown.

Awale even attracts business from industry behemoths like Google and markets his goods abroad.

He received financing from the Ethical Fashion Initiative earlier this year to enroll in a two-month fashion program in Florence, Italy, with a focus on bags and accessories.
He gained knowledge about bag design, fashion history, and business expansion.

https://www.instagram.com/p/B50NwQtnw97/?utm_source=ig_web_copy_link

Awale’s vision has been elevated by this experience, and he has decided to relaunch his label as Rummage Studios in September with a new brand identity that is centered on international growth.

The ready-to-wear, high-end fashion label of designer and creative consultant Kepha Maina is at the other end of the fashion spectrum in Nairobi.
In 2013, he started his own label, which he now runs out of his home/workshop in the heart of Nairobi.

The human form, architecture, and self-expression all serve as sources of inspiration for Maina.
A significant factor was the mid-’00s trend for thin jeans, which was popularized by British and American Indie bands like The Libertines and The Strokes.

Since Kenya didn’t have this popular style, he adopted a do-it-yourself strategy and altered and made the jeans from used clothing.

His simple designs are influenced by pioneering Japanese designers Issey Miyake, Yohji Yamamoto, and Comme des Garçons as well as enduring names like Azzedine Alaia and Jill Sander.

The innovative British designer Alexander McQueen, who Maina claims “elevated” clothes “into art,” was a major inspiration for him.

Maina was profoundly influenced by the late McQueen’s artistically dark dress sense and high-concept performances that captivated audiences.
Maina claims that “McQueen opened my eyes that you can use fashion to make a message.”

Additionally, he finds inspiration in East African visual artists like Ibrahim el-Salahi, a well-known Sudanese painter and influential modernist.
Nairobi does not follow seasons because the fashion sector is too small, unlike the fashion Meccas of Paris and Milan.

Four collections have been displayed by Maina to date, and the fifth will debut in September.
He claims that Nairobi’s aesthetic is sleek, angular, and modernist, setting it apart from other African fashion hubs like Lagos.

The challenge for designers is that the majority of wealthy Kenyans are much more inclined to buy a Hermès purse or a Gucci jacket than they are to buy high-end clothing from a Kenyan designer.

Despite these obstacles, Maina claims that there has been a visible rise in the number of designers, stylists, and creatives working in Nairobi during the past several years.

Many of them are attracting attention from around the world, such designer and creative director Sunny Dolat, who has shown at Somerset House in London and assisted in shaping the Victoria & Albert Museum’s exhibition on African fashion.

It appears that there is a talented generation at the helm, and Nairobi’s vibrant fashion sector is just getting started, whether you are searching for a recycled fashion item from the likes of Awale or the more high-fashion creations of Maina.

Content courtesy of BBC News, Suave Studios, Flux Collection & NHF 

 

SAMA: South African Music Awards 2022 Full List Of Winners

Posted on by Oscar Alochi

The South African Music Awards (SAMAs) 2022 full list of winners was revealed on August 28 at the Sun City Superbowl in Rustenburg.

On August 27, the same location hosted the announcement of the first round of winners. Stogie T, A Reece, and Tshego performed on the second day of the awards show, which was hosted by Nandi Madida, Lawrence Maleka, Mpho Popps, Robot Boii, and Alphi Sipho Mkhwanazi. There was also an emotional homage to the late Riky Rick. Makhadzi, Takie Ndou, Shekinah, Musa Keys, Konke, Da Capo, and Lloyiso are a few more performers.

Chymamusique won the top prizes, including Album of the Year and Male Artist of the Year, in addition to Best Dance Album.

Zakes Bantwini, who just revealed he will be hanging up his microphone, won two prizes for his mega hit “Osama” in the categories of Best Collaboration and SAMRO Highest Radio Airplay Composer.

After winning the award for Best Classical/Instrumental Album, Khanyisile Mthetwa was named the White Star Newcomer of the Year. The Best Kwaito Album and Best Duo/Group awards have officially been given to Reece Madlisa and Zuma. With his album B4Now, Blxckie won Best Hip Hop Album.

When Haksul Muziq triumphed against stiff opposition to win the SAMPRA Artist of the Year award, fans were in awe. The TECNO Music Video of the Year award went to Makhadzi’s Ghanama featuring Prince Benza, and the TECNO Record of the Year award went to Musa Keys’ Vula Mlomo.

The first-ever TikTok Viral Song of the Year award went to “uMlando” by 9umba, Mdoovar, and Toss.

Jimmy Dludlu, Joe Nina, and McCoy Mrubata received the Lifetime Achievement Awards in recognition of their outstanding bodies of work throughout their careers and services to the business. Black Coffee received the International Achiever Award for his accomplishments outside of South Africa.

According to RiSA CEO Nhlanhla Sibisi, “our 28th installment has unquestionably set the highest bar for live awards events.” “We appreciate the efforts of our hosts, Nandi Madida and Lawrence Maleka, as well as all the speakers and performers who made this a memorable evening.
We are pleased of each and every winner for 2022 because they upheld the standard that had been set. We enjoyed our time in Sun City much and hope to return there in 2023.

