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Five years ago Kisilu, a Kenyan farmer, started to use his camera to capture the life of his family, his village and the damages of climate change. When a violent storm throws him and a Norwegian filmmaker together we see him transform from a father, to community leader to an activist on the global stage.

Thank You For The Rain addresses a range of issues linked to climate change, including climate justice, urbanization, gender equality, education, access to water, climate refugees, and adaptation.

This film is a collaborative film made by Kisilu Musya, a Kenyan farmer, climate fighter and video diarist, and Julia Dahr, a Norwegian filmmaker and activist. Living in completely different parts of the world, Kisilu and Julia found each through this project, and have been working together for more than five years to complete Thank You For The Rain.

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Kisilu: “I had never met a filmmaker before I met Julia and never even seen a full film as I live very remotely with no electricity. It was very interesting to see Julia’s way of working and how she thought my community’s story was so important to the world. When the film team asked if they could stay with me and my family for a month to film, I said yes without any hesitation. But I had one condition: That I could also get a camera to tell my story together with the filmteam.”

Julia: “In my opinion Kisilu having his own camera is what makes this film so special. Kisilu is extremely brave and generous with the audience in his video diaries. He truly gives the audience everything to make sure they feel and understand his fighting spirit and the psychological challenges that he and his community is going through because of climate change. I am proud that we’ve together managed to make a story of hope from the frontline of climate change.”

Kisilu: “Now we are looking forward to bring this film to communities around the world and strengthen the global climate justice movement. I have already started using parts of the film in my own farming community, screening it in schools and churches to engage and share knowledge on how we can build climate resilient communities. I am looking forward to speed up this work and do my level best to help my community and the world.”

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18 Hours is a 2017 Kenyan fictional film written and directed by Njue Kevin and starring Nick Ndeda, Brian Ogola and Sue Wanjiru. The film follows a rookie paramedic who survives 18 hours in an ambulance for the life of a road accident casualty who is denied admission into hospital.

Zach “Nick Ndeda” works for Raven paramedics services. His job is to handle emergency cases. An emergency call comes in from a witness about an accident that along Highway 89. A pedestrian has been involved in a high speed hit and run while on his way home from work.

Assigned head of the rescue, Zach and his driver Mark “Brian Ogola”dash out of their base and in about 20 minutes, they arrive at the scene. The casualty (whom we make a deliberate action to not see his face) is bleeding from the head and not moving.

Zach and Mark get the casualty into their ambulance and soon after, they are on their way to different hospitals. Joined by Sabina (the casualty’s wife), they each take turns watching over the casualty as they ensure he has sufficient oxygen all the time.

Marred by chaos, Zach’s is determined to keep the victim alive 18 Hours after the accident.

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Production

A Handheld documentary-style film, the directors approach was to film 18 hours in long takes. Since the film takes place in a definite scope of time, shooting in real time added to it an authentic atmosphere. This kind of filming in mind, as opposed to a lot of cutting; ensures the viewer gets fully immersed in the narrow spaces of an ambulance. Creating a claustrophobic feel to the picture.

The visual style seeks to create a portrait-like narrow field of vision giving the viewer an intimate look at the character Zach whose journey we shall follow for the entirety of the film. Zach’s fears make him vulnerable, so, visual elements including low-key lighting, striking use of light and shadow, overexposure and unusual camera placement is something explored in the film.

The score, an original piece by Jacktone Okore, is composed to match the emotional authenticity of the film. The accident victim unable to speak for a majority of the film, and with the film’s little dialogue; the viewer will be soothed, encouraged and like the Victim… given the will to live.

Release

18 Hours is scheduled for a cinema release from 10th November throughout Kenya and East Africa. There after, the film will be available across Africa on select VOD platforms. The film will later make a tour across Europe and North America through a selected list of international film festivals.

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