 

Below is the full list of day 1 and 2 SAMAs winners:

Album of the Year

  • Musique – Chymamusique
  • African Electronic Dance Music – Sun-El Musician
  • Ghetto King – Zakes Bantwini
  • It’s All You – Brian Temba
  • When House Was House – Mobi Dixon

Best Duo or Group of the Year

  • Ama Roto Vol.2 – Reece Madlisa and Zuma
  • Elephant In The Room – Watershed
  • Franco Prinsloo: Kruis Van Liefde – Franco Prinsloo and Vox Chamber Choir
  • Pangaea – Wouter Kellerman and David Arkenstone
  • Wangikhulisa uMama – Shwi Nomtekhala

Best Female Artist of the Year

  • ‘Platinumb Heart Open’ – Msaki
  • ‘African Bird’ – Khanyisile Mthetwa
  • ‘Nkulunkulu’ – Kamo Mphela
  • ‘Trailblazer’ – Reign Afrika
  • ‘Trouble In Paradise’ – Shekhinah

Best Male Artist of the Year

  • ‘Musique’ – Chymamusique
  • ‘African Electronic Dance Music’ – Sun-El Musician
  • ‘Ghetto King’ – Zakes Bantwini
  • ‘It’s All You’ – Brian Temba
  • ‘When House Was House’ – Mobi Dixon

White Star Newcomer of the Year

  • Khanyisile Mthetwa – ‘African Bird’
  • Thapelo Lekoane – ‘Tapestry’
  • 25K – ‘Pheli Makaveli
  • Ncebakazi Msomi – ‘The 34th Psalm’
  • Botanist Mr Lamington – ‘The Shift’

Best Hip Hop Album

  • B4NOW – Blxckie
  • Father Of Zen – Kid X
  • Pheli Makaveli – 25K
  • Today’s Tragedy, Tomorrow’s Memory: Mixtape – A-Reece
  • Logan – Emtee

Best Collaboration

  • ‘Osama’ – Zakes Bantwini and Kasango
  • ‘Imali’ – Karyendasoul and Zakes Bantwini ft. Nana Atta
  • ‘Wamuhle’ – Njelic and Boohle feat. De Mthuda, Da Muziqal Chef
  • ‘Zwivhuya’ – Makhadzi ft. Joe Delinger
  • ‘No Rainbow’ – Msaki feat. Da Capo

Best Amapiano Album

  • Notumato – Young Stunna
  • Nkulunkulu – Kamo Mphela
  • Auti eSharp – Mas Musiq
  • Kwa Kwa – Mellow and Sleazy
  • President Ya Strata – Focalistic

TECNO Record of the Year (ROTY)

  • Vula Mlomo – Musa Keys ft. Sir Trill and Nobantu Vilakazi
  • Abalele – Kabza De Small and DJ Maphorisa ft. Ami Faku
  • Adiwele – Young Stunna ft. Kabza De Small
  • Asibe Happy – Kabza De Small and DJ Maphorisa ft. Ami Faku
  • Banyana – DJ Maphorisa and Tyler ICU ft. Daliwonga, Sir Trill and Kabza De Small
  • Black And White – Nasty C and Ari Lennox
  • I’m With You – Matthew Mole
  • Osama – Zakes Bantwini and Kasango
  • Phakade Lami – Nomfundo ft. Sha Sha and Ami Faku
  • Umsebenzi Wethu – Busta 929 and Mpura ft. Zuma, Mr Jazziq, Lady Du and Reece Madlisa

TECNO Music Video of the Year (MVOTY)

  • Ghanama – Makhadzi ft. Prince Benza
  • Indlovu – DJ Zinhle ft. Loyiso
  • Izolo – DJ Maphorisa and Tyler ICU ft. Mpura, Daliwonga and Visca
  • Jola – De Mthuda ft. Sino Msolo and Da Muziqal Chef
  • LiYoshona (Main Mix) – Kwiish SA ft. Njelic, MalumNator and De Mthuda
  • Mmapula – Busta 929 ft. Mzu M
  • Nkulunkulu – Kamo Mphela
  • Phakade Lami – Nomfundo Moh ft. Sha Sha and Ami Faku
  • Summer Yo Muthi – Blaq Diamond
  • Yini Sdakwa – ThackzinDJ, Tee Jay and Sir Trill ft. Dlala Thukzin, Nkosazana Daughter, Rascoe Kaos, Moscow and Mpura

SAMPRA Artist of the Year (AOTY)

  • Haksul MUZIQ
  • AfroToniQ
  • A-Reece
  • Brandon Dhludhlu
  • Emtee
  • Jennifer Zamudio
  • Makhadzi
  • Millie Ngwalangwala
  • Musa Keys
  • Rodger KB

TikTok Most Viral Song of the Year are:

  • ‘uMlando’ – 9umba & TOSS & Mdoovar
  • ‘Trigger’ – DJ Karri
  • ‘Abo Mvelo’ – Daliwonga ft. Mellow & Sleazy & M.J.
  • ‘Sisonke’ – Thozi ft. Khanyisa, Sphokuhle & Pd Jokes
  • ‘Nkao Tempela’ – Ch’cco & Mellow & Sleazy
  • ‘Bakwa Lah’ – Major League DJz & Nvcho & Mathandos
  • ‘Phakade Lami’ – Nomfundo Moh
  • ‘Banyana’ – DJ Maphorisa & Tyler ICU
  • ‘Adiwele’ – Young Stunna ft. Kabza De Small and DJ Maphorisa
  • ‘Big Flexa’ – Costa Titch

Samro Highest Radio Airplay Composers Award

  • Osama – Zakes Bantwini

CAPASSO Most Streamed Song of the Year

  • ‘Abalele’ –  Kabza De Small, DJ Maphorisa ft. Ami Faku

International Achiever Award

  • Black Coffee

Lifetime Achiever Award

  • Joe Nina
  • Jimmy Dludlu
  • McCoy Mrubata

Best Adult Contemporary Album

  • Platinumb Heart Open – Msaki
  • Tapestry – Thapelo Lekoane
  • Where The Light Gets In – Pat McCay
  • Elephant In The Room – Watershed
  • Brother – Jacob Swann

Best Classical/Instrumental Album

  • African Bird – Khanyisile Mthetwa
  • Pangaea – Wouter Kellerman and David Arkenstone
  • It Takes Three – Charl Du Plessis Trio
  • Afrikaans – Scheppel
  • Franco Prinsloo: Kruis Van Liefde – Franco Prinsloo and Vox Chamber Choir

Best African Adult Contemporary Album

  • Cwaka – Mandisi Dyantyis
  • Thetha Mama – The One Who Sings
  • Camagu – Ntando
  • 2020 – Joe Nina
  • The Red Stoep – Nomfusi

Beste Kontemporêre Musiek Album

  • Volume – Die Heuwels Fantasties
  • Al Die Ysters – Jan Jan Jan
  • Sangoma Sandilands and Jou Pa Se Posse Maanskyn – Neil Sandilands
  • Twintigeenentwintig – Jennifer Zamudio
  • Woorde – Jodi Jantjies

Best Traditional Album

  • Tshihwilili Tshanga – Dr Mercy Masakona Madzivhandila
  • Dlozified – Mkhanyakude
  • Dziya Fhirtana – Vha Venda Cultural Group
  • Mathotse – Tau Sebata
  • Hantam Kerfees – Klipwerf

Best Reggae Album

  • Trailblazer – Reign Afrika
  • He Crowned I Emperor – Skeleton Blazer
  • Hard To Believe – Ras Canly
  • The Shift – Botanist Mr Lamington
  • Ngatanngwe – Red I Scorch

Best Jazz Album

  • History In A Frame – Jimmy Dludlu
  • At This Point In Time Voices in Volumes – Herbie Tsoaeli
  • Music From My People – Sibusiso Mash Mashiloane
  • Revision – Steve Dyer
  • Quiet Please – McCoy Mrubata

Best Contemporary Faith Music Album

  • Sacrificial Worship (Live) – Pulane Maphari
  • My Heart To Him – Thabelo
  • Denga – Kingdmusic
  • Find Me Singing – Lauren Cullen
  • The 34th Psalm – Ncebakazi Msomi

Best Traditional Faith Music Album

  • Vela Nkosi – Jumbo
  • In the Beginning – Paul K
  • Heaven’s Scroll – Puleng March
  • The Great Revival – Takie Ndou
  • Shrubs of Chronicle (Live) – Zaza

Best African Indigenous Faith Music Album

  • Similapha Nkosi – NUZ Voices Of Joy
  • Ba Bosiu – Isaac and The Mighty Messengers
  • Re Kopa Go Wena Ramasedi – JTG Gospel Choir
  • Ore Etele Mohloeki – The Harmony Singers Artist Development
  • Swi Lava Yeso – Zion Iskhalanga Academy

Best Maskandi Album

  • Idaymani – Thokozani Langa
  • Ziyashisa – Makhamnandi
  • Wangikhulisa uMama – Shwi Nomtekhala
  • Phakathi Komhlane nembeleko – Udumakahle
  • Ivila Laselawini – Mzukulu

Best Alternative Music Album

  • Glow – Alice Phoebe Lou
  • City Of God and The Jungle Below – Daniel Baron
  • Night Speak – Lo-Ghost
  • Romance Was Born – Anna Wolf
  • Child’s Play – Alice Phoebe Lou

Best Rock Album

  • Partypocalypse – Springbok Nude Girls
  • Headlights Dream – Steve Louw
  • Revolution – Tim Parr
  • Ennui – Deity’s Muse
  • Sacred Sound – Albert Frost

Best R&B/Soul Album

  • It’s All You – Brian Temba
  • Real Talk – P.Postman
  • The Arrival – Melleng
  • Sour Milk – Joda Kgosi
  • It Is What It is – Mikhale Jones

Best Pop Album

  • Trouble In Paradise – Shekhinah
  • Souvenirs – Jeremy Loops
  • Motion – Tresor
  • A Journal – Bonj
  • Don’t Let Go – Jacky Carpede

Beste Pop Album

  • Niks Vergelyk – Posduif
  • Hier Waar Ek Nou Is – Juan Boucher
  • Prisma – Janie Bay
  • Rugsak – Elandrê
  • Roekeloos – Rita Li

Best Afro Pop Album

  • Amagama – Nomfundo Moh
  • iStiff – Mnqobi Yazo
  • New Faces To Old Problems – Bonga Kwana
  • Sukulila – Cici
  • Amalobolo – Aubrey Qwana

Best Produced Music Video

  • ‘When House Was House’ by Mobi Dixon feat. Mariechan and JNR SA – Mabi Ntuli and Shona
  • ‘Inhlupheko’ by Big Zulu – Edward (Gobi Beast) and Ofentse Mwase
  • ‘Playback’ by K.O. – Ted Magerman
  • ‘Mamezala’’ by Mafikizolo ft. Simmy – Dale Fortune
  • ‘Finessin’ by AKA – Mninizo Sitho and Nhlanhla

Best Engineered Album of the Year

  • It Takes Three by Charl Du Plessis Trio – Peter Auret
  • Candid by Moonga K – Greg Abrahams, Mike Zietsman and Vicente Espi
  • Ghetto King by Zakes Bantwini – Zakes Bantwini
  • Pheli Makaveli by 25K – Sibabalwe Andile Fiphaza
  • City Of God and The Jungle Below by Daniel Baron – Daniel Baron and Darryn Muller

Rest of Africa Award

  • ‘If Orange Was A Place’ – Tems (Nigeria)
  • ‘Son of A Tribe’ – Edgar Muzah (Zimbabwe)
  • ‘Karabo’’ – Malome Vector (Lesotho)
  • Boyfriend’ – Ckay (Nigeria)
  • ‘Love & Isolation’ – Tay Iwar (Nigeria)

Remix of the Year

  • Sun-El Musician, Azana and Da Capo – Uhuru by Sun-El Musician and Azana
  • Manyelo Dafro, Bassekou Kouyate and Da Capo – Ladon by Manyelo Dafro ft Basekou Kouyate
  • Lira and DJ Maphorisa – Feel Good by Lira
  • Da Capo – Mama by Josiah De Disciple and Boohle
  • DJ Cleo – Gcina Impilo Yam by Bucy Radebe

Best Kwaito Album

  • Ama Roto Vol.2 – Reece Madlisa and Zuma
  • Don’t Lose Focus – Sukiri Papa
  • Let Dogs Lie Low – Simple Eugene
  • Kwaito Pallet – Shisaboy
  • Trip To Jozi – King Razo

Best Gqom Album

  • Umshunqo Reloaded – Dladla Mshunqisi
  • Khula – Bello No Gallo
  • Summer Banger – Dlala Thukzin
  • Best Of The Best – T-Man
  • The Journey – Slenda Da Dancing DJ

Best Dance Album

  • Musique – Chymamusique
  • Muzika – Miza
  • Ghetto King – Zakes Bantwini
  • When House Was House – Mobi Dixon
  • African Electronic Dance Music – Sun-El Musician

Chairman’s Award

  • Yvonne Chaka Chaka

Best Selling Artist

  • Notumato by Young Stunner

Content Courtesy of The SA Music Awards, Music In Africa & NFH

The 13th Annual Ankara Fashion and Music Festival is presented by Peter Lentini in Los Angeles, With Wande Coal and Yemi Alade as the stars

Posted on by Oscar Alochi

On September 2–4, Labor Day Weekend, the largest African cultural festival in the United States returns to feature African fashion designers and musicians.

The 13th Annual Ankara Fashion & Music Festival Los Angeles will bring together Africa’s best performers over Labor Day Weekend to turn up the heat with style and performances from top musicians (AFLA).

https://www.instagram.com/p/CgpKHJLrira/?utm_source=ig_web_copy_link

Seyi Brown, a Nigerian actor and comedian who will serve as the event’s host over the course of three days, will introduce works of art, African fashion designers, live performances, and musicians who represent some of the continent’s best cultural exports.

The largest African cultural gathering in the United States is the Ankara Fashion & Music Festival Los Angeles.

This year’s event will have an array of musicians, artists, actors, dignitaries, fashion designers, and entertainers with African roots, including:
1. Yemi Alade (Afrobeats Singer, Songwriter, and Actress)
2. Wande Coal (Afrobeats Singer and Songwriter)
3. Titi Lokei (Afrobeats Music Artist)
4. Nola Ade (Nigerian American Music Artist)
5. Nadia Mukami (Kenyan Music Artist)
6. Ada King (Afropop Artist),
7. Super Model Nyakim Gatwech (“The Queen of Dark” AFLA Red Carpet Host)
8. Njeri Karago (Kenyan Consulate)
9. Mame Mbaye (Senegal Consulate)
10. Robert Sichinga Jnr. (Zambian Consulate)
11. Salie Rayhana (South African Consulate)
12. Grant Arthur Gochin (Honorary Consul of Togo)

Peter Lentini, a well-known Afrobeats DJ who was reared in Lagos, Nigeria, formed the AFLA. Lentini is a self-made American success story who, for the past 15 years, has provided a diverse range of entertainment through event production and concerts featuring African performers all over the world.

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The Ankara Fashion & Music Festival Los Angeles was founded by Lentini to promote entrepreneurship by increasing the visibility of African artists across a variety of industries and to create a social environment for African cultural pride in the United States.

“The emergence of African artists and culture at this period is quite fascinating. There is no denying that Africa has had a significant impact on American culture, as evidenced by the introduction of Afrobeats, which is now a staple of popular music.

With some of the top musicians from Africa, this festival will continue to emphasize the distinctiveness of African music, fashion, and entertainment, according to Lentini.

The three-day event begins on September 2 and ends on September 4. Wande Coal will perform as the opening night’s main attraction at Catch One. The African Marketplace Pop-Up and Afrobeats Day Party will take place at The Fountain LA on the second day, starting at 2 p.m.
A runway fashion display with live African music will start at 5 p.m. on the last night at Exchange LA. At 8 p.m., Nigerian singer Yemi Alade will perform live. The evening will conclude with a Red Carpet event.

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Celebrities confirmed to attend and walk the red carpet:
1. Folake Olowofoyeku (CBS series “Bob Hearts Abishola”)
2. Bayo Akinfemi (CBS series “Bob Hearts Abishola”)
3. Sammi Rotibi (Actor “Batman v Superman: Dawn of Justice”)
4. Yinka Rythmz (Music Artist) Fanatic aka Billie Lennox (Grammy Award Winning Multi-Platinum Record Producer)
5. Isaac C Singleton Jr (Pirates of the Caribbean: The Curse of the Black Pearl)
6. Jimmy Jean-Louis (“Claws” TV Series and S.W.A.T”) and many more.

Venue locations:
Catch One: 4067 West Pico Boulevard Los Angeles, CA 90019
The Fountain LA: 2889 W Olympic Blvd, Los Angeles, CA 90006
Exchange LA: 618 S Spring St, Los Angeles, CA 90014

MEDIA CONTACTS:
Peter Lentini and Ankara Fashion & Music Festival Los Angeles (AFLA)
Deborah Griffin, Publicist
Strictly Industry
Email: deborahmckj@yahoo.com
Phone: 323-839-4521

Ankara Fashion & Music Festival Los Angeles (AFLA) – (on-site press contact)
Yvette Morales, Publicist
YM & Associates PR | Marketing | Branding
Email: YMoralesY@YM-PR.com
Phone: 949-244-9769

Ankara Fashion & Music Festival Los Angeles – VIP Talent & Media Executive Director
Noah Ogun Oluyide
Top Dreams Universal
Email: Topdreamsuniversal@gmail.com
Phone: 424-835-1057

Deborah Griffin
Strictly Industry
323-839-4521
deborahmckj@yahoo.com

Content courtesy of EIN News Wires, Ankara Fashion & Music Festival Los Angeles & NFH

Top 20 Kenyan Fashion Influencers Making A Wave In The Creative Industry

Posted on by Fashion Police

Social media has given the world access to outstanding fashion influencers from across the continent and the entire world in this digital age. As new opportunities keep appearing, the Kenyan influencer market has been keeping up with digital trends and conventions.

We get a peek of how Kenyan fashion influencers present their aesthetics through their own designs thanks to the expanding number of Instagram creators, YouTube producers, and TikTokers.
You’ve come to the right place if you’re looking for some new fashion inspo, as we’ve carefully selected some fascinating Kenyan influencers for you to check out.

Esther Akoth Akothee

Diana Marua Bahati

Amber Ray

DJ Sadic

Berhane Lucia

https://www.instagram.com/p/Cdir5E8j9TZ/?utm_source=ig_web_copy_link

Esther Macharia
Ola Wanserska
Maureen Waititu
Dorea Chege
Dr. King’ori
Jackie Matubia
Arrow Bwoy
Adelle Onyango
Sharon Mundia
La belle fashions
David The Student
Nana Owiti
Don Krg Lobos
Bridget Shighadi
Wabosha Maxine
Backyard Shoez
Jacque Maribe
Tracy Wanjiru
Jacquey ‘Wilbroda’ Nyaminde

 

Rwanda: Rwandese Lady Mugabekazi Lilliane Detained For Inappropriate Attire

Posted on by Oscar Alochi

In Rwanda, a 24-year-old woman is currently imprisoned for wearing “indecent” clothing to a performance.
The woman wearing the See me through dress with her pants completely exposed can be seen in the viral photo that went popular on social media.
As far as one could tell from the picture after noticing her black pant, one could tell she was braless, but it was impossible to tell if she actually wore a bra.
The Rwandan government then detained this woman and accused her of wearing indescent clothing. Mugabekazi Lilliane has been denied bail and will remain in custody as requested by the prosecution in a closed-door hearing.

News of the arrest sparked outrage among some Rwandans, but government officials including former justice minister Johnston Busingye backed the move.

Mugabekazi Lilliane has been denied bail and will remain in custody as requested by the prosecution in a closed-door hearing. She was accused of “Public Indecency,” a crime that carries a maximum 2-year prison sentence under Penal Code Article 143.

A 24-year-old woman named Mugabekazi Lilliane is in court today on counts of indecent dressing.

The image was captured during a concert in Kigali. However, her attorney requested that the matter be heard behind closed doors. The administration has committed to control indescent clothing.

https://www.instagram.com/p/ChcGRB0Kp33/?igshid=YmMyMTA2M2Y=

Prosecutors claimed that she committed a “major criminal” by attending the event in “clothing that disclose her private parts…things that we label shameful.”

“We want the court to remand Mugabekazi for 30 days based on these significant grounds.”

“She may have engaged in public obscenity,” “Faustin Nkusi, a spokesperson for the prosecution, told AFP that the court would decide on Tuesday whether to grant her bail.

Some Rwandans expressed outrage upon hearing of the arrest, but government officials, including former justice minister Johnston Busingye, supported the action.

https://www.instagram.com/p/Chb2hD1oR9Q/?igshid=YmMyMTA2M2Y=

Busingye, who is currently Rwanda’s ambassador to Britain, tweeted, “The current issue of our young men and women who drink and drug themselves unconscious, stand in public literally nude, is unpleasant.

I support the initiatives taken to address it.

Last week, police spokesman John Bosco Kabera condemned what he called “immorality and vulgarity among young people” in a television appearance.

“This problem is getting worse… you see people walking about in just shirts, no shorts, no pants,” he remarked.

Then, wearing attire that resembles nets, these folks enter public spaces.

The first right is to dress correctly, not to wear indecently, he said in response to the program host’s question on whether “such people did not have a right to dress as they pleased.”

Content Courtesy of New 18 , Chimp Report & NFH

Ghana’s Fashion Revolution Is Centered On The Secondhand Market.

Posted on by Fashion Police

The largest secondhand market in Ghana, Kantamanto, is inspiring a new generation of designers to support a local fashion scene.
Tourism is big in Ghana, where I’m from, especially now that more people are coming to celebrate Detty December. The country’s emerging creative scenes, including those in the arts, music, and fashion, have yet to be fully investigated.

Recently, the fashion industry in particular has flourished in this country as more and more young people take an interest in it and work to develop a style culture that is distinctive to their country.

Although they are affected by western media, local fashion creatives have learned to expand on what they observe there. Due to the lack of retail presence of the majority of the glamorized popular American and European brands in Ghana, designers and stylists in Accra have not only drawn on their ingenuity to create something out of nothing, but have also excelled in doing so.

However, the expansion of our fashion ecosystem is not just dependent on the creativity of these individuals but also on a market that existed much before the fashion revolution. Ghana’s largest secondhand market is located at Kantamanto. It is the go-to location for inexpensive clothing and is credited with popularizing the phrase “Obroni Wawu,” which translates to “Dead Man’s Clothes.”

All of these garments rest in Kantamanto Market, which is also a source for designer goods and uncommon fabrics.
Accra now has a strong thrift culture thanks to Kantamanto. Everyone can readily access the market, making it convenient for those looking for trendy accessories to make a quick trip and purchase what they require.
Adom Gee, a self-taught stylist and designer, travels to Kantamanto at least three times every week since he needs to buy fabric there for his clothing line, “Adom Gee The Brand.” “Walking around Kantamanto really gives me the inspiration to produce more,” he says.

He has experience in the fashion industry and is familiar with every corner of this vast market to get what he needs, but even he acknowledges that “you never know what you will arrive and find here.”

“I feel like Kantamanto will forever be a relevant part of Ghana’s fashion ecosystem” – Larley Lartey

As one of the up-and-coming designers, Adom is appreciative of markets like Kantamanto that enable him to design unique items for his business. His style of the Ghanaian rapper Kwesi Arthur and his African-inspired brand designs are starting to gain him recognition.

Speaking with model-turned-stylist Larley Lartey in Accra, she revealed that she first encountered Kantamanto during her school years, when she always aspired to be the coolest person in the room.

I distinctly recall leaving senior high school in the middle of a class to go to Kantamanto and buy some clothes because I wanted to stand out. In her styling job, Larley produces the looks she sees in her head using Kantamanto, whether she buys a specific piece of clothing or makes it from scratch with fabric she finds in the market.
However, as more individuals join her in using Kantamanto for their fashion requirements, she regrets that “the demand is larger than the supply.” Lartley now works with several well-known Ghanaian musicians, including as Stonebwoy and King Promise, and she hopes to work with foreign musicians like Dua Lipa or Kali Uchis in the future.

Nutifafa is a multihyphenate creative who works as a model, stylist, creative director, and environmentalist. She takes pride in having a distinctive viewpoint that doesn’t just follow the latest trends. Young and newly arrived in Accra, she rapidly observed that the majority of locals were simply copying what they were seeing in the west at the moment.
However, she dared to stand out and has distinguished herself in her field. Her unconventional approach to fashion has been the secret to her success in the industry as she has worked on fashion projects in a variety of positions, including styling and creative directing. Because she openly claims that the majority of her clothing is secondhand from the market, Kantamanto serves as the foundation for Nutifafa.

You may discover your sense of style at Kantamanto, she claims. Even while Kantamanto has its advantages, Nutifafa is concerned about the effects the tons of clothing that arrive each week will have on the environment. She promotes recycling and repurposing of clothing through her company Upcycled Ghana in an effort to stop this.
“Kantamanto is the source for all the high-end apparel products we typically wouldn’t have access to,” – Style in Drip Drip
Champagne, 40K Phyll, and Webster are the three buddies who make up the collective Drip Drip Styling, which is swiftly rising to prominence in the field. When they first met at Kantamanto, they shared the aim of earning money by selling used clothing, but they have since become well-known personalities in the styling sector.

The group explains how simple it is for them to locate uncommon apparel in bales. As a fan of Prada bags, 40K displays some merchandise from the high-end company he found while thrifting. When describing some of the difficulties they encounter, Champagne remarks that “the quality of the things that come presently in the bales is declining.” Despite certain difficulties, the lads credit their success in styling in part to the easily accessible sector they operate in.

In addition to styling some well-known figures in the African music industry, the trio is expanding into designing for a brand they have founded called D2 Essentials.

Content courtesy of Dazed Digital & NHF

Lagos Fashion Week And Africa Fashion Week Nigeria Make A Triumphant Return.

Posted on by Fashion Tribe Influencer

As two Nigerian powerhouses, Lagos Fashion Fair Exhibition and Africa Fashion Week Nigeria join forces to host their events together in September at the prestigious Eko Hotel and Suites on the 7th to the 9th of September, fashion lovers, designers, industry experts, and enthusiasts are in for a special treat.

Ayo Olugbade, CEO of Lagos Fashion Fair, and Princess Ronke Ademiluyi, founder of Africa Fashion Week Nigeria, have joined forces in this historic cooperation to jointly stage their events. This unprecedented collaboration is expected to transform the way that fashion shows are conducted in Nigeria. For their eighth edition, both brands are making a spectacular entrance.

The Lagos Fashion Fair Expo powered by Atlantic Exhibition seeks to provide the ideal platform for fashion enthusiasts to interact with fashion suppliers from throughout the nation.

The Lagos Fashion Fair will bring together fashion suppliers and merchants to develop new avenues of distribution for the industry.

In order to highlight the best of Nigeria’s and Africa’s up-and-coming creative design talent, Africa Fashion Week Nigeria was established as a sister event to Africa Fashion Week London, the largest festival of African fashion in the United Kingdom (UK).

This year’s event promises to be at the forefront of promotion of African indigenous textiles, colors, and design with the sole goal of exposing African creatives on a worldwide platform as African fashion continues to dominate the global fashion landscape.
The LFF and AFWN joint event this year will provide fashion consumers, industry experts, trendsetters, stylists, models, and designers with the opportunity to shop at discounted prices, forge business connections, and build networks with domestic and foreign firms.

Some of Nigeria’s top up-and-coming designers, including AdirestylesNG, Ego by Ego, Fashion by Ashani, HardleySeen,

Nivaldo Thierry from Mozambique, YawsCreations from The Gambia, and Hortense Mbea Afroplan from Ethiopia are among the designers joining us this year on the Pan African catwalk in addition to KaffyKreate, PnJofficial, Dushin Craft, and Max Chidera Official.

Additionally, adire workshops by Adire Oodua Textile Hub and celebrity designer Kunle Afolayan displaying his Kunle Kembe Adire line will be included during the three-day event, which will take place at the Eko Hotel from September 7 to 9.

Exciting attractions that have been thoughtfully packaged for the guests anticipated to congregate in Lagos for this year’s event are lined up to light up the fashion runway and exhibition.

Attendees at this year’s event will enjoy a series of non-stop fashion moments, including a masterclass session by serial entrepreneur Toyin Lawani, who will offer a refreshingly different fashion experience to all fashion lovers and enthusiasts yearning for a breath of fresh air in the Nigerian fashion space. The event also serves as a platform for emerging fashion designers to grow their businesses and connect with a global market.

Content courtesy of Business Day & NFH

Nkano Senyolo, A Businesswoman, Is Committed To Assisting South African Fashion Designers Achieve Their International Success.

Posted on by Oscar Alochi

In addition to foreign designers like Alessandro Michele and Virginie Viard, South African fashion designers have often demonstrated that they belong in international fashion weeks.

Lukhanyo Mdingi, an East London native, debuted his African-inspired Bodyland line at Paris Fashion Week’s Autumn/Winter 2022 exhibition at the start of this year.
At the Autumn/Winter 2021 Paris Fashion Week, Thebe Magugu, winner of the LVMH Prize for Young Fashion Designers, debuted his Banyoloyi A Bosigo line.

Therefore, it is evident that our nation has a wealth of creative potential, but the issue is in making the world aware of it more.

Nkano Senyolo, an entrepreneur and the creator of IFW Business, is out to alter that.
IFW Firm is a business that helps up-and-coming and registered South African fashion designers by providing them with tools including educational courses, masterclasses, trade shows, exhibitions, retail, and showcases to help them expand their businesses.

Senyolo, a fashion design graduate from the University of Johannesburg’s college of art, design, and architecture with more than 11 years of experience in the fashion industry, observed that there was an imbalance in the sector. Examples of this imbalance include:

African fashion trends lagged behind, there were many excellent designers with little exposure, many people with extraordinary creativity but little business sense, and the South African fashion industry was greatly underappreciated, to name a few difficulties.

She established IFW Business and IFW Projects (NGO) in 2019 due to her solution-driven, ardent, and charitable nature.
Her company’s goals include connecting designers with manufacturers of clothing, helping designers create a sustainable online presence that will draw more customers and buyers, securing and organizing attendance at international fashion shows and exhibitions, and creating outstanding fashion portfolios so that designers will be given preference in retail selection.

In order to eventually establish itself as the go-to brand for creative people or fashion designers looking to expand their brand, gain access to resources, and have more business opportunities, the company is currently managing a group of ten South African fashion designers and their collections while also working to incrementally expand its portfolio (nationally and internationally).

They were given the chance to participate in other international fashion shows after a successful debut in Amsterdam, Netherlands, in March of this year, where they showcased two talented South African fashion designers, Sandi Mazibuko and House of Fabrosanz.
Two local designers will go to Turkey in August on the company’s behalf to participate in the Cappadocia Fashion Week.

Africa Fashion Week Europe (AFWEU) hosts Cappadocia Fashion Week every year to give designers a venue to display their clothing and to promote various designers between Africa and Europe.

Nguni Brand and House of Fabrosanz will also be making appearances at Cappadocia Fashion Week as South African companies.

Rapule Mathonsi, the label’s creative director, Nandi Mtsokoba, the production director, and Wendy Magafela formed Nguni Brand together (Sales Director). The lovely and vibrant Nguni culture served as the inspiration for Nguni Brand.

They mostly take cues from Zulu, Xhosa, Swati, and Ndebele cultures, with some Sotho culture incorporated to produce distinctive patterns. The objective is to establish this as a global brand in addition to making it known in Durban, South Africa.

“We want the beauty of our cultures to be seen by people all around the world. We are a new, established, and energetic brand,” adds Mathonsi.

Designer Sandisiwe Mazibuko established Fabrosanz (FRS) in 2011. Fabulous Royalty Sanz is the abbreviation for Sandisiwe’s name, and Sanz stands for Fabulous Royalty.
The name of the company reflects Sandi’s desire for her clothing to make the wearer feel regal and wonderful.

The Nguni print, which is the most popular because it is purchased internationally, is one of the FRS’s own culturally inspired prints that it uses to create clothing for both men and women. Since the Zulu culture is a significant part of Fabrosanz’s heritage, it is important that she convert it into wearable clothing.

The Venda, Tsonga, and Sepedi-inspired prints were designed in 2021 as a way to commemorate the brand’s ten years in the business. These prints were influenced by earlier collections.

“The fabrics, colors, and themes found on these civilizations’ traditional clothing served as the inspiration for our collection offers. According to Mazibuko, the prints are created by combining various shapes with vibrant colors that all have cultural significance.

IFW Business intends to invite further regional designers to fashion weeks including Istanbul Fashion Week in December 2022 and Nairobi Fashion Week in November 2022.

Content courtesy of IOL & NFH 

 

WhiteCap Crisp Introduces a Sleek 330ml Cans In Kenyan Market

Posted on by Oscar Alochi

With the release of a stylish canned beer in 330ml volume on the market, Kenya Breweries Limited has bolstered the expansion of its Whitecap Trademark. The can pack strives to provide value and convenience for consumers while adhering to the brand’s environmental commitment.

Building on WhiteCap Lager, WhiteCap Crisp beer was launched earlier in March with updated liquid flavor, new labels, and a fresh appearance.
“Consumer needs and preferences have changed such that consumers are constantly looking for things that fit into their lifestyle, have excellent taste, simplify their lives, attract their attention, and have a positive influence on the environment,” argues Ngugi Kerago, Head of Emerging Channels.

“We strive to strike a balance between the premium nature of our beers and their high value. Because it is portable, lightweight, convenient, and swiftly cools, the can is a great option. Additionally, it is more eco-friendly in terms of the environment. He added.

To appeal to aspirational drinkers who want a modern but approachable beer with premium flavor, enjoyed every day on light drinking occasions like during a meal with friends, lunch, or afternoon debriefings, WhiteCap crisp is blended with fine Kenyan ingredients. It has a clean, lighter taste, is sugar-free, and is of high quality.

KBL’s Marketing Manager for the Beer Category, Catherine Ndungu, commented during the immersion session: “We are optimistic that the innovation will be equally successful with our consumers and will help grow the category.
We intend to establish ourselves as a key player in the local beer market and beyond by producing aspirational beers that are convenient and dependably tasty. We are also providing a solution for the moderators who are always looking for drinks that have low alcohol content, no added sugar, and are available in the smallest size that they find most appealing.

Craft beer in cans is a more and more popular option everywhere in the world. Research shows that consumer trends and attitudes toward packaging are what are driving this format’s explosive expansion.

Because they are portable, lightweight, and environmentally friendly, consumers adore cans.
WhiteCap is the top local mass premium brand with premium qualities of the highest caliber while remaining grounded in regional values. Its admiration has a long history and may be traced to pre- and post-colonial times. It was first mostly drank by white settlers before being embraced by Kenyan elites.

https://twitter.com/WhiteCapLager/status/1550818919664984065?s=20&t=OEZttVampQRynC7cUCN4JQ

The suggested retail price (RRP) for the new WhiteCap Crisp is Ksh. 180 for a returnable bottle (RGB) and Ksh. 200 for a can. It is best savored on casual drinking situations like lunch with friends, afternoon debriefings, or mealtimes.
According to CCF data, 62% of consumers say that leading a healthy lifestyle is vital. Of this group, 43% make an effort to limit their alcohol consumption, and 45% look for “genuine and natural” in the food and beverages they choose.

Content courtesy of Capital Lifestyle & NFH 

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